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Performer: Christopher Maltman

THE SONGS OF ROBERT SCHUMANN, Vol. 5: Additional settings of Heine texts including Belsatzar, Die feindlichen Brüder, Die beiden Grenadiere, Tragödie, Der arme Peter, and others (Review by Marc Mandel)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

baritone 

THE SONGS OF ROBERT SCHUMANN, Vol. 5: Dichterliebe (Review by Marc Mandel)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow)

baritone 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

baritone 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

baritone 

THE SOLDIER: From Severn to Somme (Christopher Maltman) (Review by Huntley Dent)

baritone 

ADAMS, JOHN: The Death of Klinghoffer (Review by Raymond Tuttle)

Captain 

ADÈS: America, a Prophecy, op. 19. Brahms, op. 21. The Fayrfax Carol. Fool's Rhymes, op. 5.“January Writ. Life Story, op. 8. The Lover in Winter. Oh thou, who didst with pitfall and with gin, op. 3b. (Review by John Story)

baritone 

BACH, JOHANN SEBASTIAN: St. Matthew Passion (1727 version) (Review by James A. Altena)

bass 

BERG, ALBAN: Wozzeck (Review by Peter J. Rabinowitz)

Wozzeck 

BERLIOZ: Benvenuto Cellini (Weimar version) (Review by Adrian Corleonis)

Fieramosca 

BERLIOZ: L'enfance du Christ (Review by Adrian Corleonis)

Joseph 

BERLIOZ: Roméo et Juliette. Cléopâtre (Review by Huntley Dent)

baritone 

BRAHMS, JOHANNES: A German Requiem (Review by Henry Fogel)

baritone 

BRITTEN: Canticles l-V (Review by Bernard Jacobson)

baritone 

BRITTEN: Peter Grimes (Review by Lynn René Bayley)

Ned Keene 

BRITTEN: The Rape of Lucretia (Review by Lynn René Bayley)

Tarquinius 

BRITTEN: The Rape of Lucretia (Review by Andrew Quint)

Tarquinius 

BRITTEN: War Requiem (Review by Ronald E. Grames)

baritone 

BRITTEN: War Requiem (Review by J. F. Weber)

baritone 

BRITTEN: War Requiem (Review by Raymond Tuttle)

baritone 

BROWNE, WILLIAM DENIS: Diaphenia. Epitaph on Salathiel Pavy. To Gratiana dancing and singing (Review by Henry Fogel)

baritone 

BUTTERWORTH: Bredon Hill. Oh far enough are sky and plain. When the lad for longing sighs. On the idle hill of summer. With rue my heart is laden. A Shropshire Lad (Review by Henry Fogel)

baritone 

COUPERIN, FRANÇOIS: (arr. Adès) Les baricades mystérieuses? (Review by John Story)

baritone 

DEBUSSY: Nuit d'étoiles. Fleur des blés. Voici que le printemps. Mandoline. 5 Poèmes de Baudelaire. 3 Mélodies. Fêtes galantes (Seríes 2). 3 Ballades de François Villon (Review by Marc Mandel)

baritone 

DEBUSSY: Songs (Review by Marc Mandel)

baritone 

DEBUSSY: Tragédie. Jane. Rondeau. Rondel chinois. La fille aux cheveux de lin Arabesque. Les papillons. Séguidille. Nuits blanches. Nuit sans fin. Lorsqu’elle est entrée. Fantoches. En sourdine. Mandoline. Clair de lune. Pantomime. Flots, palmes, sables. Coquetterie posthume. Chanson espagnole (Review by David Cutler)

baritone 

DONIZETTI: Rita (Review by Joel Kasow)

