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Performer: William Christie 200 YEARS OF MUSIC AT VERSAILLES: (Review by Michael Carter) | conductor | BAROQUE ACADEMIE: (Review by Bertil van Boer) | conductor | BIEN QUE L’AMOUR: Airs sérieux et à boire (William Christie) (Review by Barry Brenesal) | conductor | D'INDIA Madrigals: (Review by J. F. Weber) | conductor | LES ARTS FLORISSANTS, TEN YEARS: (Review by J. F. Weber) | director | N’ESPÉREZ PLUS, MES YEUX..: (Review by J. F. Weber) | director | OMBRE DE MON AMANT — French Baroque Arias: (Review by Joel Kasow) | conductor | PRELUDE BAROQUE: (Review by J. F. Weber) | director | SI VOUS VOULIEZ UN JOUR: Airs sérieux et à boire,... (William Christie) (Review by Barry Brenesal) | conductor | ANONYMOUS: Saeta (Review by Haig Mardirosian) | conductor | BACH, CARL PHILIPP EMANUEL: Die Israeliten in der Wüste, Wq. 238, H. 775 (Review by William H. Youngren) | conductor | BACH, JOHANN SEBASTIAN: Liebster Gott, wann werd ich sterben, BWV 8 (Review by Haig Mardirosian) | conductor | BACH, JOHANN SEBASTIAN: Mass in b (Review by Huntley Dent) | conductor | BACH, JOHANN SEBASTIAN: Sonatas for Flute and Harpsichord (Review by George Chien) | harpsichord | BACH, JOHANN SEBASTIAN: Sonatas for Flute, BWV 1030, 1032, 1034, and 1035 (Review by Edward Strickland) | harpsichord | BATES, MASON: The (R)evolution of Steve Jobs (Review by Maria Nockin) | performance, want list | BLOW, JOHN: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley) | conductor | BLOW, JOHN: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley) | harpsichord | BLOW, JOHN: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley) | organ | BOCCHERINI, LUIGI: Fandango. Quartets for Two Harpsichords (Review by Edward Strickland) | harpsichord | BOUZIGNAC, GUILLAUME: Ecce festivitas. Ecce homo. Unus ex vobis. In pace in Idipsum. Ha! Piange. Vulnerasti. Alleluia, venite amici. Flos in flores. O Mors, ero mors tua. Clamant davi. Ecca Aurora. Dum silentium. Jubilate Deo. Salve Jesu. Ave Maria. Tota pulchra es. Te Deum (Review by J. F. Weber) | director | BOUZIGNAC, GUILLAUME: Motets (Review by J. F. Weber) | director | CAMPRA: Aforos ¡n Judea Deus. De profundis. Exaudiat te Dominus. Requiem (Review by Brian Robins) | conductor | CAMPRA: Arion. La Dispute de l'Amour et de l'Hymen. Les Femmes. Ènee et Didon (Review by J. F. Weber) | director | CAMPRA: Idoménée (Review by David Johnson) | conductor | CAMPRA: O dulcís amor. Salve Regina. Quemadmodum desiderai cervus. Ubi es, Deus meus. O sacrum convi-víum. Jubilate Deo (Review by J. F. Weber) | organ | CAMPRA: Six Motets (Review by J. F. Weber) | organ | CAVALLI: Ercole Amante. ANON. (Le Livre Vermeil de Monserrat) (Review by Haig Mardirosian) | conductor | CAVALLI: La Didone (Review by Bill White) | conductor | CHARPENTIER, MARC-ANTOINE: "O" Antiphons for Advent, H. 36-43. Noëls pour les instruments, H. 534. In Nativitatem D.N.J.C. Canticum, H. 414 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: 13 Motets (Review by J. F. Weber) | organ | CHARPENTIER, MARC-ANTOINE: Actéon, H. 481 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Actéon. Intermède for “Le Mariage Forcé“ (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Actéon. Le Manage Forcé (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Alma redemptoris mater, H. 21. Salve Regina, H 27 O crux ave spes unica, H. 349. Popule meus, H. 350. Dialógus inter Magdalenám et Jesum, H. 423. Elevation “O vere, o bone,“ H. 273. Elevation “O pretiosum,“ H. 245. O vos omnes, H. 134. Amicus meus, H. 127. Ave Regina, H. 22. Magdalena lugens, H. 343. Egredimini filiae Sion, H. 280. Sola vivebat in antris Magdalena lugens, H. 