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Book Reviews Index
2000 JAHRE MUSIK AUF DER SCHALLPLATTE Edited by Martin Elste and Carsten Schmidt. Vienna: Gesellschaft für Historische Tonträger, 2018. |
A BASIC CLASSICAL AND OPERATIC RECORDINGS COLLECTION FOR LIBRARIES. By Kenyon C. Rosenberg. 269 pp. Metuchen, N.J.: Scarecrow Press, Inc. $27.50 |
A BRAHMS READER By Michael Musgrave. New Haven and London: Yale University Press, 2000. |
A CELEBRATION OF AMERICAN MUSIC- Words and Music in Honor of H. Wiley Hitchcock. Edited by Richard Crawford, R. Allen Lott, and Carol J. Oja. 519 pp. Ann Arbor: University of Michigan Press, 1990 |
A CELLIST'S LIFE By Colin Hampton. Escondido, CA: Back Stage Books (String Letter Publishing); 2000. |
A COMPANION TO SCHUBERTS SCHWANENGESANG: HISTORY, POETS, ANALYSIS, PERFORMANCE Edited by Martin Chusid. New Haven and London: Yale University Press, 2000. |
A CONCISE HISTORY OF WESTERN MUSIC By Paul Griffiths. New York: Cambridge University Press, 2006. |
A GLENN GOULD CATALOG. Compiled by Nancy Canning. Westport, CT and London: Greenwood Press, 1992. xxxi, 230 pp. [hardback] $47.95 |
A GUIDE TO OPERA RECORDINGS. By Ethan Mordden. 308 pp. New York: Oxford University Press. $24.95 |
A GUIDE TO THE SOLO SONGS OF JOHANNES BRAHMS. By Lucien Stark. 374 pages. Bloomington and Indianapolis: Indiana University Press |
A HEART AT FIRE'S CENTER: The Life and Music of Bernard Herrmann. By Steven C. Smith. 416 pp. University of California Press, 1991 |
A HIGH AND HOLY CALLING: Essays of Encouragement for the Church and Its Musicians By Paul Westermeyer. St. Louis, MO: Morningstar Music Publishers, 2018. |
A HIGH AND HOLY CALLING: Essays of Encouragement for the Church and Its Musicians By Paul Westermeyer. St. Louis, MO: Morningstar Music Publishers, 2018. |
A HISTORY OF OPERA By Carolyn Abbate and Roger Parker. New York: Norton, 2012. xix + |
A HISTORY OF RUSSIAN MUSIC By Francis Maes. Berkeley: University of California Press, 2001, |
A HISTORY OF WESTERN MUSIC, THIRD EDITION. By Donald Jay Grout. 849 pp. New York:W. W.Norton, $19.95 |
A KINGDOM NOT OF THIS WORLD: Wagner, The Arts, and Utopian Visions in Fin-de-Siècle Vienna By Kevin C. Karnes. New York: Oxford, 2013. x + |
A LIFE IN MUSIC: From the Soviet Union to Canada By Alexander Tumanov. Translated and edited by Vladimir Tumanov. Denton, TX: University of North Texas Press, 2019. |
A MOST WONDROUS BABBLE: American Art Composers, Their Music, and the American Scene, 1950-1985. By Nicholas Tawa. 284 pp. Westport, CT: Greenwood Press, 1987. $35.00 |
A NED ROREM READER By Ned Rorem; foreword by J. D. McClatchy. Yale University Press, 2001. |
A NEW APPROACH TO BACH By Alberto Basso. HARMONIA MUNDI HMB 595003. 51pp. with 2 CDs various artists; 148:33 Text and Translation) |
A PASSION FOR OPERA: Learning to Love it: The Greatest Masters, Their Greatest Music. By Peter Fox Smith. North Pomfret, Vermont: Trafalfar Square Publishing, 2004. 697 pp. illustrations. Paperback, $24.95 |
A POLISH RENAISSANCE. By Bernard Jacobson. London: Phaidon Press. 1996. 240 pp |
A SHOSTAKOVICH CASEBOOK. Edited by Malcolm Hamrick Brown. Bloomington, IN: Indiana University Press. 2005. 408 pp. Paperback. $24.95 |
A SOURCE GUIDE TO THE MUSIC OF PERCY GRAINGER. Edited by Thomas P. Lewis. 339 pp. White Plains, NY: Pro/Am Music Resources, Inc., 1991. $35.00 |
ACTS: THE AUTOBIOGRAPHY OF WOLFGANG WAGNER. By Wolfgang Wagner. Translated by John Brownjohn. 324 pages. London: Weidenfeld & Nicolson. Distributed by Trafalgar Square, North Pomfret, Vermont. $40.00 |
ADOLF BUSCH: THE LIFE OF AN HONEST MUSICIAN By Tully Potter. London: Toccata Press, 2010. 1, |
AFTERNOON OF A FAUN: How Debussy Created a New Music for the Modern World By Harvey Lee Snyder. Milwaukee, WI: Amadeus, 2015. viii + |
ALAN RAWSTHORNE: Portrait of a Composer By John McCabe. Oxford and New York: Oxford University Press, 1999. |
ALEXANDER ZEMLINSKY: A LYRIC SYMPHONY By Marc D. Moskovitz. Woodbridge, UK and Rochester, New York: Boydell and Brewer, 2010. |
ALFRED EINSTEIN ON MUSIC. By Catherine Dower. 306 pp. Westport, CT: Greenwood Press, 1991. $45.00 |
ALKAN, Volume 2: The Music. By Ronald Smith. 278 pp. London: Kahn and Averill, 1987. E14.95. New York: Taplinger Publishing Company, 1987 |
ALMA ROSÉ: VIENNA TO AUSCHWITZ By Richard Newman with Karen Kirtley. Portland, Oregon: Amadeus Press, 2000. |
AMERICAN CELEBRITY RECORDINGS 1900-1925. By Julian Morton Moses. 209 pp. Dallas: Monarch Record Enterprises, 1993. $12.95 |
AMERICAN COMPOSERS- A Biographical Dictionary. By David Ewen. 793 pp. New York: G. P. Putnam's Sons, 1982. $50.00 |
AMERICAN COMPOSERS: Dialogues on Contemporary Music. By Edward Strickland. 221 pp. Bloomington, IN: Indiana University Press. 1991 |
AMERICAN MUSE: The Life and Times of William Schuman By Joseph W. Polisi. New York: Amadeus Press, 2008. xvii + |
AMERICAN MUSIC RECORDINGS. A Discography of 20th-century U.S. Composers. Edited by Carol J. Oja. 368 pp. Brooklyn: Institute for Studies in American Music. $60 (available from: Institute for Studies in American Music, Brooklyn College, Brooklyn, NY 11210) |
AMERICAN MUSICIANS: 56 Portraits in Jazz. By Whitney Balliett. 415 pp. New York: Oxford University Press, 1986. $24.95 |
AMERICAN ORCHESTRAS IN THE NINETEENTH CENTURY Edited by John Spitzer. Chicago: University of Chicago Press, 2012. |
AN AUTOBIOGRAPHY. By James Galway. 181 pp. New York: St. Martin's Press, 1979, $8.95 |
AN INTRODUCTION TO GREGORIAN CHANT By Richard Crocker. New Haven, CT: Yale University Press, 2000. |
AN INTRODUCTION TO THE POST-TRIDENTINE MASS PROPER. Musicological Studies and Documents 54. By Theodore Karp. Middleton, Wl: The American Institute of Musicology, 2005. 2 vols; Part 1, Text, viii + 321 pp. (6x9, hard-cover) with audio CD; Part 2, Music Examples, x + 339 pp. (9x12, soft-cover). $80.00 and $70.00 respectively |
AND DO YOU ALSO PLAY THE VIOLIN? By Carl F. Flesch. London: Fountain Press Ltd. 1990. Distributed in U.S. by Elkin Music International, Suite 140, 16 North East 4th St., Fort Lauderdale, Florida 33301 ; 1-800-367-3554. 382 pages. $27.95 hardcover; $17.95 paperback |
ANDRE KOSTELANETZ ON RECORDS AND ON THE AIR: A Discography and Radio Log By James H. North. Lanham, MD. Scarecrow Press, 2010. |
ANGELIC MUSIC: The Story of Benjamin Franklin’s Glass Armonica By Corey Mead. New York: Simon & Schuster, 2016. |
Antiphonale Romanum II: Ad Vesperas in Dominicis et Festis . Solesmes, 2009. |
ANTON BRUCKNER: SYMPHONY NO. 8 By Benjamin M. Korstvedt. Cambridge and New York: Cambridge University Press, 2000. |
ANTONIO DE TORRES- GUITAR MAKER—HIS LIFE AND WORK. By José L. Romanillos, 240 pp. Illustrated. White Plains, NY. Pro/Am Music Resources, Inc., 1988. $55.00 |
ANTONÍN DVOŘÁK, MY FATHER. By Otakar Dvořák. Edited by Paul J. Polanský. Translated from the Czech by Miroslav Němec. Hardbound, 247 pages, 1993. The Czech Historical Research Center, Inc., 105 Church Street, Spillville, Iowa 52168-0183. $25.00 plus $3.00 postage |
ARIA. By Brown Meggs. 466 pages. • New York: Atheneum. • $10.95 |
ARNOLD SCHOENBERG'S JOURNEY. By Allen Shawn. New York: Farrar, Straus, and Giraux, 2002. 340 pp. $25.00 |
ARNOLD SCHOENBERG: Why He Matters By Harvey Sachs. New York and London. W. W. Norton & Co., 2023. |
ARTHUR BLISS: A Bio-Bibliography. By Stewart R. Craggs. 183 pp. Westport, CT: Greenwood Press, 1988, $37.95 |
ARTURO TOSCANINI: THE NBC YEARS By Mortimer H. Frank. Portland, OR: Amadeus Press. |
ASIMOV'S ANNOTATED GILBERT AND SULLIVAN: AN ORIGINAL INTERPRETATION OF THE WORLDS BEST-LOVED LIGHT OPERA. By Isaac Asimov. 1056 pp. New York: Doubleday. $50.00 |
AVOIDING CULTURAL DEFAULT AND OTHER ESSAYS. By Irwin Shainman. New York; Berlin; Bern; Frankfurt am Main; Paris: Peter Lang Publishing, Inc., 1991. 240 pages. $44.95 |
BACH AND THE DANCE OF GOD. By Wilfrid Meilers. 324 pp. New York: Oxford University Press, 1981. $39.95 |
BACH AND THE PATTERNS OF INVENTION By Laurence Dreyfus. Cambridge, MA: Harvard University Press, 1996. |
BACH: A Musical Biography By Peter Williams. Cambridge: Cambridge University Press, 2016. |
BACH: ESSAYS ON HIS LIFE AND MUSIC. By Christoph Wolff. Cambridge, MA: Harvard University Press, 1991. 00 pp. $45 |
Bachs Kunst der Fuge auf Schallplatten. By Martin Elste. 160 pp. Frankfurt: Buchhändler-Vereinigung GmbH, 1981. DM. 36,- |
BACH’S CHANGING WORLD: Voices in the Community Edited by Carol K. Baron. Rochester, NY: University of Rochester Press, 2006. |
BACH’S MUSICAL UNIVERSE: The Composer and His Work By Christoph Wolff. New York: W.W. Norton & Co., 2020. |
BALANCHINE'S TCHAIKOVSKY. By Solomon Volkov. 229 pp. New York: Anchor Books, 1992. $11.00 (paperback) |
BAROQUE MUSIC TODAY- Music as Speech. By Nikolaus Harnoncourt. 205 pp. Portland: Amadeus Press, 1988, $19.95. (Available from: Amadeus Press, 9999 S.W. Wilshire, Portland, OR 97225; add $3.00 for shipping.) |
BAROQUE MUSIC TODAY. By Nikolaus Harnoncourt (translated by Mary O'Neill). 208 pp. Portland, OR: Amadeus Press, 1988. $19.95 |
BAROQUE MUSIC- Style and Performance. By Robert Donington. New York: W. W. Norton, 1982. 206 pp. $10.98 (paperbound) |
BEECHAM, A CENTENARY DISCOGRAPHY. By Michael H. Gray. 129 pp. New York: Holmes & Meier, 1979. $29.50 |
BEECHAM: A CENTENARY DISCOGRAPHY. By Michael Gray. 129 pp. London: Duckworth, 1979. £9.80 |
BEETHOVEN (Life and Times). By Martin Geek (translation: Anthea Bell). Vermont: Haus Publishing, Distributed by Trafalgar Square Books, 2003. 173 pp. Illustrated. $15.00 |
BEETHOVEN OR BUST—A PRACTICAL GUIDE TO UNDERSTANDING AND LISTENING TO GREAT MUSIC. By David Hurwitz. 230 pp. New York: Anchor Books, 1992. $10.00 |
BEETHOVEN'S PIANO SONATAS: A Short Companion By Charles Rosen. New Haven and London: Yale University Press, 2002. 256pp. |
BEETHOVEN: THE FIRST BIOGRAPHY. By Johann Aloys Schlosser [1827] (translated by Reinhard G. Pauly). Edited with an Introduction and Notes by Barry Cooper. Portland, Amadeus Press, 1996.196 pp., with 17 b/w illustrations. $22.95 (hardcover) |
BEETHOVEN’S CELLO: Five Revolutionary Sonatas and Their World By Marc C. Moskovitz and R. Larry Todd. Woodbridge, Suffolk, UK: Boydell Press, 2017. |
BEETHOVEN’S FIFTH AND SEVENTH SYMPHONIES: A Closer Look By David Hurwitz. New York: Continuum, 2008. |
BEETHOVEN’S LIVES: The Biographical Tradition By Lewis Lockwood. Woodbridge: Boydell & Brewer, 2020. |
BEETHOVEN’S SYMPHONIES: A Guided Tour By John Bell Young. New York: Amadeus Press, 2008. xx + 132pp. Paper. Includes CD. |
BEHIND THE BATON: An American Icon Talks Music By Gerard Schwarz with Maxine Frost. Milwaukee, WI: Amadeus Press, 2017. |
BENJAMIN BRITTEN: A LIFE FOR MUSIC By Neil Powell. New York: Holt, 2013. xvii+ |
BENJAMIN BRITTEN By Michael Oliver. London: Phaidon Press, 1996/2008. |
BERNARD VAN DIEREN: An Introduction. By Alastair Chisholm, with a Memoir by Sacheverell Sitwell. 41 pp. (illustrated). London: Thames Publishing, 1984. £3.50 |
BEST RATED CDS, CLASSICAL—A CD REVIEW SELECTION GUIDE. Edited by Janet Grimes, Bill Grimes, and Richard Haisey. Voorheeseville, N.Y.: The Peri Press, 1993. 562 pp. $19.95 |
BIBLIOGRAPHY OF DISCOGRAPHIES, Volume 1. Classic Music, 1925-1975. By Michael H. Gray and Gerald D. Gibson. 164 pp. New York: R. R. Bowker, 1977. $19.95 |
BILL EVANS: HOW MY HEART SINGS By Peter Pettinger. New Haven & London: Yale University Press, 1998. |
BLACKS IN CLASSICAL MUSIC: A Bibliographical Guide to Composers, Performers, and Ensembles. Compiled by John Gray. 280 pp. Westport, CT: Greenwood Press, $39.95 |
BOHEMIAN FIFTHS: AN AUTOBIOGRAPHY By Hans Werner Henze. Princeton, NJ: Princeton University Press, 1999. |
BOSTON SYMPHONY ORCHESTRA: An Augmented Discography By James H. North. Foreword by James Levine. Lanham, Toronto, Plymouth: Scarecrow Press, 2008. |
BRAHMS AND HIS WORLD: A BIOGRAPHICAL DICTIONARY By Peter Clive. Lanham, MD: The Scarecrow Press, 2006. |
BRAHMS: THE FOUR SYMPHONIES. By Walter Frisch. New York: Schirmer Books, 226 pp. $35 (hardback) |
BRAHMS’S SONG COLLECTIONS By Inge Van Rij. Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo: Cambridge University Press, 2006. |
BROADWAY ON RECORD. By Richard Chigley Lynch. 347 pp. Westport, CT: Greenwood Press, 1987. $37.95 |
BROADWOOD BY APPOINTMENT. A History. By David Wainwright. 360 pp. New York: Universe, 1983. $30.00 |
BRUNO MADERNA: His Life and Music By Rossana Dalmonte and Mario Baroni. Lanham, MD: Rowman & Littlefield, 2022. |
BRUNO WALTER: A World Elsewhere By Eric Ryding and Rebecca Pechevsky. Yale University Press, 2001. |
BUILDING A CLASSICAL RECORD LIBRARY: A Concise Guide to Building Your Personal Record Collection. By Bill Parker. 152 pp. St. Paul: Minnesota Public Radio Book, 1981. $5.95 |
BUSONI AND THE PIANO: The Works, the Writings, and the Recordings. By Larry Sitsky. xiv, 409 pp. Westport, CT: Greenwood Press, 1986. $45.00 |
BUSONI THE COMPOSER. By Antony Beaumont. 408 pp. (illustrated). London: Faber and Faber/Bloomington: Indiana University Press, 1985. $32.50 |
BÉLA BARTÓK By Kenneth Chalmers. London and New York: Phaidon Press, 1995, reprinted 2008. |
CAGETALK: Dialogues With and About John Cage Edited by Peter Dickinson. Rochester, NY: University of Rochester Press, 2006. |
CALLAS AT JUILLIARD: THE MASTER CLASSES. By John Ardoin. 300 pp. New York: Knopf, 1987. $24.95 |
CALLING ON THE COMPOSER: A Guide to European Composer Houses and Museums By Julie Anne Sadie and Stanley Sadie. New Haven and London. Yale University Press. |
