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Performer: Timothy Roberts THOMAS MOORE'S IRISH MELODIES: Dear Harp of my Country. Erin! the smile and the tear in thine eyes. How sweet the answer Echo makes. Silent, oh Moyle! be the roar of thy water ( The Song of Fionnuala ). Rich and rare were the gems she wore. The twisting of the rope. Joice's Tune. The summer is coming. Carolan's Concerto. The harp that once, thro' Tara's halls. Nanny McDermotroe. The valley lay smiling before me (The Song of O'Ruark, Prince of Breffni). Abigail Judge. Avenging and bright. The Minstrel-Boy. Lament for Own O'Neill. 'Tis believed that this harp (The Origin of the Harp). Come, rest in this bosom. She is far from the land. Come o'er the sea. 'Tis the last rose of summer. Girls, have you seen George? The pretty girl milking the cows. John, heir of the glen. Love in secret. The jointure. How dear to me the hour. Fly not yet. At the mid hour of night. What the bee is to the floweret. Fill the bumper fair! (Review by David Johnson) | broadwood grand | THOMAS MOORE'S IRISH MELODIES: Dear Harp of my Country. Erin! the smile and the tear in thine eyes. How sweet the answer Echo makes. Silent, oh Moyle! be the roar of thy water ( The Song of Fionnuala ). Rich and rare were the gems she wore. The twisting of the rope. Joice's Tune. The summer is coming. Carolan's Concerto. The harp that once, thro' Tara's halls. Nanny McDermotroe. The valley lay smiling before me (The Song of O'Ruark, Prince of Breffni). Abigail Judge. Avenging and bright. The Minstrel-Boy. Lament for Own O'Neill. 'Tis believed that this harp (The Origin of the Harp). Come, rest in this bosom. She is far from the land. Come o'er the sea. 'Tis the last rose of summer. Girls, have you seen George? The pretty girl milking the cows. John, heir of the glen. Love in secret. The jointure. How dear to me the hour. Fly not yet. At the mid hour of night. What the bee is to the floweret. Fill the bumper fair! (Review by David Johnson) | director | THOMAS MOORE'S IRISH MELODIES: Dear Harp of my Country. Erin! the smile and the tear in thine eyes. How sweet the answer Echo makes. Silent, oh Moyle! be the roar of thy water ( The Song of Fionnuala ). Rich and rare were the gems she wore. The twisting of the rope. Joice's Tune. The summer is coming. Carolan's Concerto. The harp that once, thro' Tara's halls. Nanny McDermotroe. The valley lay smiling before me (The Song of O'Ruark, Prince of Breffni). Abigail Judge. Avenging and bright. The Minstrel-Boy. Lament for Own O'Neill. 'Tis believed that this harp (The Origin of the Harp). Come, rest in this bosom. She is far from the land. Come o'er the sea. 'Tis the last rose of summer. Girls, have you seen George? The pretty girl milking the cows. John, heir of the glen. Love in secret. The jointure. How dear to me the hour. Fly not yet. At the mid hour of night. What the bee is to the floweret. Fill the bumper fair! (Review by David Johnson) | square pianofortes | CANFIELD, DAVID DEBOOR: 5 Lyric Pieces... (Calvin Wong) (Review by Henry Fogel) | saxophone | CANFIELD, DAVID DEBOOR: 5 Lyric Pieces... (Calvin Wong) (Review by Colin Clarke) | saxophone | FOUR CONCERTI FOR VIOLINS & RECORDER: (Review by Nils Anderson) | harpsichord | THE AGE OF EXTRAVAGANCE: Virtuoso Music from Iberia... (Jeremy West) (Review by Brian Robins) | harpsichord | THE AGE OF EXTRAVAGANCE: Virtuoso Music from Iberia... (Jeremy West) (Review by Brian Robins) | organ | ANONYMOUS: Greensleeves to a Ground (Review by Tom Moore) | harpsichord | ANONYMOUS: Greensleeves to a Ground (Review