373 (Review by J. F. Weber) | organ | CHARPENTIER, MARC-ANTOINE: Caecilia, Virgo et Martyr, H. 413. Filius Prodigus, H. 399. Magnificat à 3 voix, H. 73 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Caecilia, Virgo et Martyr. Filius Prodigus (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: David et Jonathas (Review by Bertil van Boer) | conductor | CHARPENTIER, MARC-ANTOINE: David et Jonathas, H. 490 (Review by David Johnson) | conductor | CHARPENTIER, MARC-ANTOINE: Divertissements, Airs, and Concerts (Review by Brian Robins) | conductor | CHARPENTIER, MARC-ANTOINE: In Nativitatem Domini Canticum, H416 (Review by Brian Robins) | conductor | CHARPENTIER, MARC-ANTOINE: In nativitatem Domini canticum, H. 416. Sur la naissance de Notre Seigneur Jesus Christ, H. 482 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Judicium Salomonis (Review by Brian Robins) | conductor | CHARPENTIER, MARC-ANTOINE: La Descente d'Orphée aux enfers, H. 488 (Review by James H. North) | conductor | CHARPENTIER, MARC-ANTOINE: La Pierre philosophale, H 501. Tristes désertes H 469. Rentrez, trop indiscrets soupirs, H 464. Quoi! Je ne verrais plus, H 461. Ah, qu’ils sont courts, H 442. Charmantes fleurs, H449b. Quoi! rien ne peut, H 462. En vain rivaux assidus, H 452. Ah! qu’on est malheureux, H 443. Ah! laissez-moi rêver, H 441. Non, non, je ne l’aime plus, H 455. Sans frayeur dans ce bois, H 467. Auprès du feu, H 446. Ayant bu du vin clairet, H 447. Fenchon, la gentille Fenchon, H 454. Dispute des bergers, H 484. Concert pour quatre parties de violes, H 545 (Review by Brian Robins) | conductor | CHARPENTIER, MARC-ANTOINE: Le Malade imaginaire (Review by David Johnson) | conductor | CHARPENTIER, MARC-ANTOINE: Le Malade imaginaire (Review by David Johnson) | Praeses | CHARPENTIER, MARC-ANTOINE: Le Malade imaginaire (Review by David Johnson) | speaker | CHARPENTIER, MARC-ANTOINE: Le Reniement de Saint-Pierre, H. 424. Méditations pour le Carême, H.380-389 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Le Reniement de St. Pierre, H. 424. 10 Méditations pour le Carême, H. 380-389 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Le Reniement de St. Pierre. Meditations pour le Carême (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Les Arts Florissants and Intermède pour La Mariage Forcé et La Comtesse d'Escarbagnas (Review by Edward Strickland) | director | CHARPENTIER, MARC-ANTOINE: Les Arts Florissants (Review by David Johnson) | conductor | CHARPENTIER, MARC-ANTOINE: Leçons du Jeudy Sainct, H.102, 103, 109 (Review by J. F. Weber) | harpsichord | CHARPENTIER, MARC-ANTOINE: Leçons du Mercredy Sainct, H.96, 97, 98. Responsortes, H.111,112,113 (Review by J. F. Weber) | harpsichord | CHARPENTIER, MARC-ANTOINE: Leçons du Vendredy Sainct, H.105, 106, 110 (Review by J. F. Weber) | harpsichord | CHARPENTIER, MARC-ANTOINE: Litanies de la vierge (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Messe de Minuit, H9 (Review by Brian Robins) | conductor | CHARPENTIER, MARC-ANTOINE: Missa Assumpta est Maria (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Motet pour une longue offrande (Review by Brian Robins) | conductor | CHARPENTIER, MARC-ANTOINE: Motets (Review by J. F. Weber) | organ | CHARPENTIER, MARC-ANTOINE: Médée (Review by Anthony D. Coggi) | conductor | CHARPENTIER, MARC-ANTOINE: Médée (Review by David Johnson) | conductor | CHARPENTIER, MARC-ANTOINE: Médée (Review by Jay Coote) | performance, want list | CHARPENTIER, MARC-ANTOINE: Médée (Review by Anthony D. Coggi) | performance, want list | CHARPENTIER, MARC-ANTOINE: Pastorale sur la Naissance de N.S. Jésus-Christ, H. 483. In Nativitatem D.N.J.C. Canticum, H. 414 