|
Performer: Jerzy Swoboda BACON: Cello Sonata (Review by Paul A. Snook) | conductor | BACON: Collected Short Piano Works (Review by Paul A. Snook) | conductor | BACON: Remembering Ansel Adams (Review by Paul A. Snook) | conductor | BACON: Tumbleweeds (Review by Paul A. Snook) | conductor | BAIRD: Piano Concerto (Review by Jens F. Laurson) | conductor | BARBER, STEPHEN: XYZ. L (Review by Phillip Scott) | conductor | BARNES, FLOYD: Intrada for Brass and Percussion (Review by Elliott S. Hurwitt) | conductor | BARNETT: Overture for a Greek Drama (Review by Stephen Ellis) | conductor | BEELER: Homage to Roger Sessions (Review by Stephen Ellis) | conductor | BEELER: Mad Song for Orchestra (Review by Stephen Ellis) | conductor | BERKY, CARL: Frozen Vibrations. Baroqueisms of Pleasure (Review by Elliott S. Hurwitt) | conductor | BLACK, ROBERT: Capriccio (Blown Apart. Foramen Habet!. Three Pieces for Violin and Piano (Review by Mike Silverton) | conductor | BLANK, ALLAN: Overture for a Happy Occasion (Review by Robert Kirzinger) | conductor | BOKHOUR: Angel Butcher (Review by Peter Burwasser) | conductor | BRIGGS, D.: Tracer (Review by Robert Carl) | conductor | BRIGGS, D.: Tracer (Review by Robert Kirzinger) | conductor | BRISMAN: Sinfonia Concertante for Viola and Orchestra (Review by David Denton) | conductor | BROWN, WHITMAN: Zudnick (Review by Stephen Ellis) | conductor | CALDWELL: Elegy (Review by David Denton) | conductor | CIPULLO: Sparkler (Review by Elliott S. Hurwitt) | conductor | CLARK, STEPHEN M.: Cyranoverture (Review by John Story) | conductor | COOKE, FRANCIS JUDD: The House of Christmas—Cantata. Symphony 1990. Symphony 1994. Variations in G. String Quartet (Review by Richard Burke) | conductor | DAVIS, MICHAEL: . . . and One Last Waltz (Review by Jerry Dubins) | conductor | DIEHL: Insiders. (Review by Phillip Scott) | conductor | DUSEK, ROBERT: Leviathan (Review by Elliott S. Hurwitt) | conductor | EARNEST, JOHN DAVID: Chasing the Sun (Review by David Denton) | conductor | ELKANA: Tru’a (Review by William Zagorski) | conductor | FARMER, PETER: Concertino for Tenor Saxophone. Symphony No. 1 (Review by Paul Ingram) | conductor | FARMER, PETER: On Mount Pleasant (Review by Robert Carl) | conductor | FARMER, PETER: On Mount Pleasant (Review by Robert Kirzinger) | conductor | FRANKLIN: Overture to a Confederacy of Dunces (Review by David Denton) | conductor | FRISK: Tetrachordal Variations. (Review by Phillip Scott) | conductor | FUNK: Symphonies (Review by David Denton) | conductor | FUNK: Symphonies (Review by John Story) | conductor | GABEL: Whale Hunt Dream (Review by David Denton) | conductor | GAMER: Arkhe (Review by John Story) | conductor | GASS: Midday Above Heiligenblut (Review by Elliott S. Hurwitt) | conductor | GEORGE: Introduction and Allegro (Review by Peter Burwasser) | conductor | GIESEN: Goodbye Paul Celan (Review by William Zagorski) | conductor | GOODMAN, JEROME DAVID: Symphony No. 2 (Review by Peter Burwasser) | conductor | GOODWIN, GORDON: Paraph. (Review by William Zagorski) | conductor | GÓRECKI, HENRYK: Symphony No. 3, op. 36 ("Symphony of Sorrowful Songs") (Review by Martin Anderson) | conductor | GRIEBLING, STEPHEN T.: Queensrňere (Review by Peter Burwasser) | conductor | HANSEN, DEANNA: Polish Suite. (Review by Jerry Dubins) | conductor | HEINRICHS: Dream Sequence.' (Review