(arr. Baril) Danse macabre |
|
(arr. Ysaýe) Étude en forme de valse, op. 52/6 |
|
(trans. Godowsky) Carnival of the Animals: The Swan |
|
(trans. Yo-Yo Ma) Havanaise, op. 83 |
|
2 Bagatelles |
|
3 Mazurkas: op. 21; op. 24; op. 68 |
|
3 Morceaux, op. 1 |
|
3 Préludes and Fugues, op. 109 |
|
3 Préludes and Fugues, op. 99 |
|
3 Rhapsodie sur des contiques Bretons. Ave Maria. Élévation ou Communion. Ave, verum. Offertoire-Sarabande. Inviolata. I salutaris |
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3 Rhapsodies on Bretons Themes, op. 7 |
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3 Rhapsodies sur des cantiques breton. Rhapsodie I |
|
3 Rhapsodies sur les themes Bretons |
|
5 Poèmes de Ronsard. Vieilles Chansons. La cendre rouge, op. 146 |
|
6 Etudes for Left Hand |
|
6 Etudes for Left Hand Alone |
|
6 Etudes, op. 111 |
|
6 Etudes, op. 52 |
|
6 Fugues, op. 161 |
|
6 Études pour la main gauche seule, op. 135 |
|
6 Études, op. 111 |
|
6 Études, op. 52/5; 6 Études, op. 111/6 |
|
6 Études, op. 52: No. 6, “Étude en forme de valse”; No. 2, “Étude pour l’indépendance des doigts” |
|
7 Improvisations, op. 150 |
|
9 Pieces for Harmonium. Préludes in F; in C; in c. 2 Versets in e; in F |
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Adagio and Variation on the Opera “Airs de Ballet d'Ascanio“ |
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Africa |
|
Africa, for piano and orchestra. Symphonies: No. 2 in a; in F, “Urbs Roma“ |
|
Africa, op. 89 |
|
Africa, op. 89 (transcr. Saint-Saëns) |
|
Africa, Op. 89, version for piano solo. Six Études for the Left Hand (Prélude, Alla fuga, Moto perpetuo, Bourrée, Élégie, Gigue), Op. 135. Romance sans paroles. Album (Prélude, Carillon, Toccata, Valse, Chanson napolitaine, Final), Op. 72 |
|
Aimons-nous |
|
Air de Ballet d’Ascanio |
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Air de Dalila. Caprice d’après l’Étude en forme de valse |
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Airs de Ballet d'Ascanio: Adagio et Variation |
|
Airs de ballet de Parysatis: Entrée; Allegro non troppo; Modéré; Molto allegro |
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Airs de ballet d’Ascanio in F |
|
Album for Piano, op. 72: Prélude; Carillon; Toccata; Valse; Chanson napolitaine; Final. Six Etudes, op. 52. Six Études, op. 111 |
|
Album, op. 72 |
|
Allegro after the Third Concerto. Suite, op. 90 |
|
Allegro Apassionato (Donald Voorhees, cond; NBC SO, live 1944) |
|
Allegro appassionato |
|
Allegro Appassionato |
|
Allegro appassionato in b |
|
Allegro appassionato in b for Cello and Orchestra, op. 43 |
|
Allegro appassionato in c, op. 70 |
|
Allegro appassionato in c♯ (version for piano and orchestra) |
|
Allegro appassionato in c♯, op. 70 |
|
Allegro appassionato, op. 43 |
|
Allegro Appassionato, Op. 43. Carnival of the Animals: The Swan |
|
Allegro appassionato, op. 70 |
|
Allegro appassionato, op. 70 (transcr. Saint-Saëns) |
|
Allegro appassionato, Op. 70. Six Etudes for Piano, Op. 52: En forme de valse (No. 6) |
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Allegro appassionato. Africa. Rapsodie d Auvergne. Wedding Cake |
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Allegro appassionato. Carnival of the Animals: The Swan |
|
Allegro Appassionato. Etudes: op. 52/2; op. 111/1, 6; op. 135/4 |
|
Allegro appassionato. Le cygne |
|
Allegro appassionato. Rhapsodie d’Auvergne |
|
Allegro Giocoso in A Minor, op. 150, no. 7 |
|
Allegro passionato |
|
Allegro quasi presto |
|
Amoroso, op. 146/7 |
|
Andante for Horn and Organ |
|
Andromaque: Act IV Prelude; Overture |
|
Angélus |
|
Antwort. Fantasie sur le quintette de “L’étoile du nord“ de Meyerbeer. Valse du “Prophète” de Meyerbeer. Fantasie sur “Lohengrin” de Wagner. Choeur des derviches tourneurs tiré des “Ruines d’Athènes” de Beethoven. Paraphrase sur “Gallia” de Gounod. Scherzo sur “Les pêcheurs de perles” de Bizet. La mort de Thaïs – Paraphrase de concert sur l’opéra de Massenet. Improvisation sur la Beethoven-Cantata de Liszt. Africa, op. 89 |
|
Arias and songs by |
|
Arias and Songs by |
|
Arias by |
|
Arrangements |
|
Ascanio: Ballet |
|
Ascanio: Ballet Music; Two Alternate Dances |
|
Ascanio: Chanson de Scozzone |
|
Ascanio: Enfants, je ne vous en veux pas |
|
Ascanio: Tra, la, la, la… “Fiorentinelle!” |
|
Ascanio: Valse-Finale |
|
Au cimetière; Tournoiement |
|
Au Cimitière. Tournoiement. Songe d’opium |
|
Ave Maria |
|
Ave verum |
|
Ave Verum, for Chorus a capella. Pie Jesu, for Soprano, Chorus, and Organ |
|
Bacchanale from Samson and Delilah |
|
Ballet Music |
|
Barcarolle in F |
|
Barcarolle in F, Op. 108 |
|
Bassoon Sonata |
|
Bassoon Sonata in G, op. 168 |
|
Bassoon Sonata, op. 168 |
|
Berceuse, op. 38 |
|
Berceuse. Triptyque |
|
Bourée |
|
Bénédiction nuptiale in F, op. 9 |
|
Cadenza for Beethoven Violin Concerto |
|
Calme des nuits. Les fleurs et les arbres |
|
Calme des nuits. Les fleurs et les arbres. Saltarelle' |
|
Caprice |
|
Caprice after a Study in the Form of a Waltz |
|
Caprice andalou, op. 122 |
|
Caprice andalou. Romance in C. La Muse et le Poète. Morceau de concert. Havanaise |
|
Caprice andalous |
|
Caprice brillant. Caprice d'après l'étude en forme de valse. Fantaisie after Weber's Oberon. Fantaisie for Violin and Harp. L'air de la pendule |
|
Caprice d’apres l’étude en forme de valse, op. 52/6 |
|
Caprice d’après l’Étude en forme de Valse (arr. Ysaÿe) |
|
Caprice en forme de valse |
|
Caprice on Danish and Russian Airs |
|
Caprice on Danish and Russian Airs, op. 79 |
|
Caprice on Danish and Russian Airs, Op. 79 (Paula Robison, flute; Leonard Arner, oboe; Gervase de Peyer, clarinet; Charles Wadsworth, piano) |
|
Caprice on Danish and Russian Airs. Tarantella for Flute, Clarinet, and Piano |
|
Caprice sur des airs danois et russes, for Flute, Oboe, Clarinet, and Piano, op. 79 |
|
Caprice sur des airs danois et Russes, op. 79 |
|
Caprice sur des airs de Ballet d'Alceste |
|
Caprice-Valse, op. 76, “Wedding Cake” |
|
Caprice-Valse, “Wedding Cake” |
|
Carnaval des animaux: Le Cygne |
|
Carnaval des Animaux: Le Cygne; Volière |
|
Carnival of Animals: The Swan |
|
Carnival of the Animals |
|
Carnival of the Animals (arr. Garban) |
|
Carnival of the Animals (Chamber version). Variations on a Theme of Beethoven, Op. 35. Polonaise, Op. 77 |
|
Carnival of the Animals (Original Chamber Version). Variations on a Theme of Beethoven, Op. 35. Polonaise, Op. 77, for two pianos |
|
Carnival of the Animals (verses by Ogden Nash) |
|
Carnival of the Animals Suite |
|
Carnival of the Animals Wedding Cake, op. 76 |
|
Carnival of the Animals' |
|
Carnival of the Animals. Danse macabre |
|
Carnival of the Animals. Fantasia, op. 124. Romance, op. 36. Prayer, op. 158. Septet, op. 65 |
|
Carnival of the Animals. La Foi. Danse macabre |
|
Carnival of the Animals. Phaéton, Op. 39. Le Rouet d'Omphale, Op. 31. Danse macabre, Op. 40 |
|
Carnival of the Animals. Piano Concerto No. 2 |
|
Carnival of the Animals. Piano Concerto No. 4 |
|
Carnival of the Animals. Wedding Cake, op. 76. Caprice on Danish and Russian Themes, op. 79. Septet in E♭, op. 6“ |
|
Carnival of the Animals: Aviary |
|
Carnival of the Animals: Excerpts |
|
Carnival of the Animals: Le Cygne (arr. Vidal) |
|
Carnival of the Animals: The Swan |
|
Carnival of the Animals: The Swan (arr. Godowsky) |
|
Carnival of the Animals: The Swan (arr. Karl Rissland) |
|
Carnival of the Animals: The Swan (arr. Stoltzman and Allen). Romance, op. 37 (arr. Stoltzman and Allen). Sonata for Clarinet and Piano, op. 167 |
|
Carnival of the Animals: The Swan. Allegro Appassionato |
|
Carnival of the Animals: “The Swan” |
|
Cavatine for Trombone and Piano |
|
Cavatine for Trombone and Piano, op. 144 |
|
Cavatine Op. 144 |
|
Cavatine' |
|
Cavatine, op. 144 |
|
Cello Concerto in a |
|
Cello Concerto in a, op. 33 |
|
Cello Concerto in a, op.33. |
|
Cello Concerto No. 1 |
|
Cello Concerto No. 1 (Du Pré/Barenboim) |
|
Cello Concerto No. 1 (Gennady Rozhdestvensky, cond; London SO, 7/7/1965) |
|
Cello Concerto No. 1 in a |
|
Cello Concerto No. 1 in a (Alexander Hillsberg, cond; Philadelphia O,1949) |
|
Cello Concerto No. 1 in a, abridged (Donald Voorhees, cond; NBC SO, 1951) |
|
Cello Concerto No. 1 in a, op. 33 |
|
Cello Concerto No. 1. Romance in F, op. 36 |
|
Cello Concerto No. 2 |
|
Cello Concerto No. 2 in d |
|
Cello Concerto No.1 in a, Vasil Stefanov, cond; Bulgarian Radio SO |
|
Cello Concerto No.1. Cello Sonata No.1. Romance for Cello and piano, op.36 |
|
Cello ConcertoNo. 1 |
|
Cello Concertos 1 and 2. The Carnival of the Animals. Africa, Fantasie for Piano and Orchestra, op. 89. Wedding Cake, Caprice for Piano and Strings, op. 76 |
|
Cello Concertos No. 1 and 2. Suite in d for Cello and Orchestra, op. 16bis |
|
Cello Concertos Nos. 1 and 2 |
|
Cello Concertos Nos. 1 and 2. Suite for Cello and Orchestra, op. 16 |
|
Cello Concertos: No. 1 in a; No. 2 in d. Cello Sonata No. 1 in c. The Carnival of the Animals: The Swan |
|
Cello Concertos: No. 1 in a; No. 2 in d. Suite in d. Romance in F |
|
Cello Concertos: No. 1; No. 2. Romance No. 2 for Cello and Orchestra. Symphony in A |
|
Cello Concertos: Nos. 1 and 2 |
|
Cello Sonata |
|
Cello Sonata No. 1 |
|
Cello Sonata No. 1 in c |
|
Cello Sonata No. 1 in c, op. 32. Allegro appassionato in b, op. 43. Suite, op. 90 |
|
Cello Sonata No. 2 |
|
Cello Sonata No. 2 in F: Romanza poco adagio |
|
Cello Sonata, op. 32 |
|
Cello Sonatas Nos. 2 and 3 |
|
Cello Sonatas: No. 1 in c; No. 2 in F |
|
Cello Sonatas: No. 1 in c; No. 2 in F. Suite for Cello and Piano |
|
Cello Sonatas: No. 1, op. 32; No. 2, op. 123 |
|
Cello Sonatas: No. 1; No. 2 |
|
Chanson á boir |
|
Cherry Tree Farm |
|
Choral Prélude sur O Salutaris hostia |
|
Christmas Oratorio |
|
Christmas Oratorio, op. 12 |
|
Clarinet Sonata |
|
Clarinet Sonata in E♭, op. 167 |
|
Clarinet Sonata in E♭. Oboe Sonata in D. Bassoon Sonata in G. Romance in E, op. 67 (arr. horn and piano) |
|
Clarinet Sonata, op. 167 |
|
Complete Chamber Music with Winds |
|
Complete Piano Works |
|
Complete Preludes and Fugues |
|
Concert Paraphrase on Le mort de Thaïs |
|
Concert Piece for Horn and Orchestra, Op. 94 |
|
Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33 |
|
Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33; Carnival of the Animals: The Swan; Allegro Appassionato for Cello and Orchestra, Op. 43 |
|
Concerto for Cello No. 1 in A Minor, op. 33 |
|
Concerto for Piano and Orchestra No. 2 in G Minor, op. 22 |
|
Concerto for Piano and Orchestra No. 3 in E-Flat, Op. 29; Rhapsodie d'Auvergne, Op. 73; Wedding Cake (Caprice-Valse), Op. 76; “Africa“ (Fantasie for Piano and Orchestra), Op. 89 |
|
Concerto for Violin and Orchestra No. 3 in B Minor, Op. 61 |
|
Concerto for Violin and Orchestra No. 3 in B Minor, Op. 61; Introduction and Rondo Capriccioso, Op. 28; Havanaise, Op. 83 |
|
Concerto for Violoncello and Orchestra No. 1 in A Minor, Op. 33 |
|
Concerto in A Minor for Cello and Orchestra, Op. 33 |
|
Concerto in A Minor for Cello and Orchestra, op. 33 |
|
Concerto in A Minor for Cello and Orchestra, op. 33. Allegro appassionato, op. 43 |
|
Concerto in A Minor for Violin and Orchestra, Op. 20 |
|
Concerto No. 1 for Cello and Orchestra in A Minor, Op. 33 |
|
Concerto No. 1 in A for Violin and Orchestra [Piano], op. 20 (abridged) |
|
Concerto No. 1 in A for Violin and Orchestra, Op. 20 |
|
Concerto No. 1 in A Minor for Cello and Orchestra |
|
Concerto No. 1 in A Minor for Cello and Orchestra, Op. 33 |
|
Concerto No. 1 in A minor for Cello and Orchestra, Op. 33 |
|
Concerto No. 1 in A Minor for Cello and Orchestra, op. 33 |
|
Concerto No. 1 in A Minor for Cello and Orchestra, Op. 33. Allegro Appassionata for Cello and Orchestra, Op. 43. The Swan (from Carnival of the Animals) |
|
Concerto No. 1 in A Minor for Cello and Orchestra, Op. 33. Carnival of the Animals: The Swan, arranged for Cello and Harp. Allegro Appassionato, Op. 43 |
|
Concerto No. 1 in A Minor for Cello and Orchestra, op. 33. The Swan. Romances, ops. 51 and 36. Sonata No. 1 for Cello and Piano, op. 32. Chant saphique, op. 91. Gavotte, op. posth. Allegro appassionato, op. 43. Prière, op. 158* |