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Pastorale sur la naissance de Notre Seigneur Jésus Christ, H. 483. Magnificat à 3 voix, H. 73 (Review by J. F. Weber) | conductor | CHARPENTIER, MARC-ANTOINE: Te Deum (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Te Deum (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Te Deum, H. 146. Missa Assumpta est Maria, H.11. Litanies de la Vierge, H.83 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Te Deum. Messe pour les trépassés. Motet pour les trépassés. Prose des morts (Review by Brian Robins) | conductor | CHARPENTIER, MARC-ANTOINE: The “O“ Antiphons of Advent, H.36-43). In Nativitatem D.NJ.C. Canticum, H.414) (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Un Oratorio de Noel, H. 416. Sur la Naissance de Notre Seigneur Jésus Christ, H. 482 (Review by J. F. Weber) | director | CHARPENTIER/MOLIÈRE: Le Malade imaginaire (Review by David Johnson) | performance, want list | CLERAMBAULT: Pyrame et Tisbé. La Muse de l'opéra. La Mort d'Hercule. Orphée (Review by J. F. Weber) | director | COUPERIN, ARMAND-LOUIS: Simphonie de Clavecins. La Françoise. Deuxième Quatuor à deux clavecins. L'Italienne (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: L'Apothéose de Lulli. Le Parnasse ou L'Apothéose de Corelli. Allemande a Deux Clavecins. La Juillet. La Letiville. Musete de Choisi. Musete de Taverni (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Leçons deTénèbres. Quatre Versets (Review by David Johnson) | conductor | COUPERIN, FRANÇOIS: Pièces de clavecin, 15th Ordre (Review by Tom Moore) | harpsichord | COUPERIN, FRANÇOIS: Pièces de clavecin, 15th Ordre (Review by Tom Moore) | organ | CROFT: What art thou? (Review by Lynn René Bayley) | conductor | CROFT: What art thou? (Review by Lynn René Bayley) | harpsichord | CROFT: What art thou? (Review by Lynn René Bayley) | organ | DAUVERGNE: Concert de simphonies in F, op. 3/2 (Review by Brian Robins) | conductor | DAUVERGNE: Les Troqueurs (Review by Brian Robins) | conductor | DAUVERGNE: Les Troqueurs. Concert de simphonies a IV parties, op. 3, no. 2 (Review by David Johnson) | conductor | DESMAREST: Motets (Review by Brian Robins) | conductor | DESMAREST: Usquequo Domine. Lauda Jerusalem. Domine, ne in furore (Review by Brian Robins) | conductor | FISCHER, JOHANN CASPAR FERDINAND: Le Parnasse Musical; Pièces de Clavecin (Review by Edward Strickland) | harpsichord | FISCHER, JOHANN CHRISTIAN FERDINAND: Pièces de Clavecin (Review by Edward Strickland) | harpsichord | GAY, JOHN: The Beggar’s Opera (Review by Huntley Dent) | conductor | GESUALDO: Ahi, disperata vita. Sospirava il mio core (prima parte) (Review by James V. Maiello) | conductor | GESUALDO: Invan dunque (seconda parte) (Review by James V. Maiello) | conductor | GESUALDO: Madrigals (Review by J. F. Weber) | director | GESUALDO: Madrigals (Review by J. F. Weber) | director | GESUALDO: Mercè grido piangendo. Asciugate I begli occhi. Correte, amanti. Se la mia morte brami. Io parto. Ardita zanaretta. Ardo per te (Review by James V. Maiello) | conductor | GESUALDO: Non t’amo, o voce ingrata. Canzon francese del Principe. Luci serene e chiare. Sparge la morte al mio Signor. Arde il mio cor. Io tacerò (prima parte) (Review by James V. Maiello) | conductor | GESUALDO: O malnati messaggi (seconda parte) (Review by James V. Maiello) | conductor | GESUALDO: Occhi del mio cor vita (Review by James V. Maiello) | conductor | GLUCK: Iphigenié en Tauride (Review by Bill White) | conductor | GLUCK: Iphigénie en Tauride (Review by James Camner) | conductor | GLUCK: Iphigénie en Tauride (Review by Lynn René Bayley) | conductor | GLUCK: Iphigénie en Tauride (Review by Alex