Gasparo 

DURUFLÉ, MAURICE: 4 Motets on Gregorian Themes (Review by George Chien)

baritone 

DURUFLÉ, MAURICE: Requiem (Review by George Chien)

baritone 

FAURÉ, GABRIEL: Les matelots. Seule! Chanson du pêcheur. Barcarolle. Tarentelle. Au bord de l'eau. Les berceaux. Au cimetière. Larmes. 5 mélodies "de Venise." Pleurs d'or. Accompagnement. La fleur qui va sur l'eau. Mirages. C'est la paix. L'horizon chimérique (Review by Marc Mandel)

baritone 

FAURÉ, GABRIEL: Les matelots. Seule. Chanson du pêcheur Barcarolle. Tarentelle.“ Au bord de l'ea. tes berceaux. Au cimitière. Larmes. 5 mélodies “de Venise.“ Pleurs d'or. Accompagnement. La fleur qui va sur l'eau.Mirages. C'est la paix. L'horizon chimérique (Review by Adrian Corleonis)

baritone 

FAURÉ, GABRIEL: Mai.“ Puisque'ici-bas toute âme. Dans les ruines d'une abbaye.“ Lydia.“ L'absent“ Chant d'automne.“ Tristesse. Après un rêve. Le voyageur. Sérénade toscane. Automne. La fée aux chansons. Noël.“ Clair de lune.“ Spleen.“ Il est né, le divin enfant. En prière. Prison. Dans la forêt de septemre.“ Chanson, op. 94. Le jardin clos (complete) (Review by Marc Mandel)

baritone 

FAURÉ, GABRIEL: Mai.“ Puisque'ici-bas toute âme. Dans les ruines d'une abbaye.“ Lydia.“ L'absent“ Chant d'automne.“ Tristesse. Après un rêve. Le voyageur. Sérénade toscane. Automne. La fée aux chansons. Noël.“ Clair de lune.“ Spleen.“ Il est né, le divin enfant. En prière. Prison. Dans la forêt de septemre.“ Chanson, op. 94. Le jardin clos (complete) (Review by Adrian Corleonis)

baritone 

FAURÉ, GABRIEL: Puisque j'ai mis ma lèvre. Tristesse d'Olympio. Hymne, op. 7/2. Sylvie, op. 6/3. Poème d'un jour, op. 21 Nell, op. 18/1. Worre amour, op.23/2. Le secret, op. 23/3. Chanson d'amour, op. 27/1. Fleur jetée, op. 39/1. Les présents, op. 46/1. Shylock, op. 57 (Review by Adrian Corleonis)

baritone 

FINZI: Let Us Garlands Bring, op. 18 (Review by Martin Anderson)

baritone 

FORMAN: (arr. Adès) Cardiac Arrest™ (Review by John Story)

baritone 

FRASER-SIMSON, HAROLD: The Maid of the Mountains (Review by David Denton)

Beppo 

GOODALL: Eternal Light (Review by Steven E. Ritter)

baritone 

GRUNENWALD: Tu es Petrus. Psalm 129, “De profundis” (Review by George Chien)

baritone 

GURNEY: 4 Shakespeare Songs (orch. Finzi) (Review by Martin Anderson)

baritone 

GURNEY: By a Bierside (orch. Howells) (Review by Martin Anderson)

baritone 

GURNEY: In Flanders (orch. Howells) (Review by Martin Anderson)

baritone 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal)

Achilla 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by James Reel)

Achilla 

HONEGGER, ARTHUR: Cantate de Noël (Review by Paul Orgel)

baritone 

JONES, SIDNEY: The Geisha (Review by George Jellinek)

Fairfax 

LEONCAVALLO, RUGGERO: Zazá (Review by James A. Altena)

Cascart 

MACMILLAN, JAMES: St. John Passion (Review by Ronald E. Grames)

baritone 

MAHLER, GUSTAV: Symphony No. 1. Lieder eines fahrenden Gesellen (Review by Christopher Abbot)

baritone 

MEYERBEER: L’etoile du Nord (Review by Nicole De Sapio)

Gritzenko 

MOZART: Così fan Tutte (Review by James Forrest)

Guglielmo 

MOZART: Così fan tutte (Review by Alan Swanson)

Guglielmo 

MOZART: Don Giovanni (Review by Henry Fogel)