|
Concerto No. 1 in D for Piano and Orchestra, Op. 17. Wedding Cake-Caprtce-Valse, Op. 76. Rhapsodie d'Auvergne, Op. 73.Allegro appassionato, Op. 70. Africa-Fantaisie, Op. 89 |
|
Concerto No. 2 in D minor for Cello and Orchestra |
|
Concerto No. 2 in G Minor for Piano and Orchestra, Op. 22 |
|
Concerto No. 2 in G minor for Piano and Orchestra, Op. 22 |
|
Concerto No. 2 in G Minor for Piano and Orchestra, op. 22 |
|
Concerto No. 2 in G Minor for Piano and Orchestra, op. 22 (with Alec Sherman conducting the New London Orchestra) |
|
Concerto No. 2 in G minor for Piano and Orchestra, Op. 22. Carnival of the Animals |
|
Concerto No. 2 in G Minor lor Piano and Orchestra, op. 22: third movement, Allegro scherzando (arranged for piano solo by Bizert). Toccata in F, op. 111, no. 6. Étude en forme d'un valse |
|
Concerto No. 3 in B Minor for Violin and Orchestra, Op. 61 |
|
Concerto No. 3 in B minor for Violin and Orchestra, Op. 61 |
|
Concerto No. 3 in B Minor for Violin and Orchestra, op. 61 |
|
Concerto No. 3 in B Minor for Violin and Orchestra, op. 61. Historic Documents (1926-1930) of an Artist as a Young Boy at Work and Play |
|
Concerto No. 3 in B Minor for Violin and Orchestra, Op. 61. Havanaise for Violin and Orchestra, Op. 83. Introduction and Rondo capriccioso for Violin and Orchestra, Op. 28 |
|
Concerto No. 3 in B minor for Violin and Orchestra, Op. 61. Havanaise, Op. 83. Introduction and Rondo capriccioso, Op. 28 |
|
Concerto No. 3 in B Minor, Op. 61 (Nathan Milstein, violin; Philharmonia Orchestra conducted by Anatole Fistoufari) |
|
Concerto No. 4 in C minor for Piano and Orchestra, Op. 44 |
|
Concerto No. 4 in C Minor for Piano and Orchestra, op. 44 |
|
Concerto No. 5 in F for Piano and Orchestra, op. 103 ("Egyptian") |
|
Concerto No. 5 in F for Piano and Orchestra, op. 103 (“Egyptian“) |
|
Concertos by |
|
Concertos for Cello and orchestra: No. 1 in A Minor, op. 33; No. 2 in D Minor, op. 119. Suite in D Minor for Cello and Orchestra, op. 16. Allegro appassionato in B Minor, op. 43. Carnival of the Animals: The Swan |
|
Concertos for Piano and Orchestra: No. 1 in D, Op. 1 7; No. 2 in G minor, Op. 22; No. 3 in E♭, Op. 29 |
|
Concertos for Piano and Orchestra: No. 2 in G Minor, Op. 22; No. 4 in C Minor, Op. 44 |
|
Concertos for Piano and Orchestra: No. 2 in G Minor, op. 22; No. 4 in C Minor, op. 44. The Muse and the Poet—Duo for Violin, Cello, and Orchestra, op. 132 |
|
Concertos for Piano and Orchestra: No. 3 in E♭, Op. 29; No. 5 in F, Op. 103 |
|
Concertos for Violin and Orchestra: No. 1 in A Minor, Op. 20; No. 2 in C, Op. 58; Wo. 3 in B Minor, Op. 61 ; The Muse and the Poet, Op. 1 32; Havanaise, Op. 83, Concert Piece, Op. 62; Introduction and Rondo Capricioso, Op. 28; Andalusian Caprice, Op. 1 22; The Flood: Prelude, Op. 45; Romance in C, Op. 48; Romance in D-Flat, Op. 37 |
|
Concertos: for Piano and Orchestra: No. 2 in G minor, Op. 22; No. 4 in C minor Op. 44 |
|
Concertos: for Piano and Orchestra: No. 2 in G minor, Op. 22; No. 4 in C minor Op.44 |
|
Coronation March |
|
Cyprès et lauriers |
|
Cyprès et Lauriers. Danse macabre (arr. Lemare, rev. Warnier) |
|
Cyprès, op. 156 |
|
Cyprès. Marche religieuse. Bénédiction nuptiale |
|
Danse Bacchanale |
|
Danse Macabre |
|
Danse macabre |
|
Danse macabre (arr. Liszt-Horowitz-Ancelle) |
|
Danse macabre (arr. Saint-Saëns) |
|
Danse macabre (Symphonic Poem No. 3); op. 40 |
|
Danse macabre (ten pianos) |
|
Danse Macabre(ten pianos) |
|
Danse Macabre, Op. 40 |
|
Danse macabre, Op. 40 |
|
Danse macabre, op. 40 |
|
Danse macabre, op. 40 (2 versions) |
|
Danse macabre, op. 40 (arr. Arnstein). The Swan |
|
Danse macabre, op. 40 (Eugene d'Albert) |
|
Danse macabre, op. 40 (transcr. Liszt/Katsaris) |
|
Danse Macabre, Op. 40. Samson and Delilah: Bacchanale |
|
Danse macabre, op. 40. Samson and Delilah: Bacchanale. Carnival of the Animals |
|
Danse macabre, op. 40. The Carnival of the Animals. Suite for Orchestra, op. 49. A Night in Lisbon, op. 63. Le Rouet d'Omphale, op. 31 |
|
Danse Macabre. Cypres et Lauriers |
|
Danse macabre. Samson and Delilah: Bacchanale |
|
Danse macabre. Sonnet. Les cloches de la mer. Clair de lune. Extase. Rêverie. Le pas d'armes du Roi Jean. Si vous n'avez rien à me dire. Le lever de la lune |
|
Danse macabre. Symphony No. 3 |
|
Danse Macabre—Symphonic Poem, Op. 40 |
|
Deuxième fantasie |
|
Déjanire |
|
Désir de l’Orient. La madonna col bambino. Alla riva del Tebro |
|
Désir d’amour |
|
Elégie, op. 143 |
|
Elégies: No. 1 in D, Op. 143; No. 2 in F, Op. 160 |
|
Etienne Marcel: Ballet |
|
Etude en forme de Valse, Op. 52, no. 6; Allegro appassionato, Op. 70; Le Cygne (transcribed for solo piano by Emile Hoskier). Concerto No. 3 for Piano and Orchestra, Op. 29: Allegro. Mazurkas: No. 1, Op. 21; No. 2, Op. 24; No. 3, Op. 66; Gavotte, Op. 23. Danse Macabre, Op. 40 (transcribed for solo piano by Franz Liszt) |
|
Etudes, op. 52: En forme de Valse |
|
Extase |
|
Extase. Papillons. Aimons-nous. L’enlèvement |
|
Fantaiase in A, op. 124. Romance, op. 37 |
|
Fantaisie |
|
Fantaisie for Flute and Harp |
|
Fantaisie for Violin and Harp |
|
Fantaisie for Violin and Harp, op. 124 |
|
Fantaisie in A for Violin and Harp, op. 124 |
|
Fantaisie in A for Violin and Harp, op. 124. Berceuse for Violin and Harp, op. 38 (arr. S. Fitzpatrick) |
|
Fantaisie in A Minor, op. 95 |
|
Fantaisie in E♭ |
|
Fantaisie No. 1 in E-flat for Organ |
|
Fantaisie No. 1 in E-flat for Organ. Bénédiction nuptiale, op. 9 |
|
Fantaisie No. 3 for Organ, Op. 157 |
|
Fantaisie No. 3 for Organ, op. 157 |
|
Fantaisie, op. 101 |
|
Fantaisie, op. 124 |
|
Fantaisie, op. 95 |
|
Fantaisie. Le Cygne |
|
Fantaisies No. 1 in E♭; No. 2 in D♭, op. 101; No. 3 in C, op. 157 |
|
Fantaisies: op. 101; No. 3, op. 157; in E♭ |
|
Fantasia for Violin and Harp, op. 124. Suite for Cello and Piano, op. 16. Quartet in Bb for Piano, Violin, Viola, and Cello, op. 41 |
|
Fantasia in E-Flat |
|
Fantasia in E♭ |
|
Fantasie |
|
Fantasie for Harp, op. 95 |
|
Fantasie for Violin and Harp |
|
Fantasie for Violin and Harp, Op. 124 |
|
Fantasie for Violin and Harp, op. 124 |
|
Fantasies: No 2, in D♭, Op. 101; No. 3, in C, Op. 157; No 1 in E♭ |
|
Fantasy for Violin and Harp |
|
Fantasy for Violin and Harp, op. 124 |
|
Fantasy for Violin and Harp. The Swan |
|
Fantasy No. 1 for Organ |
|
Fantasy on Themes from “Samson et Dalila” |
|
Feuillet d’album, op. 169 |
|
Five Songs |
|
Flowers and Trees. Nocturnal Calm |
|
French Military March |
|
Gavotte, op. 16/3 |
|
Grasseierte et maigrelette |
|
Guitares et mandolines |
|
Havanaise |
|
Havanaise, op. 83 |
|
Havanaise, Op. 83. Introduction and Rondo Capriccioso, Op. 28 |
|
Havanaise, op. 83. Introduction and Rondo capriccioso, op. 28 |
|
Havanaise, op. 83. Introduction and Rondo Capricioso, op. 25 |
|
Havanaise. Introduction and Rondo capriccioso |
|
Havanaise. Introduction and Rondo Capriccioso (2 versions) |
|
Havanaise. Marche héroique |
|
Havanaise. Morceau de concert. Introduction and Rondo Capriccioso. Caprice andalou |
|
Havannaise |
|
Henri VIII (sung in English translation as Henry VIII) |
|
Henri VIII. Qui donc comande |
|
Henri VIII: Je ne te reverrai jamais |
|
Henri viii: Qui donc commande (1960) |
|
Henry VII: Reine! Je serai reine! |
|
Henry VIII |
|
Henry VIII, Act II: Féte populaire, Ballet-Divertissement: Introduction; Idylle écossaise; La féte du houblon; Danse de la gipsy; Scherzetto; Gigue et Finale |
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Henry VIII. Fête populaire |
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HENRY VIII. Qui donc commande |
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Henry VIII: Ballet |
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Henry VIII: Dance of the Gypsy |
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Henry VIII: Danse de la Gipsy |
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Henry VIII: Divertissement |
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Henry VIII: Prelude; Act II Entr’acte; Marche du Synode; Act IV Tableaus Nos. 1 and 2 |
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Hymne à Victor Hugo, op. 69 (transcr. Saint-Saëns) |
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Hélène. Nuit persane |
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Il canto del cigno |
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Improvisation No. 7 |
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Improvisation. Album pour le piano, op. 72 |
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Interlude Fugue |
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Introduction and Rondo Capriccioso |
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Introduction and Rondo capriccioso |
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Introduction and Rondo Capriccioso for Violin and Orchestra, Op. 28 |
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Introduction and Rondo capriccioso in A Minor, op. 28. Romance in C, op. 48. Caprice andalous in G, op. 122. Morceau de concert in G, op. 62. Concerto No. 3 in B Minor for Violin and Orchestra, op. 61 |
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Introduction and Rondo capriccioso, for Violin and Orchestra |
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Introduction and Rondo Capriccioso, for Violin and Orchestra, Op. 28 |
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Introduction and Rondo capriccioso, for Violin and Orchestra, op. 28 (with Stephanie Chase, violin) |
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Introduction and Rondo Capriccioso, Op. 28 |
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Introduction and Rondo Capriccioso, op. 28 |
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Introduction and Rondo capriccioso, op. 28 |
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Introduction and Rondo capriccioso, op. 28 (abridged) |
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Introduction and Rondo Capriccioso, Op. 28 (Stephanie Chase, violin) |
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Introduction and Rondo capriccioso, op. 28 (two recordings). Havanaise, op. 83 |
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Introduction and Rondo Capriccioso, op. 28 (William Steinberg conducting the RCA Victor Symphony Orchestra; 6/19/51) |
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Introduction and Rondo Capriccioso, op. 28' |
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Introduction and Rondo capriccioso, op. 28' |
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Introduction and Rondo capriccioso, op. 28. Concerto No. 3 in B Minor for Violin and Orchestra, op. 61 . Havanaise, op. 83 |
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Introduction and Rondo Capriccioso, Op. 28. Havanaise |
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Introduction and Rondo Capriccioso, Op. 28. Havanaise, Op. 83 |
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Introduction and Rondo capriccioso, Op. 28. Havanaise, Op. 83 |
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Introduction and Rondo Capriccioso, op. 28. Havanaise, op. 83 |
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Introduction and Rondo capriccioso, op. 28. Havanaise, op. 83 |
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Introduction and Rondo capriccioso, Op. 28. Havanaise, Op. S3 |
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Introduction and Rondo Capriccioso, Op. 28; Havanaise, Op. 83 |
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Introduction and Rondo capriccioso. Caprice on Airs from the Ballet in Gluck's “Alceste.“ |
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Introduction and Rondo capriccioso. Jota Aragonese |
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Introduction and Rondo Capriccioso. La muse et la poète |
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Introduction and Rondo Capriccioso. La muse et la poète. Symphony No. 3 |