by Ronald E. Grames) | harpsichord | ANONYMOUS: Greensleeves to a Ground (Review by Tom Moore) | organ | ANONYMOUS: The Italian Ground (Review by Edward Strickland) | harpsichord | ANONYMOUS: The Italian Ground (Review by Edward Strickland) | organ | ARNOLD, MALCOLM: Elegy (Review by Tom Moore) | fortepiano | ARNOLD, MALCOLM: Elegy (Review by Tom Moore) | harpsichord | BACH, JOHANN SEBASTIAN: Concerto in F after Vivaldi, BWV 978, Preludes and Fugues (Review by Edward Strickland) | harpsichord | BACH, JOHANN SEBASTIAN: O Jesu Christ, meins Lebens Licht, BWV 118. 14 Canons, BWV 1087. 9 Organ chorales. Cantata movements and 4-Part Chorales (Review by George Chien) | conductor | BACH, JOHANN SEBASTIAN: O Jesu Christ, meins Lebens Licht, BWV 118. 14 Canons, BWV 1087. 9 Organ chorales. Cantata movements and 4-Part Chorales (Review by George Chien) | organ | BASTON: Recorder Concerto No. 2 in D (Review by Ronald E. Grames) | harpsichord | BEACH, AMY CHENEY: Romance (Review by David DeBoor Canfield) | saxophone | BENDA, JIŘÍ ANTONÍN: Cephalus and Aurora (Review by David Johnson) | fortepiano | BENDA, JIŘÍ ANTONÍN: Du kleine Blondine. Du fehlest mir. Venus, wenn du willst mich rühren. Cephalus and Aurora—Cantata. Philint ist still. Philint stand jüngst vor Babets Thür. Ich liebte nur Ismenen. Mein Thyrsis, dürft ich dir doch sagen. Belise starb. Lieber Amor, leihe mir. Mein Geliebter hat versprochen. Faulheit, itzo will ich dir. Eine trunkner Dichter leerte. Mir Armen, den des Fiebers Kraft. Von nun an, O Liebe. Das Andenken. Forte piano Sonatinas (Review by David Johnson) | fortepiano | BLOW, JOHN: Fairest Work of Happy Nature—Songs and Keyboard Music (Review by Tom Moore) | chamber organ | BLOW, JOHN: Fairest Work of Happy Nature—Songs and Keyboard Music (Review by Tom Moore) | harpsichord | BLOW, JOHN: No more, the dear lovely nymph's no more. Prelude in G. The self-banish'd. Lovely Selina, innocent and free. Morlake Ground. O turn not those fine eyes away. Sett No. 1 in D. Sett No. 3 in A Minor. Fairest work of happy nature. Flavia grown old. Ground in G Minor. Oh! that mine eyes would melt into a flood. Verse in G Minor. O mighty God, who sit'st on high. Sabina has a thousand charms. Of all the torments, all the cares. Ground in C. No, Lesbia, you ask in vain—Elegy on the Death of Queen Mary (Review by Tom Moore) | chamber organ | BLOW, JOHN: No more, the dear lovely nymph's no more. Prelude in G. The self-banish'd. Lovely Selina, innocent and free. Morlake Ground. O turn not those fine eyes away. Sett No. 1 in D. Sett No. 3 in A Minor. Fairest work of happy nature. Flavia grown old. Ground in G Minor. Oh! that mine eyes would melt into a flood. Verse in G Minor. O mighty God, who sit'st on high. Sabina has a thousand charms. Of all the torments, all the cares. Ground in C. No, Lesbia, you ask in vain—Elegy on the Death of Queen Mary (Review by Tom Moore) | harpsichord | CABANILLES, JOAN BAUTISTA JOSÉ: Keyboard Music, Volume Three (Review by James V. Maiello) | harpsichord | CABANILLES, JOAN BAUTISTA JOSÉ: Keyboard Music, Volume Three (Review by James V. Maiello) | organ | CABANILLES, JOAN BAUTISTA JOSÉ: Keyboard Music (Review by James V. Maiello) | harpsichord | CABANILLES, JOAN BAUTISTA JOSÉ: Keyboard Music (Review by James V. Maiello) | organ | CABANILLES, JOAN BAUTISTA JOSÉ: Passacalles No. 2 (Review by James V. Maiello) | organ | CABANILLES, JOAN BAUTISTA JOSÉ: Tientos Nos. 12, 31, 82, 9, 63, 55, 14 (Review by James V. Maiello) | organ | CABANILLES, JOAN BAUTISTA JOSÉ: Tocatas Nos. 1, 2, 4 (Review by James V. Maiello) | organ | CARDON: Variations on 'Ah, vous dirai-je, maman' (Review by Tom Moore) | fortepiano | CARDON: Variations on 'Ah, vous dirai-je, maman' (Review by Tom Moore) | harpsichord | CASA, DALLA: Il vero modo di diminuir (Review by Ronald E. Grames) | harpsichord | CASA, DALLA: Petit Jacquet (Review by Tom Moore) | harpsichord | CASA, DALLA: Petit Jacquet (Review by Tom Moore) | organ | CASTELLO, DARIO: Sonata No. 2 (Review by Edward Strickland) | harpsichord | CASTELLO, DARIO: Sonata No. 2 (Review by Edward Strickland) | organ | CHÉDEVILLE, NICOLAS: Recorder Sonatas, op. 13 “Il pastor fido” (Review by Ronald E. Grames) | harpsichord | CONNESSON: Techno-Parade (Review by David DeBoor Canfield) | saxophone | COUPERIN, FRANÇOIS: Le Rossignol en Amour. Double de Rossignol (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Le Rossignol en Amour. Double de Rossignol (Review by Edward Strickland) | organ | CROFT: Recorder Sonata in G (Review by Ronald E. Grames) | harpsichord | CROFT: Sonata in G for Recorder and Continuo (Review by Tom Moore) | harpsichord | CROFT: Sonata in G for Recorder and Continuo (Review by Tom Moore) | organ | CROFT: Sonata in G (Review by Edward Strickland) | harpsichord | CROFT: Sonata in G (Review by Edward Strickland) | organ | DEMERSSEMAN, JULES: Fantasie (Review by David DeBoor Canfield) | saxophone | EARLE: Go, rose! my Chloe's bosom grace. T. LINLEY Jr. (Review by David Mason Greene) | harpsichord | ETEZADY: Glint (Review by David DeBoor Canfield) | saxophone | EYCK: Der Fluyten Lust-hof (Review by Ronald E. Grames) | harpsichord | EYCK: Wat Zal Men Op Den Avond Doen (Review by Tom Moore) | harpsichord | EYCK: Wat Zal Men Op Den Avond Doen (Review by Tom Moore) | organ | FINGER, GOTTFRIED: Division on a Ground in F for Recorder and Continue (Review by Tom Moore) | harpsichord | FINGER, GOTTFRIED: Division on a Ground in F for Recorder and Continue (Review by Tom Moore) | organ | FINGER, GOTTFRIED: Divisions on a Ground in F (Review by Ronald E. Grames) | harpsichord | FRESCOBALDI: Toccata (Review by Edward Strickland) | harpsichord | FRESCOBALDI: Toccata (Review by Edward Strickland) | organ | GABRIELI, ANDREA: Ancor che co’l partire (Review by J. F. Weber) | director | GABRIELI, ANDREA: Ancor che co’l partire (Review by J. F. Weber) | organ | GABRIELI, ANDREA: De profundis clamavi. O sacrum convivium. Ancor che co’l partire (Review by Brian Robins) | director | GABRIELI, ANDREA: De profundis clamavi. O sacrum convivium. Ancor che co’l partire (Review by Brian Robins) | organ | GABRIELI, ANDREA: Instrumental pieces (Review by J. F. Weber) | director | GABRIELI, ANDREA: Instrumental pieces (Review by J. F. Weber) | organ | GABRIELI, ANDREA: Missa Pater peccavi (Review by Martin Anderson) | director | GABRIELI, ANDREA: Missa Pater peccavi (Review by J. F. Weber) | director | GABRIELI, ANDREA: Missa Pater peccavi. De profundis. O sacrum convivium (Review by J. F. Weber) | director | GABRIELI, ANDREA: Missa Pater peccavi. De profundis. O sacrum convivium (Review by J. F. Weber) | organ | GABRIELI, ANDREA: Missa Pater peccavi (Review by Brian Robins) | director | GABRIELI, ANDREA: Missa Pater peccavi (Review by Brian Robins) | organ | GABRIELI, ANDREA: Ricercari (5) (Review by Brian Robins) | director | GABRIELI, ANDREA: Ricercari (5) (Review by Brian Robins) | organ | GABRIELI, GIOVANNI: Sacrae Sinfoniae, 1597 (Review by Brian Robins) | organ | HANDEL, GEORGE FRIDERIC: Sonata in A Minor, op. 1, no. 4 (Review by Edward Strickland) | harpsichord | HANDEL, GEORGE FRIDERIC: Sonata in A Minor, op. 1, no. 4 (Review by