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Performer: Lynne Dawson

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

soprano 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

soprano 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

soprano 

BUSH, GEOFFREY: Lord Arthur Savile’s Crime... (Simon Joly) (Review by Ronald E. Grames)

Sibyl Merton 

ENGLAND, MY ENGLAND: (Review by Robert Markow)

soprano 

BACH, JOHANN SEBASTIAN: Cantatas Schweigt stille, plaudert nicht. BWV 211 ( Coffee Cantata“), Mer hahn en neue Oberkeet. BWV 212 (“Peasant Cantata“) (Review by George Chien)

soprano 

BACH, JOHANN SEBASTIAN: Mass in b (Review by George Chien)

soprano 

BEETHOVEN, LUDWIG VAN: Symphonies 1–9. Violin Concerto. 2 Romances (Review by James Forrest)

soprano 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (“Choral“) (Review by Ronnie Yip)

soprano 

BEETHOVEN, LUDWIG VAN: The Creatures of Prometheus, op. 43 (Review by James Forrest)

soprano 

BOULANGER, LILI: Faust et Hélène (Review by Martin Anderson)

soprano 

BOULANGER, LILI: Faust et Hélène (Review by Walter Simmons)

soprano 

BRAHMS, JOHANNES: Ein deutsches Requiem, op. 45. Begräbnisgesang, op. 13 (Review by Ralph V. Lucano)

soprano 

BRITTEN: On this Island (Review by Martin Anderson)

soprano 

BRITTEN: On this Island (Review by Raymond Beegle)

soprano 

BYRD, WILLIAM: La Verginella. Pavan in C. In fields abroad. In Nomine No. 2. When I was otherwise. Browning. I thought that love. In Nomine No. 4. Though Amaryllis. Fantasia of Five Parts. Susanna fair. In Nomine No. 5. Out of the Orient. Prelude and Ground (Review by Elliott S. Hurwitt)

soprano 

BYRD, WILLIAM: Songs and Ensemble Music (Review by Elliott S. Hurwitt)

soprano 

DONIZETTI: Don Pasquale (in English) (Review by Robert Levine)

Norina 

FINZI: O fair to see; Since we loved; As I lay in the early sun (Review by Martin Anderson)

soprano 

FINZI: O fair to see; Since we loved; As I lay in the early sun (Review by Raymond Beegle)

soprano 

GLUCK: Iphigénle en Aulide (Review by James Camner)

Iphigenie 

GLUCK: Iphigénle en Aulide (Review by James Camner)

soprano 

GLUCK: La Rencontre imprévue ou Les Pèlerins de la Mecque (Review by James Camner)

Rezia 

GLUCK: La Rencontre imprévue ou Les Pèlerins de la Mecque (Review by James Camner)

soprano 

GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner)

Euridice 

GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner)

soprano 

GRAUN, CARL HEINRICH: Cleopatra e Cesare (Review by David Johnson)

Cornelia 

GRAUN, CARL HEINRICH: Cleopatra e Cesare (Review by David Johnson)

soprano 

GURNEY: Sleep (Review by Martin Anderson)

soprano 

GURNEY: Sleep (Review by Raymond Beegle)

soprano 

HANDEL, GEORGE FRIDERIC: (arr. Mozart) Alexander's Feast. Ode for St. Cecilia's Day (Review by Michael Carter)

soprano 

HANDEL, GEORGE FRIDERIC: Alexander Balus (Review by David Johnson)

Cleopatra 

HANDEL, GEORGE FRIDERIC: Ariodante (Review by Bernard Jacobson)

Ginevra 

HANDEL, GEORGE FRIDERIC: Chandes Anthems, Volume 4 (Review by J. F. Weber)

soprano 

HANDEL, GEORGE FRIDERIC: Chandos Anthems, Nos. 1, 2, 3 (Review by J. F. Weber)

soprano 

HANDEL, GEORGE FRIDERIC: Chandos Anthems, Volume 2 (Review by J. F. Weber)

soprano 

HANDEL, GEORGE FRIDERIC: Chandos Anthems (Review by J. F. Weber)

soprano 

HANDEL, GEORGE FRIDERIC: Dixit Dominus. Nisi Dominus. Salve Regina (Review by Ralph V. Lucano)

soprano 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Ralph V. Lucano)