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Introduction and Rondo Capriccioso. La muse et le poete |
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Introduction and Rondo capriccioso. La muse et le poète |
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Introduction and Rondo capriccioso. Romance, op. 37 |
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Introduction and Rondo capriccioso. The Swan. |
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Introduction and Rondo capriccioso. Violin Concerto No. 1. Romance |
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Introduction and Rondo Capriccioso. Violin Concerto No. 3 |
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Introduction and Rondò Capriccioso, op. 28 |
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Introduction et Rondo capriccioso |
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Introduction et Rondo Capriccioso |
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Introduction et Rondo Capriccioso, op. 28 |
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Introduction et rondo capriccioso, op. 28 |
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Introduction et Rondo capriccioso. |
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Introduction et rondo capriccioso. Havanaise. Valse-caprice (arr. Ysaýe). Danse macabre |
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Ivanhoé. Le Retour de Virginie. Ode. Choeur de Sylphes |
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Javotte. Parysatis: Introduction and 3 Scenes |
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Jota aragonese |
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Jota aragonese, op. 64 |
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Karneval der Tiere |
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L'Attente |
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L'Oeuvre pour Orgue |
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La Brise |
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La brise |
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La Brise. La Splendeur Vide. Au Cimetière |
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La Cigale et la fourmi |
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La Cloche |
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La cloche |
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La cloche. Clair de lune. L'attente. Le Pas d'armes |
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La Cloche. L'Attente; Danse macabre |
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La danse macabre. Le pas d'armes du Roi Jean. |
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La feuille de peuplier |
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La jeunesse d’Hercule |
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La Jeunesse d’Hercule (Symphonic Poem No. 4); op. 50 |
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La Jeunesse d’Hercule. Danse Macabre |
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La jota aragonese |
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La jota aragonese: Overture |
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La libellule. Le rossignol et la rose |
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La Mort d'Ophélie |
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La Mort d’Ophélie |
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La mort d’Ophélie |
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La muse et la poète |
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La Muse et le poete |
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La Muse et le poète |
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La Muse et le Poète |
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La muse et le poète |
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La muse et le poète, op. 132 |
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La Muse et le Poète. Valse-caprice |
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La princess jaune: Overture |
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La Princesse jaune |
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La Princesse jaune. Mélodies persanes |
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La Princesse Jaune: Overture |
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La Princesse jaune: Overture |
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La princesse jaune: Overture |
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La rouet d’Omphale |
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La splendeur vide. Aimons-nous |
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Le bonheur est chose légère |
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Le Carnaval des animaux |
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Le carnaval des animaux |
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Le carnaval des animaux (transcr. Garban/Katsaris) |
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Le Carnaval des Animaux' Septet in E♭ for Trumpet, Two Violins, Viola, Cello, Double bass, and Piano, op. 65. Allegro appassionato, op. 70. Six Bagatelles, op. 3 |
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Le Carnaval des animaux, Septet in E♭ for Trumpet, Strings, and Piano, Op. 65 |
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Le carnaval des animaux. L’assassinat du duc de Guise |
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Le carnaval des animaux. L’asssassinat du duc de Guise |
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Le carnaval des animaux: Aquarium |
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Le carnaval des animaux: Excerpt |
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Le carnaval des animaux: Finale |
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Le Carnaval des animaux: Introduction et Marche royale; Final (arr. Ishikawa) |
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Le Carnaval des Animaux: Le Cygne |
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Le Carnaval des animaux: Le Cygne |
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Le carnaval des animaux: Le cygne |
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Le Carnaval des animaux: Le Cygne (arr. Godowsky) |
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Le Carnaval des animaux: No. 13, Le Cygne |
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Le Carnaval des animaux: The Swan |
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Le carnival des animaux: Le cygne |
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Le Cygne |
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Le cygne |
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Le Cygne (The Swan). Allegro appassionato, op. 43 |
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Le Cygne (trans. Godowsky) |
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Le cygnet |
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Le déluge, op. 45: Prelude |
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Le Déluge. La Fiancée du timbalier. La Nuit |
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Le Déluge: Prelude and Andantino |
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Le Déluge: Prelude, Op. 45 |
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Le déluge: Prélude |
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Le Déluge: Prélude. Introduction and Rondo Capriccioso |
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Le Pas D'armes du Roi Jean |
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Le pas d’armes du Roi Jean |
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Le princesse jaune: Overture |
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Le Rossignol |
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Le rossignol et la rose |
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Le Rossignol et la rose |
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Le Rouet d'Omphale |
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Le Rouet d'Omphale (1930, 566046) |
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Le Rouet d'Omphale, Op. 31 |
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Le Rouet d'Omphale, op. 31 |
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Le Rouet d'Omphale, Op. 31. Marche Héroïque, Op. 34. Phaéton, Op. 39. Danse Macabre, Op. 40. La Jeunesse d'Hercule, Op. 50 |
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Le rouet d’Omphale |
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Le Rouet d’Omphale |
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Le Rouet D’Omphale |
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Le rouet d’Omphale (Symphonic Poem No. 1); op. 31 |
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Le Rouet d’Omphale. Phaéton. Danse macabre. Marche héroïque |
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Le Rouet d’Omphale. Phaëton. Danse macabre. La Jeunesse d’Hercule. Suite algérienne: Marche militaire française |
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Le rouét d’Omphale |
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Le timbre argent: Le bonheur et chose légère |
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Le Timbre d'Argent: Le bonheur est chose légère |
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Le Timbre d'argent: Le bonheur est chose légère |
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Le timbre d’argent |
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Le timbre d’argent: Valse |
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Le vent dans la plaine |
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Le vent dans la plaine. Si vous n’avez rien à me dire. L’attente. Chanson triste. Temps nouveau |
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Les Barbares |
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Les Barbares: Ballet |
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Les barbares: Prologue |
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Les cloches de la mer |
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Les cloches du soir |
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Les fées |
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L’air de la pendule triptyque, Op. 136 |
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L’assassinat du duc de Guise, op. 128 (with DVD projection) |
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L’attente |
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L’enlèvement |
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Marche du Couronnement. Henry VIII: Divertissement |
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Marche héroïque |
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Marche héroïque, op. 34 |
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Marche héroïque, Op. 34. Prelude and Fugue in B, Op. 99. Fantasy in D“, Op. 101 |
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Marche héroïque. Suite algérienne: Marche militaire française |
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Marche militaire |
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Marche militaire française |
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Marche religeuse. Carnival of the Animals: Royal March of the Lion |
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Marche religieuse, op. 107. Trois Rapsodies sur des Cantiques bretons, op. 7. Bénédiction nuptiale, op. 9. Three Fantasias |
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Marche religieuse. Trois Rhapsodies, Op. 7. Fantasie en E-Flat. Fantasie in D-Flat, Op. 101. Troisième Fantasie, Op. 157. Trois Preludes et Fugues, Op. 99. Trois Preludes et Fugues, Op. 109. Bénédiction Nuptiale, Op. 9. Sept Improvisations, Op. 150. Cyprès et Lauriers, Op. 156. Elévation ou Communion, Op. 13 |
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Mazurka No. 3 |
