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Performer: Marc Mauillon

IL DUE ORFEI: Giulio Caccini and Jacopo Peri (Marc Mauillon) (Review by Barry Brenesal)

baritone 

JE M’ABANDONNE À VOUS: Airs et chansons sur des... (Marc Mauillon) (Review by Bertil van Boer)

bass baritone 

ABBATINI: Sinfonia (Review by Raymond Tuttle)

baritone 

ALLEGRI, GREGORIO: Miserere (Review by Raymond Tuttle)

baritone 

ANONYMOUS: De cuer je souspire. Lai de la Pastourelle (Review by J. F. Weber)

voice 

ANONYMOUS: Domine, ne in furore tuo (Review by Raymond Tuttle)

baritone 

ANONYMOUS: La Fürstenberg (Review by Bertil van Boer)

tenor 

ANONYMOUS: Sonata prima in C. Sonata VII in g. Sonata IV in G (Review by Bertil van Boer)

tenor 

BERLIOZ: Benvenuto Cellini (Review by Adrian Corleonis)

Bernardino 

BERLIOZ: Benvenuto Cellini (Review by Barry Brenesal)

Bernardino 

BLOW, JOHN: Venus and Adonis (Review by Barry Brenesal)

Adonis 

CAMPRA: Le destin du nouveau siècle (Review by Bertil van Boer)

Mars 

CAMPRA: Le destin du nouveau siècle (Review by Bertil van Boer)

Saturne 

CAVALLI: L’Egisto (Review by Raymond Tuttle)

Egisto 

CHARPENTIER, MARC-ANTOINE: Motet pour une longue offrande (Review by Brian Robins)

tenor 

CHARPENTIER, MARC-ANTOINE: Te Deum. Messe pour les trépassés. Motet pour les trépassés. Prose des morts (Review by Brian Robins)

tenor 

COUPERIN, FRANÇOIS: Le Dodo ou L’amour au berceau, pièce croisée (Review by James V. Maiello)

bass 

DEBUSSY: Pelléas et Mélisande (Review by Peter J. Rabinowitz)

Pelléas 

DEBUSSY: Pelléas et Mélisande (Review by James A. Altena)

Pelléas 

DEZÈDE: Julie (Review by Bertil van Boer)

tenor 

DU MONT: Messe du Sixiesme ton (Review by James A. Altena)

baritone 

FORQUERAY, ANTOINE: La Mandoline (Review by Bertil van Boer)

tenor 

GERVASIO: Mandolin Sonatas (Review by Bertil van Boer)

tenor 

GRÉTRY: L’amant jaloux (Review by Bertil van Boer)

tenor 

LA BARRE, MICHEL DE: Plainte (Review by James V. Maiello)

bass 

LALANDE: Prélude. Grand pièce royale (Review by James V. Maiello)

bass 

LAMBERT, CONSTANT: Sombres déserts. Dialogue de Marc-Antoine et de Cléopâtre (Review by James V. Maiello)

bass 

LE CAMUS, SEBASTIAN: Ah! Qui peut tranquillement attendre. Laissez durer la nuit (Review by James V. Maiello)

bass 

LESCUREL, JEHAN DE: Comment que pour l’éloignance (Review by J. F. Weber)

voice 

LULLY: Armide (Review by Barry Brenesal)

Aronte 

LULLY: Armide (Review by Barry Brenesal)

La Haine 

LULLY: Atys (Review by James A. Altena)

Idas 

LULLY: Plainte d’Atys. Chaconne des harlequins (Review by James V. Maiello)

bass 

LULLY/PHILIDOR: Suite en G ré Sol (Review by James V. Maiello)

bass 

MACHAUT: Le Remède de Fortune (Review by J. F. Weber)

voice 

MACHAUT: Loyauté que point. Ay mi! (Review by J. F. Weber)

voice 

MACHAUT: MON CHANT VOUS ENVOY (Review by J. F. Weber)

voice 

MARAIS: Gigue (Review by James V. Maiello)

bass 

MARAIS: Rigaudon. Bransle de village (Review by James V. Maiello)

bass 

MARAZZOLI: Chi fà (Review by Raymond Tuttle)

baritone 

MAZZOCCHI, DOMENICO: Breve è la vita nostra (Review by Raymond Tuttle)

baritone 

MONDONVILLE, JEAN-JOSEPH CASSANEA DE: Titon et L’Aurore (Review by Bertil van Boer)

Eole 

MONTEVERDI: L’Orfeo (Review by J. F. Weber)

ORFEO 

MONTEVERDI: L’Orfeo (Review by Michelle Dulak Thomson)

ORFEO 

MONTEVERDI: Si dolce è ‘l martire. Maria, quid ploras. Pascha concelebranda (Review by Raymond Tuttle)

baritone 

MOYNE, LE: Prélude (Review by James V. Maiello)

bass 

OFFENBACH: La vie parisienne (Review by Huntley Dent)

Bobinet 

PURCELL, HENRY: Dido and Aeneas (Review by Bill White)

Sorceress 

PURCELL, HENRY: Dido and Aeneas (Review by Bertil van Boer)

Spirit 

PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman)

Spirit 

RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by Daniel Morrison)

Tisiphone 

RAMEAU, JEAN-PHILIPPE: Platée (Review by Bertil van Boer)

Cithéron 

RAMEAU, JEAN-PHILIPPE: Platée (Review by Bertil van Boer)

Momus 

ROSSI, LUIGI: Un allato messagier (Review by Raymond Tuttle)

baritone 

VISÉE, ROBERT: La mutine. Allemande gaye. La conversation. Prélude. Passacaille (Review by James V. Maiello)

bass 

 

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