Cleopatra 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Ralph V. Lucano)

soprano 

HANDEL, GEORGE FRIDERIC: Hercules (Review by Bernard Jacobson)

Iole 

HANDEL, GEORGE FRIDERIC: Hercules (Review by James A. Altena)

Iole 

HANDEL, GEORGE FRIDERIC: Hercules, HWV 60 (Review by Brian Robins)

Iole 

HANDEL, GEORGE FRIDERIC: Jephtha (Review by David Johnson)

Iphis 

HANDEL, GEORGE FRIDERIC: Jephtha (Review by James A. Altena)

Iphis 

HANDEL, GEORGE FRIDERIC: Jephtha (Review by David Johnson)

soprano 

HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Michael Carter)

soprano 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

soprano 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson)

soprano 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Brian Robins)

soprano 

HANDEL, GEORGE FRIDERIC: Nisi Dominus. Stlete venti. Dixit Dominus (Review by Ralph V. Lucano)

soprano 

HANDEL, GEORGE FRIDERIC: O be joyful in the Lord. In the Lord put I my trust. Have mercy upon me. O sing unto the Lord a new song. I will magnify thee. As pants the hart for cooling streams. My song shall be always. O come, let us sing unto the Lord. O praise the Lord with one consent. The Lord is my light. Let God arise (Review by Michael Carter)

soprano 

HANDEL, GEORGE FRIDERIC: O be joyful. In the Lord put I my trust. Have mercy upon me (Review by J. F. Weber)

soprano 

HANDEL, GEORGE FRIDERIC: Samson (Review by James A. Altena)

Israelite Woman 

HANDEL, GEORGE FRIDERIC: Samson (Review by James A. Altena)

Philistine Woman 

HANDEL, GEORGE FRIDERIC: Samson (Review by James A. Altena)

Virgin 

HANDEL, GEORGE FRIDERIC: Saul (Review by Nicholas Deutsch)

Michal 

HANDEL, GEORGE FRIDERIC: Saul (Review by James A. Altena)

Michal 

HANDEL, GEORGE FRIDERIC: Saul (Review by Nicholas Deutsch)

soprano 

HANDEL, GEORGE FRIDERIC: Saul (Review by Patrick Rucker)

soprano 

HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano)

Galatea 

HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano)

soprano 

HANDEL/MOZART: Messiah, K. 572 (Review by John Bauman)

soprano 

HAYDN, FRANZ JOSEPH: The Creation (Review by Mortimer H. Frank)

soprano 

HOLST, GUSTAV: Choral Symphony, op. 41. Choral Fantasia, op. 51 (Review by Peter J. Rabinowitz)

soprano 

HOWELLS, HERBERT: An Old Man's Lullaby. Here She Lies. O Garlands. Two South African Settings. Upon a Summer's Day. By the Hearth-stone. Blaweary. Three Folksongs'. Sweet Content''. A Garland for de la Mare“. Peacock Pie, op. 33. Four French Chansons, op. 29'. In Green Ways, op. 43'. Old Meg' Three Children's Songs'. Four Songs, op. 22. Lost Love. O, My Deir Hert. Come Sing and Dance. The Mugger's Song“. The Little Boy Lost“ The Restful Branches MallyO!“ Old Skinflint. King David Gavotte Flood Goddess of the Night (Review by Peter J. Rabinowitz)

soprano 

HOWELLS, HERBERT: King David (Review by Martin Anderson)

soprano 

HOWELLS, HERBERT: King David (Review by Raymond Beegle)

soprano 

HOWELLS, HERBERT: Songs (Complete) (Review by Peter J. Rabinowitz)

soprano 

MAHLER, GUSTAV: Symphony No. 8 (Review by Christopher Abbot)

soprano 

MAHLER, GUSTAV: Symphony No. 8 (Review by Christopher Abbot)

soprano 

MENDELSSOHN, FELIX: A Midsummer Night’s Dream (Review by Jerry Dubins)

soprano 

MENDELSSOHN, FELIX: Elijah (Review by David Johnson)