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Mazurka No. 3 in b, op. 66 |
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Mazurka, op. 51 |
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Mazurka, op. 66/3 |
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Mazurkas: in g, op. 24; in b, op. 66 |
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Messe à quatre voix, Op. 4 |
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Messe à quatre voix, op. 4 |
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Messe, op. 4 |
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Messe, op. 4 (excerpts). Motets au Saint Sacrement |
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Morceau de concert |
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Morceau de Concert |
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Morceau de Concert for Horn and Orchestra, Op. 94 |
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Morceau de concert in G for Harp and Orchestra, Op. 154 |
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Morceau de concert in G for Harp and Orchestra, op. 154 |
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Morceau de concert in G, op. 154 |
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Morceau de Concert, lor Horn and Orchestra, Op. 94 |
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Morceau de Concert, Op. 154 |
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Morceau de concert, op. 154 |
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Morceau de concert, op. 62 |
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Morceau de concert, op. 94 |
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Morceau de concert, Op. 94. Carnival of Animals: The Elephant; The Swan |
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Morceau du Concert, op. 154 |
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Music by |
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Music for Cello and Piano |
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Music for Violin and Orchestra |
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Music for Wind Ensemble |
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Music of |
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My Heart at Thy Sweet Voice |
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Méditation |
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Mélodies persanes |
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Mélodies persanes, op. 26 |
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Mélodies persanes, op. 26. Le Timbre d'argent: Le bonheur est chose légère (Helene's Romance). Fifteen Mélodies |
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Mélodies persanes, op. 26: La brise; La splendeur vide; Au cimetière |
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Mélodies: L'Attente. Rêverie. Le Vent dans la plaine. Le Rossignol. La Cloche. Le Feuille de peuplier. Guitares et mandolines. Clair de lune. À quoi bon entendre? Aimons-nous. La Mort d'Ophéiie. Si voius n 'avez rien à me dire. Les Fées. Une Flûte invisible'. Maria Lucrezia |
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Oboe Sonata |
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Oboe Sonata in D, op. 166 |
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Oboe Sonata in D. Clarinet Sonata in E♭. Bassoon Sonata in G. Romance for Flute and Piano in D♭ |
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Oboe Sonata, op. 161 |
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Oboe Sonata, op. 166 |
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Occident et Orient |
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Odelette for Flute and Piano, op. 162 |
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Odelette, op. 162 |
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Odelette, op. 62. Romance, op. 37. Airs de ballet d'Ascanio. Franz |
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Offertoire |
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Omphale's Spinning Wheel |
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Omphale’s Spinning Wheel |
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Omphale’s Spinnng Wheel |
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Oratorio de Noël |
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Oratorio de Noël, op. 12 |
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Oratorio de Noël. Quam dilecta. Ave verum |
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Oratorio de Noël. Quant dilecta. Ave verum |
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Orchestral Suite in D, op. 49: Romance |
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Organ Work, |
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Orient et Occident |
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Orient et occident |
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Orient et Occident, op. 25 |
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Orient et Occident. Samson et Dalila: Bacchanale; Dance of the Priestesses of Dagon |
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Overture to an Unfinished Opéra-comique |
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Papillons |
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Parysatis: Air de ballet |
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Parysatis: Airs du ballet. Tarantelle for Flute, Clarinet, and Orchestra, op. 6 |
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Parysatis: La Rose et le rossignol |
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Parysatis: Le rossignol et la rose |
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Pastorale. El desdichado |
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Phaéton |
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Phaéton. La jeunesse d’Hercule. Le rouet d’Omphale. Danse macabre. Samson et Dalia: Bacchanale |
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Phaéton. La jeunesse d’Hercule. Le rouet d’Omphale. Danse macabre. Samson et Dalila: Bacchanale |
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Phaéton. Le jeunesse d’Hercule. Le route d’Omphale. Danse macabre |
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Phaéton. Le route d’Omphale. La juenesse d’Hercule. Danse macabre |
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Phaëton |
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Phaëton (Symphonic Poem No. 2); op. 39 |
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Phryné: Un Jour, j'errais sur le rivage |
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Piano Concerto No. 2 |
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Piano Concerto No. 2 (arr. Bizet) |
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Piano Concerto No. 2 (Philippe Biancani, pn) |
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Piano Concerto No. 2 (transcr. Bizet/Katsaris) |
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Piano Concerto No. 2 in g |
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Piano Concerto No. 2 in g, op. 22 |
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Piano Concerto No. 2. Carnival of the Animals: Le cygne (arr. Godowsky) |
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Piano Concerto No. 2: Second movement |
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Piano Concerto No. 3 |
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Piano Concerto No. 4 |
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Piano Concerto No. 4 (Robert Casadesus (pn), 10/12/39).' |
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Piano Concerto No. 4. |
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Piano Concerto No. 5 |
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Piano Concerto No. 5, “Egyptian” |
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Piano Concertos 3–5 |
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Piano Concertos Nos 1–5 |
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Piano Concertos Nos. 1 and 2 |
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Piano Concertos Nos. 1, 2, 4 |
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Piano Concertos Nos. 1-5 |
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Piano Concertos Nos. 2 and 5 “Egyptian” |
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Piano Concertos Nos. 2 and 5, “Egyptian” |
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Piano Concertos Nos. 2 and 5. 6 Études, op. 111: No. 4, “Les Cloches de Las Palmas”; No. 1, “Tierces majeures et mineures” |
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Piano Concertos Nos. 3 and 5, “Egyptian” |
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Piano Concertos Nos. 3–5 |
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Piano Concertos Nos. 4 and 5, “The Egyptian” |
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Piano Concertos: No. 1 in D; No. 2 in g; No. 3 in B; No. 4 in c; No. 5 in F. Caprice-Valse, “Wedding Cake.“ Africa |
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Piano Concertos: No. 1; No. 2. Suite in D |
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Piano Concertos: No. 2; No. 5 “Egyptian” |
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Piano Concertos: No. 2; No. 5, “Egyptian” |
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Piano Concertos: No. 3 in E♭, op. 29; No. 5 in F, op. 103, “Egyptian” |
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Piano Concertos: Nos. 1-5 |
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Piano Concertos: Nos. 2 and 5, “Egyptian” |
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Piano Concertos: Nos. 3–5, “L’Égyptien” |
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Piano Quartet in B♭ |
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Piano Quartet in B♭, Op. 41 |
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Piano Quartet in B♭. Piano Quintet in a |
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Piano Quartet in B♭. Piano Quintet in a. Septet in E♭. Oboe Sonata in D. Clarinet Sonata in E♭. Bassoon Sonata in G. Caprice on Danish and Russian Airs |
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Piano Quartet No. 2 in B♭, op. 41 |
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Piano Quartet, op. 41 |
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Piano Quartets: in E; in B♭, op. 41 |
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Piano Quintet in a, Op. 14 |
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Piano Quintet in a, op. 14 |
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Piano Quintet in a, op. 14. String Quartet in e, op. 112 |
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Piano Quintet in a. String Quartet in e |
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Piano Trio in F, op. 18 |
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Piano Trio No. 1 |
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Piano Trio No. 1, op. 18 |
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Piano Trio No. 2 |
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Piano Trio No. 2 in e |
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Piano Trio Nos. 1 and 2 |
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Piano Trios Nos. 1 and 2 |
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Piano Trios: in F, Op. 18; in e, Op. 92 |
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Piano Trios: No. 1 in F, op. 18; No. 2 in e, op. 92 |
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Piano Trios: No. 1 in F; No. 2 in e |
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Pieces by |
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Plainte |
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Polonaise for Two Pianos, Op. 77 |
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Polonaise, Op. 77. Caprice arabe, Op. 96. Scherzo, Op. 87. Caprice héroïque, Op. 106. Variations ona Theme of Beethoven, Op. 35 |