by Raymond Tuttle) | conductor | HICKS, GEOFFREY: The African-American Symphony (Review by Elliott S. Hurwitt) | conductor | HOAG: Flint Hills Contours. (Review by Phillip Scott) | conductor | HOMANS: 4 Choruses (Review by William Zagorski) | conductor | HOMANS: Tavistock (Review by William Zagorski) | conductor | HOOSE: Excursions (Review by Colin Clarke) | conductor | HUGGLER: Ecce Homo (Review by David Denton) | conductor | IANNACCONE, ANTHONY: Concertante for Clarinet and Orchestra (Review by William Zagorski) | conductor | KEMP: Divertimento for Strings (Review by David Denton) | conductor | KOPLOW: Elegy for Viola and Orchestra, "Martin Luther King Jr" (Review by David Denton) | conductor | KOWALSKI, DAVID: Double Helix (Review by David Denton) | conductor | LARSON, ANNA: Adagio for Trumpet and Strings. (Review by Jerry Dubins) | conductor | LAY: Earth Caoine (Review by William Zagorski) | conductor | LENTINI, JAMES: Dreamscape (Review by Robert Kirzinger) | conductor | LENTINI, JAMES: Sinfonia di Festa. Through Time and Place (Symphony No. 1). Three Sacred Meditations. The Angel’s Journey. Dreamscape (Review by Robert Schulslaper) | conductor | LENTINI, JAMES: Sinfonia di Festa. Through Time and Place (Symphony No. 1). Three Sacred Meditations. The Angel’s Journey. Dreamscape (Review by Henry Fogel) | conductor | LENTINI, JAMES: Sinfonia di Festa. Through Time and Place (Symphony No. 1). Three Sacred Meditations. The Angel’s Journey. Dreamscape (Review by Huntley Dent) | conductor | LENTINI, JAMES: Sinfonia di Festa. Through Time and Place (Symphony No. 1). Three Sacred Meditations. The Angel’s Journey. Dreamscape (Review by Colin Clarke) | conductor | LOCH: Remembrance (Review by William Zagorski) | conductor | LOCH: Transformation (Review by William Zagorski) | conductor | LOCH: Transformation (Review by Michael Fine) | conductor | LOMON, RUTH: Terra Incognita (Review by David Denton) | conductor | MCBRIDE: Four for Orchestra (Review by Stephen Ellis) | conductor | MCCARTHY, DANIEL: Towers (Review by Phillip Scott) | conductor | MCKINLEY, WILLIAM THOMAS: An Overture fo ra Film (Review by David Denton) | conductor | MCKINLEY, WILLIAM THOMAS: Concerto No. 2 for Piano and Orchestra (Review by Robert Carl) | conductor | MCKINLEY, WILLIAM THOMAS: Concerto No. 2 for Piano and Orchestra (Review by Robert Kirzinger) | conductor | MCKINLEY, WILLIAM THOMAS: Goldberg Variations for Flute Duo and Orchestra. 2 Movements for Flute and Strings. 3 Movements for Flute and Strings. (Review by William Zagorski) | conductor | MCKINLEY, WILLIAM THOMAS: Viola Concerto No. 2 (Review by Colin Clarke) | conductor | MCKINLEY, WILLIAM THOMAS: Viola Concerto No. 3 (Review by Lawrence A. Johnson) | conductor | MCKINLEY, WILLIAM THOMAS: Violin Concerto. Symphony of Winds. Sinfonie concertante (Review by Paul Ingram) | conductor | MELLONI: Festive Overtures. (Review by Jerry Dubins) | conductor | MOGENSEN: Rendez-vous (Review by Robert Kirzinger) | conductor | MOYER: Kaddish—Fantasia (Review by John Story) | conductor | NIELSON: Procession. (Review by Phillip Scott) | conductor | OLMSTEAD: Sinfonia BorealisK (Review by David Denton) | conductor | PALMER, LAUREE: Millennium. (Review by Jerry Dubins) | conductor | PANN: Rags to Riches (Review by William Zagorski) | conductor | PANN: Rags to Riches (Review by Lynn