McGehee) | conductor | GLUCK: Orphée et Eurydice (Review by Bertil van Boer) | conductor | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson) | harpsichord | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson) | organ | HANDEL, GEORGE FRIDERIC: Alcina (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Alcina (Review by Brian Robins) | conductor | HANDEL, GEORGE FRIDERIC: Alcina (Review by George Jellinek) | performance, want list | HANDEL, GEORGE FRIDERIC: Alcina (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Amadigi di Gaula (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Apollo e Dafne (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Ariodante (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Belshazzar (Review by Henry Fogel) | conductor | HANDEL, GEORGE FRIDERIC: Concerti Grossi, op. 6 (Review by Tom Moore) | conductor | HANDEL, GEORGE FRIDERIC: Duetti e Cantate da Camera (Review by J. F. Weber) | harpsichord | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by James Reel) | conductor | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal) | performance, want list | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Raymond Tuttle) | performance, want list | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Hercules, HWV 60 (Review by Melanie Eskenazi) | conductor | HANDEL, GEORGE FRIDERIC: Hercules, HWV 60 (Review by Brian Robins) | conductor | HANDEL, GEORGE FRIDERIC: Italian Duets (Review by David Johnson) | harpsichord | HANDEL, GEORGE FRIDERIC: Italian Duetti and Cantatas (Review by David Johnson) | harpsichord | HANDEL, GEORGE FRIDERIC: L’Allegro, Il Penseroso, ed Il Moderato, HWV 55 (Review by Bertil van Boer) | conductor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | conductor | HANDEL, GEORGE FRIDERIC: Orlando (Review by Elliott S. Hurwitt) | conductor | HANDEL, GEORGE FRIDERIC: Orlando (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Orlando (Review by James Reel) | conductor | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Semele (Review by James A. Altena) | conductor | HANDEL, GEORGE FRIDERIC: Semele (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Semele (Review by James A. Altena) | conductor | HANDEL, GEORGE FRIDERIC: Semele (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Serse (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Serse (Review by Brian Robins) | conductor | HANDEL, GEORGE FRIDERIC: Teseo (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Theodora (Review by Raymond Tuttle) | conductor | HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson) | performance, want list | HANDEL, GEORGE FRIDERIC: Theodora, HWV 68 (Review by Brian Robins) | conductor | HANDEL, GEORGE FRIDERIC: Theodora, HWV 68 (Review by Bernard Jacobson) | conductor | HANDEL, GEORGE FRIDERIC: Violin Sonatas (Review by Bernard Jacobson) | harpsichord | HANDEL, GEORGE FRIDERIC: Violin Sonatas (Review by Robert Maxham) | harpsichord | HANDEL, GEORGE FRIDERIC: Violin Sonatas (Review by Bernard Jacobson) | organ | HANDEL, GEORGE FRIDERIC: Violin Sonatas (Review by Robert Maxham) | organ | HASSE, J A: Cleofide (Review by David Johnson) | conductor | HASSE, J A: Cleofide (Review by Robert Levine) | performance, want list | HASSE, J A: Cleofide (Review by Lynn René Bayley) | conductor | HAYDN, FRANZ JOSEPH: Die Harmonie (Review by Haig Mardirosian) | conductor | HAYDN, FRANZ JOSEPH: Symphonies Nos. 84–87. Violin Concerto No. 1 in C (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Symphony in B♭, “La Reine”, Hob I (Review by Bertil van Boer) | conductor | HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North) | conductor | HERMANN, HANS: Harp Concerto, op. 9 (Review by Bertil van Boer) | conductor | HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley) | conductor | HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley) | harpsichord | HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley) | organ | KRUMPHOLZ, JEAN-BAPTISTE: Harp Concerto, op. 7 (Review by Bertil van Boer) | conductor | LALANDE: Miserere. Vanum est vobis. Miserator et misericors. Cantique sur le bonheur des justes et sur le malheur des resprouvez (Review by J. F. Weber) | director | LALANDE: Petits Motets (Review by J. F. Weber) | director | LALANDE: Te Deum. Super ilumina Babylonis. Confitebor tibi (Review by J. F. Weber) | director | LAMBERT, MICHEL: Airs de cour (Review by J. F. Weber) | director | LAMBERT, MICHEL: Airs de cour (Review by J. F. Weber) | director | LANDI, STEFANO: Il Sant' Alessio (Review by David Johnson) | conductor | LANDI, STEFANO: Il Sant’ Alessio (Review by J. F. Weber) | conductor | LANDI, STEFANO: Il Sant’Alessio (Review by Barry Brenesal) | conductor | LASSUS: Missa pro defunctis (Review by Haig Mardirosian) | conductor | LECLAIR, JEAN-MARIE: Violin Sonatas (Review by Michael De Sapio) | harpsichord | LEMAIRE: Assumpta est Maria (Review by J. F. Weber) | director | LEROUX: Harpsichord Suites (Review by James A. Altena) | harpsichord | LEROUX: Suites for Two Harpsichords (Review by Charles Timbrell) | harpsichord | LEROUX: Suites for Two Harpsichords (Review by Edward Strickland) | harpsichord | LEROUX: Suites pour Deux Clavecins (Review by Edward Strickland) | harpsichord | LULLY: Airs (transcribed for harpsichord by D'Anglebert). Atys (Review by Tom Moore) | director | LULLY: Atys (Review by David Johnson) | conductor | LULLY: Atys (Review by Barry Brenesal) | conductor | LULLY: Atys (Review by James A. Altena) | conductor | LULLY: Atys (Review by David Johnson) | conductor | LULLY: Les Divertissements de Versailles (Review by Brian Robins) | conductor | LULLY: Omnes gentes. Regina coeli. O Sapientia. Laudate puer i. Salve Regina. Exaudí Deus. Anima Christi. A ve coeli. Dixit Dominus. O Dulcissime. Domine salvum fac (Review by J. F. Weber) | director | LULLY: Petit Motets (Review by J. F. Weber) | director | LULLY: Psyche (Review by Brian Robins) | conductor | MENDELSSOHN, FELIX: Die erste Walpurgisnacht (Review by Haig Mardirosian) | conductor | MONDONVILLE, JEAN-JOSEPH CASSANEA DE: Dominus regnavit. In exitu Israel. De profundis (Review by J. F. Weber) | director | MONDONVILLE, JEAN-JOSEPH CASSANEA DE: Titon et L’Aurore (Review by Bertil van Boer) | conductor | MONTÉCLAIR: Concerto for Oboe, Harpsichord, and Bass Viol; Cantata, “La Badine“; Cantata, “Pan and Sirinx.“ (Review by J. F. Weber) | harpsichord | MONTÉCLAIR: Jephté (Review by David Johnson) | conductor | MONTÉCLAIR: La Mort de Didon. Il Dispetto in Amore. Le Triomphe de l'Amour. Morte di Lucretia. Pyrame et Thisbé (Review by J. F. Weber) | director | MONTEVERDI: Duo Seraphim. O quam pulchra. O beatae viae. Salve O Regina. Confitebor. Pulchra es. Fugge. Ego flos. Nigra sum. Laudate Dominum. Jubìlet (Review by J. F. Weber) | harpsichord | MONTEVERDI: Duo Seraphim. O quam pulchra. O beatae viae. Salve O Regina. Confitebor. Pulchra es. Fugge. Ego flos. Nigra sum. Laudate Dominum. Jubìlet (Review by J. F. Weber) | organ | MONTEVERDI: Gloria à 7. Chi vol che m'innamori. O ciechi ciechi. Adoramus à 6. Confitebor III alla francese. Confite-bor tibi Domine à 6 (Ms). Laudate Dominum. È questa vita un lampo. Beatus vir I à 6 (Review by J. F. Weber) | director | MONTEVERDI: Il Ballo delle Ingrate. La Sestina (Review by J. F. Weber) | director | MONTEVERDI: Il Combattimento di Tancredi e Clorinda (Review by J. F. Weber) | director | MONTEVERDI: Il Combattimento di Tancredi e Clorinda, and Other Madrigals (Review by J. F. Weber) | director | MONTEVERDI: Il Combattimento di Tancredi e Clorinda. Mentre vaga Angioletta. Con che soavità. Eri già tutta mia. Quel sguardo. Tu dormi? Presso un fiume tranquillo. Zefira torna. O come sei gentile. Ardo, avvampo (Review by J. F. Weber) | director | MONTEVERDI: Il ritorno d'Ulisse in patria (Review by J. F. Weber) | conductor | MONTEVERDI: L’Incoronazione di Poppea (Review by Barry Brenesal) | conductor | MONTEVERDI: L’Orfeo (Review by J. F. Weber) | conductor | MONTEVERDI: Madrigali & Selva Morale (Review by James V. Maiello) | conductor | MONTEVERDI: Madrigals (Review by J. F. Weber) | director | MONTEVERDI: Madriglas (Review by J. F. Weber) | conductor | MONTEVERDI: Selva morale e spirituale (Review by J. F. Weber) | director | MONTEVERDI: Un Concert Spirituel (Review by J. F. Weber) | harpsichord | MONTEVERDI: Un Concert Spirituel (Review by J. F. Weber) | organ | MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber) | conductor | MORIN: Regina caeli (Review by J. F. Weber) | director | MOULINIÉ: Cantique de Moýse. Veni sponsa mea. Trois Fantaisies à quatre. Espoir de toute ame affligée. O bone Jesu (Review by J. F. Weber) | director | MOULINIÉ: Cantique de Moýse. Veni sponsa mea. Trois Fantaisies. Espoir de toute âme affligée. O bone Jesu (Review by J. F. Weber) | director | MOZART: Die Entführung aus dem Serail (Review by Bernard Jacobson) | conductor | MOZART: Die Entführung aus dem Serail (Review by Brian Robins) | conductor | MOZART: Die Zauberflöte (Review by William H. Youngren) | performance, want list | MOZART: Die Zauberflöte, K. 620 (Review by Joel Kasow) | conductor | MOZART: Mass in c, K 427 (Review by J. F. Weber) | conductor | MOZART: Requiem, K. 626. Ave Verum Corpus, K. 618 (Review by Elliott S. Hurwitt) | conductor | PURCELL, HENRY: Dido and Aeneas (Review by Bertil van Boer) | conductor | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | conductor | PURCELL, HENRY: Dido and Aeneas (Review by Vincent Alfano) | director | PURCELL, HENRY: Dido and Aeneas (Review by Vincent Alfano) | director | PURCELL, HENRY: Dido and Aeneas, Z. 626 (Review by James H. North) | conductor | PURCELL, HENRY: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley) | conductor | PURCELL, HENRY: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley) | harpsichord | PURCELL, HENRY: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley) | organ | PURCELL, HENRY: King Arthur, or, The British Worthy, Z. 628 (Review by James H. North) | conductor | PURCELL, HENRY: The Fairy Queen (Review by Michael Ullman) | conductor | PURCELL, HENRY: The Fairy Queen (Review by Barry Brenesal) | conductor | PURCELL, HENRY: The Fairy Queen (Review by James Reel) | conductor | PURCELL, HENRY: The Fairy Queen (Review by Elliott Kaback) | performance, want list | PURCELL, HENRY: The Fairy Queen (Review by Michael Ullman) | performance, want list | PURCELL, HENRY: The Fairy Queen (Review by Michael Ullman) | conductor | PURCELL, HENRY: The Fairy Queen (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: The Plaint; If music be the food of love; I attempt from love's sickness to fly; Fairest Isle; Sweeter than roses; Not all my torments; Thrice happy lovers; Evening hymn; From rosy bowers; O lead me to some peaceful gloom; Retired from any mortal's sight; Music for a while; Since from my dear Astrea's sight (Review by J. F. Weber) | harpsichord | RAMEAU, JEAN-PHILIPPE: Anacréon, Ballet en un acte (Illeme Entrée ajoutée aux Surprises de l'Amour) (Review by George Chien) | conductor | RAMEAU, JEAN-PHILIPPE: Castor et Pollux (Review