Edward Strickland) | organ | HANDEL, GEORGE FRIDERIC: Trio Sonata for Recorder, Violin, and Continuo in F, HWV 389 (Review by Ronald E. Grames) | harpsichord | HANDEL, GEORGE FRIDERIC: Trio Sonata in F for Recorder, Violin, and Continuo, op. 2, no. 5 (Review by Tom Moore) | harpsichord | HANDEL, GEORGE FRIDERIC: Trio Sonata in F for Recorder, Violin, and Continuo, op. 2, no. 5 (Review by Tom Moore) | organ | HARRINGTON: Enchanting harmonist. Ode to the memory of Italian virtuosi. Damon and Clora. The Lyre (Review by David Mason Greene) | harpsichord | HAYDN, FRANZ JOSEPH: O tuneful voice. She never told her love. Sailor's song (Review by Tom Moore) | fortepiano | HAYDN, FRANZ JOSEPH: O tuneful voice. She never told her love. Sailor's song (Review by Tom Moore) | harpsichord | HERSCHEL: Sonata in D for Obbligato Harpsichord, Violin, and Cello (Review by David Mason Greene) | harpsichord | HOOK, JAMES: The emigrant (Review by Tom Moore) | fortepiano | HOOK, JAMES: The emigrant (Review by Tom Moore) | harpsichord | JACKSON, WILLIAM: Sonata in A Minor for Harpsichord and Violin. Love in thine eyes for ever plays. Elegy III. Where the bee sucks (Review by David Mason Greene) | harpsichord | JACKSON, WILLIAM: Songs. Canzonetts. Piano Sonata in a, op.10/4 (Review by Bertil van Boer) | harpsichord | JACKSON, WILLIAM: The day that saw thy beauty rise. Time has not thinn'd my flowing hair (Review by Tom Moore) | fortepiano | JACKSON, WILLIAM: The day that saw thy beauty rise. Time has not thinn'd my flowing hair (Review by Tom Moore) | harpsichord | LAWES, WILLIAM: Sett a 4 in G Minor. Consort Setts a 5 (Review by Brian Robins) | organ | LECLAIR, JEAN-MARIE: Sonata in F for Recorder and Continuo (Review by Tom Moore) | harpsichord | LECLAIR, JEAN-MARIE: Sonata in F for Recorder and Continuo (Review by Tom Moore) | organ | LECLAIR, JEAN-MARIE: Violin Sonata in G, op. 9/7 (Review by Ronald E. Grames) | harpsichord | LINLEY THE ELDER, THOMAS: Awake, my lyre (Review by David Mason Greene) | harpsichord | LINLEY THE ELDER, THOMAS: The lark sings high in the cornfield. Think not, my love, when secret grief (Review by Tom Moore) | fortepiano | LINLEY THE ELDER, THOMAS: The lark sings high in the cornfield. Think not, my love, when secret grief (Review by Tom Moore) | harpsichord | MACKEY, JOHN: Concerto for Soprano Saxophone and Wind Ens (Review by David DeBoor Canfield) | saxophone | ORLOVICH: Crazy Logic (Review by David DeBoor Canfield) | saxophone | OSWALD, JAMES: The Marvel of Peru (Review by Edward Strickland) | harpsichord | OSWALD, JAMES: The Marvel of Peru (Review by Edward Strickland) | organ | PHILIDOR, FRANCOIS-ANDRE DANICAN: Sonata in D Minor (Review by Edward Strickland) | harpsichord | PHILIDOR, FRANCOIS-ANDRE DANICAN: Sonata in D Minor (Review by Edward Strickland) | organ | PINTO, GEORGE FREDERIC: Invocation to nature. Minuetto in A♭. A shepherd loved a nymph so fair. From thee, Eliza, I must go. Eloisa to Abelard (Review by Tom Moore) | fortepiano | PINTO, GEORGE FREDERIC: Invocation to nature. Minuetto in A♭. A shepherd loved a nymph so fair. From thee, Eliza, I must go. Eloisa to Abelard (Review by Tom Moore) | harpsichord | PURCELL, HENRY: Ground in C (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Ground in C (Review by Michael Ullman) | organ | PURCELL, HENRY: In Guilty Night. Plung’d in the Confines of Despair. Awake, Ye Dead. The Earth Trembled. My Op’ning Eyes are Purg’d. With Sick and Famish’d Eyes (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: In Guilty Night. Plung’d in the Confines of Despair. Awake, Ye