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Performer: Russell Oberlin ENGLISH MEDIEVAL SONGS (Twelfth-Thirteenth Centuries): (Review by J. F. Weber) | countertenor | ENGLISH POLYPHONY (Fourteenth-Fifteenth Centuries): (Review by J. F. Weber) | countertenor | ENGLISH POLYPHONY (Thirteenth-Fourteenth Centuries): (Review by J. F. Weber) | countertenor | THE FRENCH ARS ANTIQUA: (Review by J. F. Weber) | countertenor | TROUBADOUR AND TROUVÈRE SONGS: (Review by J. F. Weber) | countertenor | ALFONSO EL SABIO: Las Cantigas de Santa Maria (Review by J. F. Weber) | countertenor | BACH, JOHANN SEBASTIAN: French Overture, BWV 831. Cantata (Review by Kevin Bazzana) | countertenor | BLOW, JOHN: Ode on the death of Mr. Henry Purcell (Review by Lynn René Bayley) | countertenor | BUXTEHUDE: Alles was ihr tut. Was mich auf dieser Welt. Missa Brevis. Magnificat (Review by J. F. Weber) | countertenor | BYRD, WILLIAM: Music for Voice and Viols (Review by Brian Robins) | countertenor | BYRD, WILLIAM: Music for Voice and Viols (Review by J. F. Weber) | countertenor | BYRD, WILLIAM: Prelude and Fantasia a 5. La Virginella. My Sweet Little Darling. Fantasia a 3. What pleasure have great princes. Though Amaryllis dance in green. In Nomine a 5. Blessed is he that fears the Lord. O Lord, how long wilt thou forget. Fantasia a 6. The man is blesst that God doth fear. Why do I use my paper, ink, and pen? (Review by Brian Robins) | countertenor | BYRD, WILLIAM: Prelude and Fantasia a 5. La Virginella. My Sweet Little Darling. Fantasia a 3. What pleasure have great princes. Though Amaryllis dance in green. In Nomine a 5. Blessed is he that fears the Lord. O Lord, how long wilt thou forget. Fantasia a 6. The man is blesst that God doth fear. Why do I use my paper, ink, and pen? (Review by J. F. Weber) | countertenor | HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Barry Brenesal) | countertenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Barry Brenesal) | countertenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | countertenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | countertenor | HANDEL, GEORGE FRIDERIC: Muzio Scaevola (Review by Barry Brenesal) | countertenor | HANDEL, GEORGE FRIDERIC: Radamisto (Review by Barry Brenesal) | countertenor | LEONINUS: Viderunt. Alleluia Epulemur. Propter veritatem. Gaude Maria (Review by J. F. Weber) | countertenor | PEROTINUS: Alleluia Nativitas. Sederunt principes (Review by J. F. Weber) | countertenor | PURCELL, HENRY: Come, ye sons of art (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Fairy Queen (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Fly swift, ye hours (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: I love and I must (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Love, thou can’st hear, though thou art blind (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Lovely Albina’s come ashore (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Now that the sun hath veiled its light (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Oedipus (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Pausanias (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Prophetess (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Spanish Friar (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Sylvia, now your scorn give over (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: Tyrannic Love (Review by Lynn René Bayley) | countertenor | PURCELL, HENRY: What a sad fate is mine (Review by Lynn René Bayley) | countertenor | WALTON, WILLIAM: Façade (Review by John Ditsky) | voice |
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