CALVIN HAMPTON: A Musician Without Borders By Jonathan B. Hall. Colfax, NC: Wayne Leupold Editions, 2010. |
CAMBRIDGE MUSIC HANDBOOKS: BACH: MASS IN B MINOR. By John Butt. 116 pages. Cambridge, England: Cambridge University Press, 1991. $12.95 |
CAMBRIDGE MUSIC HANDBOOKS: BACH: THE BRANDENBURG CONCERTOS. By Malcolm Boyd. 111 pages. Cambridge, England: Cambridge University Press, 1993. $12.95 |
CAMBRIDGE MUSIC HANDBOOKS: BEETHOVEN: SYMPHONY NO. 9. By Nicholas Cook. 133 pages. Cambridge, England: Cambridge University Press, 1993. $12.95 |
CAN'T HELP SINGING—The Life of Eileen Farrell By Eileen Farrell and Brian Kellow. Boston: Northeastern University Press, 1999. |
CARL RUGGLES: COMPOSER, PAINTER, STORYTELLER. By Marilyn Ziffrin. 274 pages. Urbana, Illinois: University of Illinois Press, 1994 |
CARLO GOZZI—Translations of The Love of Three Oranges, Turandot, and The Snake Lady. By John Louis DiGaetani. ix + 155 pp. Westport, Connecticut: Greenwood Press, 1988. $29.95 |
CARTER By David Schiff. New York, New York: Oxford University Press, 2018. |
CARUSO: An Illustrated Life. By Howard S. Greenfeld. 192 pp. Trafalgar Square Publishing, North Pomfret, VT 05053. $24.95 |
CATALOG OF THE AMERICAN MUSICAL. By Tommy Krasker and Robert Kimball, xv + 442 pp. Washington, DC: National Institute for Music Theater, 1988, $60 (hardcover), $35 (paperback). (Available from: NIMT, John F. Kennedy Centerfor the Performing Arts, Washington, DC 20566; add $2.50 for shipping.) |
CATALOGUE OF RECORDINGS BY CLASSICAL PIANISTS, Volume 1 (Pianists born to 1872). By James Methuen-Campbell. 66 pp. boards. Chipping Norton: Disco Epsom, 1984. £6.50 plus shipping [Available from: Disco Epsom, PO Box 4, Chipping Norton, Oxon, OX7 5NW, ENGLAND] |
CAVAILLÉ-COLL AND THE FRENCH ROMANTIC TRADITION By Fenner Douglass. New Haven & London: Yale University Press, 1999. |
CD REVIEW DIGEST ANNUAL: The Guide to Reviews of All Music on Compact Disc, Volume 1: 1983-1987, in Parts 1 and 2 (separate books). Edited by Janet Grimes. 864 pp. (Parts 1 and 2 combined). Voorheesville, NY: The Peri Press, 1988. $135 (both books) |
CD REVIEW DIGEST ANNUAL: The Guide to Reviews of All Music on Compact Discs, Volume 2: 1988. Edited by Janet Grimes. 942 pp. Voorheesville, NY: The Peri Press, 1989. $65 |
CECILE CHAMINADE- A Bio-Bibliography. By Marcia J. Citron. 243 pp. Westport, CT: Greenwood Press, 1988. $39.95 |
CELLO TECHNIQUE—Principles and Forms of Movement. By Gerhard Mantel; translated by Barbara HaimbegerThiem. Foreword by Janos Starker. Bloomington: Indiana University Press. 232 pages |
CHALIAPIN: A Critical Biography. By Victor Borovsky. 630 pp. (illustrated). New York: Alfred A. Knopf, 1988. $45.00 |
CHALLENGES: A Memoir of My Life in Opera By Sarah Caldwell, with Rebecca Matlock. Middletown, CT: Wesleyan University Press, 2008. xiv & |
CHAMBER MUSIC: A Listener’s Guide . By James Keller. New York: Oxford University Press, 2010. |
CHARLES MUNCH By D. Kern Holoman. Oxford and New York: Oxford U Press, 2011. |
CHOPIN: THE WOMEN IN HIS LIFE By Božena Zofia Weber. Paris: Opus 111. |
CHORAL MASTERWORKS. A Listener's Guide. By Michael Steinberg. Oxford: Oxford University Press, 2005. xiii + 321 pp. $30.00 |
CHORAL MASTERWORKS: A Listener’s Guide By Michael Steinberg. Oxford: Oxford University Press, 2008. xiii+ |
CHORAL MUSIC IN THE 20TH CENTURY. By Nick Strimple. Portland, OR: Amadeus Press, 2002. 389 pp. 40 illustrations. $29.95 |
CHORAL MUSIC IN THE NINETEENTH CENTURY By Nick Strimple. New York: Amadeus Press, 2008. |
CHORAL MUSIC IN THE TWENTIETH CENTURY. By Nick Strimple. Pompton Plains, NJ: Amadeus Press, 2005. 389 pp. Paperback. $18.95 |
CHORAL MUSIC ON RECORD. Edited by Alan Blyth. 327 pp. Cambridge University Press, 1991. $29.95. Includes discography and index |
CITY SONGS AND AMERICAN LIFE, 1900–1950 By Michael Lasser. Rochester, New York: University of Rochester Press, 2019. |
CLARINET VIRTUOSI OF THE PAST. By Pamela Weston. Windmill Farm, Ampleforth, York Y062 4HF, England. Emerson Edition, Ltd., 2002. 291 pp. 63 illustrations. Paperback. £15.00 |
CLASSICAL MUSIC IN A CHANGING CULTURE: Essays from the American Record Guide By Donald Vroon. New York and London: Rowman & Littlefield, 2014. |
CLASSICAL MUSIC SAVED MY LIFE By John A. Sarkett. Winnetka, Illinois: Sarkett Press, 2018. |
CLASSICAL MUSIC WITHOUT FEAR. By Marianne Williams Tobias. Bloomington, IN: Indiana University Press, 2003. 184 pp. 77 illustrations. $49.95 (cloth); $19.95 (paper) |
CLASSICAL MUSIC: A Chronology By Jon Paxman. London: Omnibus Press, 2015. 751pp. Hardcover. |
CLASSICAL MUSIC: Expect the Unexpected By Kent Nagano with Inge Kloepfer. Montreal: McGill-Queen’s University Press, 2019. |
COMPANION TO BAROQUE MUSIC Compiled and edited by Julie Anne Sadie. Berkeley: University of California Press, 1998. |
COMPOSERS ON COMPOSING FOR BAND, VOLUME 4: Young and Emerging Composers Ed. by Mark Camphouse. Chicago: GIA Publications, 2009. |
COMPOSERS ON RECORD. An Index to Biographical Information on 14,000 Composers Whose Music Has Been Recorded. Compiled by Frank Greene. 604 pp. clothbound. Metuchen, NJ: Scarecrow Press, 1985. $42.50 |
COMPOSERS SINCE 1900- First Supplement—A Biographical and Critical Guide. Compiled and edited by David Ewen. 00 pp. New York: H. W. Wilson Company, 1981. $20.00 |
COMPOSERS' VOICES FROM IVES TO ELLINGTON: An Oral History of American Music. By Vivian Perlis and Libby Van Cleve. New Haven & London: Yale University Press, 2005. 477 pp. Hardcover, illustrations and 2 CDs (146:45) $50.00 |
COMPOSITION IN THE DIGITAL WORLD: Conversations with 21st Century American Composers By Robert Raines. New York: Oxford UP, 2015. Illus. |
Composium Directory of New Music, 1981 Edition. Edited by Carol Cunning. 173 pp. Crystal Musicworks: 2235 Willida Lane, Sedro Woolley, WA 98284, 1981. $15.50 (plus $1 postage) |
COMRADES IN ART: The Correspondence of Ronald Stevenson and Percy Grainger 1957–61, with Interviews, Essays and Other Writings on Grainger by Ronald Stevenson Ed by Teresa B. Balough. Rochester, NY: Toccata Press, 2010. |
CON BRIO. By Nat Brandt. New York: Oxford University Press, 1993. 272 pp. $25.00 |
CONDUCTING BRAHMS. By Norman del Mar. 226 pp. New York: Oxford University Press, 1993. $55.00 (cloth), $29.95 (paper) |
CONDUCTING OPERA: Where Theater Meets Music By Joseph Rescigno. Denton, TX: University of North Texas Press, 2020. |
CONDUCTING THE BRAHMS SYMPHONIES: From Brahms to Boult By Christopher Dyment. Woodbridge, SUF: Boydell, 2016. xvii + |
CONDUCTOR WILLEM MENGELBERG 1871–1951: Acclaimed and Accused By Frits Zwart. Amsterdam: Amsterdam University Press, two volumes, 1, |
CONTEMPORARY AMERICAN COMPOSERS: A Biographical Dictionary, Second Edition. Compiled by E. Ruth Anderson. 518 pp. Boston: G. K. Hall, 1982. $60 |
CONTEMPORARY COMPOSERS ON CONTEMPORARY MUSIC Edited by Elliott Schwartz and Barney Childs (with Jim Fox). New York: Da Capo Press, 1998. |
CONTEMPORARY CONCERT MUSIC BY WOMEN. A Directory of the Composers and Their Works. Compiled by Judith Lang Zaimont and Karen Famera. 355 pp. Westport, Connecticut and London, England: Greenwood Press, $25.00 |
CONTEMPORARY MUSICIANS IN PHOTOGRAPHS, TAKEN AT THE EASTMAN SCHOOL OF MUSIC. By Louis Ouzer, with text by Francis Crociata. 4to., 118 pp., paperbound. New York: Dover Publications, Inc. 1979. $6.00 |
CONVERSATION WITH THE BLUES, Second Edition By Paul Oliver. Cambridge, UK/New York: Cambridge University Press, 1997. |
CONVERSATIONS WITH BOULEZ: THOUGHTS ON CONDUCTING. By Jean Vermeil. Translated by Camille Naish. Portland, OR: Amadeus Press, 1996. 256 pp. $29.95 |
CONVERSATIONS WITH CLAUDIO ARRAU. By Joseph Horowitz. 317 pp. New York: Alfred A.Knopf, 1982. $17.95 |
CONVERSATIONS WITH GLENN GOULD. By Jonathan Cott. New York: Little, Brown, 1984. 160 pp |
CONVERSATIONS WITH MENUHIN By David Dubal. New York, New York: William Heinemann Limited, 1991. |
CONVERSATIONS WITH STOCKHAUSEN. By Mya Tannebaum (translated by David Butchart). Hardcover, 102 pp. Oxford: Clarendon Press, 1987. £ 12.95 |
CONVERSATIONS By Steve Reich. Toronto, ON: Hanover Square Press, 2022. |
COPLAND. 190O THROUGH 1942. By Aaron Copland and Vivian Perlis. 402 pp. New York: St. Martin's/Marek, 1984. $24.95 |
COVENT GARDEN: THE UNTOLD STORY—DISPATCHES FROM THE ENGLISH CULTURE WAR, 1945-2000 By Norman Lebrecht. Boston: Northeastern University Press, 2001. |
CREATIVE SOURCES FOR THE MUSIC OF TORU TAKEMITSU. By Noriko Ohtake. 118 pp. Hampshire, England/Brookfield, VT: Scolar Press, 1993 |
CZECH OPERA. By John Tyrrell. 352 pp. New York: Cambridge University Press, 1988. $49.50 |
DANGEROUS MELODIES By Jonathan Rosenberg. New York: W. W. Norton & Company, 2019. |
DANIEL BARENBOIM: His Life, Music & Art By John Attanas. Evanston: John Gordon Burke Publishing, Inc, 2007. |
DANIEL PINKHAM: A Bio-Bibliography. By Kee DeBoer and John B. Ahouse. 238 pp. Westport, CT: Greenwood Press, 1988, $39.95 |
DEAR ROGUE—A BIOGRAPHY OF THE AMERICAN BARITONE LAWRENCE TIBBETT By Hertzel Weinstat and Bert Wechsler. Portland, OR: Amadeus Press, 1996. 284pp. |
DEBUSSY REMEMBERED. Edited by Roger Nichols. 266 pp. Portland, OR: Amadeus Press, 1992. $24.95 |
DEBUSSY: A Painter in Sound By Stephen Walsh. New York: Alfred A. Knopf, 2018. |
DEBUSSY: The Quiet Revolutionary By Victor Lederer. New York, NY: Amadeus Press, 2007. |
DIARY OF MY SONGS. By Francis Poulenc, translated by Winifred Radford. With an introduction by Graham Johnson. 160 pp. London: Victor Gollancz Ltd., 1985, $9.95 |
DIETRICH FISCHER-DIESKAU: A BIOGRAPHY By Hans A. Neunzig (Kenneth S. Wilson, translator). Portland, OR: Amadeus Press, 1998. |
DINNER WITH LENNY: THE LAST LONG INTERVIEW WITH LEONARD BERNSTEIN By Jonathan Cott. New York: Oxford University Press, 2013. |
DINNER WITH LENNY: The Last Long Interview with Leonard Bernstein By Jonathan Cott. Oxford, UK: University of Oxford Press, 2013. |
DISCORD- Conflict and the Making of Music, by Normann Lebrecht. 259 pp. New York: Universe Books, 1983. $25.00 |
DISCOVERING MAHLER: Writings on Mahler, 1955–2005 By Donald Mitchell. Selected and Edited by Gastón Fournier-Facio and Richard Alston. Woodbridge and Rochester: The Boydell Press, 2007. |
DIVAS ... IN THEIR OWN WORDS By Andrew Palmer. Vernon Press, England. 350pp. Order direct from Vernon Press, 122 Vernon Ave., Old Basford, Nottingham NG6 OAL, England; include check for |
DIVO: Great Tenors, Baritones, and Basses Discuss Their Roles. By Helena Matheopoulos. 338 pp. (illustrated). New York: Harper and Row. $25.00 |
DO YOU DREAM IN COLOR?: INSIGHTS FROM A GIRL WITHOUT SIGHT By Laurie Rubin. New York: Seven Stories Pr, 2012. |
DOMENICO SCARLATTI: MASTER OF MUSIC. By Malcolm Boyd. Hardcover, 302 pp. New York: Schirmer Books, 1986. $19.95 |
DOUBLE LIFE, the autobiography of Miklós Rózsa. By Miklós Rózsa. 224 pp. London: Midas Books, and New York: Hippocrene Books, 1982. $22.50 |
DUKE ELLINGTON. By James Lincoln Collier. 340 pp. (illustrated). New York: Oxford University Press, 1987. $19.95 |
DVORAK IN LOVE. By Josef Skvorecky [sic]. Translated by Paul Wilson. 322 pp. New York: Alfred A. Knopf, 1987. $18.95 |
DYLAN. Text by Jonathan Cott. 246 pp. (paperbound). Rolling Stone Press/Doubleday/ Dolphin. $15.95 |
DÉCORS ET COSTUMES DU XIXe SIÈCLE A L'OPÉRA DE PARIS. By Nicole Wild. Softbound, 308 pp. Paris: Bibliothèque Nationale, 1987. 380 F |
EARLY MUSIC By Denis Stevens. Kahn and Averill, London. 224pp. $? |
EJS: DISCOGRAPHY OF THE EDWARD J. SMITH RECORDINGS; “THE GOLDEN AGE OF OPERA, “ 1956-1971. By William Shaman, William J. Collins, and Calvin M. Goodwin. 864 pp. West-port, CT: Greenwood Press, 1994. $125.00 |
ELGAR'S THIRD SYMPHONY: The Story of the Reconstruction By Anthony Payne. London & Boston: Faber and Faber, 1998. |
ELISABETH SCHWARZKOPF. By Alan Jefferson. 285 pages. Boston, MA: Northeastern University Press, 1995. $29.95 |
ELISABETH SCHWARZKOPF: A CAREER ON RECORD. By Alan Sanders and John B. Steane. 192 pages; 14 b/w photos. Portland, Oregon: Amadeus Press. $24.95 |
ELISABETH SCHWARZKOPF: A CAREER ON RECORD. By Alan Sanders and John B. Steane. 192 pages; 14 b/w photos. Portland, Oregon: Amadeus Press. $24.95 |
ELISABETH SCHWARZKOPF: From Flower Maiden to Marschallin By Kirsten Liese. New York: Amadeus Press, 2008. |
ENGLISH CHORAL PRACTICE 1400-1650. Edited by John Moorhen. Cambridge and New York: Cambridge University Press. 246 pp. $59.95 |
ENGLISH SACRED MUSIC 1549-1649. By Peter Phillips. Oxford: Gimell, 1991. 488 pp |
ENRICO CARUSO: My Father and My Family. By Enrico Caruso Jr. and Andrew Farkas. 864 pp. Amadeus Press (c/o Timber Press, 9999 SW Wilshire, Portland, OR 97225). $39.95 |
ERIK SATIE: A Parisian Composer and His World By Caroline Potter. Woodbridge: Boydell. 2016. xxxiv + |
EVENINGS WITH HOROWITZ: A PERSONAL PORTRAIT. By David Dubai. New York: Birch Lane Press, 1991. 321 pp. $21.95 |
EVENINGS WITH THE ORCHESTRA. By D. Kern Holomon. 676 pp. New York, N.Y.: W. W. Norton and Co., 1992, $27.50 |
EXPERIENCING BEETHOVEN: A Listener’s Companion By Geoffrey Block. Lanham: Rowman & Littlefield, 2017. |
EXPERIENCING FILM MUSIC: A Listener’s Companion By Kenneth Lafave. Lanham, MD: Rowman & Littlefield, 2017. |
EXPERIENCING LEONARD BERNSTEIN: A Listener’s Companion By Kenneth LaFave. Lanham, MD: Rowman and Littlefield, 2015. |
EXPERIENCING MAHLER: A Listener’s Companion By Arved Ashby. Lanham, MD: Rowman & Littlefield, 2020. |
EXPERIENCING TCHAIKOVSKY: A Listener’s Companion By David Schroeder. Lanham, MD: Rowman and Littlefield, 2015. xxii + |
