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Performer: Zsuzsa Elekes BACH, JOHANN SEBASTIAN: Prelude and Fugue in G, BWV 541. Chorale (Review by Haig Mardirosian) | organ | LISZT: Choral Music (Review by Peter J. Rabinowitz) | organ | LISZT: Fantasy and Fugue on “Ad nos, ad sa/utarem undam,'' S. 259. Evocation á la Chapelle Sixtine (after Allegri and Mozart), S. 658. Trauerode, S. 268, No. 2. Nun danket alle Gott, R. 408 (Review by Adrian Corleonis) | organ | LISZT: Fantasy and Fugue on “Ad nos, ad salutarem undam,“ S. 259. Evocation a la Chapelle Sixtine (after Allegri and Mozart). S. 658. Trauerode, S. 268, No. 2. Nun danket alle Gott, S. 61 (Review by Peter J. Rabinowitz) | organ | LISZT: Missa Choralis, S. 10. O Salutaris Hostia II, S. 43. Mariengarten (Quasi Cédrus), S. 62. Cantantibus Organis, S. 7. Qui seminant in lacrimus (from Psalm 125), S. 63 (Review by Peter J. Rabinowitz) | organ | LISZT: Organ Works (Review by Adrian Corleonis) | organ | LISZT: Prelude and Fugue on B-A-C-H, S. 260 (second version). Variations on Weinen, Klagen, Sorgen, Zagen, S. 673. Tues Petrus, S. 664. Hosannah, S. 667. Symphonie Poem No. 4—Orpheus (arr. Schaab). Introduction, Fugue, and Magnificat from the Dante Symphony (arr. Gottschalg/Liszt) (Review by Adrian Corleonis) | organ |
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