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Performer: Hans Peter Blochwitz

WOLF, HUGO: Italienisches Liederbuch... (Christiane Oelze) (Review by Lynn René Bayley)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas Freue dich, erlöste Schar, BIW30, Es erhub sich ein Streit, BWV 19 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Christmas Oratorio, BWV248 (Review by Edward Strickland)

tenor 

BACH, JOHANN SEBASTIAN: Christmas Oratorio (Review by Ralph V. Lucano)

tenor 

BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV 232 (Review by Ralph V. Lucano)

tenor 

BACH, JOHANN SEBASTIAN: Saint Matthew Passion, BWV 244 (Review by Edward Strickland)

tenor 

BACH, JOHANN SEBASTIAN: Saint Matthew Passion, BWV 244 (Review by Edward Strickland)

tenor 

BACH, JOHANN SEBASTIAN: St. Matthew Passion, BWV 244 (Review by Edward Strickland)

Evangelist 

BACH, JOHANN SEBASTIAN: St. Matthew Passion, BWV 244 (Review by Edward Strickland)

tenor 

BACH, JOHANN SEBASTIAN: St. Matthew Passion, BWV 244 (Review by Brian Robins)

tenor 

BEETHOVEN, LUDWIG VAN: Fidelio, op. 72 (Review by James H. North)

Jaquino 

BEETHOVEN, LUDWIG VAN: Fidelio, op. 72 (Review by James H. North)

tenor 

BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, op. 123 (Review by Elliott Kaback)

tenor 

BERNSTEIN, LEONARD: Psalm 148. Hashkiveniu. Reenah? Simchu Na. Yigdal. 4 Sabras. Silhouette/Galilee. The Firstborn (Review by Walter Simmons)

tenor 

BERNSTEIN, LEONARD: The Firstborn (Review by Jerry Dubins)

tenor 

BRUCKNER, ANTON: Motets (Review by Peter J. Rabinowitz)

tenor 

BRUCKNER, ANTON: Motets (Review by Peter J. Rabinowitz)

tenor 

BRUCKNER, ANTON: Motets (Review by Alex Ross)

tenor 

BRUCKNER, ANTON: Os justi. Afferenter regi. Christus factus est. Tota pulchra es Maria. Vexillä regis prodeunt. Ecce sa-cerdos magnus. Pange lingua. Locus iste. Ave Maria. Virga Jesse floruit (Review by Peter J. Rabinowitz)

tenor 

BRUCKNER, ANTON: Os justi. Afferenter regi. Christus factus est. Tota pulchra es Maria. Vexillä regis prodeunt. Ecce sa-ceröos magnus. Pange lingua. Locus iste. Ave Maria (1861 ). Virga Jesse Floruit (Review by Peter J. Rabinowitz)

tenor 

HANDEL, GEORGE FRIDERIC: Theodora (Review by Ralph V. Lucano)

Septimius 

HANDEL, GEORGE FRIDERIC: Theodora (Review by Ralph V. Lucano)

tenor 

HANDEL/MOZART: Messiah (Review by John Bauman)

tenor 

HAYDN, FRANZ JOSEPH: Die Schöpfung, Hob. XXI (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: Die Schöpfung, Hob. XXI (Review by James H. North)

Uriel 

HAYDN, FRANZ JOSEPH: Mass No. 13 in Bb, Hob. XXII (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: Missa Cellensis. Missa in tempore belli, “Paukenmesse.“ Schöpfungmesse (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: Missa in tempore belli, Hob. XXII (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North)

Uriel 

HONEGGER, ARTHUR: King David (Review by Royal S. Brown)

tenor 

KAGEL: Sankt-Bach-Passion (Review by Benjamin Pernick)

tenor 

MAHLER, GUSTAV: Das Klagende Lied (original version) (Review by Benjamin Pernick)

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MAHLER, GUSTAV: Das Lied von der Erde (Review by Raymond Tuttle)

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MAHLER, GUSTAV: Das klagende Lied (Review by Benjamin Pernick)

tenor 

MENDELSSOHN, FELIX: Elias. Paulus (Review by Jerry Dubins)

tenor 

MENDELSSOHN, FELIX: Paulus (Review by James Miller)

tenor 

MENDELSSOHN, FELIX: Paulus (Review by James Miller)

tenor 

MENDELSSOHN, FELIX: Symphonies (Review by James Miller)

tenor 

MOZART: Così fan tutte, K. 588 (Review by Ralph V. Lucano)

