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Performer: Richard Van Allan

Roberto Devereux: (Review by Joel Kasow)

Servant 

VERDI: THE PURSUIT OF POWER & THE BURDEN OF SUCCESS (Mark Elder) (Review by Evan Dickerson)

bass baritone 

BELLINI, VINCENZO: I puritani (Review by Joel Kasow)

Lord Gualtiero 

BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis)

Leonato 

BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis)

speaker 

BOITO, ARRIGO: Mefistofele (Review by David Mason Greene)

bass 

BORODIN-WRIGHT/FOREST: Kismet (Review by James Miller)

The Wazir 

BRITTEN: Gloriana (Review by James Miller)

bass 

BRITTEN: Gloriana (Review by James Miller)

Raleigh 

BRITTEN: Gloriana (Review by Barry Brenesal)

Sir Walter Raleigh 

BRITTEN: Peter Grimes (Review by Joel Kasow)

Hobson 

DOVE, JONATHAN: Flight (Review by John Story)

Immigration Officer 

GILBERT AND SULLIVAN: H.M.S. Pinafore, or The Lass That Loved a Sailor (Review by Martin Anderson)

bass 

GILBERT AND SULLIVAN: H.M.S. Pinafore, or The Lass That Loved a Sailor (Review by Martin Anderson)

Bill Bobstay 

GLUCK: Orphée et Eurydice (Review by David Mason Greene)

bass 

GOUNOD, CHARLES: Faust (Review by David Mason Greene)

bass 

LEONI: L’Oracolo (Review by George Jellinek)

Uin-sci 

MARSCHNER: Der Vampyr (Review by James H. North)

bass 

MARSCHNER: Der Vampyr (Review by James H. North)

Sir Hugo Davenant 

MENDELSSOHN, FELIX: Symphony No. 5 in D Minor, op. 107 ("Reformation"). Dieerste Walpurgisnacht, op. 60 (Review by Elliott S. Hurwitt)

bass 

MENDELSSOHN, FELIX: Symphony No. 5 in D Minor, op. 107 (“Reformation“). Dieerste Walpurgisnacht, op. 60 (Review by David Johnson)

bass 

MOZART: Così fan tutte (Review by Lynn René Bayley)

Don Alfonso 

MOZART: Così fan tutte, K. 588. Montserrat Caballé, soprano (Fiordiligi) (Review by Mortimer H. Frank)

bass 

MOZART: Così fan tutte, K. 588. Montserrat Caballé, soprano (Fiordiligi) (Review by Mortimer H. Frank)

Don Alfonso 

MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank)

baritone 

MOZART: Don Giovanni, K. 527 (Review by James Miller)

bass 

MOZART: Don Giovanni, K. 527 (Review by James Miller)

Leporello 

MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank)

Masetto 

MOZART: Don Giovanni, K. 527 (Review by James Miller)

Masetto 

MOZART: Don Giovanni, Op. 527 (Review by James Miller)

bass 

MOZART: Don Giovanni, Op. 527 (Review by James Miller)

Leporello 

MOZART: Don Giovanni (Review by David Mason Greene)

bass 

OFFENBACH: Orphée aux Enfers (Review by David Mason Greene)

bass 

PURCELL, HENRY: The Fairy Queen (Review by Bill White)

Hymen 

PURCELL, HENRY: The Fairy Queen (Review by Bill White)

Theseus 

STRAVINSKY, IGOR: The Rake's Progress (Review by James H. North)

Trulove 

TCHAIKOVSKY: Eugene Onegin (Review by Joel Kasow)

Zaretsky 

VAUGHAN WILLIAMS: Hugh the Drover (Review by Martin Anderson)

bass 

VAUGHAN WILLIAMS: Hugh the Drover (Review by Martin Anderson)

The Constable 

VERDI, GIUSEPPE: Don Carlos (Review by Joel Kasow)

Grand Inquisiteur 

VERDI, GIUSEPPE: La traviata (Review by Joel Kasow)

D’Obigny 

VERDI, GIUSEPPE: Luisa Miller (Review by James A. Altena)

Wurm 

VERDI, GIUSEPPE: Requiem (Review by David Mason Greene)

bass 

 

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