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Performer: Stéphan MacLeod BACH, JOHANN SEBASTIAN: Magnificat in D... (Jos van Veldhoven) (Review by George Chien) | bass | AHLE, JOHANN RUDOLF: Herr, nun lässt du deinen Diener (Review by Tom Moore) | bass baritone | ANONYMOUS: Toccata arpeggiata (Review by Brian Robins) | bass | BACH, JOHANN SEBASTIAN: Cantata No. 110 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantata No. 198, “Trauer-Ode” (Review by Alan Swanson) | bass | BACH, JOHANN SEBASTIAN: Cantatas No. 130, No. 19, No. 149 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas No. 30, 7, 167 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas No. 96, 67, 121 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas Nos. 27, 165, 122 (Review by J. F. Weber) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Herzlich tut mich verlangen, BWV 727 (Review by Alan Swanson) | bass | BACH, JOHANN SEBASTIAN: Missa brevis in a. Prelude and Fugue in b, BWV 544 (Review by Alan Swanson) | bass | BACH, JOHANN SEBASTIAN: Saint John Passion (Review by George Chien) | Jesus | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Jerry Dubins) | bass | BACH, JOHANN SEBASTIAN: St. John Passion, BWV 245 (Review by Brian Robins) | Jesus | BEETHOVEN, LUDWIG VAN: Three Equale (Review by Tom Moore) | bass baritone | BRUCKNER, ANTON: Two Aequale (Review by Tom Moore) | bass baritone | BUXTEHUDE: Cantatas (Review by Michael Carter) | bass | CESARE: Canzona “La Bavara“ for Four Trombones and Continuo (Review by Tom Moore) | bass baritone | CHARPENTIER, MARC-ANTOINE: Leçons de Ténèbres (Review by Bertil van Boer) | bass | DURANTE, FRANCESCO: Ad presepe venite. Litanie della Beata Maria Virginæ (Review by Bertil van Boer) | bass | DURANTE, FRANCESCO: Magnificats (Review by Bertil van Boer) | bass | DURANTE, FRANCESCO: Pastoral Mass (Review by Bertil van Boer) | bass | FRANCK, CÉSAR: Ave Maria (Review by Adrian Corleonis) | bass | FRANCK, CÉSAR: Domine Deus in simplicitate, CFF 210 (Review by Adrian Corleonis) | bass | FRANCK, CÉSAR: O Salutaris (Review by Adrian Corleonis) | bass | FRANCK, CÉSAR: Quare fremuerunt gentes, CFF 215 (Review by Adrian Corleonis) | bass | FRANCK, CÉSAR: Tantum ergo (Review by Adrian Corleonis) | bass | FRANCK, CÉSAR: Veni creator, CFF 218 (Review by Adrian Corleonis) | bass | FRESCOBALDI: Aria detta balletto (Review by Brian Robins) | bass | HANDEL, GEORGE FRIDERIC: Athalia (Review by Bernard Jacobson) | Abner | HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Ron Salemi) | bass baritone | HANDEL, GEORGE FRIDERIC: L'Allegro, il Penseroso ed il Moderato, HWV55 (Review by Brian Robins) | bass | HANDEL, GEORGE FRIDERIC: Saul (Review by Ralph V. Lucano) | Saul | HANDEL/SMITH: Gideon (Review by Bernard Jacobson) | Joash | HANDEL/SMITH: Gideon (Review by Bernard Jacobson) | Priest Of Baal | HANDEL/SMITH: Gideon (Review by Bernard Jacobson) | Prophet | HANDEL/SMITH: Nabal (Review by Bernard Jacobson) | Nabal | HANDEL/SMITH: Nabal (Review by Brian Robins) | Nabal | HAYDN, FRANZ JOSEPH: The Seasons (Review by James H. North) | bass | HEINICHEN, JOHANN DAVID: Mass No. 9 (Review by Gil French) | bass | ISAAC, HEINRICH: A la Bataglia (Review by Tom Moore) | bass baritone | KINDERMANN, JOHANN ERASMUS: Symphonie for Three Trombones. Sonata “La Affettuosa“ for Three Trombones (Review by Tom Moore) | bass baritone | LAMBEL: Two Ae-quale (Review by Tom Moore) | bass baritone | MATTHESON: Die heilsame Geburt (Review by Bertil van Boer) | bass | MATTHESON: Magnificat (Review by Bertil van Boer) | bass | MONTEVERDI: Scherzi musicali. Come farò. Più lieto il quarto. SI dolce è 7 tormento. Quando sperai. Se i languidi. Ohimè ch'io cado (Review by Brian Robins) | bass | PURCELL, HENRY: Fairest isle, gentle murmurs. A new Irish tune. Hornpipes. Ground upon Gamut. All people that on earth. How pleasant is this flowery plain. Three treble parts upon a ground. A new ground. Music for a while. No stars again shall hurt you (Review by Michael Ullman) | bass | PURCELL, HENRY: Hark, how the wild musicians sing. Soft notes and gently raised (Review by Michael Ullman) | bass | PURCELL, HENRY: Sonata VI in 3 parts (Review by Michael Ullman) | bass | RAMEAU, JEAN-PHILIPPE: Les Surprises de l’Amore (Review by Bertil van Boer) | bass baritone | REICHA: Sinfonia Concertante in G for Flute, Violin, and Orchestra (Review by Jerry Dubins) | conductor | REICHA: Sinfonia Concertante in e for 2 Cellos and Orchestra (Review by Jerry Dubins) | conductor | RYELANDT, JOSEPH: Agnus Dei, op. 56 (Review by Martin Anderson) | bass | SCHEIDT, SAMUEL: Sonata in D Minor for Three Trombones. Paduane in C Minor (Review by Tom Moore) | bass baritone | SCHEIN: Sonata in C (Review by Tom Moore) | bass baritone | SCHÜTZ, HEINRICH: Fili mi, Absalon, SWV 269. Attendue, popule meus, SWV 270 (Review by Tom Moore) | bass baritone | SCHÜTZ, HEINRICH: Psalmen Davids (Review by James A. Altena) | bass | SELLE: Domine exaudi (Review by Tom Moore) | bass baritone | SPEER: Sonata in D Minor for Four Trombones. Sonatas for Three Trombones (Review by Tom Moore) | bass baritone | WECKMANN: Organ preludes (Review by Bertil van Boer) | bass | WECKMANN: Sacred Concertos (Review by Bertil van Boer) | bass | ZELENKA: I penitenti al sepolchro de redentore (Review by Gil French) | bass | ZELENKA: Il serpente di bronzo (Review by Gil French) | bass |
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