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Fanfare Archive Subscriber-Only Features

 Watch Reviewed Videos

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

Varda Kotler: YouTube Channel

Performer: Bill Evans

BILL EVANS LIVE ’64–’75: A Sleepin’ Bee (Review by Lynn René Bayley)

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MILES DAVIS AT NEWPORT 1955–1975: The Bootleg Series Vol. 4: Ah-Leu-Cha. Straight, No Chaser. Fran-Dance. Two Bass Hit. Bye Bye Blackbird. The Theme. Gingerbread Boy. All Blues. Stella By Starlight. R.J. Seven Steps to Heaven. The Theme / Closing Announcement by Leonard Feather. Spoken Introduction by Del Shields. Gingerbread Boy. Footprints. ’Round Midnight. So What. The Theme / Closing Announcement by Del Shields. Miles Runs The Voodoo Down. Sanctuary. It’s About That Time / The Theme. Spoken Introduction by Ronnie Scott / Band Warming Up. Turnaroundphrase. Tune In. Ife. Untitled Original. Tune In 5 / Closing Announcement by Ronnie Scott (Review by Marc Medwin)

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BILL EVANS LIVE ’64–’75: Alfie (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: Blue Serge (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: But Beautiful (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: Detour Ahead (Review by Lynn René Bayley)

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MILES DAVIS AT NEWPORT 1955–1975: The Bootleg Series Vol. 4: Directions. Mtume. What I Say. Sanctuary. It’s About That Time. Bitches Brew. Funky Tonk. Sanctuary (Review by Marc Medwin)

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BILL EVANS LIVE ’64–’75: Emily (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: If You Could See Me Now (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: Israel (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: My Foolish Heart (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: My Melancholy Baby (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: Re (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: Sareen Jurer (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: Someday My Prince Will Come (2 versions) (Review by Lynn René Bayley)

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MILES DAVIS AT NEWPORT 1955–1975: The Bootleg Series Vol. 4: Spoken Introduction by Willis Conover (Review by Marc Medwin)

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MILES DAVIS AT NEWPORT 1955–1975: The Bootleg Series Vol. 4: Spoken Introductions by Duke Ellington and Gerry Mulligan. Hackensack. ’Round Midnight. Now’s The Time (Review by Marc Medwin)

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BILL EVANS LIVE ’64–’75: Twelve Tone Tune Two (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: Up with the Lark (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: You’re Gonna Hear from Me (Review by Lynn René Bayley)

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BILL EVANS LIVE ’64–’75: ’Round Midnight (Review by Lynn René Bayley)

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BILL EVANS: THE SESJUN RADIO SHOWS (Bill Evans) (Review by Lynn René Bayley)

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BILL EVANS—THE COMPLETE FANTASY RECORDINGS: (Review by Andrew Sussman)

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Bill Evans- The Alternative Man: (Review by Andrew Sussman)

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Bill Evans: Affinity (Bill Evans) (Review by Andrew Sussman)

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Bill Evans: Conception (Bill Evans) (Review by Andrew Sussman)

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Bill Evans: Eloquence (Bill Evans) (Review by Andrew Sussman)

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Bill Evans: Everybody Digs Bill Evans (Bill Evans) (Review by Andrew Sussman)

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Bill Evans: Re (Review by Andrew Sussman)

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Bill Evans: The “Interplaf Sessions (Bill Evans) (Review by Andrew Sussman)

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Bill Evans: We Will Meet Again (Bill Evans) (Review by Andrew Sussman)

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FILM NOIR. Original film soundtracks from A Streetcar...: (Review by Lynn René Bayley)

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You Must Believe In Spring: (Review by Andrew Sussman)

performance, want list 

BURKE-VANHEUSEN: But Beautiful (Review by Lynn René Bayley)

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DAMERON: If You Could See Me Now (Review by Lynn René Bayley)

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DUKE-GERSHWIN: I Can’t Get Started (Review by Lynn René Bayley)

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EVANS, BILL: Five (Review by Lynn René Bayley)

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EVANS, BILL: Letter to Evan. Yet Never Broken. Laurie. Bill’s Hit Tune. Knit for Mary F. Your Story. Waltz for Debby (Review by Lynn René Bayley)

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EVANS, BILL: The Complete Riverside Recordings (Review by Alan Rosenthal)

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GIRARD, PAULETTE: A Shoulder to Cry On (Review by Lynn René Bayley)

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GIRARD, PAULETTE: If I’m Lucky (I’ll Be the One) (Review by Lynn René Bayley)

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GIRARD, PAULETTE: She’s Different (Review by Lynn René Bayley)

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GREEN, JOHNNY/HEYMAN, EDWARD-SOUR, ROBERT: Body and Soul (Review by Lynn René Bayley)

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LAWRENCE-GROSS: Tenderly (Review by Lynn René Bayley)

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MANCINI, HENRY: The Days of Wine and Roses (Review by Lynn René Bayley)

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OGERMAN, CLAUS: 1st movement (Review by Andrew Sussman)

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PORTER, COLE: Just One of Those Things (Review by Lynn René Bayley)

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RODGERS-HART: The Lady is a Tramp (Review by Lynn René Bayley)

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SCHERTZINGER-MERCER: I Remember You (Review by Lynn René Bayley)

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SCOTT, TONY: Blues for Five (Review by Lynn René Bayley)

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SCOTT, TONY: Blues for Three Horns (Review by Lynn René Bayley)

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SCOTT, TONY: For Pete’s Sake (Review by Lynn René Bayley)

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SCOTT, TONY: Franzy Pants (Review by Lynn René Bayley)

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SCOTT, TONY: Portrait of Ravi (Review by Lynn René Bayley)

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SCOTT, TONY: The Chant (Review by Lynn René Bayley)

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SCOTT, TONY: The Explorer (Review by Lynn René Bayley)

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SCOTT, TONY: Third Moon (Review by Lynn René Bayley)

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SCOTT, TONY: Villa Jazz (Review by Lynn René Bayley)

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SCOTT, TONY: Zonk (Review by Lynn René Bayley)

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SIMON, BILL: At Home With the Blues (Review by Lynn René Bayley)

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TRADITIONAL: The Touch of Your Lips; In Your Own Sweet Way; Make Someone Happy; What Kind of Fool Am I; People. [Recorded in Berkeley, CA, December 16-18, 1975.] (Review by Andrew Sussman)

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WARREN-GORDON: There Will Never Be Another You (Review by Lynn René Bayley)

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WRUBEL-MAGIDSON: Gone With the Wind (Review by Lynn René Bayley)

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YOUNG-PETKERE: Lullaby of the Leaves (Review by Lynn René Bayley)

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