|
|
Book Reviews in Issue 19:4 (Mar/Apr 1996)
A GUIDE TO THE SOLO SONGS OF JOHANNES BRAHMS. By Lucien Stark. 374 pages. Bloomington and Indianapolis: Indiana University Press | PIANO: A PHOTOGRAPHIC HISTORY OF THE WORLD'S MOST CELEBRATED INSTRUMENT. By David Crombie. 112 pages. Gilroy, CA: Miller Freeman Books. $35 |
CELLO TECHNIQUE—Principles and Forms of Movement. By Gerhard Mantel; translated by Barbara HaimbegerThiem. Foreword by Janos Starker. Bloomington: Indiana University Press. 232 pages | SCHWANN CD REVIEW DIGEST (CLASSICAL): The Guide to Critical Music Reviews, 1995 Annual. Edited by Janet Grimes. 706 pages. Sante Fe, NM: Stereophile, Inc. $63.80 per year for three quarterlies and the cumulative annual |
ELISABETH SCHWARZKOPF: A CAREER ON RECORD. By Alan Sanders and John B. Steane. 192 pages; 14 b/w photos. Portland, Oregon: Amadeus Press. $24.95 | STEINWAY & SONS. By Richard K. Lieberman. New Haven/London: Yale University Press, 1995. 374 pp. $35.00 |
ELISABETH SCHWARZKOPF: A CAREER ON RECORD. By Alan Sanders and John B. Steane. 192 pages; 14 b/w photos. Portland, Oregon: Amadeus Press. $24.95 | THE LANGUAGE OF THE CLASSICAL FRENCH ORGAN: A Musical Tradition Before 1800 (New and expanded edition). By Fenner Douglass. New Haven: Yale University Press, 1995. 251 pp. $18.00 (paper) |
HENRY PURCELL-THE ORIGINS AND DEVELOPMENT OF HIS STYLE. By Martin Adams. 388 pages. Cambridge University Press, New York, $59.95 | THE POST-CLASSICAL PREDICAMENT: ESSA YS ON MUSIC AND SOCIETY. By Joseph Horowitz. 215 pp. Boston, MA: Northeastern University Press. $29.95 |
MOZART: A LIFE. By Maynard Solomon. 640 pages. New York: HarperCollins, 1995. $35.00. _ | |
|
NOT TO BE MISSED!
Reviews and interviews
Just click and read!
|