FAMOUS FATHER GIRL: A Memoir of Growing Up Bernstein By Jamie Bernstein. New York: Harper Collins, 2018. Hardcover. |
FELIX APRAHAMIAN: Diaries and Selected Writings on Music Ed. Lewis and Susan Foreman. Woodbridge, Suffolk and Rochester, NY: Boydell Press, 2015. |
FERENC FRICSAY: Recovering a Legacy By Björn Westberg. Stockholm: Lennart Ericsson, 1998. 225pp. |
FFORTISSIMO: A BIO-DISCOGRAPHY OF FREDERICK FENNELL, THE FIRST FORTY YEARS (1953 T01993). By Roger E. Rickson. 344 pages. Ludwig Music Publishing Co., Inc., Cleveland, Ohio. $40 |
FIFTEEN BLACK AMERICAN COMPOSERS: A Bibliography of Their Works (Detroit Stud ies in Music Bibliography: 45). By Alice Tischler, with the assistance of Carol Tomasic. 328 pp. Detroit: Information Coordinators, Inc., 1435-37 Randolph Street, Detroit, Ml 48226. $19.75 |
FIRST NIGHTS AT THE OPERA. By Thomas Forrest Kelly. New Haven, CT. Yale University Press, 2004. 423 pp. Illustrations. $35.00 |
FLUTE MUSIC BY WOMEN COMPOSERS: An Annotated Catalog. Compiled by Heide M. Boenke. 201 pp. Westport, CT: Greenwood Press, 1988. $37.95 |
FOCUS ON THE PHILHARMONIC. Photographs and text by Bert Bial. Published by the New York Philharmonic. Available at the gift shop at Lincoln Center. 128 pp. $15 |
FORBIDDEN MUSIC: The Jewish Composers Banned by the Nazis By Michael Haas. New Haven and London: Yale University Press, 2013. |
FRANCIS POULENC. By Benjamin Ivry. London: Phaidon Press, 1996. 240 pp. $19.95 (paperback) |
FRANCO CORELLI & A REVOLUTION IN SINGING: 54 Tenors Spanning 200 Years. Vol. I By Stefan Zucker. New York and Key Colony Beach, Florida: Bel Canto Society, Inc., 2015. |
FRANCO CORELLI & A REVOLUTION IN SINGING: 54 Tenors Spanning 200 Years. Vol. I By Stefan Zucker. New York and Key Colony Beach, Florida: Bel Canto Society, Inc., 2015. |
FRANCO CORELLI & A REVOLUTION IN SINGING: 54 Tenors Spanning 200 Years. Vol. II By Stefan Zucker. New York and Key Colony Beach, Florida: Bel Canto Society, Inc., 2018. |
FRANCO CORELLI & A REVOLUTION IN SINGING: 54 Tenors Spanning 200 Years. Vol. II By Stefan Zucker. New York and Key Colony Beach, Florida: Bel Canto Society, Inc., 2018. |
FRANCO CORELLI & A REVOLUTION IN SINGING: 54 Tenors Spanning 200 Years. Vol. III By Stefan Zucker. New York and Key Colony Beach, Florida: Bel Canto Society, Inc., 2018. |
FRANCO CORELLI & A REVOLUTION IN SINGING: 54 Tenors Spanning 200 Years. Vol. III By Stefan Zucker. New York and Key Colony Beach, Florida: Bel Canto Society, Inc., 2018. |
FRANCO CORELLI AND A REVOLUTION IN SINGING: Fifty-Four Tenors Spanning 200 Years, Vol. 1 By Stefan Zucker. Bel Canto Society, 2015. |
FRANCO CORELLI: Prince of Tenors By René Seghers. New York: Amadeus Press, 2008. |
FRANZ LISZT. Volume I. The Virtuoso Years, 1811-1847. By Alan Walker. 481 pp. New York: Alfred A. Knopf, 1983 |
FRANZ SCHUBERT IN HIS TIME. By Ernst Hilmar. 157 pp. Portland, OR: Amadeus Press, 1988. $14.95 |
FRANZ SCHUBERT: The Complete Songs By Graham Johnson. New Haven: Yale UP, 2014. 3 vols. xxx + 2, |
FRENCH PIANISM. An Historical Perspective. By Charles Timbrell. Foreword by Gaby Casadesus, xvi + 288 pages, with bibliography and selected discography. White Plains, NY: Pro/Am Music Resources, Inc. $23.95 |
FRENCH PIANISM: A HISTORICAL PERSPECTIVE, 2nd Edition By Charles Timbrali. Foreword by Gaby Casadesus. Portland, OR: Amadeus Press, 1999. |
FRITZ KREISLER: Love's Sorrow, Love's Joy By Amy Biancolli. Portland, OR: Amadeus Press, 1998. 465pp. Hardcover. 4 musical examples. |
FRITZ REINER—A BIOGRAPHY. By Philip Hart. 312 pp. Evanston: Northwestern University Press, 1994. $30.00 (est.) |
FROM RUSSIA TO THE WEST. By Nathan Milstein and Solomon Volkov. Translated by Antonia W. Bouis. 282 pp. New York: Henry Holt and Company, 1990. $24.95 |
FROM VIVALDI TO VIOTTI—A HISTORY OF THE EARLY CLASSICAL VIOLIN CONCERTO. By Chappell White. 375 pp. Philadelphia: Gordon and Breach Science Publishers, 1992 |
FROMENTAL HALÉVY: HIS LIFE AND MUSIC 1799-1862. By Ruth Jordan. New York: Limelight Editions, xiv, 240 pp. $22.50 |
FURTWÄNGLER AND GREAT BRITAIN/THE FURTWÄNGLER SOUND. By John Squire and John Hunt. 128 pp. London: The Wilhelm Furtwängler Society UK. £10 (international money order; air postage and handling included) [available from: The Wilhelm Furtwängler Society, UK, Flat 6, 37 Chester Way, London SE 11 4UR] |
FURTWÄNGLER. By Hans-Hubert Schönzeler. 181 pp. London: Duckworth, 1990. Portland, Oregan: Amadeus Press, 1990 |
FURTWÄNGLER: A Discography. By René Tremine. Published by Productions TAHRA, 1, Allée Georges Bizet, 95870 Bezons, France. 56 pp. Available in US by mail order from: Music and Arts, Box 771, Berkeley, CA 94701 |
FURTWÄNGLER: Concert Listing 1906-1954. By René Tremine. Published by Productions TAH RA, 1, Allée Georges Bizet, 95870 Bezons, France. 68 pp. Available in US by mail order from: Music and Arts, Box 771, Berkeley, CA 94701. Both for $20 postpaid in USA, $22 postpaid outside USA (not available separately) |
GABRIEL FAURÉ By Jessica Duchen. New York: Phaidon Press, 2000. |
GENERAL CATALOG OF MUSIC PUBLISHING IN FRANCE. Books, Methods and Scores of Serious Music on Sale. Compiled and Edited by Bernard Pierreuse. 476 pp. paperbound. Paris: Edition Musicales Transatlantiques, 1984. $85.00 [Sole selling agent: Theodore Presser Co., Bryn Mawr, PA] |
GEORGE FREDERIC HANDEL: A Life With Friends By Ellen T. Harris. New York and London: W. W. Norton & Co. 2014. Illus. |
GEORGE GERSHWIN: An Intimate Portrait By Walter Rimler. Urbana: University of Illinois Press, 2009. |
GEORGE SZELL: A Life of Music By Michael Charry. Urbana, Chicago and Springfield: U of Illinois Press, 2011. |
GERMAN MUSIC CRITICISM IN THE LATE 18TH CENTURY: Aesthetic Issues in Instrumental Music By Mary Sue Morrow. Cambridge and New York: Cambridge University Press, 1997. 253pp. |
GIACOMO MEYERBEER: A Life in Letters. By Heinz and Gudrun Becker (trans, by Mark Violette). 215 pp. Portland, OR: Amadeus Press. $21.95 |
GIACOMO PUCCINI By Conrad Wilson. London and San Francisco: Phaidon Press, 1997. |
GIACOMO PUCCINI—A DISCOGRAPHY By Roger Flury. Lanham, Md.: Scarecrow Press, 2012. xvii + |
GIOACCHINO ROSSINI. By Alan Kendall. London: Victor Gollancz, 1992 (distributed by Trafalgar Square, North Pomfret, Vermont 05053). 276 pp. $34.95 |
GIUDITTA PASTA: A LIFE ON THE LYRIC STAGE By Kenneth Stern. Self-published. |
Glenn Gould, Music and Mind. By Geoffrey Payzant. 192 pp.+ xiii, with 16 pages of photographs. Toronto: Van Nostrand Reinhold, 1978. $16.95 (in U.S.A.) |
GLENN GOULD: SELECTED LETTERS. Edited and compiled by John P. L. Roberts and Ghyslaine Guertin. Toronto: Oxford University Press, 1992. xxiv, 260 pp., photographs. ISBN 0-19-540799-7. $29.95 |
GRADUALE NOVUM TOMUS II: DE FERIIS ET SANCTIS Regensburg: ConBrio, with Libreria Editrice Vaticana, 2018. xxvii + |
GRAINGER ON MUSIC Edited by Malcolm Gillies and Bruce Clunies Ross, with Bronwen Arthur and David Pear. New York: Oxford University Press, 1999. |
GRAND OPERA The Story of the Met By Charles Affron and Mirella Jona Affron. Oakland CA: University of California Press, 2014. |
GREAT VIOLINISTS IN PERFORMANCE. By Henry Roth. 266 pp. New York: Panjandrum Books (distributed by the Talman Co.) $22.50 |
GREAT WAGNER CONDUCTORS: A LISTENER’S COMPANION By Jonathan Brown. Canberra: Parrot Pr., 2012. Illus. xviii + |
GREENE'S BIOGRAPHICAL ENCYCLOPEDIA OF COMPOSERS. By David Mason Greene, 1348 pp. Garden City, Doubleday & Company, Inc., 1985. $30.00 |
GUIDO CANTELLI: Just Eight Years of Fame By Keith Bennett. Martlesham: GC Publishers, 2009. |
GUILLAUME DU FAY: The Life and Works By Alejandro Enrique Planchart. Cambridge: Cambridge University Press, 2018. 2 vols., |
GUNTHER SCHULLER: A Life in Pursuit of Music and Beauty . By Gunther Schuller. University of Rochester Press, 2012. Illus. xvi + |
Gustav Mahler and the New York Philharmonic Orchestra Tour America By Mary H. Wagner. Lanham, MD: The Scarecrow Press, 2006. |
GUSTAV MAHLER'S SYMPHONIES: CRITICAL COMMENTARY ON RECORDINGS SINCE 1986. By Lewis M. Smoley. Westport, CT: Greenwood Press. 353 pp. $75.00 |
GUSTAV MAHLER: Letters to his Wife. Edited by Henry-Louis de la Grange and Günther Weiss in collaboration with Knud Martner. First complete edition revised and translated by Antony Beaumont. Ithaca, New York: Cornell University Press, 2004. 431 pp. Illustrations. $40.00 |
GUSTAV MAHLER: Volume 4: A New Life Cut Short (1907–1911) By Henry-Louis de La Grange. Oxford and New York: The Oxford University Press, 2008. |
GYÖRGY KURTÁG: Three Interviews and Ligeti Homages Edited by Bálint András Varga. Rochester, NY: University of Rochester Press, 2009. xiii + |
HANDEL AND HIS WORLD. By H. C. Robbins Landon. 256 pp. Boston: Little, Brown & Co., 1984. $29.95 |
HANDEL'S OPERAS 1704-1726. By Winton Dean and John Merrill Knapp. Hardbound, 751 pp. Oxford: Clarendon Press, 1987 |
HANDEL'S ORATORIOS AND EIGHTEENTH-CENTURY THOUGHT. By Ruth Smith. 484 pages. New York: Cambridge University Press. $59.95 |
HANDEL’S OPERAS, 1704–1726 By Winton Dean and John Merrill Knapp. Rochester: Boydell Press, 2009. |
HARVARD COMPOSERS: Walter Piston and His Students, from Elliott Carter to Frederic Rzewski. By Howard Pollack. Metuchen, NJ, & London: The Scarecrow Press. 1992. 490 pp |
HAVERGAL BRIAN ON MUSIC—Volume II: European and American Music in His Time By Havergal Brian. Ed. by Malcolm MacDonald. London: Toccata Press, 2009. |
HAYDN- HIS LIFE AND MUSIC. By H. C. Robbins Landon and David Wyn Jones. 383 pp. Bloomington and Indianapolis: Indiana University Press, 1988. $45.00 |
HEIFETZ, Third Edition. By Dr. Herbert R. Axelrod. 744 pp. Neptune, NJ: TFH Publications, 1990. $39.95 |
HENRY COWELL: A MAN MADE OF MUSIC By Joel Sachs. New York: Oxford University Press, 2012. xvii + |
HENRY PURCELL-THE ORIGINS AND DEVELOPMENT OF HIS STYLE. By Martin Adams. 388 pages. Cambridge University Press, New York, $59.95 |
HERBERT VON KARAJAN: A Life in Music By Richard Osborne. Boston: Northeastern University Press, 2000. 851pp. |
HERBERT VON KARAJAN: A Life in Pictures By Jürgen Otten. New York: Amadeus Press, 20008. |
HERBERT VON KARAJAN: The Maestro As Superstar By Paul E. Robinson. iUniverse, Inc., 2007. |
HERITAGE OF MUSIC. Edited by Michael Raeburn and Alan Kendall. Oxford and New York: Oxford University Press, 1989. 1294 pp. $195 (the set). Four Volumes |
HERMAN KLEIN AND THE GRAMOPHONE. Edited and with a biographical sketch by William R. Moran. 618 pp. Portland, OR: Amadeus Press, 1991. $54.95 |
HIDDEN IN PLAIN SIGHT: The Hermann Klein Phono-Vocal Method based upon the Famous School of Manuel Garcia . By Hermann Klein (introduction by Daniel James Shigo). New York: VoiceTalk Publications, 2013. |
HIGH FIDELITY AUDIO/VIDEO SYSTEMS: A CRITICAL GUIDE FOR OWNERS. By Howard Ferstler. McFarland & Company, Jefferson, North Carolina, and London. 1991. 253 pp. Soft covers. $23.50 |
HISTORY THROUGH THE OPERA GLASS. By George Jellinek. 406 pages. Pro/Am Music resources, Inc., White Plains, New York; Kahn & Averill, London |
HOROWITZ: HIS LIFE AND MUSIC. By Harold C. Schonberg, New York: Simon and Schuster, 1992. 427 pp. $27.50 |
HOW EQUAL TEMPERAMENT RUINED HARMONY (and Why You Should Care) By Ross W. Duffin. New York: W.W. Norton & Company, 2007. |
HOW EQUAL TEMPERAMENT RUINED HARMONY, AND WHY YOU SHOULD CARE By Ross W. Duffin. New York. W.W. Norton & Company, 2006. Paperback. |
HOW MANY STRADS? OUR HERITAGE FROM THE MASTER, Enlarged and Expanded Edition By Ernest N. Döring. Chicago, IL: Bein & Fushi, Inc., 1999. |
HOW MUSIC GOT FREE: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy By Stephen Witt. New York; Viking 2015. |
HOW TO MAKE AND SELL YOUR OWN RECORD. By Diane Sward Rapaport. 167 pp., square 4to, paperbound. New York: Quick Fox, 1980. $9.95 |
How to Write About Music: The RILM Manual of Style. Second Edition Edited by James R. Cowdery. New York. Répertoire International de Littérature Musicale, 2006. |
I NEVER WALKED ALONE: The Autobiography of an American Singer. By Shirley Verrett, with Christopher Brooks. New York, NY: John Wiley & Sons, 2003. 336 pp. Illustrations. $30.00 |
IANNIS XENAKIS: Un père bouleversant By Mâkhi Xenakis. Arles/Paris: Actes Sud, 2015. |
IGOR STRAVINSKY By Michael Oliver. London and New York: Phaidon Press, 1995, reprinted 2008. |
IN CONCERT: Onstage and Offstage with the Boston Symphony Orchestra. By Carl A. Vigeland. 260 pp. New York: William Morrow and Company. 1989. $19.95 |
INDEX TO RECORD AND TAPE REVIEWS. A Classical Music Buying Guide, 1979. By Antoinette O. Maleady. 762 pp. San Anselmo: Chulainn Press, 1980. $52.50 |
INDIVISIBLE BY FOUR: A String Quartet in Pursuit of Harmony By Arnold Steinhardt. New York: Farrar Straus Giroux, 1998. |
INNER VOICES By Abbey Simon with Garnet Ungar. Place of publication unidentified: Garnet Ungar, 2017. |
INSIDE CONDUCTING By Christopher Seaman. Rochester, NY: University of Rochester Press, 2013. |
INSIDE EARLY MUSIC: CONVERSATIONS WITH PERFORMERS. By Bernard D. Sherman. New York: Oxford University Press. 401 pp. [$29.95*] |
INTERNATIONAL DISCOGRAPHY OF WOMEN COMPOSERS. Compiled by Aaron I. Cohen. 254 pp. Westport, Connecticut: Greenwood Press, 1984. $35.00 |
INTERNATIONAL ENCYCLOPEDIA OF WOMEN COMPOSERS. By Aaron I. Cohen. 597 pp. New York and London: R.R. BowkerCo., 1981. $135.00 |
INTIMATE VOICES: THE 20TH-CENTURY STRING QUARTET 2 vols. Ed. by Evan Jones. Rochester, NY: Univ. Rochester Pr., 2009. xxi + 295/ |
IRONY AND SOUND: The Music of Maurice Ravel By Stephen Zank. Rochester, NY: University of Rochester Press, 2009. ix + |