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Polonaise, op. 77. Caprice arabe, op. 96. Scherzo, op. 87. Variations on a Theme by Beethoven, op. 35. Danse macabre, op. 40 |
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Prayer for Bassoon and Piano, op. 158 |
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Prelude and Fugue in B |
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Prelude and Fugue in B, op. 99 |
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Prelude and Fugue in C |
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Prelude and Fugue in C, op. 109 |
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Prelude and Fugue in E-Flat |
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Prelude and Fugue in E♭, Op. 99, No. 3 |
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Prelude and Fugue in E♭, op. 99/3. Third Rhapsody on Breton Melodies. Improvisations, op. 150. Symphony No. 3: Adagio (trans. Emile Bernard). Fantasie in B |
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Prelude and Fugue in f, op. 90/1 |
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Prelude and Fugue No. 3 in C |
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Prelude and Fugues: in E, Op. 99, No. 1 ; in B, Op. 99, No. 2; in E-Flat, Op. 99, No. 3; in D Minor, Op. 109, No. 1;/nG, Op. 109, No. 2;in C, Op. 109, No. 3 |
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Prelude to Le Déluge |
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Prière, op. 158bis |
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Prière. Romance, op. 36 (trans. Saint-Saëns) |
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Prière. The Carnival of the Animals: The Swan |
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Prélude de “Déluge.“ |
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Prélude. Âme triste. Douceur. Silence. Pâques. Jour de pluie. Amoroso. Mai. Petite Main. Reviens |
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Préludes et fugues: op. 99/3; op. 99/1; op. 99/2 |
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Quartet for Piano and Strings in B, Op. 41 |
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Quartet in B-Flat for Piano and Strings, Op. 41 |
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Quartet in B♭ for Piano, Violin, Viola, and Cello, op. 41 |
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Quartet in d for Piano and Strings, Op. 41 |
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Quintet in A Minor for Piano and Strings, op. 14. L'Assassinat du Duc de Guise, op. 128. Le Carnaval des animaux |
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Quintet in A Minor for Piano, Two Violins, Viola, and Cello, op. 14 |
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Rapsodie d’Auvergne, op. 73 |
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Requiem |
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Requiem Mass, op. 54. Romance du soir, op. 118; Les Fleurs et les arbres, op. 68/2; Des pas dans l'allée, op. 141/1; Calme des nuits, op. 68/1; Salut au Chevalier Printemps, op. 151/2; Les Guerriers, op. 84; Pastorale. Les marins de Kermor, op. 71/1; Aux conquérants de l'air, op. 164; Chansons de grand-père, op. 53/1 |
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Requiem, op. 54. Psalm XVIII (Coeli enarrant), op. 42 |
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Rhapsodie d'Auvergne, Op. 73. Valse mignonne, Op. 104 (Camille Saint-Saëns, piano) |
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Rhapsodie d'Auvergne. Valse mignonne (Camille Saint-Saëns) |
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Rhapsodie d’Auvergne, op. 73 |
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Rigaudon, op. 93/2 |
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Romance |
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Romance du soir. Calme des nuits. Les fleurs et les arbres. Des pas dans l’allée. Saltarelle |
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Romance for Cello and Piano, Op. 16 |
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Romance for Flute & Piano, op. 37 |
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Romance for Flute and Orchestra, op. 37. One Hundred Roses: 7 Italian Serenades and Dances (arr. Paget) |
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Romance for Flute and Piano, op. 37 |
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Romance for Flute and Piano, Op. 37 |
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Romance for Horn and Piano in E, op. 67 |
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Romance for Horn and Piano, Op. 36 |
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Romance for Horn and Piano, op. 36 |
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Romance for Horn and Piano, op. 36. Romance for Flute and Piano, op. 37. Caprice on Danish and Russian Airs, for Flute, Oboe, Clarinet, and Piano, op. 79. Cavatine for Trombone and Piano, op. 144. Odelette, orlg. flute and orchestra, reduction for flute and piano, op. 162. Sonata for Oboe and Piano, op. 166. Sonata for Clarinet and Piano, op. 167. Sonata for Bassoon and Piano, op. 168 |
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Romance for Horn and Piano, op. 67 |
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Romance in C for Violin and Orchestra, op. 48. Romance in D♭ for Violin and Orchestra, op. 37 |
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Romance in C, op. 48 |
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Romance in C, op. 48. |
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Romance in D♭ |
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Romance in D♭ for Flute and Piano, op. 37 |
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Romance in D♭, Op. 37 |
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Romance in D♭, op. 37 |
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Romance in E |
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Romance in E for Horn and Piano, op. 67 |
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Romance in F for Cello and Orchestra, op. 36 |
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Romance in F for Horn and Piano, Op. 36 |
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Romance in F for Horn and Strings, Op. 36 |
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Romance in F, op. 36 |
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Romance, op 37 Odelette, op. 162 |
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Romance, Op. 36 |
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Romance, op. 36 |
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Romance, Op. 36. The Swan. Allegro appassionato, Op. 43 |
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Romance, Op. 37 |
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Romance, op. 37 |
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Romance, op. 48 |
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Romance, op. 51 |
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Romance, op. 67. Romance, op. 36 |
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Romance. Odelette |
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Romances for Horn and Orchestra: No. 1 in F, op. 36; No. 2 in E, op. 67 |
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Romances for Violin and Orchestra: in C; in Bb |
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Romances: in C, op. 48; in D♭, op. 37 |
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Romances: in E, op. 67; in F, op. 36 |
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Romances: In F, op. 36; in E, op. 67 |
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Romances: op 36, op. 67 |
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Romances: opp. 36 and 67 |
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Rêverie |
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Rêverie. Pastorale. Viens. Le rossignol. Dans les coins bleus. El desdichado. Clair de lune. Le soir descend sur la colline |
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Samson and Dalila |
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Samson and Dalila: Excerpts |
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Samson and Dalila: Softly Awakes My Heart (Marian Anderson, alto) |
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Samson and Delila: Danse des prêtresses and Aria ( “Printemps qui commence“) (Camille Saint-Saëns) |
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Samson and Delilah |
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Samson and Delilah: Arrêtez, ô mes frères |
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Samson and Delilah: Bacchanale |
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Samson and Delilah: Dance of the Priestesses |
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Samson and Delilah: Mein Herz |
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Samson and Delilah: Mon coeur s'ouvre à ta voix |
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Samson and Delilah: My Heart at Thy Sweet Voice |
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Samson and Delilah: O aprile foriero; Amor e miei fini proteggi |
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Samson and Delilah: Printemps qui commence |
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Samson and Delilah: Printemps qui commence (Victoria Cortez, mezzo-soprano) |
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Samson and Delilah: Printemps qui commence. Mon coeur s'ouvre a ta voix |
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Samson et Dalila |
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Samson et Dalila (sung in English): Amour! viens aider ma faiblesse; Mon coeur s'ouvre à ta voix |
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Samson et Dalila, op. 47: Bacchanale (transcr. Saint-Saëns) |
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Samson et Dalila: (arr. Mathieu Herzog) |
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Samson et Dalila: act 2 |
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Samson et Dalila: Air et Danse bacchanale |
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Samson et Dalila: Amour viens aider ma faiblesse (rec. 1969) |
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Samson et Dalila: Amour! Viens aider ma faiblesse ; Printemps qui commence ; Mon coeur |
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Samson et Dalila: Amour! Viens aider; Mon coeur |
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Samson et Dalila: Amour, viens aider (sung in English) |
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Samson et Dalila: Amour, viens aider ma faiblesse |
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Samson et Dalila: Amour, viens aider ma faiblesse (Anday); Printemps qui commence (Basilides) |
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Samson et Dalila: Amour, viens aider ma faiblesse; Printemps qui commence |
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Samson et Dalila: Amour, viens aider'(two versions); Mon cœur s'ouvre á ta voix |
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Samson et Dalila: Amour, viens aider; Mon coeur s'ouvre |
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Samson et Dalila: Amour, viens aider; Mon coeur s'ouvre à ta voix |
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Samson et Dalila: Arrêtez! o mes frères |
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Samson et Dalila: Arrêtez, o mes frères; Scène de la meule |
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Samson et Dalila: Arrêtez, o mes frères; Vois ma misere |