Ferrando 

MOZART: Così fan tutte, K. 588 (Review by Ralph V. Lucano)

tenor 

MOZART: Davidde Penitente, K. 469. Ave verum corpus, K. 618 (Review by J. F. Weber)

tenor 

MOZART: Die Entführung aus dem Serail (Review by Bob Rose)

Belmonte 

MOZART: Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) (Review by David Johnson)

Christgeist 

MOZART: Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) (Review by David Johnson)

tenor 

MOZART: Die Zauberflöte, K. 620 (Review by Joel Kasow)

Tamino 

MOZART: Die Zauberflöte, K. 620 (Review by Joel Kasow)

tenor 

MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano)

Don Ottavio 

MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano)

tenor 

MOZART: Great Mass in C Minor, K. 427 (Review by J. F. Weber)

tenor 

MOZART: Mass in C Minor, K. 427 (417a) (reconstructed and supplemented by Helmut Eder) (Review by George Chien)

tenor 

MOZART: Mass in C, K. 317 (“Coronation“) (Review by James H. North)

tenor 

MOZART: Requiem, K. 626. Kyrie, K. 341 (Review by George Chien)

tenor 

MOZART: The Magic Flute, K. 620 (Review by Ralph V. Lucano)

Tamino 

MOZART: The Magic Flute, K. 620 (Review by Ralph V. Lucano)

tenor 

MOZART: Vesperae Solennes de Dominica, K. 321 (Review by John Bauman)

tenor 

MOZART: Zaide (Review by Ralph V. Lucano)

Gomatz 

MOZART: Zaide (Review by Brian Robins)

Gomatz 

SCHUBERT: Die schöne Müllerin, D. 795 (Review by Ralph V. Lucano)

tenor 

SCHULTZE: Das kalte Herz (Review by David Mason Greene)

Spätzle 

SCHULTZE: Das kalte Herz (Review by David Mason Greene)

tenor 

SCHUMANN: Liederkreis, op. 39. Dichterliebe, op. 48 (Review by Ralph V. Lucano)

tenor 

SCHUMANN: Scenes from Goethe's Faust (Review by David Johnson)

tenor 

SCHUMANN: Scenes from Goethe's Faust (Review by David Johnson)

Tenor II 

SCHUMANN: Scenes from Goethe’s Faust (Review by Marc Mandel)

Arief 

TELEMANN, GEORG PHILIPP: Die Tageszeiten—Cantata (Review by George Chien)

tenor 

TELEMANN, GEORG PHILIPP: Matthäus-Passion (1746) (Review by Tom Moore)

Evangelist 

TELEMANN, GEORG PHILIPP: Matthäus-Passion (1746) (Review by Tom Moore)

tenor 

TELEMANN, GEORG PHILIPP: St. Matthew Passion (1746) (Review by Ron Salemi)

Evangelist 

ZEMLINSKY: Die schlanke Wasserlilie. Gute Nacht. Liebe und Frühlings. Ich sah mein eigen Angesicht. In der Ferne. Waldgespräch. Das Rosenband. Abendstern. Des Mädchens Klage Der Morgenstern. Wandl'ich im Wald des Abends. Orientalisches Sonett. Süsse, süsse Sommernacht. Herbsten. Nun schwillt der See so bang. In der Sonnengasse. Herr Bombardi!. Es war ein alter König. Über eine Wiege. Mädel, kommst du mit zum Tanz? Jane Grey. Der verlorene Haufen. Vorspiel. Ansturm. Auf See. Noch spür'ich ihren Atem. Hörtest du denn nicht hinein. Die Beiden. Harmonie des Abends. Und einmal gehst du (Review by James H. North)

tenor 

ZEMLINSKY: Posthumous Songs (Review by James H. North)

tenor 

ZENDER: Schubert's Winterreise, a Composed Interpretation (Review by Mike Silverton)

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ZENDER: Schubert's “Die Winterreise“ (Review by Richard Burke)

tenor 

 

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