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Performer: Anthony Braxton Anthony Braxton. Nineteen [Solo] Compositions,...: (Review by Edward Strickland) | clarinet | Anthony Braxton. Nineteen [Solo] Compositions,...: (Review by Edward Strickland) | flute | Anthony Braxton. Nineteen [Solo] Compositions,...: (Review by Edward Strickland) | piano | Anthony Braxton. Nineteen [Solo] Compositions,...: (Review by Edward Strickland) | saxophone | Anthony Braxton: Seven Standards 1985, Volume... (Anthony Braxton) (Review by Andrew Sussman) | alto saxophone | BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton) | alto saxophone | BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton) | contrabass clarinet | BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton) | contrabass saxophone | BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton) | flute | BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton) | sopranino clarinet | BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton) | soprano clarinet | AUSTIN, LARRY: Montage—Themes and Variations for Violin and Computer Music on Tape (Review by Mike Silverton) | saxophone | BRAXTON, ANTHONY: Composition 101. Composition 13SP. Composition 99B ( + 97C, 117E, 117H & 118H). Composition 107* (Review by Scott Wheeler) | alto saxophone | BRAXTON, ANTHONY: Composition 101. Composition 13SP. Composition 99B ( + 97C, 117E, 117H & 118H). Composition 107* (Review by Scott Wheeler) | sopranino saxophone | BRAXTON, ANTHONY: Composition 101. Composition 13SP. Composition 99B ( + 97C, 117E, 117H & 118H). Composition 107* (Review by Scott Wheeler) | soprano saxophone | BRAXTON, ANTHONY: Composition 98 (Review by James H. North) | saxophone | BRAXTON, ANTHONY: Composition No. 107 (Review by Mike Silverton) | saxophone | BRAXTON, ANTHONY: Composition No. 156. Composition No. 157 (two takes). Composition No. 152. Composition No. 153. Composition No. 155. Composition No. 154. Composition No. 40A (Review by Scott Wheeler) | alto saxophone | BRAXTON, ANTHONY: Composition No. 156. Composition No. 157 (two takes). Composition No. 152. Composition No. 153. Composition No. 155. Composition No. 154. Composition No. 40A (Review by Scott Wheeler) | contrabass clarinet | BRAXTON, ANTHONY: Composition No. 156. Composition No. 157 (two takes). Composition No. 152. Composition No. 153. Composition No. 155. Composition No. 154. Composition No. 40A (Review by Scott Wheeler) | flute | BRAXTON, ANTHONY: Composition No. 156. Composition No. 157 (two takes). Composition No. 152. Composition No. 153. Composition No. 155. Composition No. 154. Composition No. 40A (Review by Scott Wheeler) | saxophone | BRAXTON, ANTHONY: Composition No. 165 (Review by Scott Wheeler) | conductor | BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann) | alto saxophone | BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann) | clarinet | BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann) | contrabass clarinet | BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann) | contrabass sax | BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann) | E♭ clarinet | BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann) | sopranino saxophone | BRAXTON, ANTHONY: Creative Orchestra (Köln) 1978 (Review by Mike Silverton) | conductor | BRAXTON, ANTHONY: Eight Duets (Review by Scott Wheeler) | alto saxophone | BRAXTON, ANTHONY: Eight Duets (Review by Scott Wheeler) | contrabass clarinet | BRAXTON, ANTHONY: Eight Duets (Review by Scott Wheeler) | flute | BRAXTON, ANTHONY: Eight Duets (Review by Scott Wheeler) | saxophone | BRAXTON, ANTHONY: Quartet (Santa Cruz) 1993 (Review by Mike Silverton) | clarinet | BRAXTON, ANTHONY: Quartet (Santa Cruz) 1993 (Review by Mike Silverton) | flute | BRAXTON, ANTHONY: Quartet (Santa Cruz) 1993 (Review by Mike Silverton) | saxophone | BRAXTON, ANTHONY: Two Compositions (Ensemble) 1989/1991 (Review by Scott Wheeler) | conductor | DAMERON: Hot House (Review by Marc Medwin) | alto saxophone | DAMERON: Hot House (Review by Marc Medwin) | contrabass clarinet | DAMERON: Hot House (Review by Marc Medwin) | flute | DAMERON: Hot House (Review by Marc Medwin) | piano | DAMERON: Hot House (Review by Marc Medwin) | soprano saxophone | DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin) | alto saxophone | DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin) | contrabass clarinet | DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin) | flute | DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin) | piano | DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin) | soprano saxophone | DUKE/HARBURG: April In Paris (Review by Marc Medwin) | alto saxophone | DUKE/HARBURG: April In Paris (Review by Marc Medwin) | contrabass clarinet | DUKE/HARBURG: April In Paris (Review by Marc Medwin) | flute | DUKE/HARBURG: April In Paris (Review by Marc Medwin) | piano | DUKE/HARBURG: April In Paris (Review by Marc Medwin) | soprano saxophone | DUKE, VERNON: Autumn In New York (Review by Marc Medwin) | alto saxophone | DUKE, VERNON: Autumn In New York (Review by Marc Medwin) | contrabass clarinet | DUKE, VERNON: Autumn In New York (Review by Marc Medwin) | flute | DUKE, VERNON: Autumn In New York (Review by Marc Medwin) | piano | DUKE, VERNON: Autumn In New York (Review by Marc Medwin) | soprano saxophone | GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin) | alto saxophone | GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin) | contrabass clarinet | GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin) | flute | GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin) | piano | GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin) | soprano saxophone | HEFTI, NEIL: Repetition (Review by Marc Medwin) | alto saxophone | HEFTI, NEIL: Repetition (Review by Marc Medwin) | contrabass clarinet | HEFTI, NEIL: Repetition (Review by Marc Medwin) | flute | HEFTI, NEIL: Repetition (Review by Marc Medwin) | piano | HEFTI, NEIL: Repetition (Review by Marc Medwin) | soprano saxophone | HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin) | alto saxophone | HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin) | contrabass clarinet | HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin) | flute | HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin) | piano | HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin) | soprano saxophone | LANSKY, PAUL: As If, for String Trio and Computer-Synthesized Sound (Review by Mike Silverton) | saxophone | LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin) | alto saxophone | LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin) | contrabass clarinet | LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin) | flute | LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin) | piano | LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin) | soprano saxophone | MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin) | alto saxophone | MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin) | contrabass clarinet | MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin) | flute | MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin) | piano | MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin) | soprano saxophone | MELBY: Concerto No. 1 for Flute and Computer-Synthesized Tape (Review by Mike Silverton) | saxophone | MERCER/RASKIN: Laura (Review by Marc Medwin) | alto saxophone | MERCER/RASKIN: Laura (Review by Marc Medwin) | contrabass clarinet | MERCER/RASKIN: Laura (Review by Marc Medwin) | flute | MERCER/RASKIN: Laura (Review by Marc Medwin) | piano | MERCER/RASKIN: Laura (Review by Marc Medwin) | soprano saxophone | PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin) | alto saxophone | PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin) | contrabass clarinet | PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin) | flute | PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin) | piano | PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin) | soprano saxophone | ROSENBOOM: A Precipice in Time* (Review by Mike Silverton) | saxophone | ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton) | alto saxophone | ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton) | clarinet | ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton) | flute | ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton) | sopranino | ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton) | soprano saxophone | TEITELBAUM: Concerto Grosso for Human Concertino and Robotic Ripieno (Review by Scott Wheeler) | winds | TEITELBAUM: Concerto Grosso for Human Concertino and Robotic Ripieno (Review by Mike Silverton) | winds |
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