|
|
Performer: Catherine King ANONYMOUS: Ma belle, si ton ame. Vous me juries (Review by Barry Brenesal) | mezzo-soprano | BALLARD, ROBERT: Bransles de village. Entrée de luth. Courante (Review by Barry Brenesal) | mezzo-soprano | BARBER, SAMUEL: Mélodies passagères. 4 Songs (Review by Richard Burke) | mezzo-soprano | BERNSTEIN, LEONARD: La Bonne Cuisine (Review by Richard Burke) | mezzo-soprano | BESARD, JEAN-BAPTISTE: Bergamasco (Review by Barry Brenesal) | mezzo-soprano | BOESSET: Un jour Amarille et Tircis. N’espérez plus, mes yeux. Objét don’t les charmes si doux. Mourons Tirsis, Vivons Silvie. O dieux je ne sçais pas (Review by Barry Brenesal) | mezzo-soprano | BRUNO: 3 Noëls Québécois (Review by Richard Burke) | mezzo-soprano | BRUNO: Ondine (Review by Richard Burke) | mezzo-soprano | CHANT, GREGORIAN: Kyrie “cum jubilo.“ Hymnus (Review by George Chien) | mezzo-soprano | COPLAND, AARON: Old American Songs (Review by Richard Burke) | mezzo-soprano | D’ANGELO: The Loves of Krishna. The Dance of Krishna (Review by Richard Burke) | mezzo-soprano | DELLO JOIO, NORMAN: A Jubilant Song (Review by Richard Burke) | mezzo-soprano | GALUPPI, BALDASSARE: Antigono (Review by Brian Robins) | mezzo-soprano | GALUPPI, BALDASSARE: Concerti a quattro (Review by Brian Robins) | mezzo-soprano | GALUPPI, BALDASSARE: Il sagrifizio di Jefte (Review by Brian Robins) | mezzo-soprano | GALUPPI, BALDASSARE: L’Olimpiade (Review by Brian Robins) | mezzo-soprano | GALUPPI, BALDASSARE: Scipione in Cartagine (Review by Brian Robins) | mezzo-soprano | GALUPPI, BALDASSARE: Voi che languite. Il trionfo della continenza (Review by Brian Robins) | mezzo-soprano | GUÉDRON: Adieu bergére pour jamais. Si jamais mon ami. Heureux qui nuit et jour. Si le parler et le silence. Soupirs meslés d’amour (Review by Barry Brenesal) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Judas Maccabaeus (Review by Ron Salemi) | Israelite Man | KLEIBERG: Requiem for the Victims of Nazi Persecution (Review by Jerry Dubins) | mezzo-soprano | LARSEN, LIBBY: Reasons for Loving the Harmonica (Review by Richard Burke) | mezzo-soprano | MILAN: El maestro (Review by Brian Robins) | mezzo-soprano | MILAN: Pavanas (Review by Brian Robins) | mezzo-soprano | MILAN: Poys dezéys que me querays ben. Amor, che nel mio pensier. Triste estava. Leváyme, amor. Agora viniesse un viento. Aquel cavallero, madre. Amor que tan bien sirviendo. Perdida teňyo la color. Un cuydado que mia vida ten. Toda mi vidahos amé. Nova angeleta sovra l’ale accorta. Durnadate. Quien amores ten. Falai, mina amor. Sospirastes. Gentil mia donna, sospirò una seňora. Al Amor quiero vencer (Review by Brian Robins) | mezzo-soprano | MOULINIÉ: Objét le plus beau. Je suis ravi de mon Uranie. En fin le beauté que j’adore. Si l’amour com ‘on dit. Que Philis à de perfections. Jeune merveille (Review by Barry Brenesal) | mezzo-soprano | MUDARRA: Fantasias (Review by Tom Moore) | mezzo-soprano | MUDARRA: Si me llaman. Gentil cavaliere. Dime a do tienes las mientes. Beatus Hie. Dulces exuviae. O gelosia de amanti. La vita fugge. Nisi Dominus. Exurge, quare obdormis, Domine? Claros y frescos rios. Clamabat autem. Itene a l’ombra. Triste estava el rey David. Recuerde el alma dormida. Ysabel, Ysabel, perdiste la tu faxa (Review by Tom Moore) | mezzo-soprano | MUDARRA: Spanish Songs and Vihuela Solos (Review by Tom Moore) | mezzo-soprano | MUDARRA: Tientos (Review by Tom Moore) | mezzo-soprano | ROREM: What is pink? (Review by Richard Burke) | mezzo-soprano | TOMKINS: Anthems and Consort Music (Review by J. F. Weber) | alto | TOMKINS: O Lord let me knowe. Sing unto God. Above the starrs. Woe is me. Thou art my king. Rejoice, rejoice and singe. 14 consort pieces (Review by J. F. Weber) | alto | VIVALDI, ANTONIO: Gloria, RV. 589. Sinfonia “al Santo Sepolcro,“ RV. 169. Laetussum, RV. 607. Magnificat, RV. 610b. Laudate dominum omnes gentes, RV. 607. Sonata “al Santo Sepolcro,“ RV. 130, In exitu Israel, RV. 604 (Review by George Chien) | mezzo-soprano | VIVALDI, ANTONIO: Gloria. Magnificat (Review by George Chien) | mezzo-soprano |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