René Bayley) | conductor | PARSHALL-VEHAR: LighťLux/Svietlo (Review by Stephen Ellis) | conductor | PERLONGO: Sunburst (Review by William Zagorski) | conductor | PHILO: Spring Music (Review by Stephen Ellis) | conductor | PIERCE: Short Suite Overture (Review by Stephen Ellis) | conductor | POST, DAVID: Divertimento for Reed Trio. English Horn Concerto. (Review by Paul Ingram) | conductor | PRICE, ROGER: Rhapsodies for Piano and Orchestra (Review by John Story) | conductor | REICHA: 3 Fanfares (Review by Stephen Ellis) | conductor | RENDLEMAN: Poems of Margaret Proctor Wood (Review by William Zagorski) | conductor | RENDLEMAN: Song for My Son (Review by William Zagorski) | conductor | RENDLEMAN: Symphonic Overture (Review by William Zagorski) | conductor | RICHARDS, STEPHEN: Prayer—Suite for Oboe and Strings (Review by Robert Kirzinger) | conductor | ROBBINS: Micro-Symphony (Review by John Story) | conductor | ROBBINS: The Heart's Trapeze“ (Review by Raymond Tuttle) | conductor | ROCKMAKER: Interchangeable Parts? (Review by Raymond Tuttle) | conductor | ROGERS, RUSSELL: Warrior Dreams? (Review by Raymond Tuttle) | conductor | ROSSI, MARC: Negru Voda (Review by Robert Carl) | conductor | ROSSI, MARC: Negru Voda (Review by Robert Kirzinger) | conductor | RUSH, STEPHEN: Possession (Review by Stephen Ellis) | conductor | SCHUBERT: (arr. Stephen Casale) Symphony in b, “Unfinished“ (Review by Jerry Dubins) | conductor | SCHWARZ, IRA-PAUL: Celtic Concerto. (Review by Phillip Scott) | conductor | SHARPLEY: Sojourn (Review by Elliott S. Hurwitt) | conductor | SKUPINSKY: Obscene Limericks (Review by David Denton) | conductor | STANLEY, HELEN: Pasacaglia (Review by David Denton) | conductor | STEWART, FRANK GRAHAM: Overture brevis. Viola Concerto. Fantasy for Orchestra. Clarinet Concerto. Scherzo for Orchestra (Review by Raymond Tuttle) | conductor | STEWART, FRANK GRAHAM: Viola Concerto (Review by David Denton) | conductor | STILLER: Procrustean Concerto (Review by William Zagorski) | conductor | STOCK, DAVID: Fast Break (Review by Stephen Ellis) | conductor | STONE, ROBIN: Adagio for String Orchestra and Oboe (Review by Elliott S. Hurwitt) | conductor | STRANDBERG, NEWTON: 4 Preludes for Orchestra (Review by David Denton) | conductor | STRANDBERG, NEWTON: Fiesta for Orchestra (Review by Elliott S. Hurwitt) | conductor | STRANDBERG, NEWTON: Viola Concerto (Review by Colin Clarke) | conductor | STRAVINSKY, IGOR: Concerto in E♭ (Dumbarton Oaks) (Review by Mike Silverton) | conductor | TARLOW: Kavanah (Review by David Denton) | conductor | TOMARO: Celestial Navigation (Review by Robert Carl) | conductor | TOMARO: Celestial Navigation (Review by Robert Kirzinger) | conductor | WALTON, WILLIAM: Viola Concerto (Review by Lawrence A. Johnson) | conductor | WARSHAUER: Yes! (Review by William Zagorski) | conductor | WARSHAUER: Yes! (Review by Lynn René Bayley) | conductor | WARSHAUER: Yes! (Review by Patrick Rucker) | conductor | WINTEREGG: Visions and Revelations.*' (Review by Raymond Tuttle) | conductor | WOLKING: Forests (Review by William Zagorski) | conductor | WOLKING: Letting Midnight Out On Bail (Review by William Zagorski) | conductor | WOLKING: Powell Canyons (Review by William Zagorski) | conductor | WOMACK: Pentade (Review by David Denton) | conductor |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|