by David Johnson) | conductor | RAMEAU, JEAN-PHILIPPE: Four Suites for Harpsichord (Review by Edward Strickland) | harpsichord | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by David Johnson) | conductor | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by Lynn René Bayley) | conductor | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by Barry Brenesal) | conductor | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by Barry Brenesal) | conductor | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by Daniel Morrison) | conductor | RAMEAU, JEAN-PHILIPPE: In Convertendo. La timide; La poplinière; La Rameau (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: La Guirlande (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by Barry Brenesal) | conductor | RAMEAU, JEAN-PHILIPPE: Les Fêtes d’Hébé (Review by David Johnson) | conductor | RAMEAU, JEAN-PHILIPPE: Les Grands Motets (Review by David Johnson) | performance, want list | RAMEAU, JEAN-PHILIPPE: Les Grands Motets (Review by David Johnson) | conductor | RAMEAU, JEAN-PHILIPPE: Les Paladins (Review by Barry Brenesal) | conductor | RAMEAU, JEAN-PHILIPPE: Les indes galantes (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: Nouvelles Suites de Pièces de Clavecin (1728) (Review by Edward Strickland) | harpsichord | RAMEAU, JEAN-PHILIPPE: Pièces de Clavecin (1724) (Review by Edward Strickland) | harpsichord | RAMEAU, JEAN-PHILIPPE: Pièces de Clavecin (1724); Suites (Review by Leslie Gerber) | harpsichord | RAMEAU, JEAN-PHILIPPE: Platée (Review by Bertil van Boer) | conductor | RAMEAU, JEAN-PHILIPPE: Pygmalion. Nelée and Myrthis (Review by Edward Strickland) | conductor | RAMEAU, JEAN-PHILIPPE: Pygmalion. Nelée and Myrthis (Review by Edward Strickland) | director | RAMEAU, JEAN-PHILIPPE: Zoroastre (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: Zoroastre (Review by John Story) | conductor | RAMEAU, JEAN-PHILIPPE: Zéphire (Review by Brian Robins) | conductor | ROSSI, LUIGI: Il pecator pentito. O Cecità (Review by J. F. Weber) | director | ROSSI, LUIGI: O Cecità. Il pecato pentito (Review by J. F. Weber) | conductor | ROSSI, LUIGI: Oratorio per la Settimana Santa. Un Peccator pentito (Spargete sospiri) (Review by J. F. Weber) | director | ROSSI, LUIGI: Orfeo (Review by David Johnson) | conductor | ROSSI, LUIGI: Two arias (Review by Haig Mardirosian) | conductor | ROYER: Pièces de Clavecin (Review by Edward Strickland) | harpsichord | ROYER: Pièces de Clavecin (Review by Edward Strickland) | harpsichord | SAMS: The Enchanted Island (Review by Barry Brenesal) | conductor | SCHÜTZ, HEINRICH: Die Seele Christi Heilige mich. Was betrübst du dich meine See/e (Review by Haig Mardirosian) | conductor | SCHÜTZ, HEINRICH: Habe deine Lust, SWV 311. O Jesu nomen dulce, SWV 308. Wohl dem, SWV 290. Eile, mich, SWV282. Was betrübst, SWV353. Herr unser Herrscher, SWV343. Wie ein Rubin, SWV357. O süsser, SWV 285. Was hast, SWV 307. Bone Jesu, SWV 313. Bringt her, SWV283. Ihr Heiligen, SWV288. Herzlich lieb, SWV348 (Review by J. F. Weber) | organ | SCHÜTZ, HEINRICH: Kleine Geistliche Konzerte (Review by J. F. Weber) | organ | SCHÜTZ, HEINRICH: Sacred Concerts (Review by J. F. Weber) | organ | SENAILLÉ: Violin Sonatas (Review by Michael De Sapio) | harpsichord | STROZZI, B.: Six Cantatas (Review by J. F. Weber) | harpsichord | SWEELINCK: Choral Works (Review by J. F. Weber) | director | SWEELINCK: Ecce prandium (Review by J. F. Weber) | conductor | SWEELINCK: Gaude et laetare (Review by J. F. Weber) | conductor | SWEELINCK: Psalms (Review by J. F. Weber) | conductor | SWEELINCK: Psalms (Review by J. F. Weber) | director |
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