Don Giovanni 

ORFF: Carmina burana (Review by Lynn René Bayley)

baritone 

ORFF: Carmina burana (Review by Ronald E. Grames)

baritone 

ORFF: Carmina burana (Review by J. F. Weber)

baritone 

PARRY, HUBERT: The North Wind. The Soldier’s Tent (Review by Martin Anderson)

baritone 

POULENC, FRANCIS: Chansons gaillardes (Review by Joel Kasow)

baritone 

POULENC, FRANCIS: Cocardes. Metamorphoses. Chansons gaillardes. A Sa Guitare. Epitaphe sur un texte de Malherbe. 3 poèmes de Louise de Vilmorin. Bleuet. Dernier poème. Rosemonde. Fiançailles pour rire. Parisiana. La Courte paille (Review by Joel Kasow)

baritone 

POULENC, FRANCIS: Rosemonde (Review by Joel Kasow)

baritone 

PURCELL, HENRY: Dido and Aeneas (Review by Bertil van Boer)

Aeneas 

PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman)

Aeneas 

SCHUBERT: Die schöne Müllerin (Review by Huntley Dent)

baritone 

SCHUBERT: Schwanengesang (Review by Huntley Dent)

baritone 

SCHUBERT: Winterreise (Review by Huntley Dent)

baritone 

SCHUMANN: Der Wanderern Der Wanderer in der Sagemühle (Review by John Story)

baritone 

SCHUMANN: Liederkreis, op. 24. Frühe Lieder, WoO 21. An Anna (ii). Hirtenknabe. Im Herbste. Der Fischer.''* Die nächtliche Heerschau? Ein Gedanke? Der Reiter und der Bodensee? Schlusslied des Narren.* Dem roten Röslein. Der frohe Wandersmann?- Nur ein lächelnder Blick.™ Trost im Gesang.“ Die rote Hanne. Der deutsche Rhein. C (Review by John Story)

baritone 

SCHUMANN: Sehnsucht.' Die Weinenden Der Fischer.' Im Herbste.' Kurzes Erwachen.' An Anna I.' Gesanges Erwachen.' An Anna II.' (Review by Marc Mandel)

baritone 

SCHUMANN: Songs, Vol. 8 (Review by Marc Mandel)

baritone 

SOMERVELL: A Broken Arc (Review by Henry Fogel)

baritone 

STANFORD, CHARLES VILLIERS: 2 Songs of Faith, op. 97/4. op 97/5 (Review by Martin Anderson)

baritone 

STANFORD, CHARLES VILLIERS: Chieftain of Tyrconnell (Review by Martin Anderson)

baritone 

STANFORD, CHARLES VILLIERS: Prince Madoc’s Farewell. The Fairy Lough, op. 77/2 (Review by Martin Anderson)

baritone 

STRAUSS, RICHARD: Songs (Review by James Miller)

baritone 

VAUGHAN WILLIAMS: Songs of Travel (Review by Henry Fogel)

baritone 

VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony“ (Review by William Zagorski)

baritone 

VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony”. Serenade to Music (Review by Huntley Dent)

baritone 

VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony”. Serenade to Music (Review by Steven Kruger)

baritone 

VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony”. Serenade to Music (Review by James A. Altena)

baritone 

WAGNER, RICHARD: Das Liebesverbot (Review by Gavin Dixon)

Friedrich 

WARLOCK: And Wilt Thou Leave Me Thus? (Review by Adrian Corleonis)

baritone 

WARLOCK: Bethlehem Down (Review by Adrian Corleonis)

baritone 

WARLOCK: Bright Is the Ring of Words (Review by Adrian Corleonis)

baritone 

WARLOCK: Captain Stratton’s Fancy (Review by Adrian Corleonis)

baritone 

WARLOCK: Mr Belloc’s Fancy (Review by Adrian Corleonis)

baritone 

WARLOCK: My Gostly Fader (Review by Adrian Corleonis)

baritone 

WARLOCK: Peter Warlock’s Fancy (Review by Adrian Corleonis)

baritone 

WARLOCK: Peterisms (Review by Adrian Corleonis)

baritone 

WARLOCK: The Frostbound Wood (Review by Adrian Corleonis)

baritone 

ZEMLINSKY: A Florentine Tragedy. A Florentine Tragedy (Review by Huntley Dent)

Simone 

ZEMLINSKY: A Florentine Tragedy. A Florentine Tragedy (Review by Jerry Dubins)

Simone 

 

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