IRVING FINE: An American Composer in His Time By Phillip Ramey. Hillsdale and Washington, D.C.: Pendragon Press and The Library of Congress, 2005. |
ISAAC STERN: My First 79 Years By Isaac Stern, with Chaim Potok. New York, Alfred A. Knopf, 1999. |
ISAAC STERN: My First 79 Years By Isaac Stern, with Chaim Potok. New York: Alfred A. Knopf, 1999. |
IVES, WIVES, AND LOVES OF THE GREAT COMPOSERS. By Fritz Spiegl. 256 pp. New York, NY: Marion Boyars Publishers Inc., 1997. $35 (hardcover) |
IVOR GURNEY AND MARION SCOTT: Song of Pain and Beauty By Pamela Blevins. Woodbridge: Boydell & Brewer, 2008. xviii + |
J. S. BACH AS ORGANIST Edited by George Stauffer and Ernest May. Bloomington: Indiana University Press, 2000. Paperbound, |
J.S. BACH AS ORGANIST. Edited by George Stauffer and Ernest May. 380 pp. Bloomington, IN: Indiana University Press, 1986. $26.95 |
JAMES GALWAY'S MUSIC IN TIME. By William Mann. 384 pp. New York: Abrams, 1983. $22.50 |
JANÁČEK: A COMPOSER'S LIFE. By Mirka Zemanová. Boston: Northeastern University Press, 2002. 352 pp. 17 illustrations. $35.00 |
JAZZ MODERNISM. By Alfred Appel Jr. New York: Knopf, 2002. 284 pp. $35 |
JEAN CRAS, POLYMATH OF MUSIC AND LETTERS By Paul-André Bempéchat. Farnham, Surrey, UK/Burlington, VT: Ashgate, 2009. xxviii + |
JEAN CRAS, POLYMATH OF MUSIC AND LETTERS By Paul-André Bempéchat. Farnham, Surrey, UK/Burlington, VT: Ashgate, 2009. xxviii + |
JELLY ROLL, JABBO AND FATS: 19 Portraits in Jazz. By Whitney Balliert. 197 pp. NewYork: Oxford University Press, 1983. $17.95 |
JOHANN SEBASTIAN BACH: Life and Work By Martin Geck. Translated by John Hargraves. New York: Harcourt, 2006. |
JOHN STAINER: A Life in Music By Jeremy Dibble. Woodbridge: Boydell Press, 2007. |
JON VICKERS—A Hero's Life By Jeannie Williams. Boston: Northeastern University Press, 1999. |
JOSÉ SEREBRIER: Portraits of the Maestro By Michel Faure. Lanham, Maryland: Amadeus Press, 2021. |
JULIAN ANDERSON: Dialogues on Listening, Composing, and Culture By Julian Anderson and Christopher Dingle. Woodbridge, Suffolk: The Boydell Press, 2020. |
KARL BÖHM—A LIFE REMEMBERED. Translated by John Kehoe. 163 pp. London: Marion Boyars Publishers Ltd., 1992. Distributed in the United States by Rizzoli International Publications Inc., New York. $29.95 |
KEITH JARRETT: THE MAN AND HIS MUSIC. By lan Carr. London: Grafton, 1991. 237 pp. $24.95. (Distributed by Trafalgar Square, P.O. Box 257, North Pomfret VT 05053; 1-800-423-4525) |
KEYBOARD MUSIC BY WOMEN COMPOSERS: A Catalog and Bibliography. Compiled by Joan M. Meggett. 210 pp. Westport, Conn.: Greenwood Press, 1981. $29.95 |
KURT WEILL—COMPOSER IN A DIVIDED WORLD. By Ronald Taylor. 358 pp. Boston: Northeastern University Press, 1991 |
LANGUAGE OF THE SPIRIT: An introduction to classical music By Jan Swafford. New York: Basic Books, 2017. 307pp. |
LASSUS. Oxford Studies of Composers No. 19. By Jerome Roche, vi + 58 pages. New York, Oxford University Press, 1982. $9.95 |
LEADING TONES: Reflections on Music, Musicians, and the Music Industry By Leonard Slatkin. Milwaukee, WI: Amadeus Press, 2017. |
LEGENDARY VOICES. By Nigel Douglas. 306 pp. (paperback). New York, NY: Limelight Editions. $20 |
LEGENDARY VOICES. By Nigel Douglas. North Pomfret, VT: Trafalgar Square, 1993. 306 pp. $34.95 |
Lennon. By Ray Coleman. 640 pp. New York: McGraw-Hill, 1985. $19.95 |
LEON KIRCHNER: Composer, Performer, and Teacher By Robert Riggs. Rochester: U Rochester Press, 2010. xv + |
LEONARD BERNSTEIN AND HIS YOUNG PEOPLE’S CONCERTS . By Alicia Kopfstein-Penk. Lanham, MD: Rowman & Littlefield 2015. |
LEONARD BERNSTEIN: A LIFE. By Meryle Secrest. New York: Alfred A. Knopf. 449 pages, $30 |
LEONARD ROSE: America’s Golden Age and Its First Cellist By Steven Honigberg. Silver Spring, MD: Beckham Publications Group, 2010. |
LIBER ANTIPHONARIUS PRO DIURNIS HORIS: Pars I, de tempore. Edited by the monks of Solesmes. Solesmes, 2005. 560 pp. $47.95. (Distributed by Paraclete Press, Brewster, MA) |
LIBER ANTIPHONARIUS PRO DIURNIS HORIS: Pars I, de tempore. Edited by the monks of Solesmes. Solesmes, 2005. 560 pp. $47.95. (Distributed by Paraclete Press, Brewster, MA) |
LIBER ANTIPHONARIUS PRO DIURNIS HORIS: Pars II, Psalterium Edited by the monks of Solesmes. Solesmes, 2006. |
LIBER ANTIPHONARIUS PRO DIURNIS HORIS: Pars III, De Sanctis Edited by the monks of Solesmes. Solesmes, 2007. |
LILY PONS—A Centennial Portrait Edited by James A.Drake and Kristin Beali Ludecke. Portland, OR: Amadeus Press, 1999. |
LINA AND SERGE: The Love and Wars of Lina Prokofiev By Simon Morrison. Boston: Houghton Mifflin Harcourt, 2013. |
LIPATTI. By Dragos Tanasescu and Grigore Bargauanu; Edited by Carola Grindea; Translated by Carola Grindea and Anne Goosens. 246 pp. (illustrated). White Plains, NY: Pro/Am Music Resources, Inc., 1988. $26.50 |
LISTEN TO THE MUSIC: A SELF-GUIDED TOUR THROUGH THE ORCHESTRAL REPERTOIRE. By Jonathan D. Kramer. 816 pp. New York, N.Y.: Schirmer Books, A Division of Macmillan, Inc., 1988, $16.95 (paperback) |
LISTEN TO THIS By Alex Ross. New York: Farrar, Straus and Giroux, 2010. |
LISTENING OUT LOUD: BECOMING A COMPOSER. By Elizabeth Swados. 208 pp. (paperback). New York: Harper & Row. $8.95 |
LISZT AS TRANSCRIBER By Jonathan Kregor. Cambridge: Cambridge U Press, 2010. xii, |
LIVING OPERA By Joshua Jampol. New York: Oxford University Press, 2010. Illus. xiv + |
LIVING WITH LISZT. By Carl Lachmund, (Franz Liszt Study Series No. 4). Edited by Alan Walker xlvi + 421 pp. Stuyvesant, NY: Pendragon Press. $48.00 (Available from: RR1, Box 159, Ferry Rd. Stuyvesant, NY 12173-9720.) |
LONDON: A MUSICAL GAZETTEER By Lewis and Susan Foreman. New Haven and London. Yale University Press. |
LOTTE LEHMANN—A LIFE IN OPERA AND SONG. The Authorized Biography by Beaumont Glass. xviii + 330 pp. and 24 pp. of photographs. Santa Barbara: Capra Press, 1988. $18.95 |
LOVING JOHN. By May Pang and Henry Edwards. 336 pp. paperbound. New York: Warner Books, 1983. $8.95 |
LUDVIG IRGENS-JENSEN: The Life and Music of a Norwegian Composer By Arvid O. Vollsnes. Transl. by Beryl Foster. London: Toccata Press, 2014. |
LYREBIRD RISING: LOUISE HANSON-DYER OF OISEAU LYRE. By Jim Davidson. 578 pp. Portland, Oregon: Amadeus Press, 1994. $35 |
MACDOWELL By E. Douglas Bomberger. New York: Oxford UP, 2013. |
MAD MUSIC: Charles Ives, the Nostalgic Rebel By Stephen Budiansky. New Haven, CT: ForeEdge, UP New England, 2014. |
MAD SCENES AND EXIT ARIAS: The Death of the New York City Opera and the Future of Opera in America By Heidi Waleson. New York: Metropolitan Books, 2018. Hardcover. |
MAD SCENES AND EXIT ARIAS: The Death of the New York City Opera and the Future of Opera in America By Heidi Waleson. New York: Metropolitan Books, 2018. |
MAESTRO: A Surprising Story about Leading by Listening By Roger Nierenberg. New York: Portfolio, 2009. |
MAESTRO: Encounter with Conductors of Today. By Helena Matheopoulos. 536 pp. + xxi, with 32 pages of photographs. New York: Harper & Row, 1982. $24.95 |
MAESTROS OF THE PEN: A HISTORY OF CLASSICAL MUSIC CRITICISM IN AMERICA By Mark N. Grant (Eric Friedheim, consulting editor). Boston: Northeastern University Press, 1998. |
MAHLER’S FORGOTTEN CONDUCTOR: Heinz Unger and His Search for Jewish Meaning, 1895–1965 By Hernan Tesler-Mabé. Toronto, Buffalo, London: University of Toronto Press, 2020. |
MAINSTREAM MUSIC OF EARLY TWENTIETH CENTURY AMERICA: The Composers, Their Times, and Their Works. By Nicholas E. Tawa. Westport, CT: Greenwood Press, 1992. 224 pp. $45.00 |
MAKING MUSIC AMERICAN: 1917 and the Transformation of Culture By E. Douglas Bomberger. New York, New York: Oxford University Press, 2018. |
MAKING MUSICIANS: A Personal History of the Britten-Pears School By Moira Bennett. Woodbridge, Suffolk: Bittern Press, 2012. Illus. |
MALCOLM ARNOLD: A Composer of Real Music By Raphael D. Thöne. Edition Wissenschaft, 2007. |
MALEVOLENT MUSE: The Life of Alma Mahler By Oliver Hilmes. Transl. Donald Arthur. Boston: Northeastern UP, 2015. |
MARCEL TABUTEAU: How Do You Expect to Play the Oboe If You Can’t Peel a Mushroom? By Laila Storch. Bloomington: Indiana University Press, 2008. |
MARGUERITE LONG: A LIFE IN FRENCH MUSIC. 1B74-1966. By Cecilia Dunoyer. Indiana University Press. 0 pp. $27.95 (hardcover) |
MARIA CALLAS. By Jürgen Kesting. xvi, 416 pp. Boston, MA: Northeastern University Press, 1993. $29.95 |
MARIA CALLAS: THE COMPACT DISCS AND VIDEOS. By Ray Dellinger. xvi, 122 pp. (paperback). Great Britain: The Maria Callas International Club, 1992. £12 within the United Kingdom, £15 outside (see below) |
MARIA MALIBRAN- DIVA OF THE ROMANTIC AGE. By April FitzLyon. 330 pp. (illustrated). Bloomington, in: Indiana University Press, 1988. $29.95 |
MARIA MENEGHINI CALLAS. By Michael Scott. 312 pp. Boston, MA: Northeastern University Press, 1992. $29.95 |
MARIO LANZA—TENOR IN EXILE By Roland L. Bessette. Portland, OR: Amadeus Press, 1999. |
MARIO LANZA—TENOR IN EXILE By Rolande Bessette. Portland, OR: Amadeus Press, 1999. |
MARY GARDEN By Michael Turnbull. Portland, OR:: Amedeus Press, 1997. |
MASCAGNI: An Autobiography. By David Stivender. 372 pp. White Plains, NY: Pro/Am Music Resources, Inc., 1988. $35.00 |
MASS AND PARISH IN LATE MEDIEVAL ENGLAND: THE USE OF YORK. Edited by P. S. Barnwell, Claire Cross, and Ann Rycraft. Reading, England: Spire Books Ltd., 2005. 224 pp. 62 illustrations. Paperback. $50.00. (Distributed by David Brown Book Co., Oakville, CT 06779) |
MASSENET: A CHRONICLE OF HIS LIFE AND TIMES. By Demar Irvine. 398 pp. Portland, Oregon: Amadeus Press, 1994. $32.95 |
MASTERPIECES OF ITALIAN VIOLIN MAKING By David Rattray. Lanham, MD: The Scarecrow Press, Inc., 2000. |
MATHILDE WESENDONCK: ISOLDE’S DREAM By Judith Cabaud. Milwaukee, WI: Amadeus Press, 2017. |
MAUD POWELL: PIONEER AMERICAN VIOLINIST. By Karen A. Shaffer and Neva Garner Greenwood. Foreword by Yehudi Menuhin. 530 pp. Ames, IA: Iowa State University Press, 1988. $29.95 |
MAURICE RAVEL. By Gerald Larner. London: Phaidon Press, 1996.240 pp. $19.95 (paperback) |
MAX BRUCH: His Life and Works. By Christopher Fifield. 351 pp. 17 b& w illus. London: Victor Gollancz Ltd., 1988. £30 |
MECHANICAL MUSICAL INSTRUMENTS AS A SOURCE FOR THE STUDY OF NOTES INÉGALES. By David Fuller. 20 pp. with illustrative disc. Cleveland Heights, Ohio: Divisions, 1979. $7.00 (available from: Divisions, P.O. Box 18647, Cleveland Heights, OH 44118) |
MEDIEVAL MUSIC by John Caldwell, 304 pp. Bloomington: Indiana University Press, 1978,118.95 |
MEDIEVAL SONG FROM ARISTOTLE TO OPERA By Sarah Kay. Ithaca and London: Cornell University Press, 2022. xix + |
MELODIYA. A SOVIET RUSSIAN LP. DISCOGRAPHY. Compiled by John R. Bennett. 848 pp. Westport, Greenwood Press, 1981. Hardbound. $75.00 |
MELODY, HARMONY, TONALITY: A BOOK FOR CONNOISSEURS AND AMATEURS By E. Eugene Helm. Lanham, MD: Scarecrow Pr, 2013. x + |
MEMORIES AND COMMENTARIES. By Igor Stravinsky and Robert Craft. New York, NY: Faber and Faber, Inc., 2003. 311 pp. 26 illustrations. $15.00 (paper) |
MENDELSSOHN REMEMBERED By Roger Nichols. New York: Faber and Faber, Inc., An affiliate of Farrar, Strauss, and Giroux, 2001. |
MICHAEL COLGRASS: ADVENTURES OF AN AMERICAN COMPOSER . By Michael Colgrass. Galesville, Maryland: Meredith Music Publications, 2010. |
MILES: THE AUTOBIOGRAPHY. By Miles Davis with Quincy Troupe. 431 pp. New York: Simon and Schuster, 1989. $22.95 |
MILESTONES: The Music and Times of Miles Davis. By Jack Chambers, xii + 345, and 416 pp. New York: Morrow, 1989. $15.95 paper |
MORE CLARINET VIRTUOSI OF THE PAST. By Pamela Weston. Windmill Farm, Ampleforth, York Y062 4HF, England. Emerson Edition, Ltd., 2002. 392 pp; 57 Illustrations. Paperback. £15.00 |
MORE LEGENDARY VOICES. By Nigel Douglas. 329 pp. (hardcover). New York, NY: Limelight Editions. $35 |
MOZART AND HIS OPERAS By David Cairns. Berkeley, Los Angeles, and London: University of California Press, 2006. |
MOZART AT THE GATEWAY TO HIS FORTUNE: Serving the Emperor, 1788–1791 By Christoph Wolff. New York, London: W. W. Norton, 2012. xv, |
MOZART IN PERSON: HIS CHARACTER AND HEALTH. By Peter J. Davies. 272 pp. Greenwood Press |
MOZART'S OPERAS. By Daniel Heartz; edited, with contributing essays, by Thomas Bauman. 636 pp. University of California Press, 1990. $34.95 |
MOZART, HAYDN AND EARLY BEETHOVEN, 1781–1802 By Daniel Heartz. New York: W. W. Norton & Co., 2009. |
MOZART: A LIFE. By Maynard Solomon. 640 pages. New York: HarperCollins, 1995. $35.00. _ |
MOZART: The Reign of Love By Jan Swafford. London and New York: Harper Collins, 2020. |
MOZART: THE WONDER CHILD—A Puppet Play in Three Acts By Diane Stanley. New York: HarperCollins Children’s Books, 2009. |
MOZART—STUDIES OF THE AUTOGRAPH SCORES. By Alan Tyson 381 pp. Cambridge, Massachusetts: The Harvard University Press. $35.00 |
MURDER IN THE HOUSE OF THE MUSE By Leni Bogat. Amazon Kindle, 2012. |
MUSIC AFTER MODERNISM by Samuel Lipman. 256 pp. New York: Basic Books, Inc., 1979, $11.95 |
MUSIC AND MORE. ESSAYS, 1975-1991. By Samuel Lipman. 318 pp. Evanston: Northwestern University Press, $35.00 |
MUSIC AND THE BRITISH MILITARY IN THE LONG NINETEENTH CENTURY By Trevor Herbert and Helen Barlow. New York: Oxford UP, 2013. xi + |
MUSIC AND ULTRA-MODERNISM IN FRANCE: A Fragile Consensus 1913–1939 By Barbara L. Kelly. Woodbridge, SUF: Boydell, 2013. xi + |
MUSIC AS ALCHEMY: Journeys with Great Conductors and their Orchestras By Tom Service. London: Faber & Faber, 2012. |