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Samson et Dalila: Arrêtez, oh mes frères; Israël! Romps ta chaîne; En ces lieux, malgré moi; Vois ma misère (with Rise Stevens, mezzo-soprano; Fausto Cleva, conductor) |
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Samson et Dalila: Arrêtez, ô mes frères; Vois ma misère, hélas! |
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Samson et Dalila: Bacchanal |
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Samson et Dalila: Bacchanale |
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Samson et Dalila: Bacchanale. Mon coeur s’ouvre à ta voix |
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Samson et Dalila: Cantabile (Mon coeur s'ouvre) |
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Samson et Dalila: Dalila's Aria |
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Samson et Dalila: Dance of the Priestesses; Bacchanale |
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Samson et Dalila: Danse Bacchanale |
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Samson et Dalila: Danse de prêtresses de Dagon; Bacchanale |
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Samson et Dalila: Danse des prêtresses de Dagon (Act I); Bacchanale (Act III) |
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Samson et Dalila: Danse des prêtresses de Dagon; Bacchanale |
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Samson et Dalila: Danse des prêtresses; Bacchanale |
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Samson et Dalila: Excerpts |
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Samson et Dalila: Excerpts. Hugo Reichenberger conducting; Rosette Anday, mezzo-soprano (Dalila); René Maison, tenor (Samson). Live performance: October 17, 1933 |
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Samson et Dalila: Je viens célébrer la victoire (with Homer, Journet) |
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Samson et Dalila: Maudite à jamais |
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Samson et Dalila: Mon coeur |
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Samson et Dalila: Mon coeur ; Printemps qui commence |
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Samson et Dalila: Mon Coeur s'ouvre a ta voix |
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Samson et Dalila: Mon Coeur S'ouvre à ta voix |
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Samson et Dalila: Mon coeur s'ouvre à ta voix |
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Samson et Dalila: Mon coeur s'ouvre à ta voix (Grace Bumbry, mezzo-soprano) |
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Samson et Dalila: Mon coeur s'ouvre à ta voix (Rita Gorr) |
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Samson et Dalila: Mon coeur s'ouvre à ta voix; Printemps qui commence |
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Samson et Dalila: Mon coeur s’ouvre a ta voix |
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Samson et Dalila: Mon coeur s’ouvre à ta voix |
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Samson et Dalila: Mon coeur s’ouvre à ta voix (arr. Boris Borodin) |
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Samson et Dalila: Mon coeur s’ouvre à ta voix; Danse bacchanale |
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Samson et Dalila: Mon coeur' |
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Samson et Dalila: Mon coeur. Le bonheur est chose légère |
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Samson et Dalila: Mon coeur. Le Bonheur est chose légère (with Efrem Zimbalist, violin) |
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Samson et Dalila: Mon cœur s’ouvre à ta voix |
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Samson et Dalila: Mon cœur s’ouvre á ta voix; Bacchanale |
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Samson et Dalila: My Heart Opens up to the Sound of Your Voice |
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Samson et Dalila: Op aprile foriero |
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Samson et Dalila: Printemps (Germaine Cernay) |
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Samson et Dalila: Printemps qui commence |
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Samson et Dalila: Printemps qui commence in German; Mon cœur s’ouvre in German |
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Samson et Dalila: Printemps qui commence; Amour! viens aider ma fablesse! Man coeur s'ouvre à ta voix |
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Samson et Dalila: Printemps qui commence; Amour! Viens aider ma faiblesse! Mon coeur s'ouvre a ta voix |
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Samson et Dalila: Printemps qui commence; Amour! Viens aider ma faiblesse; Mon cœur s’ouvre à ta voix |
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Samson et Dalila: Printemps qui commence; Amour, viens aider |
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Samson et Dalila: Printemps qui commence; Amour, viens aider ma faiblesse; Mon coeur s'ouvre à ta voix |
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Samson et Dalila: Printemps qui commence; Amour, viens aider; Mon coeur s'ouvre à ta voix |
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Samson et Dalila: Printemps qui commence; J'ai gravi la montagne |
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Samson et Dalila: Printemps qui commence; Mon coeur |
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Samson et Dalila: Printemps qui commence; Mon coeur s'ouvre à ta voix; Samson recherchant mon présence |
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Samson et Dalila: Printemps qui commence; Mon coeur s’ouvre à ta voix |
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Samson et Dalila: Samson recherchant ma présence |
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Samson et Dalila: S’apre per te il mio cor (Mon coeur s’ouvre à ta voix) |
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Samson et Dalila: Vois ma misere |
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Samson et Dalila: Vois ma misère |
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Samson et Dalila: Vois ma misère hélas |
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Samson et Dalila: “Mon coeur s’ouvre à ta voix” |
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Samson et Dalilah: Printemps qui Commence; Mon coeur s'ouvre; Amour, viens aider ma faiblesse |
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Samson et Dalila—Printemps qui commence |
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Samson et Delila: Dance of the Princesses |
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Samson et Delila: Mon coeur s'ouvre; Amour, Viens aider ma faiblesse |
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Samson et Delila: Mon coeur s’ouvre à ta voix |
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Samson et Delilah: Mon coeur s’ouvre a ta voix; Printemps qui commence |
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Samson et Delita: O aprile foriero di sogni; Amor! I miei sini proteggi |
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Samson et Dělila: Mon coeur s’ouvre à ta voix |
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Sansone e Dalila: O Aprile foriero di sogni |
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Sansone e Dalila: S'apre per te il mio cuor |
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Sarabande |
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Sarabande and Rigaudon |
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Sarabande et Rigaudon, Op. 93 |
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Sarabande for String Orchestra |
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Sarabande, op. 93/1 |
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Sattarelle |
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Scherzo |
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Selections by |
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Septet for Piano, Trumpet, and Strings, op. 65 |
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Septet in E♭ for Trumpet, Piano, String Quartet, and Double Bass |
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Septet in E♭ for Trumpet, String Quintet, and Piano |
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Septet in E♭, op. 65 |
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Septet in E♭, op. 65. Tarentelle in a, op. 6. Bassoon Sonata in G, op. 168. Piano Quartet in B♭, op. 41. Piano Quintet in a, op. 14. Oboe Sonata in D, op. 166. Clarinet Sonata in B♭, op. 167. Caprice sur des airs danois et russes, op. 79 |
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Septet, op. 65 |
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Serenade d'Hiver |
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Six Preludes and Fugues, op. 109. Seven Improvisations, op. 150. Six Preludes and Fugues, op. 99 |
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Six Études for the Left Hand, op. 135 |
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Six Études, op. 135 |
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Six Études, Op. 52: En forme de valse (Wo 6). Allegro appasionata, Op. 70 |
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Soirée en mer. Chant de ceux qui s’en vont sur mer |
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Soirée en mer. La Fiancée du timbalier |
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Sonata for 2 Pianos |
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Sonata for Bassoon and Piano, Op. 168 |
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Sonata for Bassoon and Piano, op. 168 |
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Sonata for Bassoon and Piano. Sonata for Clarinet and Piano |
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Sonata for Clarinet and Piano |
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Sonata for Clarinet and Piano' |
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Sonata for Clarinet and Piano, op. 161 |
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Sonata for Clarinet and Piano, Op. 167 |
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Sonata for Clarinet and Piano, op. 167 |
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Sonata for Oboe and Piano, Op. 166 |
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Sonata for Oboe and Piano, op. 166 |
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Sonata for Oboe and Piano, op. 166' |
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Sonata for Oboe and Piano. Op. 166 |
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Sonata for Violin and Piano in D Minor, Op. 75 |
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Sonata for Violin and Piano No. 1 in D Minor, Op. 75 |
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Sonata in D for Oboe and Piano, Op. 166 |
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Sonata in D for Oboe and Piano, op. 166 |
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Sonata in D for Oboe and Piano, op. 166. Sonata in E♭ for Clarinet and Piano, op. 167. Sonata in G for Bassoon and Piano, op. 168. Romance in D for Flute and Piano, op. 37*. Caprice on Danish and Russian Melodies for Flute, Oboe, Clarinet, and Piano, op. 79 |
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Sonata in D Minor for Violin and Piano, Op. 75 |
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Sonata in D Minor for Violin and Piano, op. 75 |
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Sonata in E♭ for Clarinet and Piano |
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Sonata in E♭ for Clarinet and Piano, op. 167 |
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Sonata in G for Bassoon and Piano, Op. 168 |
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Sonata in G for Bassoon and Piano, op. 168 |
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Sonata in G for Bassoon and Piano, Op. 168. “ |
