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Performer: Emily van Evera

ANONYMOUS: Gedenke doch, mein Geist zürucke. Musette No. 22. Erbauliche Gedanken eines Tobackrauchers. Wie wohl ist mir, o Freund der Seelen. Menuet No. 14. Schaff's mit mir, Gott. Willst du dein Herz mir schenken. Warum betrübst du dich. Menuet No. 36. Menuet No. 15. So ott ich meine Tobackspfeife (instrumental reprise) (Review by Elliott S. Hurwitt)

soprano 

ANONYMOUS: How should I. Hampton Court Masque. Vuestros ojos. Corranto Lady Riche. My little sweet darling. A la volta Mistress Lettice Rich. Stay sweet awhile. A toy. He is dead and gone, lady (Review by Brian Robins)

recorder 

ANONYMOUS: How should I. Hampton Court Masque. Vuestros ojos. Corranto Lady Riche. My little sweet darling. A la volta Mistress Lettice Rich. Stay sweet awhile. A toy. He is dead and gone, lady (Review by Brian Robins)

soprano 

BACH, CARL PHILIPP EMANUEL: Marche. Polonaise. Marche. Polonaise (Review by Elliott S. Hurwitt)

soprano 

BACH, JOHANN SEBASTIAN: Mass in B minor, BWV 232 (Review by Edward Strickland)

soprano 

BACH, JOHANN SEBASTIAN: Notenbüchlein für Anna Magdalena Bach (1725) (Review by Elliott S. Hurwitt)

soprano 

BACH, JOHANN SEBASTIAN: St. John Passion, BWV 245. Easter Oratorio, BWV 249. Ascension Oratorio, BWV 11. Mass in b, BWV 232“ (Review by Brian Robins)

soprano 

BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano)

soprano 

BACH, JOHANN SEBASTIAN: Trauer-Music, BWV 244a (Review by Alan Swanson)

soprano  

BACH, JOHANN SEBASTIAN: Wachet auf, ruft uns die Stimme. O Ewigkeit du Donnerwort. Wer nur den lieben Gott läßt walten. Gib dich zufrieden und sei stille. Prelude and Fugue in C (The Well-Tempered Clavier). Dir, dir Jehova (Chorale No. 39). Aria No. 26 (Goldberg Variations). Ich habe genug!—Schlummert ein, ihr matten Augen (Review by Elliott S. Hurwitt)

soprano 

BARTLET, JOHN: Surcharged with discontent. The thrush did pipe full clear. Then Hesperus on high (Review by Brian Robins)

recorder 

BARTLET, JOHN: Surcharged with discontent. The thrush did pipe full clear. Then Hesperus on high (Review by Brian Robins)

soprano 

BYRD, WILLIAM: Weeping full sore. In fields abroad (Review by Brian Robins)

recorder 

BYRD, WILLIAM: Weeping full sore. In fields abroad (Review by Brian Robins)

soprano 

CAVALLI: Vespro della Beata Vergine (Review by Barry Brenesal)

soprano  

CAVALLI: Vespro della beata Vergine (Review by Brian Robins)

soprano 

CHANT, GREGORIAN: Kyrie “cum jubilo.“ Hymnus (Review by George Chien)

soprano 

COPRARIO: Funeral Teares (Review by Brian Robins)

recorder 

COPRARIO: Funeral Teares (Review by Brian Robins)

soprano 

COUPERIN, FRANÇOIS: Rondeau No. 6 (“Les Bergeries“) (Review by Elliott S. Hurwitt)

soprano 

DOWLAND, JOHN: Mr Dowland's Midnight. My Lady Rich's Galliard. Come when I call (Review by Brian Robins)

recorder 

DOWLAND, JOHN: Mr Dowland's Midnight. My Lady Rich's Galliard. Come when I call (Review by Brian Robins)

soprano 

HANDEL, GEORGE FRIDERIC: Carmelite Vespers (1707) (Review by Ralph V. Lucano)

soprano 

HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Ralph V. Lucano)

soprano 

HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Michael Carter)

soprano 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

soprano 

HOLBORNE, ANTHONY: The funerals (Review by Brian Robins)

recorder 

HOLBORNE, ANTHONY: The funerals (Review by Brian Robins)

soprano 

JONES, ROBERT: O he is gone. And is it night? (Review by Brian Robins)

recorder 

JONES, ROBERT: O he is gone. And is it night? (Review by Brian Robins)

soprano 

MAIER-RÖNTGEN, AMANDA: Atalanta Fugiens (Review by Bertil van Boer)

soprano 

MARAZZOLI: Oratorio di Santa Caterina (Review by James A. Altena)

Cain 

MARAZZOLI: Oratorio di Santa Caterina (Review by James A. Altena)

Fede 

PASQUINI, BERNARDO: Cain e Abel (Review by James A. Altena)

Cain 

PASQUINI, BERNARDO: Cain e Abel (Review by James A. Altena)

Fede 

PETZOLD: Menuet No. 4. Menuet No. 5 (Review by Elliott S. Hurwitt)

soprano 

PURCELL: Come ye sons of art, Z.323. Welcome to all the pleasures, Z.339. Funeral Music for Queen Mary. Funeral Sentences (Review by J. F. Weber)

soprano 

PURCELL: Dido and Aeneas (Review by Michael Ullman)

Dido 

PURCELL: Dido and Åeneas (Review by Michael Ullman)

Dido 

PURCELL: Pavane for 3 Violins and Continuo in g, Z 752 (Review by Michael Ullman)

Dido 

SCARLATTI, D.: Fille, già più non parlo. Se ti dicesse un core. Di Fille vendicarmi vorrei. Sospendi o man per poco. Se per un sol momento—Cantata for Two Sopranos and Continuo (Review by David Johnson)

soprano 

SCARLATTI, D.: Late Cantatas, Volume 3. No, non fuggire o Nice; Ti ricorda o bella Irene; Qual pensier, qual ardire; Con qual cor; Tirsi caro (Review by David Johnson)

soprano 

SCARLATTI, D.: Late Cantatas, Volume 4 (Review by David Johnson)

soprano 

STOELZEL: Bist du bei mir (Review by Elliott S. Hurwitt)

soprano 

TESSIER: Casche toy. Au joly bois. Reveillez vous (Review by Brian Robins)

recorder 

TESSIER: Casche toy. Au joly bois. Reveillez vous (Review by Brian Robins)

soprano 

VIVALDI, ANTONIO: Gloria, RV. 589. Sinfonia “al Santo Sepolcro,“ RV. 169. Laetussum, RV. 607. Magnificat, RV. 610b. Laudate dominum omnes gentes, RV. 607. Sonata “al Santo Sepolcro,“ RV. 130, In exitu Israel, RV. 604 (Review by George Chien)

soprano 

VIVALDI, ANTONIO: Gloria. Magnificat (Review by George Chien)

soprano 

 

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