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Performer: Gregg Smith A WORLD OF FOLKSONG: Au Clair de la lune. Avec mes sabots. Glädejens Bomster. Hymn for the Day. Das Lieben bringst gross Freud. Circirinella. Sakura. Ohara Bushi. The Irish Washerwoman. O Waly, Waly. Scarborough Fair. Oh, Jeanie, there's nothing to fear ye. All Through the Night. Riqui, Riqui, Riquirron, Tu Tu Marámba. Blow the Candles Out. The Railroad Corral. O What a Beautiful City. Jerusalem. The Riddle. The Cuckoo. High Barbary. Shenandoah. The Drunken Sailor (Review by Haig Mardirosian) | conductor | A WORLD OF FOLKSONG: Au clair de la lune. Avec mes sabots. Glädjen blomster. Hymn for the Day. Das Lieben bringt gross Freud. Circirinella. Sakura. Ohara bushi. The Irish Washerwoman. O Waly, Waly. Scarborough Fair. Oh, Jeanie, There's Nothin' to Fear Ye. All Through the Night. Riqui, Riqui, Riquirron. Tu tu maramba. Copias. Blow the Candles Out. The Railroad Corral. O What a Beautiful City. Jerusalem. The Riddle. The Cuckoo. High Barbary. Shenandoah. The Drunken Sailor (Review by Robert McColley) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: De Profundis (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: De Profundis. Tribulationes Civitatum. O my deir hert. Welcome to the New Year. The Holly and the Ivy. Four Songs on Poems of Thomas Campion. Mass for 2-Part Chorus and Percussion. Seven Choruses from the Medea of Euripedes. My Shepherd Will Supply My Need. Hymns from the Old South (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: Four Songs on Poems of Thomas Campion (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: Hymns from the Old South (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: Mass for 2-Part Chorus and Percussion (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: My Shepherd Will Supply My Need (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: O my deir hert (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: Seven Choruses from the Medea of Euripedes (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: The Holly and the Ivy (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: Tribulationes Civitatum (Review by Raymond Tuttle) | conductor | HEAVEN IS MUSIC—CHORAL & VOCAL MUSIC OF VIRGIL THOMSON: Welcome to the New Year (Review by Raymond Tuttle) | conductor | A FESTIVAL OF FOLKSONGS, Volume I: (Review by John Ditsky) | conductor | NEW AMERICAN CHORAL MUSIC, Volume 1: (Review by Dean P. Suzuki) | conductor | BARBER, SAMUEL: A Hand of Bridge (Review by Walter Simmons) | conductor | BEACH, AMY CHENEY: When Soul Is Joined to Soul. Message. Sea Song. Night Song at Amalfi. God Is Our Stronghold (Review by James H. North) | conductor | BEESON: 3 Settings from the Bay Psalm Book (2nd version with pn) (Review by Colin Clarke) | conductor | BEESON: Tides of Miranda. 3 Rounds. Knots. In Praise of Singing. Summer Rounds and Canons. Epitaphs (Review by Colin Clarke) | conductor | BENNETT, RICHARD RODNEY: Two Madrigals (Review by George Chien) | conductor | BERGSMA: Riddle Me This (Review by John Ditsky) | conductor | BERNSTEIN, LEONARD: The Lark (Review by Raymond Beegle) | conductor | BILLINGS: The Continental Harmony (Review by J. F. Weber) | director | BLITZSTEIN: The Harpies (Review by Walter Simmons) | conductor | BROWN, EARLE: Small Pieces for Large Chorus (Review by John Ditsky) | conductor | CARTER, ELLIOTT: Choral Music. The Choral Masters Series, Volume I (Review by Dean P. Suzuki) | conductor | CARTER, ELLIOTT: Orchestral Songs. Complete Choral Music (Review by William Zagorski) | conductor | CARTER, ELLIOTT: Tarentella. Emblems. The Harmony of Morning. Heart Not so Heavy as Mine. Musicians Wrestle Everywhere. To Music. The Defense of Corinth (Review by Dean P. Suzuki) | conductor | CARTER, ELLIOTT: The Harmony of Morning (Review by John Ditsky) | conductor | CARTER, ELLIOTT: Warble for Lilac-Time (1943). Voyage (1945). Three Poems of Robert Frost (Review by William Zagorski) | conductor | CHIHARA: Lie Lightly Gentle Earth (Review by John Ditsky) | conductor | COPLAND, AARON: 4 Motets (Review by Raymond Beegle) | conductor | COPLAND, AARON: An Immorality (Review by Raymond Beegle) | conductor | COPLAND, AARON: In the Beginning (Review by Raymond Beegle) | conductor | DRUCKMAN, JACOB: 4 Madrigals (Review by Raymond Beegle) | conductor | DRUCKMAN, JACOB: Madrigals (Review by John Ditsky) | conductor | DUCKWORTH: Southern Harmony (Review by Mike Silverton) | director | FAURÉ, GABRIEL: Madrigal (Review by George Chien) | conductor | FINE, IRVING: The Hour Glass (mixed chorus); McCord's Menagerie-Four Poems for Men's Chorus; Alice in Wonderland (Review by John D. Wiser) | conductor | FINE, IRVING: The Hour-Glass. Alice in Wonderland (Review by Scott Wheeler) | conductor | FOSS: ". . . and then the rocks on the mountains begin to shout." Behold I build an House (Review by John Story) | conductor | FOSS: "... and then the rocks on the mountains began to shout." De Profundis (Review by Robert Carl) | conductor | FOSS: 3 Airs on O’Hara’s Angel (Review by John Story) | conductor | FOSS: 3 Airs on O’Hara’s Angel (Review by Robert Carl) | conductor | FOSS: Adón Ólom (Review by John Story) | conductor | FOSS: Behold! I Build an House. Adon Olom (Review by Robert Carl) | conductor | FOSS: De Profundis (Review by John Story) | conductor | FOSS: Introduction and Good-byes (Review by John Story) | conductor | FOSS: Introductions and Good-byes (Review by Robert Carl) | conductor | FOSS: The Prairie (Review by Raymond Beegle) | conductor | FOSS: Three Airs on O'Hara's Angels (Review by John Ditsky) | conductor | GABRIELI, GIOVANNI: Canzonas for Brass, Winds, Strings, and Organ (Review by George Chien) | director | GABRIELI, GIOVANNI: Music for A Cappella Choirs (Review by George Chien) | director | GABRIELI, GIOVANNI: Music for Multiple Choirs, Brass, and Organ (Review by George Chien) | director | GABRIELI, GIOVANNI: The Glory of Gabrieli (Review by George Chien) | director | GABRIELI, GIOVANNI: The Glory of Venice-Gabrieli in San Marco (Review by George Chien) | director | GARCÍA, ORLANDO JACINTO: La Belleza del Silencio. On the Eve of the Second Year Anniversary of Morton's Death (1989). Improvisation with Metallic Materials. Sitio Sin Nombre. Metallic Images (Review by Robert Carl) | conductor | GOULD, MORTON: Choral Music (Review by Scott Wheeler) | director | HARRISON, LOU: Mass (to St. Anthony) (Review by John Ditsky) | conductor | HENNAGIN: The House on the Hill (Review by Raymond Beegle) | conductor | HENNAGIN: The House on the Hill-A Madrigal Cantata (Review by John Ditsky) | conductor | HERBERT, VICTOR: Sweethearts (Review by John Ditsky) | conductor | HILLER, LEJAREN: A Portfolio for Diverse Performers and Tape (Review by Robert Carl) | conductor | HINDEMITH, PAUL: Six Chansons; La belle dame sans merci (Review by George Chien) | conductor | IMBRIE: On the Beach at Night (Review by John Ditsky) | conductor | IMBRIE: On the Beach at Night (Review by Raymond Beegle) | conductor | IVES, CHARLES: William Will (Review by Raymond Beegle) | conductor | JERGENSON: Requiem for a City for Six Choirs and Prerecorded Tape; The Vision; Tanka Pieces for Soprano, Flute, and Clarinet. (Review by Peter Frank) | conductor | KODÁLY: (12) “Canzonets“ Bicinia Hungarica II (Review by George Chien) | conductor | LEWIS, ROBERT HALL: Concerto for Chamber Orchestra. Serenades for Piano Solo. Three Prayers of Jane Austen (Review by Benjamin Pernick) | conductor | LONDON: Bach Again. Jove’s Nectar. Moon Sound Zone. Psalm of These Days I, Psalm of These Days V (Review by John Story) | conductor | MADISON: Bitte (Review by Raymond Beegle) | conductor | MADISON: Two Pieces (Review by John Ditsky) | conductor | MAYER, WILLIAM: A Lover’s Lament. Distant Playing Fields. Ae Fond Kiss. Enter Ariel. The Negro Speaks of Rivers (Review by James H. North) | conductor | MAYER, WILLIAM: Brass Quintet (Review by John Story) | conductor | MAYER, WILLIAM: Country Fair. Dream’s End (Review by John Story) | conductor | MAYER, WILLIAM: Essay for Brass and Winds. Eve of St. Agnes. Khartoum. Miniatures. Two News Items (Review by John Story) | conductor | MAYER, WILLIAM: The Eve of St. Agnes (Review by John Ditsky) | conductor | NAJERA: In Dulci Jubilo (Review by Raymond Beegle) | conductor | NAJERA: In Dulcí Jubilo (Review by John Ditsky) | conductor | NAJERA: Secundum Lucum for Choir, Chamber Orchestra, Soloists, and Organ (Review by Peter Frank) | conductor | REIF: The Curse of Mauvais-Air or Turn Your Head a Little Bit More, My Darling, I Still Can See Your Face (Review by Peter Frank) | conductor | REYNOLDS, ROGER: The Emperor of Ice Cream (Review by John Ditsky) | conductor | RICHARDS, ERIC: Through Under Medium . . (Review by John Ditsky) | conductor | RIEGGER: Who Can Revoke (Review by Raymond Beegle) | conductor | ROREM: Hearing—A Small Opera in Five Scenes (Poems by Kenneth Koch; Dramatization by James Holmes). Songs (Review by Robert McColley) | conductor | ROREM: Letters from Paris. In Time of Pestilence. Give All to Love. Missa Brevis (Review by Henry Fogel) | conductor | ROREM: Missa Brevis (Review by John Ditsky) | conductor | ROREM: Songs (Review by Robert McColley) | conductor | ROUSSEL: Deux poèmes de Ronsard (Review by George Chien) | conductor | ROXBURY: Four Motets (Review by John Ditsky) | conductor | ROXBURY: Leda and the Velvet Gentleman (Review by Peter Frank) | conductor | SARMANTO: New Hope Jazz Mass (Review by Walter Simmons) | conductor | SARMANTO: New Hope Jazz Mass (Review by Michael Ullman) | conductor | SCHOBER: Stabat Mater, for Women’s Chorus, Soprano Saxophone, and Percussion (Review by William Zagorski) | conductor | SCHOBER: Stabat Mater. Te Deum. Toccatas and Fantasias (Review by John Story) | conductor | SCHOBER: Te Deum, for Mixed Chorus and Prepared Piano (Review by William Zagorski) | conductor | SCHOBER: Toccatas and Fantasias, for Organ (Review by William Zagorski) | conductor | SCHOBER: Victimae pascali laudes (Review by John Story) | conductor | SCHOBER: Victimae pascali laudes, for Organ (Review by William Zagorski) | conductor | SCHUBERT: Nachtelle; Der Gondelfahrer; Trinklied; Ständchen; Mirjams Siegesgesang (Review by Howard Kornblum) | conductor | SCHUMAN, WILLIAM: Mail Order Madrigals (Review by John Ditsky) | conductor | SCHUMAN, WILLIAM: Prelude for Voices (Review by Raymond Beegle) | conductor | SCHUMAN, WILLIAM: Prelude for Voices. Carols of Death. Perceptions. Five Rounds on Famous Words. Mail Order Madrigals. Esses. Orpheus With His Lute (Review by Henry Fogel) | conductor | SCHUMAN, WILLIAM: The Mighty Casey (Review by Walter Simmons) | conductor | SESSIONS: Turn, O Libertad! (Review by Raymond Beegle) | conductor | SMITH, GREGG: Jazz Mass for Saint Peter's. Dedication (Review by Dean P. Suzuki) | conductor | SMITH, GREGG: Jazz Mass for Saint Peter’s. Dedication Theme and Variations. Drake (Review by Carson Cooman) | conductor | SMITH, GREGG: Legend (Review by John Ditsky) | conductor | SMITH, GREGG: Legend (Review by Raymond Beegle) | conductor | SMITH, GREGG: Magnificat. Prayer for Peace. Variations on a Bach Chorale (Review by Scott Wheeler) | conductor | SMITH, GREGG: Music for an Urban Church (Review by Dean P. Suzuki) | conductor | SMITH, GREGG: The Continental Harmonist (Review by J. F. Weber) | director | TALMA: A Wreath of Blessings. Voices of Peace. The Leaden Echo and the Golden Echo. Holy Sonnets. Let's Touch the Sky (Review by Henry Fogel) | conductor | THOMPSON, RANDALL: Alleluia (Review by Raymond Beegle) | conductor | WAXMAN, FRANZ: Thomas Hardy Songs—Eight Romances for A Cappella Chorus (Review by John Ditsky) | conductor | ZAIMONT, JUDITH LANG: Sunny Airs and Sober; Three Ayres; Greyed Sonnets; Songs of innocence (Review by Walter Simmons) | conductor |
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