Dead. The Earth Trembled. My Op’ning Eyes are Purg’d. With Sick and Famish’d Eyes (Review by Michael Ullman) | organ | PURCELL, HENRY: Lord, What Is Man. O Solitude. In the Black, Dismal Dungeon of Despair. Lord, I Can Suffer Thy Rebukes (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Lord, What Is Man. O Solitude. In the Black, Dismal Dungeon of Despair. Lord, I Can Suffer Thy Rebukes (Review by Michael Ullman) | organ | PURCELL, HENRY: O, I Am Sick of Life. Close Thine Eyes. Funeral Sentences for the Death of Queen Mary II (1695) (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: O, I Am Sick of Life. Close Thine Eyes. Funeral Sentences for the Death of Queen Mary II (1695) (Review by Michael Ullman) | organ | PURCELL, HENRY: Voluntaries (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Voluntaries (Review by Michael Ullman) | organ | SALOMON: Go, lovely rose. Why still before these streaming eyes. O tuneful voice (Review by Tom Moore) | fortepiano | SALOMON: Go, lovely rose. Why still before these streaming eyes. O tuneful voice (Review by Tom Moore) | harpsichord | SCARLATTI, DOMENICO: Fille, già più non parlo. Se ti dicesse un core. Di Fille vendicarmi vorrei. Sospendi o man per poco. Se per un sol momento—Cantata for Two Sopranos and Continuo (Review by David Johnson) | harpsichord | SCARLATTI, DOMENICO: Late Cantatas, Volume 3. No, non fuggire o Nice; Ti ricorda o bella Irene; Qual pensier, qual ardire; Con qual cor; Tirsi caro (Review by David Johnson) | harpsichord | SCARLATTI, DOMENICO: Late Cantatas, Volume 4 (Review by David Johnson) | harpsichord | SCHOP: Lachrime Pavaen (Review by Edward Strickland) | harpsichord | SCHOP: Lachrime Pavaen (Review by Edward Strickland) | organ | SHIELD: Hope and love. Ye balmy breezes, gently blow. 'Tis only no harm to know it, you know (Review by Tom Moore) | fortepiano | SHIELD: Hope and love. Ye balmy breezes, gently blow. 'Tis only no harm to know it, you know (Review by Tom Moore) | harpsichord | STORACE, STEPHEN: The curfew (Review by Tom Moore) | fortepiano | STORACE, STEPHEN: The curfew (Review by Tom Moore) | harpsichord | TELEMANN, GEORG PHILIPP: Quartet in g, TV 43 (Review by Ronald E. Grames) | harpsichord | TELEMANN, GEORG PHILIPP: Sonata in C (Review by Edward Strickland) | harpsichord | TELEMANN, GEORG PHILIPP: Sonata in C (Review by Edward Strickland) | organ | TOMKINS: Consort Music for Viols and Voices. Keyboard Music. Rose Consort of Viols (Review by Brian Robins) | harpsichord | TOMKINS: Consort Music for Viols and Voices. Keyboard Music. Rose Consort of Viols (Review by Brian Robins) | organ | VIVALDI, ANTONIO: Sonata in G Minor for Recorder and Continuo, op. 13, no. 6, RV. 58 (Review by Tom Moore) | harpsichord | VIVALDI, ANTONIO: Sonata in G Minor for Recorder and Continuo, op. 13, no. 6, RV. 58 (Review by Tom Moore) | organ | WALTHER, JOHANN JACOB: Imitatione del cuccu in G (Review by Robert Maxham) | harpsichord | WALTHER, JOHANN JACOB: Imitatione del cuccu in G (Review by Robert Maxham) | organ | WALTHER, JOHANN JACOB: Scherzos for Violin and Basso Continuo (Review by Robert Maxham) | harpsichord | WALTHER, JOHANN JACOB: Scherzos for Violin and Basso Continuo (Review by Robert Maxham) | organ | WESTHOFF, JOHANN PAUL VON: Violin Suites (Review by Robert Maxham) | harpsichord | WESTHOFF, JOHANN PAUL VON: Violin Suites (Review by Robert Maxham) | organ | WORGAN: Complete Harpsichord Music (Review by Bertil van Boer) | harpsichord | WORGAN: Complete Organ Works (Review by James A. Altena) | organ |
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