MUSIC BY PHILIP GLASS. By Philip Glass, 222 pp. +24 pp. of illustrations. New York: Harper and Row, 1987, $22.95 |
MUSIC BY PHILIP GLASS. By Philip Glass, edited by Robert T. Jones, xvi 220 pp. New York: Perennial Library, 1987. $12.95 (paper) |
MUSIC DOWNTOWN. Writings From The Village Voice. By Kyle Gann. Berkeley, CA: University of California Press, 2006. 333 pp. Paperback. $19.95 |
MUSIC HO! A Study of Music in Decline. By Constant Lambert, with a new Introduction by Angus Morrison. 287 pp. London: The Hogarth Press, 1985. $7.95 (paper). Distributed by Merrimack Publisher's Circle |
MUSIC IN ART Edited by Alberto Ausoni. Translated by Stephen Sartarelli. Los Angeles: J. Paul Getty Museum, 2009. |
MUSIC IN PARIS IN THE EIGHTEEN-THIRTIES. Edited by Peter Bloom. 641 pp. Stuyvesant, NY: Pendragon Press. 1987 |
MUSIC IN THE MARKETPLACE: The Story of Philadelphia's Historic Wanamaker Organ By Ray Biswanger. Bryn Mawr, PA: Friends of the Wanamaker Organ Press, Inc., 1999. |
MUSIC OF THREE SEASONS: 1974-1977 by Andrew Porter. 667 pp. New York. Farrar Strauss Giroux, $20.00 |
MUSIC SURVEY, New Series, 1949-1952. Edited by Donald Mitchell and Hans Keller. 817 pp. London, Faber Music Ltd., 1981. $72.50 (exclusive distributor for the U.S.A. and Canada: Jerona Music Corporation, 81 Trinity Place, Hackensack, NJ 07601) |
MUSIC THROUGH THE LOOKING GLASS. By Fritz Spiegl. 325 pp. Paperbound. London: Routledge and Kegan Paul, 1984, $12.95 |
MUSIC TRANSLATION DICTIONARY. Compiled by Carolyn Doub Grigg. 336 pp. Westport, Connecticut: Greenwood Press, 1978, $25 |
MUSICAL CHAIRS, or, Between Two Stools. By Cecil Gray, with a new Afterword by Pauline Gray. 324 pp. London: The Hogarth Press, 1'985. $8.95 (paper). Distributed by Merrimack Publisher's Circle |
MUSICAL EVENTS- A Chronicle, 1983-1986. By Andrew Porter. New York: Summit Books, 1989. 00 pp. $29.95 |
MUSICAL LIFE IN POLAND: THE POSTWAR YEARS 1945-1977. By Lidia Rappoport-Gelfand. Translated from the Russian by Irina Lasoff. 248 pp. (illustrated). New York, Philadelphia, London, Paris, Montreux, Tokyo, and Melbourne: Gordon and Breach Science Publishers. 1991. $44.00 |
MUSICHOUND BLUES: The Essential Album Guide Edited by Leland Rucker. Detroit/New York/Toronto/London: Visible Ink Books, 1998. |
MUSICIANS FROM A DIFFERENT SHORE: Asians and Asian Americans in Classical Music By Mari Yoshihara. Philadelphia: Temple University Press, 2008. |
MUSORGSKY AND HIS CIRCLE. A Russian Musical Adventure By Stephen Walsh. New York: Knopf, 2013. xiv+ |
MUSSORGSKY: EIGHT ESSAYS AND AN EPILOGUE. By Richard Taruskin. 415 pp. Princeton, NJ: Princeton University Press, 1993. $39.50 |
MY FATHER. By Peter Bartók. Homosassa, FL: Bartok Records, 2002. 331 pp. $41.00 (order from the publisher: P.O. Box 399, Homosassa, FL 34487; through book stores; or Bartokrecords@atlantic.net) |
MY GOLDEN AGE OF SINGING By Frieda Hempel, with Elizabeth Johnston and William R. Moran. Portland, OR: Amadeus Press, 1998. |
MY LIFE AND ART By Aino Sellermark and Nicolai Gedda. Portland, OR: Amadeus Press, 1999. |
MY LIFE. By Richard Wagner. Translated by Andrew Gray; edited by Mary Whittall. 786 pp. (Paperback). New York: Cambridge University Press, 1987. $24.95 |
MY ROAD TO RADIO AND THE VOCAL SCENE: Memoir of an Opera Commentator By George Jellinek. North Carolina: McFarland, 2007. |
NAPLES: City of Celebrations from the 14th to the 19th Centuries By Dinko Fabris. OPUS 111 Muses OPS 7006, 1999. |
NATIONALIST AND POPULIST COMPOSERS: Voices of the American People By Steve Schwartz. Lanham, Maryland: Rowman & Littlefield, 2018. |
NEOCLASSICAL MUSIC IN AMERICA: Voices of Clarity and Restraint By R. James Tobin. Lanham, MD: Rowman & Littlefield, 2014. |
NEW MUSIC ACROSS AMERICA. Edited by Iris Brooks. Santa Monico, CA: California Institute for the Arts/High Performance Books, 1992. 80 pp., softcover. $14.95 |
NEW PERSPECTIVES ON MARC-ANTOINE CHARPENTIER Ed.by Shirley Thompson. Farnham, Surrey: Ashgate, 2010. xxviii + |
New Sounds. By John Schaefer. 297 pp. New York: Harper and Row, 1987. $22.95 cloth, $10.95 paper |
NEW WORLD SYMPHONIES: How American Culture Changed European Music By Jack Sullivan. New Haven & London: Yale University Press, 1999. |
NEW YORK PHILHARMONIC: The Authorized Recordings, 1917–2005, A Discography By James H. North. Lanham, MD: The Scarecrow Press, 2006. xxviii & |
NICOLAS NABOKOV: A Life in Freedom and Music By Vincent Giroud. New York: Oxford UP, 2015. Illus. |
NIELS VIGGO BENTZONS KOMPOSITIONER. By Klaus Møllerhøj. 160 pp. Copenhagen: Edition Wilhelm Hansen, 1980 |
NINETEENTH CENTURY MUSIC. By Carl Dahlhaus (trans, by J. Bradford Robinson). 417 pp. Berkeley: University of California Press. $35.00 |
NINETEENTH-CENTURY ITALIAN OPERA FROM ROSSINI TO PUCCINI. By Daniele Pistone, translated by E. Thomas Glasow. 109 pages. Pp. xix, 259. Portland, OR: Amadeus Press, 1995. $29.95 |
NORTON ANTHOLOGY OF WESTERN MUSIC, Volume One: Mediaeval, Renaissance, Baroque. Edited by Claude V. Palisca. 644 pp. New York: W. W. Norton, $13.95 |
NORTON ANTHOLOGY OF WESTERN MUSIC, Volume Two: Classic, Romantic, Modern. Edited by Claude V. Palisca. 758 pp. New York: W. W. Norton, $13.95 |
NOTES OF A MOSCOW PIANIST By Dmitry Paperno. Portland, Oregon: Amadeus Press. |
NOTES OF SEVEN DECADES (Revised ed.). By Antal Dorati. 371 pp. Detroit: Wayne State University Press, 1981. $22.50 |
O CLAP YOUR HANDS: A Musical Tour of Sacred Choral Music By Gordon Giles. Orleans, MA: Paraclete Press, 2008. xxv+ |
O CLAP YOUR HANDS: A Musical Tour of Sacred Choral Works By Gordon Giles. Brewster, MA: Paraclete Press, 2008. xxv+ |
O MA CARMEN: Bizet’s Fateful Gypsy in Portrayal from 1875 to the Present By Victoria Etnier Villamil. Jefferson: McFarland & Company, Inc. 2017. |
OBSERVATIONS ON MUSIC, CULTURE, AND POLITICS By Daniel Asia. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2021. |
OBSERVATIONS ON MUSIC, CULTURE, AND POLITICS By Daniel Asia. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2021. |
OBSERVATIONS ON MUSIC, CULTURE, AND POLITICS By Daniel Asia. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2021. |
OF MOZART, PARROTS, AND CHERRY BLOSSOMS IN THE WIND: A Composer Explores Mysteries of the Musical Mind By Bruce Adolphe. New York, NY: Limelight Editions, 1999. Softcover. |
OF MUSIC AND MUSICIANS By William Youngren. |
OF MUSIC AND MUSICIANS By William Youngren. |
ON CASSETTE. A Comprehensive Bibliography of Spoken Word Audio Cassettes. Edited by Ernest Lee. Hardbound, 658 pp. New York, R. R. Bowker Company, 1985. $59.95 |
ON MOZART: A Paean for Wolfgang. Being a celestial colloquy, an opera libretto, a film script, a schizophrenic dialogue, a bewildered rumination, a Stendhalian transcription, and a heartfelt homage upon the bicentenary of the Death of Wolfgang Amadeus Mozart. By Anthony Burgess. 160 pp. New York, NY: Ticknor and Fields, 1991. $19.95 |
ON RUSSIAN MUSIC By Richard Taruskin. Berkeley: University of California Press, 2009. |
ON SINGERS AND SINGING. By Reynaldo Hahn (Translated by Leopold Simoneau). 244 pp. Portland, Oregon: Amadeus Press 1990. $22.95 plus $3.00 shipping and handling |
ON THE PRINCIPLES AND PRACTICE OF CONDUCTING By Markand Thakar. Rochester, NY: University of Rochester Press, 2016. |
ON THE ROAD & OFF THE RECORD WITH LEONARD BERNSTEIN: My Years with the Exasperating Genius By Charlie Harmon. Watertown, MA: Imagine Publishing, 2018. |
ONE MAESTRO’S JOURNEY By Heinrich Hammer. Leander, Texas: Still Life Enterprises, 2019. |
OPERA ANNUAL: U.S., 1984-1985. By Jerome S. Ozer (editor). 642 pp. Jerome S. Ozer, publisher, 1988. $48.00 |
OPERA AS OPERA: The State of the Art By Conrad L. Osborne. New York, New York: Proposito Press, 2018. |
OPERA IN ITALY TODAY. By Nick Rossi. 432 pages; 21 color photos; 50 b/w photos; paperback. Portland, Oregon: Amadeus Press. $24.95 |
OPERA ON RECORD 2. Ed. by Alan Blyth. 399 pp. New York: Beaufort Books, 1984. $24.95 |
OPERA ONSCREEN By Ken Wlaschin. Los Angeles: Beachwood Press, 1997. |
OPERA'S FIRST MASTER. The musical dramas of Claudio Monteverdi. By Mark Ringer. Pompton Plains, NJ: Amadeus Press, 2006. 344 pp. Paperback. Includes Harmonia Mundi CD. $29.95 |
OPUS EST: Six Composers from Northern Europe by Paul Rapoport. 200 pp. New York: Taplinger Publishing Co., 1979, $11.95 |
ORCHESTRA!: By Jan Younghusband. 214 pp. North Pomfret, VT: Trafalgar Square Publishing, 1992, $29.95 |
ORNAMENTATION IN BAROQUE AND POST-BAROQUE MUSIC WITH SPECIAL EMPHASIS ON j. S. BACH. By Frederick Neumann. 630 pp. Princeton: Princeton University Press, 1978, $50.00 |
ORPHEUS IN MANHATTAN: William Schuman and the Shaping of America’s Musical Life By Steve Swayne. New York: Oxford University Press, 2011. |
OTHER ENTERTAINMENT. By Ned Rorem. 336 pages. New York NY: Simon and Schuster. $25.00 |
OTTORINO RESPIGHI: His Life and Times By Michael Webb. Leicestershire, England: Matador, 2019. |
OUR SCHUBERT: His Enduring Legacy By David Schroeder. Lanham, MD: Scarecrow Press, 2009. |
OUR WILL TO LIVE: The Terezín Music Critiques of Viktor Ullmann, Illustrations of Terezín Artists By Mark Ludwig. Göttingen: Steidl Verlag, 2021. |
OUTSIDER: John Rockwell on the Arts By John Rockwell. Pompton Plains, NJ: Limelight Editions, 2006. |
OVER HERE, OVER THERE. By Maxine Andrews and Bill Gilbert. New York: Zebra Books-Kensington Publishing Corporation, 1993. 260 pp. $22.95 |
OVERTONES AND UNDERTONES: Reading Film Music. By Royal S. Brown. 396 pages. Berkeley, CA: University of California Press, 1994. Softcover $20.00, hardcover $50.00 |
PARIS THE MUSICAL KALEIDOSCOPE 1870-1925. By Elaine Brody, 360 pp. 34 unnumbered pages of illustrations. New York: George Braziller, 1987. $19.95 |
PERCY GRAINGER, 3rd Edition By John Bird. New York: Oxford University Press, 1999. |
PERFECT PITCH—A LIFE STORY. By Nicholas Slonimsky. 263 pp. New York, N.Y.: Oxford University Press, 1988, $21.95 |
PERFECTING SOUND FOREVER: The Story of Recorded Music By Greg Milner. London: Granta, 2009. |
PHILIP GLASS PIANO ETUDES: The Complete Folios 1–20 and Essays from Fellow Artists Ed. Linda Brumbach & Alisa E. Regas. Artisan Books, 2023. 20 Folios plus book ( |
PIANO LESSONS: A Memoir By Anna Goldsworthy. New York: St. Martin’s, 2009. |
PIANO NOTES: The World of thè Pianist. By Charles Rosen. New York: The Free Press. 2002. 246 pp. $25.00 |
PIANO: A PHOTOGRAPHIC HISTORY OF THE WORLD'S MOST CELEBRATED INSTRUMENT. By David Crombie. 112 pages. Gilroy, CA: Miller Freeman Books. $35 |
PIERRE MONTEUX, MAÎTRE. By John Canarina. Milwaukee: Amadeus Press, 2003. 353 pp. Discography. $29.95 |
PLAYING FOR THEIR LIVES: The Global El Sistema Movement for Social Change Through Music By Tricia Tunstall and Eric Booth. New York: W. W. Norton & Co. Inc., 2016. |
PLAYING THE BEETHOVEN PIANO SONATAS By Robert Taub. Portland, OR: Amadeus Press, 2002. 258pp. |
PLÁCIDO DOMINGO'S TALES FROM THE OPERA. By Daniel Snowman. 186 pages. Amadeus Press. Portland, OR. $22.95 |
PRIEST OF MUSIC: THE LIFE OF DIMITRI MITROPOULOS. By William R. Trotter. 495 pages. Portland, Oregon: Amadeus Press. $29.95 |
PRINCE OF VIRTUOSOS: A LIFE OF WALTER RUMMEL, AMERICAN PIANIST. By Charles Timbrall. Lanham, MD: Scarecrow Press, 2005. 248 pp. With audio CD. $44.95 |
PURCELL REMEMBERED. By Michael Burden. 188 pages. Portland, Oregon: Amadeus Press. $29.95 |
PUTTING THE RECORD STRAIGHT, the autobiography of John Culshaw. By John Culshaw. 362 pp. London: Seeker & Warburg, Ltd., 1981. $17.50 |
QUARTET, A Profile of the Guarnen Quartet. By Helen Drees Ruttencutter. 152 pp. New York, Lippîncott & Crowell, 1980. $10.95 |
RAVEL ACCORDING TO RAVEL. By Valdo Perlemuter and Helene Jourdan-Morhange. Translated by Frances Tanner. Edited by Harold Taylor. 92 pp. White Plains, NY: Pro/Am Music Resources, Inc. 1988 |
RAVEL REMEMBERED. By Roger Nichols, xxviii, 203 pp. New York: W. W. Norton and Co. 1988. $25.00 |
RAVEL: A Listener’s Guide By Victor Lederer. Milwaukee: Amadeus Press, 2015. |
RAYMOND LEPPARD ON MUSIC. Edited by Thomas P. Lewis. 668 pp. White Plains, N.Y.: Pro/Am Musical Resources, Inc., 1993 |
RECORDED CLASSICAL MUSIC, A Critical Guide to Compositions and Performances. By Arthur Cohn. 2164 pp. New York, Schirmer Books Division of Macmillan Publishing Co. Inc., 1981. $75.00 |
RECORDED CONCERT BAND MUSIC, 1950-1987: A Selected Annotated Listing. By Richard Michael Rasmussen. Hardbound. 442 pages. Jefferson, NC: McFarland, 1988. $45.00. (Available from: McFarland, Box 611, Jefferson, NC 28640.) |
RECORDING BRITISH MUSIC: A Personal History of Fifty Years Researching and Recording Neglected Repertoire By Lewis Foreman. Watford, UK: Vocalion Books, 2024. xxxi, |
RED AND HOT. The Fate of Jazz in the Soviet Union. By S. Frederick Starr. 368 pp. New York: Oxford University Press, 1983. $16.95 |
REFLECTIONS ON TOSCANINI. By Harvey Sachs. New York: Grove Weidenfeld, 1991. 206 pp. $19.95 |
REFLECTIONS: The Piano Music of Maurice Ravel By Paul Roberts. Milwaukee: Amadeus Pr, 2012. xvii + |
REMINISCING IN TEMPO: A Portrait of Duke Ellington By Stuart Nicholson. Boston: Northeastern University Press, 1999. |
REPRISE- THE EXTRAORDINARY REVIVAL OF EARLY MUSIC. By Joel Cohen and Herb Snitzer. Small 4to., 227 pp. Boston: Little, Brown & Company, 1985. $25.00 |
RETHINKING BRITTEN Ed. Philip Rupprecht. New York: Oxford UP, 2013. xxxi + |
ROBERT SCHUMANN: WORDS AND MUSIC. By Dietrich Fischer-Dieskau. 231 pp. (illustrated). Portland. OR: Amadeus Press, 1988. $28.95 |
ROCK OF AGES: The Rolling Stone History of Rock and Roll. By Ed Ward, Geoffrey Stokes, and Ken Tucker. 649 pp. New York: Summit Books, 1986. $14.95 (paper) |