A Seraph 

MENDELSSOHN, FELIX: Elijah (Review by David Johnson)

soprano 

MOZART: Das Alexander-Fest, K 592 (arr. of Handel's HWV 76). Cäcilien-Ode, K 591 (arr. of Handel's HWV 75) (Review by Bernard Jacobson)

soprano 

MOZART: Die Entführung aus dem Serail, K. 384 (Review by James Camner)

Konstanze 

MOZART: Die Entführung aus dem Serail, K. 384 (Review by James Camner)

soprano 

MOZART: Don Giovanni (Prague and Vienna Versions) (Review by James Camner)

Donna Elvira 

MOZART: Don Giovanni (Prague and Vienna Versions) (Review by James Camner)

soprano 

MOZART: Mass in C Minor, K. 427 (Review by J. F. Weber)

soprano 

MOZART: Requiem (Review by George Chien)

soprano 

MOZART: Requiem, K. 626 (Review by J. F. Weber)

soprano 

MOZART: Zaide (Review by Ralph V. Lucano)

Zaide 

MOZART: Zaide (Review by Brian Robins)

Zaide 

PÄRT: Arbos. An den Wassern zu Babet. Pari Intervallo. De Profundis. Es sang vor langen Jahren. Summa. Stabat Mater (Review by John D. Wiser)

soprano 

PARRY, HUBERT: Armida’s Garden; My heart is like a singing bird (Review by Martin Anderson)

soprano 

PARRY, HUBERT: Armida’s Garden; My heart is like a singing bird (Review by Raymond Beegle)

soprano 

PURCELL, HENRY: Blow up the trumpet in Sion, Z. 10. The Lord is king, be the people never so impatient, Z. 53. Begin the song, and strike the living lyre, Z. 183. Thy word is a lantern unto my feet, Z. 61. Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z. 196. Hear my prayer, O Lord, Z. 15. Lord, I can suffer thy rebukes, Z. 136. O Lord, our Governor, Z. 141. Remember not, Lord, our offences, Z. 50. Hosanna to the highest, Z. 187. O God, thou hast cast us out, Z. 36 (Review by Michael Ullman)

soprano 

PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman)

Dido 

PURCELL, HENRY: Dido and Aeneas (Review by Brian Robins)

Dido 

PURCELL, HENRY: Diocletian, or The Prophetess. Timon of Athens (Review by David Johnson)

soprano 

PURCELL, HENRY: The Complete Anthems and Services, Volume Three (Review by Michael Ullman)

soprano 

QUILTER: Fair House of Joy; My Life’s Delight (Review by Martin Anderson)

soprano 

QUILTER: Fair House of Joy; My Life’s Delight (Review by Raymond Beegle)

soprano 

RUBBRA, EDMUND: The Morning Watch. Symphony No. 9 (Review by Paul A. Snook)

soprano 

SCARLATTI, ALESSANDRO: Cantatas (Review by David Johnson)

soprano 

SCHOECK, OTHMAR: Auf ein Ei geschrieben (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Auf ein Kind (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Auf einen Klavierspieler (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Der Geprüfte (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Die Enthusiasten (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Erinna an Sappho (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Geber. Der Hirtenknabe (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Keine Rettung (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Nach dem Kriege (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Nachts am Schreibpulf. Aus der Ferne (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Nur zu! (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Widmung . An einem Wintermorgen (Review by Adrian Corleonis)

soprano 

SCHOECK, OTHMAR: Zu viel (Review by Adrian Corleonis)

soprano 

SCHUBERT: Cantate zur Feier der Genesung der Irene Kiesewetter, D 936 (Review by Joel Kasow)

soprano 

SCHUBERT: Das Weinen, D 926 (Review by Joel Kasow)

soprano 

SCHUBERT: Der Hochzeitsbraten, D 930 (Review by Joel Kasow)

soprano 

SCHUBERT: Der Kreuzzug, D 932 (Review by Joel Kasow)