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Sonata in G, op. 168 |
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Sonata No. 1 in C Minor for Cello and Piano, op. 32. Suite for Cello and Piano, op. 16 |
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Sonata No. 1 in D minor for Violin and Piano, Op. 75 |
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Sonata No. 1 in D Minor for Violin and Piano, op. 75 |
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Sonata No. 1 in D Minor for Violin and Piano, Op. 75; Sonata No. 2 in E-Flat for Violin and Piano, Op. 102 |
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Sonata No. 1 in D Minor for Violin, Op. 75 |
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Sonata No. 2 in F for Cello and Piano, op. 123 |
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Sonatas for Cello and Piano: No. 1 in C minor, Op. 32; No. 2 in F, Op. 123. Chant Saphique, Op. 91 |
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Sonatas for Cello and Piano: No. 11n C Minor, op. 32; No. 2 in F, op. 123 |
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Sonatas for Violin and Piano: No. 1 in D Minor, op. 75; No. 2 in Eb, op. 102 |
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Sonatas for Violin and Piano: No. 1 in D Minor, op. 75; No. 2 in E♭, op. 102 |
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Sonatas for Violin and Piano: No. 1 in D Minor, op. 75; No. 2 in E♭, op. 102. Berceuse, op. 38. Two Élégies, op. 143, op. 160. Romance in C Minor, op. 37 |
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Sonatas: No. 1 in C Minor, op. 32; No. 2 in F, op. 123. Romance, op. 51. Carnival of the Animals: The Swan. Allegro appassionato, op. 43 |
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Sonate pour hautbois et piano, Op. 166 |
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Songs |
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Songs |
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Songs and arias by |
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Songs and madrigals by |
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Songs by |
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Songs, ensembles by |
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Souvenances |
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Spartacus: Overture |
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String Quartet in e, Op. 112 |
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String Quartet No. 1 |
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String Quartet No. 1 in E Minor, op. 112 |
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String Quartet No. 1 in e, op. 112 |
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String Quartets: No. 1 in E minor, Op. 112; No. 2 in G, Op. 153 |
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String Quartets: No. 1 in E Minor, op. 112; No. 2 in G, op. 153 |
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String Quartets: No. 1 in e; No. 2 in G |
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String Quartets: No. 1; No. 2 |
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String Quartets: No.1; No.2 |
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String Quartets: Nos. 1, 2 |
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Sub tuum. Deus Abraham |
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Suite algérienne |
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Suite algérienne, op. 60 |
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Suite Algérienne. La princesse jaune |
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Suite algérienne: Marche militaire française |
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Suite for Cello and Piano, op. 16 |
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Suite for Cello and Piano, op.16: Sérénade |
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Suite for Orchestra, op. 49 |
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Suite from “The Carnival of the Animals“ (arr. Gordon Langford) |
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Suite in d for Violin and Piano, op. 16 |
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Suite in d, op. 16bis (version for cello and orchestra). Serenade in E♭, op. 15 (version for orchestra) |
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Suite in D, op. 49 |
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Suite pour le piano, op. 90 |
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Symphonies No. 3; in F, “Urbs Roma” |
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Symphonies Nos. 1 and 2 |
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Symphonies: in A; F, "Urbs Roma"; No. 1 in El; No. 2 in a; No. 3 in c, "Organ" |
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Symphonies: in A; in F, “Urbs Roma”; Nos. 1–3 |
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Symphonies: in F, “Urbs Roma”; No. 3 |
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Symphonies: in F, “Urbs Roma”; No. 3 in c, “Organ” |
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Symphonies: No. 1 in E♭, op. 2; in A (1850) |
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Symphonies: No. 1 in E♭, op. 2; No. 2 in A Minor, op. 55 |
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Symphonies: No. 1 in E♭; No. 2 in a; No. 3 in C, “Organ” |
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Symphonies: No. 1 in E♭; No. 2 in a; No. 3, “Organ”; in A; in F, “Urbs Roma” |
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Symphonies: No. 1; No. 2; in A |
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Symphonies: No. 3 in C Minor, op. 78 (“Organ“); No. 2 in A Minor, op. 55 |
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Symphonies: Nos. 1–3. Symphony in A. Symphony in F, “Urbs Roma” |
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Symphony 3 |
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Symphony in F, “Urbs Roma” |
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Symphony No. 1 |
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Symphony No. 1 in E-Flat, Op. 2; Symphony No. 2 in A Minor, Op. 55 |
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Symphony No. 1. Cello Concerto No. 1 |
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Symphony No. 2 |
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Symphony No. 2 in a |
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Symphony No. 2 in A minor, Op. 55. Suite Algérienne, Op. 60. Phaeton— Symphonic Poem, Op. 39 |
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Symphony No. 2 in a. Cello Concerto No. 2 in d. Suite for Orchestra, op. 49 |
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Symphony No. 3 |
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Symphony No. 3 (transcr. Goetschius/Katsaris) |
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Symphony No. 3 (“Organ“): Finale |
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Symphony No. 3 in C Minor ( “Organ“) |
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Symphony No. 3 in C Minor (“Organ“) |
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Symphony No. 3 in C Minor op. 78 Organ |
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Symphony No. 3 in C minor, Op. 78 |
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Symphony No. 3 in C minor, Op. 78 ( “Organ“) |
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Symphony No. 3 in C minor, Op. 78 ("Organ") |
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Symphony No. 3 in C Minor, op. 78 ("Organ") |
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Symphony No. 3 in C Minor, Op. 78 (Organ) |
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Symphony No. 3 in C minor, Op. 78 (Organ) |
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Symphony No. 3 in C Minor, op. 78 (“Organ Symphony“) |
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Symphony No. 3 in C minor, Op. 78 (“Organ') |
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Symphony No. 3 in C Minor, Op. 78 (“Organ“) |
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Symphony No. 3 in C minor, Op. 78 (“Organ“) |
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Symphony No. 3 in C Minor, op. 78 (“Organ“) |
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Symphony No. 3 in C Minor, op. 78 (“Organ“). Danse macabre, op. 40 |
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Symphony No. 3 in C minor, Op. 78 (“Organ“). La Jeunesse d'Hércule, Op. 50 |
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Symphony No. 3 in C Minor, op. 78 (“Organ“). Le Rouet d'Omphale. Phaéton. Danse macabre |
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Symphony No. 3 in C Minor, op. 78 (“Organ“). Le Rouet dOmphale. Samson and Dalila: Bacchanale |
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Symphony No. 3 in C Minor, op. 78 (“Organ“). Phaéton op. 39. Danse macabre, op. 40. Samson et Dalila. Bacchanale |
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Symphony No. 3 in C Minor, op. 78 (“Organ“). Phaéton, op. 39 |
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Symphony No. 3 in C Minor, op. 78 (“Organ“). Suite algérienne, op. 60 |
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Symphony No. 3 in C minor, Op. 78 [“Organ''] |
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Symphony No. 3 in C Minor, op. 78 Organ. Cypresses and Laurels |
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Symphony No. 3 in C Minor, op. 78 Organ. La Jeunesse d'Hercule, op. 50 |
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Symphony No. 3 in C Minor, op. 78. La Jeunesse d'Hercule, op. 50 |
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Symphony No. 3 in C minor, Op. 78[“Organ“] |
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Symphony No. 3 in C Minor, op.78 ("Organ"). Samson and Delilah: Bacchanale. Carnival of the Animals: The Swan. Danse macabre, op. 40. Suite algérienne, op. 60: Marche militaire français |
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Symphony No. 3 in C, Op. 78 (“Organ“) |
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Symphony No. 3 in c, op. 78, “Organ“ |
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Symphony No. 3 in c, “Organ” |
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Symphony No. 3, Op. 78 |
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Symphony No. 3, “Organ.“ |
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Symphony No. 3, “Organ.“ Phaeton |
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Symphony No. 3, “Organ“ |
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Symphony No. 3, “Organ” |
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Symphony No. 3, “Organ”: Excerpt |
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Symphony No. 3. Carnival of the Animals |
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Symphony No. 3. Introduction and Rondo Capriccioso. La muse et le poète |
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Symphony No. 3. Symphony in A |
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Symphony No. 3: Adagio and Maestoso |
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Symphony No. 3: Excerpt |
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Sérénade d’hiver. Saltarelle |
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Tantum ergo. Præludium in c |
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Tarantella |
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Tarantelle |
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Tarantelle for Clarinet, Flute, and Piano, op. 6 |
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Tarantelle for Flute, Clarinet, and Orchestra |
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Tarantelle for Flute, Clarinet, and Piano, op. 6 |
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Tarantelle, op. 6 |