RON WOOD. By Ron Wood. 122 pp. New York: Harper and Row, 1987, $15.95 |
ROSA RAISA By Charles Mintzer. Boston: Northeastern University Press, 2001. |
ROSTROPOVICH: The Musical Life of the Great Cellist, Teacher and Legend By Elizabeth Wilson. Chicago: Ivan R. Dee, 2008. |
RUBINSTEIN. A LIFE. By Harvey Sachs, xviii + 525 pp. Grove Press, hardcover, $27.50 |
RUBINSTEIN: A LIFE IN MUSIC. By Harvey Sachs. New York: Grove Press, 1995. 528 pp. $27.50 (paperback) |
RUDOLF SERKIN: A LIFE. By Stephen Lehmann and Marlon Faber. New York, NY; Oxford University Press, 2003. 344 pp. 53 Illustrations. $35.00 |
RUTH CRAWFORD SEEGER: A Composer's Search for American Music By Judith Tick. New York and Oxford: Oxford University Press, 1997. |
SACRED CANTATAS: An Annotated Bibliography, 1960-1979. By Margaret R Evans. 188 pp. Jefferson and London: McFarland, 1982. $29.95 (available from: McFarland & Co., Inc., Box 611, Jefferson, NC 28640; add $1.50 for postage and handling.) |
SAMUEL BARBER REMEMBERED: A Centenary Tribute Ed. Peter Dickinson. Rochester, NY: University of Rochester Press, 2010. |
SAMUEL BARBER: A Bio-Bibliography. By Don A. Hennessee. 404 pp. Westport, CT: Greenwood Press, 1985. $39.95 |
SAMUEL BARBER: His Life and Legacy By Howard Pollack. Champaign, IL: University of Illinois Press, 2023. |
SARAH CALDWELL: The First Woman of Opera By Daniel Kessler. Lanham, Maryland: The Scarecrow Press, 2008. |
SATURDAY AFTERNOONS AT THE OLD MET. By Paul Jackson. 569 pp. Portland, OH: Amadeus Press, 1992. $49.95 |
SATURDAY AFTERNOONS AT THE OLD MET: THE METROPOLITAN OPERA BROADCASTS, 1931-1950. By Paul Jackson, xiii, 560 pp. Portland, OR: Amadeus Press, 1992. $49.95 |
SCHOENBERG By Malcolm MacDonald. Oxford and New York: Oxford University Press, 2008. xxiv + |
SCHOENBERG’S NEW WORLD: The American Years . By Sabine Feisst. Oxford University Press, 2011. |
SCHOENBERG’S TRANSFORMATION OF MUSICAL LANGUAGE By Ethan Haimo. New York: Cambridge University Press, 2006. |
SCHUBERT AND THE SYMPHONY: A NEW PERSPECTIVE. By Brian Newbould. Toccata Press, 1992 (distributed by Trafalgar Square, North Pomfret, Vermont 05053). 317 pp. $55.00 |
SCHUBERT IN THE EUROPEAN IMAGINATION. Volume 1: The Romantic and Victorian Eras By Scott Messing. Rochester, NY: Univ. of Rochester Press, 2006. |
SCHUBERT'S GREAT C MAJOR SYMPHONY: A DISCOGRAPHY By Jerome F. Weber. Utica, NY: J. F. Weber Publications, 2000. |
SCHUBERT'S MUSIC FOR PIANO FOUR-HANDS. By Dallas A. Weekley and Nancy Arganbright. 148 pp. (illus.) White Plains, NY: Pro/Am Resources, Inc., 1990. $23.50 |
SCHUBERT: THE MUSIC AND THE MAN. By Brian Newbould. Berkeley: University of California Press. 465 pages. $39.95 |
SCHUBERT’S REPUTATION FROM HIS TIME TO OURS. Monographs in Musicology No. 17 By Geoffrey Block. Hillsdale, New York: Pendragon Press, 2017. |
SCHUMANN: A Chorus of Voices Interviews with John C. Tibbetts. New York: Amadeus Press, 2010. |
SCHUMANN: The Faces and the Masks By Judith Chernaik. New York: Alfred A. Knopf, 2018. |
SCHWANN CD REVIEW DIGEST (CLASSICAL): The Guide to Critical Music Reviews, 1995 Annual. Edited by Janet Grimes. 706 pages. Sante Fe, NM: Stereophile, Inc. $63.80 per year for three quarterlies and the cumulative annual |
SECRET LIVES OF GREAT COMPOSERS: What Your Teachers Never Told You about the World’s Musical Masters . By Elizabeth Lunday. Philadelphia: Quirk Books, 2009. |
SEEKING THE INFINITE: The Musical Life of Stanisław Skrowaczewski By Frederick Edward Harris Jr. independently published via CreateSpace, 2011. xii + |
SELECTED LETTERS OF RICHARD WAGNER. Translated and Edited by Stewart Spencer and Barry Millington. ix, 1030 pp. New York: W. W. Norton and Co. 1988. $35.00 |
SELECTED LETTERS OF VIRGIL THOMSON. Edited by Tim Page and Vanessa Weeks Page. 413 pp. New York: Summit Books, 1988. $24.95 |
SELECTED LETTERS OF VIRGIL THOMSON. Edited by Tim Page and Vanessa Weeks Page. 413 pp. New York: Summit Books, 1988. $24.95 |
SELLING SOUNDS: THE COMMERCIAL REVOLUTION IN AMERICAN MUSIC . By David Suisman. Cambridge: Harvard University Press, 2009. |
SENNETS & TUCKETS: A BERNSTEIN CELEBRATION. Edited by Steven Ledbetter. 211 pp. The Boston Symphony Orchestra in association with David R. Godine, Publisher. $19.95 |
SEPTEMBER IN THE RAIN: The Life of Nelson Riddle. By Peter J. Levinson. New York: Watson-Guptill Publications/Billboard Books, 2001. 288 pp. 30 b& w photographs. $21.95 |
SERENADING THE RELUCTANT EAGLE: American Musical Life, 1925-1945. By Nicholas Tawa. 261 pp. New York: Schirmer Books, 1984, $19.95 |
SERGEI PROKOFIEV’S ALEXANDER NEVSKY By Kevin Bartig. New York: Oxford University Press, 2017. |
SETTLING THE SCORE: Essays on Music. By Ned Rorem. 366 pp. New York: Harcourt Brace Jovanovich, 1988. $27.95 |
SEVENTY YEARS ON MUSIC'S MAGIC CARPET. By Andor Foldes. Translation by David Roscoe. Bartók Records: Homosassa, FL, 2004. 237 pp. 58 illustrations. $41.00 |
SHOOT THE CONDUCTOR: Too Close to Monteux, Szell and Ormandy . By Anshel Brusilow and Robin Underdahl. Denton, Texas: University of North Texas Press, 2015. |
SHOOT THE CONDUCTOR: Too Close to Monteux, Szell and Ormandy . By Anshel Brusilow and Robin Underdahl. Denton, Texas: University of North Texas Press, 2015. |
SHOSTAKOVICH RECONSIDERED Written and edited by Alan Ho and Dmitry Feofanov. London: Toccata Press, 1998. |
SHOSTAKOVICH SYMPHONIES AND CONCERTOS: An Owner’s Manual By David Hurwitz. Pompton Plains, NJ: Amadeus Press, 2006. |
SHOSTAKOVICH: A LIFE By Laurel E. Fay. Oxford/New York: Oxford University Press, 2000. |
SIBELIUS. By Robert Layton. The Master Musicians Series, edited by Stanley Sadie. New York: Schirmer Books, 1993. 248 pp. $30.00 |
SINGERS AND THE SONG. By Gene Lees. 257 pp. New York: Oxford University Press, 1987. $18.95 |
SINGERS OF THE CENTURY. By J. B. Steane. 271 pp. Portland, OR: Amadeus Press, 1996, $34.95 |
SINGERS OF THE CENTURY: Volume 2 By John B. Steane. Amadeus Press, Portland, Oregon, 1998. |
SIR GEORG SOLTI: His Life and Music By Paul E. Robinson. Lincoln, NB: iUniverse, 2006. |
SKYWRITING BY WORD OF MOUTH. By John Lennon. 200 pp. New York: Perennial Library, 1987. $5.95 (paper) |
SOPHIE LACAZE: Portrait of a Composer Dialogues with Geneviève Mathon, translated by Valérie Vivancos. France: Éditions Delatour, 2021. |
SOUND RECORDINGS. By Peter Copeland. 80 pp. London: The British Library, 1991, £6.95 |
SOUNDS FROM MY LIFE: Reminiscences of a Musician By Xaver Scharwenka. Translation, William E. Petig. Introduction, Robert S. Feigelson. Lanham, MD: Scarecrow Press, 2007. |
STANLEY KUBRICK: The Music in His Films By Christine Lee Gengaro. Lanham, Maryland: Scarecrow Press, 2013. |
STAR TURNS AND CAMEO APPEARANCES: Memoirs of a Life among Musicians By Bernard Jacobson. Rochester: University of Rochester Press, 2015. |
START-UP AT THE NEW MET: The Metropolitan Opera Radio Broadcasts, 1966–1976 By Paul Jackson. Pompton Plains, New Jersey: Amadeus Press, 2006. |
STEANE: Voices, Singers, & Critics. By John B. Steane. Portland, OR: Amadeus Press. 294 pp. $32.95 |
STEINWAY & SONS. By Richard K. Lieberman. New Haven/London: Yale University Press, 1995. 374 pp. $35.00 |
STRAVINSKY: DISCOVERIES AND MEMORIES By Robert Craft. Naxos Books, 2013. |
STRAVINSKY: The Second Exile: France and America, 1934–1971 By Stephen Walsh. New York: Knopf, 2006. |
STRING QUARTETS, A MOST INTIMATE MEDIUM. A Listener’s Guide to the Genre from 1800 By John Hood. 2nd Edition, Middletown, Delaware: 2018. |
SURPRISED BY BEAUTY: A LISTENER'S GUIDE TO THE RECOVERY OF MODERN MUSIC. By Robert R. Reilly. Washington: Money Books, 2002. 351 pp. Softcover, $19.95 |
Svenska Tonsättare Diskografi. By Stig Jacobsson. 266 pp. Stockholm: Rikskonserter, 1985. 72.90 Swedish Crowns |
SWEELINCK. By Frits Noske. Hardcover, 141 pp. Oxford: Oxford University Press, 1988. No price provided |
SYMPHONIES FOR THE SOUL: Classical Music to Cure Any Ailment By Oliver Condy. London: Cassel, 2021. |
TALES FROM THE LOCKER ROOM: An Anecdotal Portrait of George Szell and his Cleveland Orchestra By Lawrence Angell and Bernette Jaffe. Cleveland, OH: Atbosh Media Ltd., 2015. |
TCHAIKOVSKY: A Listener’s Guide By Daniel Felsenfeld. Pompton Plains, NJ: Amadeus Press, 2006. |
TENOR: History of a Voice By John Potter. New Haven: Yale University Press, 2009. xi + |
TERMINORUM MUSICAE INDEX SEPTEM UNGUIS REDACTUS Dictionary of Musical Terms Compiled in Seven Languages: German, English, French, Italian, Spanish, Hungarian, Russian). Edited by Horst Leuchtmann et al. 877 pp. Kassel: Bärenreiter, 1978, $89.50 |
TERRY RILEY’S In C By Robert Carl. New York: Oxford University Press, 2009. xii + |
THE AESTHETIC LIFE OF CYRIL SCOTT By Sarah Collins. Woodbridge, SUF: Boydell, 2013. xxxi + |
THE AMADEUS BOOK OF THE VIOLIN: Construction, History, and Music By Walter Kolneder (trans, and ed. Reinhard G. Pauly). Portland, Oregon: Amadeus Press, 1998. |
THE AMERICAN SYMPHONY By Neil Butterworth. Aldershot and Brookfield: Ashgate, 1998. 338pp. 15 photographs, 95 musical illustrations. |
THE ANATOMY OF A NEW YORK DEBUT RECITAL: A Chronicle. By Carol Montparker. 94 pp. White Plains, NY: Pro/Am Music Resources, Inc., 1989. $8.95 |
THE ART OF THE PIANO. By David Dubai. New York: Harcourt Brace and Company, 1995. 453 pp. (Paperback) |
THE ARTS OF THE PRIMA DONNA IN THE LONG NINETEENTH CENTURY Ed. by Rachel Cowgill and Hilary Poriss. New York: Oxford University Press, 2012. xlvi + |
THE ATTENTIVE LISTENER: THREE CENTURIES OF MUSIC CRITICISM. Edited and introduced by Harry Haskell. Princeton, NJ: Princeton University Press, 1996. 415 pp. $29.95 |
THE BEAUX ARTS TRIO: A Portrait. By Nicholas Delbanco. 254 pp. New York: William Morrow and Company, Inc., 1985. $15.95 |
THE BERG COMPANION. Edited by Douglas Jarman. 301 pp. Boston: Northeastern University Press. 1990. $40.00 |
THE BLACK HORN . By Robert Lee Watt. Lanham, Maryland: Rowman & Littlefield, 2014. |
THE BOSTON COMPOSERS PROJECT: A Bibliography of Contemporary Music. Edited by Linda I. Solow. 775 pp. Cambridge, Massachusetts: The MIT Press, 1983. $50.00 |
THE CALLAS LEGACY. THE COMPLETE GUIDE TO HER RECORDINGS ON COMPACT DISC. FOURTH EDITION. By John Ardoin. xviii, 236 pp. (paperback). Portland, OR: Amadeus PressAïmber Press, Inc., 1995. $19.95 |
THE CALLAS LEGACY. THE COMPLETE GUIDE TO HER RECORDINGS. COMPACT DISC EDITION. By John Ardoin. xviii, 236 pp. (paperback). New York, NY: Charles Scribner's Sons/Macmillan Publishing Company, 1991. $16.95 |
THE CAMBRIDGE COMPANION TO THE VIOLIN. Edited by Robin Stowell. Cambridge: Cambridge University Press, 1992. 303 pp |
THE CAMBRIDGE HANDEL ENCYCLOPEDIA Edited by Annette Landgraf and David Vickers. New York: Cambridge University Press, 2009. xxii + |
THE CAMBRIDGE MOZART ENCYCLOPEDIA. Edited by Cliff Eisen and Simon P. Keefe. Cambridge, England: Cambridge University Press, 2006. 662 pp. $175.00 |
THE CHILDREN OF WILLESDEN LANE. By Mona Golabek and Lee Cohen. New York, NY: Warner Books, 2002. 272 pp. Cloth. $23.95 |
THE CLASSICAL GOOD CD & DVD GUIDE—2005. Edited by Gramophone. Teddington, Middlesex: Gramophone Publications Limited, 2005. 1416 pp. Paperback. $24.95 |
THE COLLECTOR'S GUIDE TO VICTOR RECORDS. By Michael W. Sherman. 176 pp. Dallas: Monarch Record Enterprises, 1992. $29.95 |
THE COMPANION TO 20th-CENTURY MUSIC. By Norman Lebrecht. 415 pages. Paperback. New York, NY: Da Capo Press. $16.95 |
THE COMPLETE DISCOGRAPHY OF DMITRI MITROPOULOS. By Stathis S. Arfanis. 111 pp. Athens: Irinna S.A. 1990. $25.00. Available from: Nickson Records, P.O. Box 25523, Rochester, New York, 14625 |
THE COMPOSER IS DEAD By Lemony Snicket. New York: HarperCollins, 2009. |
THE COMPOSER'S ADVOCATE. A Radical Orthodoxy for Musicians. By Erich Leinsdorf. 216 pp. New Haven and London: Yale University Press, 1981. $14.95 |
THE COMPOSER-PIANISTS: HAMELIN AND THE EIGHT By Robert Rimm. Portland, Oregon: Amadeus Press. 2002. |
THE COMPOSERS: A Hystery of Music By Kevin Reeves, with preface by Daniel Taylor. Toronto: Sound And Vision, 1998. 160pp. 50 illustrations. |
THE COMPOSITIONS OF VAGN HOLMBOE. By Paul Rapoport. Copenhagen: Edition Wilhelm Hansen, 1996. xvi, 224 pp. (paperback). Price not indicated. (Available from: Edition Wilhelm Hansen AS, Bornholmsgade 1, DK-1266 Copenhagen K, Denmark.) |
THE CORRESPONDENCE OF ROGER SESSIONS. Edited by Andrea Olmstead. Boston: Northeastern University Press, 1992. 539 pp. $60.00 |
THE COURAGE OF COMPOSERS AND THE TYRANNY OF TASTE: Reflections On New Music By Bálint András Varga. Rochester, NY: University of Rochester Press, 2017. |
THE CRAFTY ART OF OPERA By Michael Hampe (translated by Chris Walton). Woodbridge: The Boydell Press, 2016. 186pp. Illustrated |
THE CULTURE OF OPERA BUFFA IN MOZART'S VIENNA: A Poetics of Entertainment By Mary Hunter. Princeton, NJ: Princeton University Press, 1999. |
THE DA CAPO CATALOG OF CLASSICAL MUSIC COMPOSITIONS. By Jerzy Chwialkowski. 1,392 pp. New York: Da Capo Press, 1996. $85.00 (cloth), $29.50 (paperback) |
THE DANGER OF MUSIC AND OTHER ANTI-UTOPIAN ESSAYS By Richard Taruskin. Berkeley: University of California Press, 2008. |
The Day I Almost Destroyed the Boston Symphony and Other Stories . By John Sant’Ambrogio. Santa Barbara: Nebbadoon Press, 2010. |
THE DEVIL'S MUSIC MASTER: WILHELM FURTWÄNGLER. By Sam H. Shirakawa. Oxford University Press, 1992. 506 pages |
THE DICTIONARY OF COMPOSERS AND THEIR MUSIC by Eric Gilder and June G. Port. 594 pp. New York: Ballantine Books, 1979, $2.75 |