soprano 

SCHUBERT: Der Wallensteiner Lanzknecht beim Trunk, D 931 (Review by Joel Kasow)

soprano 

SCHUBERT: Die Sterne, D 939 (Review by Joel Kasow)

soprano 

SCHUBERT: Fröhliches Scheiden, D 896 (Review by Joel Kasow)

soprano 

SCHUBERT: Frühlingslied, D 919 (Review by Joel Kasow)

soprano 

SCHUBERT: Heimliches Lieben, D 922 (Review by Joel Kasow)

soprano 

SCHUBERT: Il modo di prender moglie, D 902/3 (Review by Joel Kasow)

soprano 

SCHUBERT: Il traditor deluso, D 902/2 (Review by Joel Kasow)

soprano 

SCHUBERT: Jägers Liebeslied, D 909 (Review by Joel Kasow)

soprano 

SCHUBERT: L’incanto degli occhi, D 902/1 (Review by Joel Kasow)

soprano 

SCHUBERT: Romanze des Richard Löwenherz, D 907 (Review by Joel Kasow)

soprano 

SCHUBERT: Schiffers Scheidelied, D 910 (Review by Joel Kasow)

soprano 

SCHUBERT: Sie im jedem Liede, D 896A (Review by Joel Kasow)

soprano 

SCHUBERT: Wolke und Quelle, D 896B (Review by Joel Kasow)

soprano 

SCHUMANN: Lieder (Review by Marc Mandel)

soprano 

SHAKESPEARE/MENDELSSOHN: A Midsummer Night's Dream (Review by James Miller)

soprano 

STANFORD, CHARLES VILLIERS: La Belle Dame sans merci (Review by Martin Anderson)

soprano 

STANFORD, CHARLES VILLIERS: La Belle Dame sans merci (Review by Raymond Beegle)

soprano 

STANFORD, CHARLES VILLIERS: The Hardy Norse-woman; The Compleat Virtuoso; The Aquiline Snub; Limmerich ohne Worte (Review by Martin Anderson)

soprano 

STANFORD, CHARLES VILLIERS: The Hardy Norse-woman; The Compleat Virtuoso; The Aquiline Snub; Limmerich ohne Worte (Review by Raymond Beegle)

soprano 

VAUGHAN WILLIAMS: Riders io the Sea. Flos Campi. Household Music (Review by Royal S. Brown)

Cathleen 

VAUGHAN WILLIAMS: Riders io the Sea. Flos Campi. Household Music (Review by Royal S. Brown)

soprano 

VAUGHAN WILLIAMS: Riders to the Sea—Opera in One Act. Household Music (Three Preludes on Welsh Hymn Tunes). Flos Campi (Review by John D. Wiser)

alto 

VAUGHAN WILLIAMS: Riders to the Sea—Opera in One Act. Household Music (Three Preludes on Welsh Hymn Tunes). Flos Campi (Review by John D. Wiser)

Cathleen 

VAUGHAN WILLIAMS: Silent Noon. The lark in the clear air. Through Bushes and through Briars (Review by Martin Anderson)

soprano 

VAUGHAN WILLIAMS: Silent Noon. The lark in the clear air. Through Bushes and through Briars (Review by Raymond Beegle)

soprano 

VIVALDI, ANTONIO: Dixit Dominus, RV. 595. Laudate pueri Dominum, RV. 600. In exitu Israel, RV. 604. Nisi Dominus, RV. 608. Laudate Dominum, omnes Gentes, RV. 606. Magnifcat, RV. 611 (Review by George Chien)

soprano 

VIVALDI, ANTONIO: Laudate Pueri, RV. 601. Nisi Dominus, RV 608 (Review by Nils Anderson)

soprano 

VIVALDI, ANTONIO: Vêpres pour la Nativité de la Vierge. Confitebor, RV. 596 (Review by George Chien)

soprano 

WARLOCK: My Own Country, The Night, Lillygay (Review by Martin Anderson)

soprano 

WARLOCK: My Own Country, The Night, Lillygay (Review by Raymond Beegle)

soprano 

 

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