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Tarentella |
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Tarentelle for Flute, Clarinet and Orchestra |
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Tarentelle, for Flute, Clarinet, and Orchestra, op. 6 |
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Tarentelle, op. 10/5 |
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The Carnival of Animals: “The Swan” (two versions) |
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The Carnival of the Animals |
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The Carnival of the Animals. Septet in E-Flat for Trumpet, Piano, and Strings, Op. 65 |
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The Carnival of the Animals. Works for Two Pianos |
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The Carnival of the Animals: Selections |
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The Carnival of the Animals: The Swan |
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The Carnival of the Animals: The Swan (arr. Godowsky) |
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The Carnival of the Animals: The Swan (with Philippe Entremont and Gaby Casadesus, pianos)* |
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The Carnival of the Animals: “The Swan”; “The Elephant” |
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The Deluge. Op. 45: Prelude. Samson et Dalila, Op. 47: Bacchanale. Danse macabre, Op. 40 |
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The Deluge: Prelude. The Swan |
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The Dying Swan |
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The Dying Swan (choreography by Fokine) |
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The Dying Swan (choreography by Fokine). Alia Osipenko |
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The Dying Swan (choreography by Fokine). Cello and piano accompaniment |
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The Elephant |
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The Five Symphonies: in A; in F (“Urbs Roma“); No. 1 in Eb, op. 2; No. 2 in A Minor, op. 55; No. 3 in G Minor, op. 78 (“Organ“) |
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The Muse and the Poet |
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The Muse and the Poet, for Violin, Cello, and Orchestra, op. 132 |
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The Swan |
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The Swan (Donald Voorhees, cond; NBC SO, 1951) |
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The Swan (version for violin and piano) |
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The Swan (with Lena Adler, harp) |
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The Swan. Allegro Appassionata, op. 43 |
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The Swan. Allegro Appassionato, op. 43 |
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The Swan. Danse macabre |
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The Swan. The Swan (with spoken introduction by Piatigorsky) |
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Theme, Variations and Chorale on Le Dies irae. Marche religieuse in F, op. 107 |
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Three Studies for the Left Hand |
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Thème varié, op. 97 |
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Théme varie, op. 97 |
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Toccata d’après le final du 5ème concerto, op. 111/6 |
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Toccata, op. 72 |
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Trio for Piano, Violin, and Cello No. 1 in F, Op. 18 |
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Trio No. 1 in F for Violin, Cello, and Piano, op. )S. Septet in E♭ for Trumpet, Two Violins, Viola, Cello, Double bass, and Piano, op. Ô5. Carnival of the Animals |
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Trio No. 1 in F for Violin, Cello, and Piano, Op. 18 |
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Trio No. 1 in F for Violin, Cello, and Piano, op. 18 |
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Trio No. 1 in F for Violin, Cello, and Piano, Op. 18. Septet in E♭ for Piano, Trumpet, and Strings, Op. 65 |
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Trios for Piano, Violin, and Cello; No. 1 in F, op. 18; No. 2 in E Minor, op. 92 |
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Trios for Violin, Cello and Piano: No. 1 in F, Op. 18; No. 2 in E minor, Op. 92 |
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Trios for Violin, Cello, and Piano: No. 1 in F, Op. 18, No. 2 in E minor, Op. 92 |
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Trios for Violin, Cello, and Piano: No. 1 in F, op. 18; No. 2 in E Minor, op. 92 |
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Triptyque, op. 136 |
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Triptyque, op. 138 |
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Trois tableaux symphoniques d’après La foi, op. 130 |
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Trois tableaux symphoniques d’après La foi. Samson et Dalila: Bacchanale |
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Une Flûte Invisible |
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Une flûte invisible |
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Une Flûte invisible, lor Voice, Flute, and Piano |
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Une nuit à Lisbonne. Spartacus. Marche du couronnement |
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Une ñute invisible |
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Valse canariote, op. 88 |
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Valse caprice, op. 76, “Wedding Cake” |
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Valse nonchalante |
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Valse nonchalante, op. 110 |
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Valse-caprice, “Wedding Cake,” op. 76 |
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Valse-Caprice, “Wedding Cake” |
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Valse-Étude |
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Variations for 2 Pianos on a Theme of Beethoven |
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Variations on a Theme by Beethoven |
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Variations on a Theme by Beethoven for Two Pianos, op. 35 |
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Variations on a Theme by Beethoven, Op. 35 |
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Variations on a Theme of Beethoven |
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Variations on a Theme of Beethoven for 2 Pianos, op. 35 |
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Variations on a Theme of Beethoven, Op. 35 |
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Variations on a Theme of Beethoven, op. 35 |
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Variations sur un Thème de Beethoven |
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Variationsona Theme of Beethoven, Op. 35 |
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Viens! Aimons-nous. L'Attente. La Cloche. Danse macabre |
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Violin Concerto No. 1. Introduction and Rondo capriccioso. |
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Violin Concerto No. 1. Introduction et rondo capriccioso. Romance |
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Violin Concerto No. 2 |
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Violin Concerto No. 3 |
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Violin Concerto No. 3 in b |
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Violin Concerto No. 3. Danse macabre |
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Violin Concerto No. 3. Havanaises Introduction and Rondo capriccioso. Le deluge: Prelude. |
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Violin Concerto No. 3. La muse et le poète, op.132. Cello Concerto No. 1 |
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Violin Concertos: No. 1 in A, op. 20; No. 2 in C, op. 58; No. 3 in b |
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Violin Concertos: No. 1 in A; No. 2 in C; No. 3 in b |
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Violin Concertos: No. 1; No. 2 |
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Violin Concertos: No. 1; No. 2; No. 3 |
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Violin Concertos: No. 3 in b, op. 61: No. 1 in A, op. 20 |
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Violin Concertos: Nos 1–3 |
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Violin Sonata (unfinished) |
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Violin Sonata in d. Berceuse, Op. 38 |
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Violin Sonata No. 1 |
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Violin Sonata No. 1 in d |
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Violin Sonata No. 1: Allegro moderato; Allegro molto |
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Violin Sonata No. 2, op. 102 |
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Violin Sonatas Nos. 1 and 2 |
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Violin Sonatas: No. 1 in d, op. 75; No. 2 in E♭, op. 102 |
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Violin Sonatas: No. 1 in E♭; No. 2 in d |
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Violin Sonatas: No. 1, op. 75; No. 2, op. 102 |
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Vocalises de Parysatis |
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Waltz Etude |
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Wedding Cake |
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Wedding Cake. Rapsodie d’Auvergne |
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Works by |
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Works for Cello and Orchestra |
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Works for Two Pianos |
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Élégie, op. 143. Élégie, op. 160. Berceuse, op. 38 |
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Élégies, op. 143; op. 160 |
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Élévation (or Communion) in E, op. 13 |
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Étienne Marcel: Entrée des écoliers et des ribaudes; Musette guierriére; Pavane; Valse; Entrée des Bohémiens et Bohémiennes; Final |
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Étude en forme de valse |
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Étude en forme de Valse (Alfred Cortot) |
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Étude in F, op. 111, No. 6. Concerto No. 2 in G Minor for Piano and Orchestra, op. 22 |
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Étude in form de valse. Bourée |
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Études, op. 111: No. 4, Les Cloches de Las Palmas; No. 5, “Tierces majeures chromatiques” |
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Études, op. 52: No. 2, Étude pour l’independance des doigts; No. 6, Étude en forme de valse |
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Études, Opp. 52 and 111. Valse Mignonne, Op. 104. Valse Gaie, Op. 135. Allegro Appassionato, Op. 70. Mazurka, Op. 66 |
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Études: “Pour l’indépendance des doigts”, op. 52/2; “En forme de valse”, 52/6; “Tierces majeures et mineures”, op. 111/1; “Les cloches de Las Palmas”, op. 111/4 |
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“Le cygne” |
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”Le Cygne” |
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