THE DIRECTORY OF CLASSICAL THEMES By Denys Parsons. London: Trafalgar Square Publishing, 2010. |
THE EMPTY VOICE: Acting Opera By Leon Major, with Michael Laing. Milwaukee, WI: Amadeus Press, 2011. Illus. xvii + |
THE ERNEST BLOCH COMPANION. By David Z. Kushner. Westport, CT: Greenwood Press, 2002. 198 pp. $79.00 |
THE ESSENCE OF BRUCKNER. By Robert Simpson. London: Victor Gollancz Ltd., 1993. 239 pp. $17.95 |
THE ESSENTIAL CANON OF CLASSICAL MUSIC By David Dubai. New York: North Point Press, 2001. |
THE FARTHEST PLACE: The Music of John Luther Adams Bernd Herzogenrath, ed. Boston: Northeastern U Pr, 2012. iv + |
THE FESTIVAL OF NINE LESSONS AND CAROLS. Edited and introduced by William Pearson Edwards, prologue by Stephen Cleobury. New York: Universe Publishing, 2004. 96 pp. CD included. $27.50 |
THE FLAMENCO GUITAR. By David George, 135 pp. Illustrated. White Plains, NY. Pro/Am Music Resources, Inc., 1987. $18.95 |
THE FURTWÄNGLER RECORD. By John Ardoin. 376 pp. Portland, OR: Amadeus Press. $32.95 |
THE GENIUS OF VALHALLA: The Life of Reginald Goodall By John Lucas. Rochester, NY: The Boydell Press, 2009. |
THE GIRL IN ROSE: Haydn’s Last Love By Peter Hobday. London: Weidenfield & Nicolson, 2005. |
THE GRAMOPHONE CLASSICAL MUSIC GUIDE 2010 Edited by James Jolly. Teddington: Haymarket, 2010. xxvi + |
THE GRAND TRADITION- SEVENTY YEARS OF SINGING ON RECORD, 1900 TO 1970. Second Edition. By J. B. Steane. xv, 628 pp. Portland, OR: Amadeus Press, 1993. $49.95 |
THE GREAT AMERICAN SYMPHONY: Music, the Depression, and War By Nicholas Tawa. Bloomington and Indianapolis: Indiana University Press, 2009. |
THE GREAT AMERICAN SYMPHONY: Music, the Depression, and War By Nicholas Tawa. Bloomington: University of Indiana Press, 2009. |
THE GREAT COMPOSERS: THE LIVES AND MUSIC OF THE GREAT CLASSICAL COMPOSERS . By Jeremy Nicholas. North Pomfret, VT: Trafalgar Square Publishing, 2009. |
THE GREAT INSTRUMENTALISTS IN HISTORIC PHOTOGRAPHS; 274 PORTRAITS FROM 1850 to 1950. Edited by James Camner. 4to., 145 pp., paperbound. New York: Dover Publications, Inc. 1980. $6.95 |
THE GROVE BOOK OF OPERA SINGERS Edited by Laura Macy. New York: Oxford University Press, 2005. |
THE GROVE BOOK OF OPERAS Edited by Stanley Sadie, 2nd. ed. by Laura Macy. New York: Oxford University Press, 2009. |
THE HARD BARGAIN: Music, Medicine, and My Father By David Tucker and Burton Spivak. No publication location: XLibris, 2018. |
THE HARMONY OF BILL EVANS, Vol. 2 By Jack Reilly. New York: Hal Leonard Corp., 2010. xiii + |
THE HARMONY OF DAVE BRUBECK By Jack Reilly. Milwaukee: Hal Leonard, 2013. |
THE HARPER DICTIONARY OF OPERA AND OPERETTA. By James Anderson. New York: HarperCollins, 1990. 691 pp. $35.00 |
THE HORN. By Kurt Janetzky and Bernhard Bruchile (trans. James Chater). 127 pp. Portland, OR: Amadeus Press, 1988. $24.95 |
THE IGNORANT MAESTRO: How Great Leaders Inspire Unpredictable Brilliance By Itay Talgam. New York: Portfolio/Penguin, 2015. |
THE INDISPENSABLE COMPOSERS: A Personal Guide . By Anthony Tommasini. London and New York: Penguin Press. |
THE INFINITE VARIETY OF MUSIC By Leonard Bernstein. New York: Amadeus Press, 2007. |
THE INTERPRETATION OF 16TH-AND 17TH-CENTURY IBERIAN KEYBOARD MUSIC. By Macario Santiago Kastner. 109 pp. Stuyvesant, N.Y.: Pendragon Press, 1987 |
THE JOHN ADAMS READER: Essential Writings on an American Composer Edited by Thomas May. Pompton Plains, NJ: Amadeus Press, 2006. |
THE JOHN MARSH JOURNALS: The Life and Times of a Gentleman Composer (1752-1828) Edited, introduced, and annotated by Brian Robins. Stuyvesant, New York: Pendragon Press, 1998. |
THE KEYBOARD MUSIC OF J. S. BACH New York: Schirmer, 1992. |
THE LABEL: The Story of Columbia Records By Gary Marmorstein. New York: Thunder’s Mouth Press, 2007. |
THE LANGUAGE OF THE CLASSICAL FRENCH ORGAN: A Musical Tradition Before 1800 (New and expanded edition). By Fenner Douglass. New Haven: Yale University Press, 1995. 251 pp. $18.00 (paper) |
THE LAST PRODIGY—A BIOGRAPHY OF ERICH WOLFGANG KORNGOLD By Brendan G. Carroll. Portland, OR: Amadeus Press, 1997 |
THE LETTERS OF ARTURO TOSCANINI. Edited by Harvey Sachs. New York: Alfred A. Knopf, 2002. 468 pp. Cloth, $35 |
THE LIFE AND DEATH OF CLASSICAL MUSIC: Featuring the 100 Best and 20 Worst Recordings Ever Made By Norman Lebrecht. Garden City, NY: Anchor Press, 2007. |
THE LISTENER'S GUIDE TO CLASSICAL MUSIC. By Kenneth and Valerie McLeish. 278 pp. New York: G. K. Hall and Co., 1992. $30.00 |
THE LISTENERS MUSICAL COMPANION. By B. H. Haggin. 499 pp. New York: Oxford University Press, 1992. $14.95 |
THE LISTENING COMPOSER. By George Perle. 202 pp. Berkeley: University of California Press, 1990. $18.95 |
THE LITERATURE OF CHAMBER MUSIC By Arthur Cohn. Chapel Hill: Hinshaw Music, Inc., 1997. 3, |
THE LIVES OF THE PIANO. Edited by James R. Gaines. 4to., 214 pp., paperbound. New York: Harper Colophon, 1983. $11.95 |
THE LONDON PHILHARMONIC DISCOGRAPHY Compiled by Philip Stuart. Discographies, Number 69; Westport and London: Greenwood Press, 1997. |
THE MAESTRO MYTH: GREAT CONDUCTORS IN PURSUIT OF POWER. By Norman Lebrecht. New York: Birch Lane Press, 1992. 380 pp. $22.50 |
THE MAHLER SYMPHONIES: An Owner's Manual. By David Hurwitz. Pompton Plains, NJ: Amadeus Press, 2004. 195 pp. Includes Full-Length Hänssler Classic CD. $19.95 (paper) |
THE MAN THAT GOT AWAY: The Life and Songs of Harold Arlen By Walter Rimler. Illinois: University of Illinois Press, 2015. |
THE MARGINALIA BOOK OF COMPOSERS' LETTERS. Edited by Jan Fielden. 193 pages, paperback. Marginalia Press (distributed by Trafalgar Square, North Pomfret, Vermont). $13.95 |
THE MEANING OF MUSIC By Leo Samama. Amsterdam: Amsterdam University Press, 2016. |
THE METALLURGY OF 17TH- AND 18TH-CENTURY MUSIC WIRE. By Martha Goodway and Jay Scott Odell. 143 pp. Stuyvesant, N.Y.: Pendragon Press, 1987 |
THE METROPOLITAN OPERA GUIDE TO RECORDED OPERA. Edited by Paul Gruber. 782 pp. New York: W. W. Norton and Co., 1993. $35.00 |
THE MUSIC LOVERS. By Jonathan Valin. New York: Delacorte Press, 1993. 233 pp. $19.95 |
THE MUSIC OF HANS PFITZNER. By John Williamson. 382 pp. Oxford: Clarendon Press, 1992. $79.00 |
THE MUSIC OF MY TIME. By Joan Peyser. 496 pages. Pro/Am Music Resources, Inc., White Plains, New York; Kahn & Averill, London |
THE MUSIC OF PER NØRGÅRD: FOURTEEN INTERPRETATIVE ESSAYS. Edited by Anders Beyer. Aldershot, England: Scolar Press, 1996; Brookfield VT: Ashgate Publishing, 1996. vii, 304 pp. $49.95 |
THE MUSIC OF THE TROUBADOURS. By Elizabeth Aubrey. Bloomington: The University of Indiana Press, 1996, xxi, 326 pp. $49.95 |
THE MUSICAL LIFE OF JOSEPH MARTIN KRAUS: Letters of an Eighteenth-Century Swedish Composer Ed. and transl. by Bertil van Boer. Bloomington: Indiana UP, 2014. Illus. |
THE MUSICAL MADHOUSE. By Hector Berlioz. Translated and edited by Alastair Bruce. Rochester, NY: University of Rochester Press, 2003. 240 pp. Paperback. $24:95 |
THE MUSICAL WOMAN: An International perspective, Vol. II. By Judith Lang Zaimont, Catherine Overhauser, and Jane Gottlieb, editors. 557 pp. Westport, CT: Greenwood press. $165 |
THE MUSICIAN’S JOURNEY: Crafting Your Career Vision and Plan By Jill Timmons. Oxford: Oxford University Press, 2013. |
THE MYSTERY OF THE MASKED MAN'S MUSIC. By Reginald M. Jones Jr. 233 pp. Metuchen, N.J.: Scarecrow Press, Inc. $20.00 |
THE NEW EVERYMAN DICTIONARY OF MUSIC. Revised and edited by David Cummings. 876 pp. New York: Weidenfeld and Nicolson, 1989. $34.95 |
THE NEW GROVE DICTIONARY OF JAZZ. Edited by Barry Kernfield. 1360 pp. in 2 volumes. London: Macmillan, 1988. $295.00 |
THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS, SECOND EDITION Edited by Stanley Sadie. New York: Grove's Dictionaries, 2001. 29 vols. |
THE NEW GROVE DICTIONARY OF OPERA. Edited by Stanley Sadie. 5,324 pp. New York: Grove's Dictionaries of Music, Inc., 1992. $850.00 |
THE NEW GROVE GUIDE TO MOZART AND HIS OPERAS By Julian Rushton. New York: Oxford University Press, 2007. |
THE NEW GROVE GUIDE TO VERDI AND HIS OPERAS By Roger Parker. New York: Oxford UP, 2007. |
THE NEW OXFORD HISTORY OF MUSIC, VOLUME 2, Second Edition: Early Middle Ages to 1300 Oxford and New York. Oxford University Press, 1990. Pages xx + 795. |
THE NEW OXFORD HISTORY OF MUSIC, VOLUME IX: Romanticism: 1830-1890. Edited by Gerald Abraham. 935 pp. New York: Oxford University Press, 1990. $95.00 |
THE NEW SHOSTAKOVICH. By Ian MacDonald. 339 pp. Boston, MA: Northeastern University Press, 1990. $27.50 |
THE NEW YORK CITY OPERA : An American Adventure; with the Complete Annals. By Martin L. Sokol; annals compiled by George Louis Mayer (through 1979) and Martin L. Sokol (1980-1981). 562 pp. New York: Macmillan, 1982. $24.95 |
THE NEW YORK PHILHARMONIC: From Bernstein to Maazel By John Canarina. New York: Amadeus Press, 2010. |
THE NEW YORK TIMES ESSENTIAL LIBRARY: OPERA. By Anthony Tommasini, New York: Times Books/Henry Holt and Company, 2004. 384 pp. $17.00 |
THE NIELSEN COMPANION. Edited by Mina Miller. Portland, Oregon: Amadeus Press, 1995. 666 pp. $24.95 (paperback) |
THE NINETEENTH-CENTURY GERMAN LIED. By Lorraine Gorrell. 398 pp. Portland, OR: Amadeus Press, 1993. $39.95 |
THE NINETEENTH-CENTURY GERMAN LIED. By Lorraine Gorrell. Pompton Plains, NJ: Amadeus Press, 2005. 398 pp. Paperback $24.95 |
THE NINTH: Beethoven and the World in 1824 By Harvey Sachs. New York: Random House, 2010. |
THE NORTON/GROVE CONCISE ENCYCLOPEDIA OF MUSIC. Edited by Stanley Sadie. 850 pp. New York and London: W. W. Norton & Company, 1988. $40 |
THE NORTON/GROVE DICTIONARY OF WOMEN COMPOSERS. Edited by Julie Anne Sadie and Rhian Samuel. 522 pp. New York and London: W. W. Norton and Company, 1994. $45 |
THE OBOE AND THE BASSOON. By Gunther Joppig (trans. Arthur Clayton). 223 pp. Portland, OR: Amadeus Press, 1988. $32.95 |
THE OPERAS OF VERDI: Volume Two (From Il Trovatore to La Forza del Destino). By Julian Buden. 532 pp. New York: Oxford University Press, $39.95 |
THE ORCHESTRA: A VERY SHORT INTRODUCTION By D. Kern Holoman. New York: Oxford University Press, 2012. |
THE ORDEAL OF IVOR GURNEY. By Michael Hurd. • 230 pages. • London: Oxford University Press, 1978, $15.00 |
THE OTHER CLASSICAL MUSICS . Ed. by Michael Church. Woodbridge: The Boydell Press, 2015. |
THE PARIS DIARY AND THE NEW YORK DIARY, 1951-1961 BY Ned Rorem. New York: Da Capo Press, 1998. |
THE PENGUIN GUIDE TO COMPACT DISCS. By Ivan March, Edward Greenfield, and Robert Layton. London: Penguin Books. 1,580 pages. $23.95 |
THE PENGUIN GUIDE TO JAZZ ON CD, LP, AND CASSETTE (NEW EDITION). By Richard Cook and Brian Morton. London/New York: Penguin Books, 1994. 1,514 pp. $22.95 (paperback) |
THE PENGUIN GUIDE TO JAZZ ON CD, LP, AND CASSETTE. By Richard Cook and Brian Morton. London/New York: Penguin Books, 1992. 1287 pp. $22.50 (paperback) |
THE PENGUIN GUIDE TO THE 1,000 FINEST CLASSICAL RECORDINGS: The Must-Have CDs and DVDs Ed. by Ivan March, Edward Greenfield, Robert Layton, and Paul Czajkowski. London: Penguin, 2011. |
THE PERFECT SOUND: A Memoir in Stereo By Garrett Hongo. New York: Pantheon, 2022. |
THE PHILADELPHIA ORCHESTRA: A CENTURY OF MUSIC Edited by John Ardoin. Philadelphia: Temple University Press, 1999. |
THE PHILADELPHIA ORCHESTRA: An Annotated Discography By Richard Kaplan. Lanham, MD: Rowman & Littlefield, 2015. |
THE PIANIST'S REPERTOIRE: GRIEG. A GRADED PRACTICAL GUIDE. By Eleanor Bailie. 584 pp. London: Valhalla Productions, distributed by C. F. Peters. $45.00 |
THE PIANO AND THE COUCH: Music and Psyche By Margret Elson. Oakland, CA: Janowski-Tell, 2017. |
THE PLACE WHERE YOU GO TO LISTEN: In Search of an Ecology of Music By John Luther Adams. Middletown, Connecticut; Wesleyan University Press, 2009. xvi+ |
THE POLYPHONY OF SAINT MARTIAL AND SANTIAGO DE COMPOSTELA: Volume One, Text; Volume Two, Edition. By Theodore Karp. Volume 1: xii + 230 pp. Volume 2: xii + 236 pp. Berkeley and Los Angeles: University of California Press, 1992. $145.00 |
THE PORTABLE KOBBÉS OPERA GUIDE. By The Earl of Harewood. 470 pp. New York: Perigee Books, 1994. $20.00 |
THE POST-CLASSICAL PREDICAMENT: ESSA YS ON MUSIC AND SOCIETY. By Joseph Horowitz. 215 pp. Boston, MA: Northeastern University Press. $29.95 |
THE PRIMA DONNA AND OPERA, 1815-1930 By Susan Rutherford. Cambridge, New York, et al.: Cambridge University Press, 2006. |
THE PRO/AM BOOK OF MUSIC AND MYTHOLOGY. Compiled, Edited, and with Commentaries by Thomas P. Lewis. Volume I: Ixxvii + 815 pp. $59.95. Volume II: xi + 645 pp. $49.95. White Plains, NY: Pro/Am Music Resources, Inc |
THE PURCELL COMPANION. Edited by Michael Burden. 504 pp. Portland, OR.: Amadeus Press. $39.95 (hardback); $19.95 (paperback) |
THE QUEEN'S THROAT. By Wayne Koestenbaum. New York: Poseidon Press, 1993. 271 pp. $22.00 |
THE REAL TOSCANINI: MUSICIANS REVEAL THE MAESTRO By Cesare Civetta. Milwaukee: Amadeus Press, 2012. |
THE RECORD OF SINGING- Volume 1 and Volume 2. By Michael Scott. 243 and 262 pp. Boston: Northeastern University Press, 1993 (reprint of 1977 and 1979 publication) |
THE RECORD SHELF: GUIDE TO THE CLASSICAL REPERTOIRE. By Jim Svejda. 383 pp. Paperbound. Rocklin, CA, 1988, $14.95 |
THE RECORD SHELF: GUIDE TO THE CLASSICAL REPERTOIRE. By Jim Svejda. 383 pp. Paperbound. Rocklin, CA, 1988, $14.95 |
THE RECORDED WORKS OF SIR WILLIAM WALTON. Compiled by Alan Poulton. 173 pp. Kidderminster: Bravura Publications (Chartreuse House, Hopton Wafers, Cleobury Mortimer, Kidderminster, Worcs., DY14 ONA, U.K.), 1980. $17.75 |
