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ARMSTRONG, CRAIG: Far From the Madding Crowd (Review by Raymond Tuttle)
ensemble or orchestra
ARNALDS: Happiness Does Not Wait (Review by Raymond Tuttle)
BARANOWSKI: Margot (Review by Raymond Tuttle)
BINDER, CARL: (arr. Baril) Offenbach's Orpheus in the Underworld (Review by Robert Maxham)
BLAIS/DEVON: Nostos (Review by Raymond Tuttle)
BOCCHERINI, LUIGI: (arr. Baril) Sinfonia, op. 12/4, “Nella del diavolo.“ (Review by Robert Maxham)
DALAL: Eos (Review by Raymond Tuttle)
DOMPIERRE: Les beautés du diable. Le diable matou (Review by Robert Maxham)
EINAUDI: Night. Le onde. Choros (Review by Raymond Tuttle)
FALLA, MANUEL DE: El amor brujo (Review by Robert Maxham)
GREGSON: A Little Chaos (Review by Raymond Tuttle)
JÓHANNSSON: The Theory of Everything Suite (Review by Raymond Tuttle)
KORZENIOWSKI: Clouds (Review by Raymond Tuttle)
LISZT: (arr. Baril) Mephisto Waltz No. 1 (Review by Robert Maxham)
MORRICONE: (arr. Dompierre) Once upon a Time—the Devil (Review by Robert Maxham)
PAGANINI: (arr. Baril) Caprice No. 24 (Review by Robert Maxham)
RICHTER, MAX: In the Garden (Review by Raymond Tuttle)
ROLLING STONES, THE: (arr. Rozankovic) Paint it Black/Sympathy for the Devil (Review by Robert Maxham)
SAINT-SAËNS: (arr. Baril) Danse macabre (Review by Robert Maxham)
TARTINI: (arr. Baril) Devil's Trill (Review by Robert Maxham)
TIERSEN: Porz Goret (Review by Raymond Tuttle)
TRADITIONAL: Le reel du diable (Review by Robert Maxham)