THE REDEEMER REBORN: Parsifal as the Fifth Opera of Wagner’s Ring By Paul Schofield. New York: Thames and Hudson, 2007. 307pp. |
THE REGISTRATION OF BAROQUE ORGAN MUSIC By Barbara Owen. Bloomington, IN: Indiana University Press, 1997. |
THE REST IS NOISE: Listening to the Twentieth Century By Alex Ross. New York: Farrar, Straus, and Giroux, 2007. |
THE REVISION PROCESS IN RACHMANINOFF’S PIANO CONCERTO NO. 1 IN F-SHARP MINOR, OPUS 1 By Morley Grossman. Lewiston, NY: Edwin Mellen Press, 2006. xii + |
THE RING OF TRUTH: The Wisdom of Wagner’s Ring of the Nibelung By Roger Scruton. New York: Overlook Press, 2017. |
THE RISE AND FALL OF EMI RECORDS . By Brian Southall. London: Omnibus, 2009. |
THE RISE OF EUROPEAN MUSIC, 1380-1500. By Reinhard Strohm. Cambridge: University Press, 1993. 720 pp. $95.00 |
THE SADDEST MUSIC EVER WRITTEN: The Story of Samuel Barber’s Adagio for Strings By Thomas Larson. New York: Pegasus Books, 2010. |
THE SCHUBERT SONG COMPANION. By John Reed, with Prose Translations by Norma Deane and Celia Lamer. 512 pp., clothbound. New York: Universe Books, 1985. $67.50 |
The Solo Cantata in 18th Century Britain. By Paul F. Rice. Warren, Michigan: Harmonie Park Press, 2003. 463 pp. Hardcover. $65 |
THE SORCERER OF BAYREUTH: RICHARD WAGNER, HIS WORK AND HIS WORLD By Barry Millington. Oxford: Oxford University Press, 2012. |
THE SOUND OF THE FORTEPIANO: A Discography of Recordings on Early Pianos. By Ann P. Basart. 472 pp., paper covers. Berkeley, California: Fallen Leaf Press, 1985, $29.95 |
THE SPANISH SONG COMPANION. By Jacqueline Cockburn and Richard Stokes; notes by Graham Johnson. 268 pp. London: Victor Gollancz, Ltd. Distributed by Trafalgar Square, North Pomfret, Vermont, 1993. $39.95 |
THE SYMPHONIES OF HAVERGAL BRIAN, Volume One (Symphonies 1-12) and Volume Two (Symphonies 13-29 and the Concerto for Orchestra). By Malcolm MacDonald. 207 and 288 pages. • New York: Taplinger/Crescendo, $11. • 95 and $13.95 |
THE SYMPHONIES OF HAVERGAL BRIAN, Volume Three (Symphonies 30-32, Survey, and Summing-up). By Malcolm MacDonald. 309 pages. New York: Taplinger/Crescendo, $17.95 |
THE SYMPHONY IN BEETHOVEN’S VIENNA By David Wyn Jones. Cambridge, New York, et al.: Cambridge University Press, 2006. |
THE TRUMPET. By Edward Tarr. 221 pp. Portland, OR: Amadeus Press. 1988. $50.00 |
THE ULTIMATE GUIDE TO VINYL AND MORE: All You Need to Know About Collecting Essential Music, from Cylinders and CDs to LPs and Tapes By Dave Thompson. Montclair, NJ: Backbeat Books, 2018. |
THE USE OF MUSIC AND RECORDINGS FOR TEACHING ABOUT THE MIDDLE AGES. By John W. Barker. 230 pp. Kalamazoo: Medieval Institute Publications, 1988. Price not given |
THE VERDI COMPANION. Edited by William Weaver and Martin Chusid. 366 pp. New York: W. W. Norton & Company. $19.95 |
THE VIENNA OPERA. By Andrea Seebohm. 275 pp. New York: Rizzoli International Publications, 1987 |
THE VINTAGE GUIDE TO CLASSICAL MUSIC. By Jan Swafford. New York: Vintage Books, 1992. 597 pp., $17.00 |
THE VIOLEXCHANGE: A QUARTERLY REVIEW OF STRING LITERATURE AND REPERTOIRE |
THE VIOLIN EXPLAINED: COMPONENTS, MECHANISM, AND SOUND By James Beament. New York: Oxford University Press, 1997. Paperback edition, 2000. |
THE VIOLIN FAMILY. By David O. Boyden, Boris Schwarz, Peter Cooke, Alastair Dick, Malcolm Boyd, Werner Bachmann, J. C. Schelleng, Ann M. Woodward, Klaus Marx, Rodney Slatford, Carleen Hutchins, and Sonya Monosoff. 315 pp. New York, NY: W. W. Norton & Co., Inc., 1989. $25.00 |
THE VIOLIN MAKER: Finding a Centuries-Old Tradition in a Brooklyn Workshop By John Marchese. New York City. HarperCollins Publishers, 2007. xii + |
THE WAGNER COMPENDIUM. Edited by Barry Millington. 431 pp. New York: Schirmer Books, 1992. $35.00 |
THE WAR ON MUSIC: Reclaiming the Twentieth Century By John Mauceri. New Haven, CT: Yale University Press, 2022. |
THE WELL-TEMPERED ANNOUNCER. By Robert A. Fradkin. Bloomington: The University of Indiana Press, 1996, xvii, 255 pp. (paperback), $24.95 |
THE WORKS OF MARC-ANTOINE CHARPENTIER: Catalogue Raisonné, by H W Hitchcock. 419 pp. Paris: A. & J. Picard, 1982. $85.00 |
THE WORLD OF THE ORATORIO. By Kurt Pahlen. Translated by Judith Schaefer. Additional material by Thurston Dox. 397 pp. Portland, Oregon: Amadeus Press, 1990. $39.95 |
THE WORLDS OF JOHANN SEBASTIAN BACH Edited by Raymond Erickson. New York: Amadeus Press, 2009. xvii+ |
THEREMIN: ETHER MUSIC AND ESPIONAGE By Albert Glinsky. Urbana and Chicago: University of Illinois Press, 2000. |
THERESE MALTEN: Wagner’s Devoted Kundry By Michael Letchford. Takeley: Goar Lodge, 2010. |
THIS MAN AND MUSIC. By Anthony Burgess. 192 pp. New York: McGraw-Hill, 1983. $14.95 |
THOMAS BEECHAM: An Obsession with Music By John Lucas. Woodbridge: Boydell, 2008. xi + |
THOMAS WILSON INTROIT: TOWARDS THE LIGHT By Margaret Wilson and David Griffith. Glasgow: Queensgate Music, 2011. |
TIM PAGE ON MUSIC: VIEWS AND REVIEWS. By Tim Page. Portland, OR: Amadeus Press, 2002. 364 pp, cloth. $24.95 |
TOSCANINI IN BRITAIN By Christopher Dyment. Woodbridge. Great Britain: The Boydell Press, 2012. |
TOSCANINI IN BRITAIN By Christopher Dyment. Woodbridge. Great Britain: The Boydell Press, 2012. |
Tristan und Isolde on Record Compiled by Jonathan Brown. Westport and London: Greenwood Press, 2000 (Discographies, No. 85). |
TWENTIETH CENTURY MUSIC. By Richard Burbank. 485 pp. Cloth. New York: Facts-on-File Publications, 1984, $35.00 |
TWENTIETH-CENTURY MUSIC: A HISTORY OF MUSICAL STYLE IN MODERN EUROPE AND AMERICA. By Robert P. Morgan, xvii + 554 pp. New York: Norton, 1991. $29.95 |
t~VI. MethodStructurelntentionDisciplineNotationlndeterminacylnterpenetrationlmitationDevo-tionCircumstancesVariableStructureNonunderstandingContingencylnconsistencyPerformance. By John Cage. 452 pp. + two cassettes. Cambridge, MA: Harvard University Press, 1990. $34.95 |
VAN CLIBURN. By Howard Reich. Nashville: Thomas Nelson, Inc., 1993. 412 pp. $24.99 |
VERDI'S AIDA: A Record of the Life of the Opera On and Off Stage. By Clyde T. McCants. Jefferson, NC: McFarland, 2005. Paperback. 200 pp. $35.00 |
VERDI: A LIFE IN THE THEATER. By Charles Osborne. 360 pp. New York, Alfred A. Knopf, 1987. $22.95 |
VERDI’S IL TROVATORE: THE QUINTESSENTIAL ITALIAN MELODRAMA By Martin Chusid. Rochester, NY: University of Rochester Press, 2012. ix+ |
VINCENT PERSICHETTI: A Bio-Bibliography. By Donald L. Patterson and Janet L. Patterson. 336 pp. Westport, CT: Greenwood Press, 1988, $49.95 |
VINCENT PERSICHETTI: Grazioso, Grit, and Gold By Andrea Olmstead. Lanham, MD: Rowman & Littlefield, 2018. |
VIOLIN: A Novel By Anne Rice. New York and Toronto: Alfred A. Knopf, 1997. 289pp. |
VIOLINANO KEYBOARD, Volumes I, II. By Abram Loft. 360, 417 pp. Portland, OR: Amadeus Press, 1991. $34 each, or $64 per set |
VIRGIL THOMSON'S MUSICAL PORTRAITS. By Anthony Tommasini. 237 pp. New York: Pendragon Press, 1986 |
VIRGIL THOMSON: The State of Music and Other Writings Edited by Tim Page. New York: The Library of America, 2016. 1, |
VIRTUOSI ABROAD: Soviet Music and Imperial Competition During the Early Cold War, 1945–1958 By Kiril Tomoff. Ithaca, NY: Cornell UP, 2015. xi + |
VIVALDI: Red Priest of Venice By Susan Adams. Oxford: Lion, 2010. Illus. |
VOICES IN THE WILDERNESS: Six American Neo-Romantic Composers. By Walter Simmons. Latham, MD; Scarecrow Press, Inc, 2004. 420 pp. 6 Illustrations. $69.95 |
VOICES OF COMBAT—A CENTURY OF LIBERTY AND WAR SONGS, 1765-1865. by Kent Bowman, xii, 172 pp. Westport, CT: Greenwood Press. May, 1987. $39.95 |
VOICES OF STONE AND STEEL: Music of William Schuman, Vincent Persichetti and Peter Mennin By Walter Simmons. Scarecrow Press, 2010. |
VOICES OF STONE AND STEEL: Music of William Schuman, Vincent Persichetti and Peter Mennin By Walter Simmons. Scarecrow Press, 2010. |
VOICES: SINGERS AND CRITICS. By J. B. Steane. x, 294 pp. Portland, OR: Amadeus Press, 1992. $32.95 |
WAGNER MOMENTS: A Celebration of Favorite Wagner Experiences Edited by J. K. Holman. New Jersey: Amadeus Press, 2007. 231pp. Paperback. |
WAGNER REHEARSING THE “RING“: An Eye-Witness Account of the Stage Rehearsals of the First Bayreuth Festival. By Heinrich Porges, translated by Robert L. Jacobs. 158 pp. Cambridge and New York: Cambridge University Press, 1983, $29.95 |
WAGNERISM: Art and Politics in the Shadow of Music By Alex Ross. New York: Farrar, Straus & Giroux, 2020. |
WAGNERISM: Art and Politics in the Shadow of Music By Alex Ross. New York: Farrar, Straus and Giroux, 2020. |
WAGNERISM: Art and Politics in the Shadow of Music By Alex Ross. New York: Farrar, Straus and Giroux, 2020. |
WE CAN’T ALWAYS PLAY WALTZES: Conversations with Bert Lucarelli By Daniel Pereila. Foreword by Henry Fogel. New York: Carl Fischer, 2016. |
WEST SIDE MAESTRO, A Musical Memoir of Leonard Bernstein. Vol. 1: The Creative Spark! By Robert Mandell. Leicester, U.K.: Pressit Publications, 2012. |
WESTERN PLAINCHANT IN THE FIRST MILLENNIUM. Edited by Sean Gallagher, James Haar, John Nádas, and Timothy Striplin. Burlington, VT: Ashgate Publishing Company, 2003. xix + 523 pp. $104.95 |
WESTERN PLAINCHANT, A HANDBOOK. By David Hiley. Pp. xcvii, 661 pp. Oxford and New York: Clarendon Press, 1993. $75.00. ISBN 0-19-816289-8 |
WHAT MAKES IT GREAT?: Short Masterpieces, Great Composers By Rob Kapilow. Hoboken, NJ: Wiley, 2011. |
WHO KNEW: Answers to Questions about Classical Music You Never Thought to Ask By Robert A. Cutietta. New York: Oxford University Press, 2016. 330pp. Paper. 7 Illustrations. |
WHO NEEDS CLASSICAL MUSIC? By Julian Johnson. Oxford, England: Oxford University Press. 130 pp. $22.95 |
WHO'S AFRAID OF CLASSICAL MUSIC? By Michael Walsh. 227 pp. (paper). New York: Simon and Schuster, 1989. $8.95 |
WHY CLASSICAL MUSIC STILL MATTERS By Lawrence Kramer. Berkeley: University of California Press, 2007. |
WHY MAHLER?: How One Man and Ten Symphonies Changed Our World By Norman Lebrecht. New York: Anchor, 2010-11. xiv + |
WILD HARMONIES: A Life of Music and Wolves By Hélène Grimaud. New York: Riverhead, 2006. |
WILHELM FURTWÄNGLER AND THE POLITICS OF THE UNPOLITICAL By Roger Allen. Woodbridge, Suffolk, England: The Boydell Press, 2018. |
WILLIAM WALTON—BEHIND THE FACADE. By Susana Walton. 255 pp. New York, NY.: Oxford University Press, 1988, $22.95 |
WINIFRED WAGNER: A Life at the Heart of Hitler’s Bayreuth By Brigitte Hamann. Translated by Alan Bance. New York: Harcourt, 2006. |
WINTER FIRE. By William Trotter. New York: Dutton, 1993. 486 pp. $22.00 |
WITH VOICE AND PEN. By Leo Treitler. New York: Oxford University Press, 2003. 506 pp. with CD. $145.00 |
WOMEN AND MUSIC IN CROSS-CULTURAL PERSPECTIVE. By Ellen Koskoff, editor. 272 pp. Westport, CT: Greenwood Press. $49.95 |
WOMEN COMPOSERS: A Discography (Detroit Studies in Music Bibliography: 50). By Jane Frasier. 300 pp. Detroit: Information Coordinators, Inc., 1983, $18.50 |
WOMEN COMPOSERS: The Lost Tradition Found (second edition). By Diane Peacock Jezic. 250 pp. The Feminist Press at The City University of New York, 1994. $35 (cloth), $14.95 (paper) |
WOMEN OF NOTE: The Rise of Australian Women Composers . By Rosalind Appleby. Fremantle Press, 2012. |
WOMEN OF NOTE: THE RISE OF AUSTRALIAN WOMEN COMPOSERS By Rosalind Appleby. Freemantle, Aus: Freemantle Press, 2012. |
WORDS WITHOUT MUSIC: A Memoir By Philip Glass. New York: Liveright/Norton, 2015. |
WRITING ABOUT MUSIC. A Style Sheet from The Editors of 19th-century Music. By D. Kern Holoman. 61 pp. (paper). Berkeley: University of California Press, 1988. $7.95 |
Writing about Music: A Style Sheet. Second Edition By D. Kern Holoman. Berkeley, Los Angeles, London. University of California Press, 2008. |
WRITING ABOUT MUSIC: A STYLE SHEET By D. Kern Holoman. Berkeley & Los Angeles: University of California Press, 2008. |
WRITINGS ON GLASS Richard Kostelanetz, ed. New York: Schirmer, 1997. |
Writings on Music, 1965-2000. By Steve Reich. Edited and with an introduction by Paul Hillier. Oxford and New York: Oxford University Press, 2002. 254 pp. $25.00 |
YEAR BY YEAR IN THE ROCK ERA. By Herb Hendler. New York; Praeger, 1987. 00 pp. (paper reprint of 1983 hardback). $13.95 |
YEAR OF WONDER: Classical Music to Enjoy Day by Day By Clemency Burton-Hill. New York, New York; HarperCollins, 2018. |
YEVGENI MRAVINSKY: The Noble Conductor. By Gregor Tassie. Lanham, MD: Scarecrow Press, 2005. 280 pp. $59.95 |
ZAGAT SURVEY MUSIC GUIDE. By Zagats. New York: Zagat Survey LLC, 2003. 332 pp. Paperback. $14.95 |
ZEMLINSKY By Antony Beaumont. Ithaca, New York: Cornell University Press, 2000. |
ZUBIN MEHTA: The Score of My Life By Zubin Mehta. Foreword by Pandit Ravi Shankar. New York: Amadeus Press, 2009. |
BACH, JOHANN SEBASTIAN; MENDELSSOHN, FELIX; CHOPIN, FRÉDÉRIC (Rudolf Serkin) |
DAVID OISTRAKH—ARTIST OF THE PEOPLE?: A Film (Bruno Monsaingeon) |
ISAAC STERN: MY FIRST 79 YEARS (Isaac Stern) |
PFITZNER, HANS: Concerto in B Minor for Violin... (Saschko Gawriloff) |
PFITZNER, HANS: Concerto in Eb for Piano and Orchestra,... (Volker Banfield) |
PFITZNER, HANS: Concerto In ű for Cello and Orchestra,... (David Geringas) |
PFITZNER, HANS: Kleine Sinfonie, op. 44. Symphony... (Werner Andreas Albert) |
PFITZNER, HANS: Symphony in C♯ Minor, op. 36a.... (Werner Andreas Albert) |
RICHTER, THE ENIGMA: A Film by Bruno Monsaingeon (Bruno Monsaingeon) |
SCHUMAN, WILLIAM; PERSICHETTI; MENNIN, PETER (Gerard Schwarz) |
SCHUMAN, WILLIAM; PERSICHETTI; MENNIN, PETER (Gerard Schwarz) |
WAGNER: HIS LIFE AND MUSIC (Stephen Johnson) |
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