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Performer: Catherine Wyn-Rogers

THE MUSIC OF ARNOLD SCHOENBERG, Vol. 3: 3 Bach Arrangements (Review by Christopher Abbot)

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THE MUSIC OF ARNOLD SCHOENBERG, Vol. 3: 4 Orchestral Songs, op. 22 (Review by Christopher Abbot)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow)

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THE MUSIC OF ARNOLD SCHOENBERG, Vol. 3: Variations for Orchestra, op 31 (Review by Christopher Abbot)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

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THE MUSIC OF ARNOLD SCHOENBERG, Vol. 3: (Review by James H. North)

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BACH, JOHANN SEBASTIAN: Christmas Oratorio, BWV248 (Review by Ralph V. Lucano)

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BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Christopher Abbot)

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BEETHOVEN, LUDWIG VAN: Symphony No. 9, "Choral" (Review by Christopher Abbot)

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BRITTEN: Peter Grimes (Review by Lynn René Bayley)

Mrs. Sedley 

BRITTEN: Simple Symphony. Temporal Variations. A Charm of Lullabies. Lachrymae. Suite on English Folk Tunes, “A time there was“ (Review by Jerry Dubins)

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BRITTEN: The Rape of Lucretia (Review by Lynn René Bayley)

Bianca 

BRITTEN: The Rape of Lucretia (Review by Andrew Quint)

Bianca 

BRITTEN: The Rescue of Penelope. Phaedra, op. 93 (Review by Joel Kasow)

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BRITTEN: The Turn of the Screw (Review by Alan Swanson)

Mrs. Grose 

BRUCKNER, ANTON: Mass No. 1 in d (Review by Jeffrey J. Lipscomb)

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BRUCKNER, ANTON: Te Deum (Review by Jeffrey J. Lipscomb)

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BRUCKNER, ANTON: Te Deum, Mass No. 1 in D Minor (Review by William Zagorski)

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BRUCKNER, ANTON: The Masses (Review by Robert McColley)

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DELIUS: A Mass of Life. Prelude and Idyll (Review by Adrian Corleonis)

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DELIUS: A Mass of Life. Prelude and Idyll (Review by Richard A. Kaplan)

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DELIUS: A Mass of Life. Prelude and Idyll (Review by Ronald E. Grames)

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DIEREN, BERNARD VAN: Symphony No. 1, op. 6. Introit to Topers’ Tropes. Elegie (Review by Barry Brenesal)

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ELGAR: The Dream of Gerontius (Review by Huntley Dent)

Angel 

ELGAR: The Dream of Gerontius (Review by Steven Kruger)

Angel 

FOULDS, JOHN: A World Requiem (Review by Barry Brenesal)

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FOULDS, JOHN: A World Requiem (Review by Martin Anderson)

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HANDEL, GEORGE FRIDERIC: Messiah (Review by Ron Salemi)

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HANDEL, GEORGE FRIDERIC: Messiah (Review by Ron Salemi)

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HANDEL, GEORGE FRIDERIC: Samson (Review by James A. Altena)

Micah  

HAYDN, FRANZ JOSEPH: Harmoniemesse, Hob XXII (Review by James H. North)

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HAYDN, FRANZ JOSEPH: Missa Brevis Sandi Joannis de Deo in Bb, Hob. XXII (Review by James H. North)

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MAHLER, GUSTAV: Symphonies (Review by Christopher Abbot)

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MAHLER, GUSTAV: Symphony No. 2 (Review by Dave Saemann)

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MOZART: Adagio and Fugue in c, K 456 (Review by Raymond Tuttle)

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MOZART: Adagio and Fugue (Review by Lynn René Bayley)

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MOZART: Mass in C, K. 317 (“Coronation“). Exsulate, jubilate, K. 165. Vesperae solennes de confessore, K. 339 (Review by J. F. Weber)

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MOZART: Requiem (ed. Levin) (Review by Raymond Tuttle)

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MOZART: Requiem (ed. Levin). Adagio and Fugue in c, K 456 (Review by George Chien)

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MOZART: Requiem (Review by Lynn René Bayley)

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REGER, MAX: Tone Poems after Arnold Böcklin. An die Hoffnung. Eine Romantische Suite (Review by James H. North)

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ROSSINI: Songs—Il Salotto, Vol. 13 (Review by Joel Kasow)

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SAINT-SAËNS: Requiem (Review by Jerry Dubins)

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SCHOENBERG, ARNOLD: 4 Orchestral Songs (Review by James H. North)

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SCHOENBERG, ARNOLD: Chamber Symphony No. 1 (Review by James H. North)

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SCHOENBERG, ARNOLD: Herzgewächse (Review by James H. North)

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SCHOENBERG, ARNOLD: Pierrot lunaire (Review by James H. North)

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SCHUBERT: Complete Songs, Volume 22 (Review by David Johnson)

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SCHUBERT: Trinklied, D. 148. Morgenlied, D. 266. Ansie, D. 288. Das Mädchen aus der Fremde, D. 252. Der Abend, D. 221. Punschlied, D. 277. An die Sonne, D. 272. Das Leben ist ein Traum, D. 269. Die drei Sänger, D. 329. Die Erscheinung, D. 229. Das Abendroth, D. 236. Genügsamkeit, D. 143. An Rosa (I), D. 315. An Rosa (II), D. 316. Das Bild, D. 155. Furcht der Geliebten (An Cidli), D. 285. Skolie, D. 306. Cora an die Sonne, D. 263. Die Sterne, D. 313. Lob des Tokayers, D. 248. Vaterlandslied, D. 287. Gebet während der Schlacht, D. 171. Hermann und Thusnelda, D. 322. Selma und Selmar, D. 286b. Lorma, D. 327. Cronna, D. 282. Hymne an den Unendlichen, D. 232. Das Grab, D. 330 (Review by David Johnson)

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SULLIVAN: Ivanhoe (Review by Ronald E. Grames)

Ulrica 

SULLIVAN: Ivanhoe (Review by Barry Brenesal)

Ulrica 

SULLIVAN: The Beauty Stone (Review by Barry Brenesal)

Joan 

SULLIVAN: The Beauty Stone (Review by Ronald E. Grames)

Joan 

VIVALDI, ANTONIO: Gloria in D, RV. 588. Gloria in D, RV. 589 (Review by George Chien)

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WAGNER: Die Meistersinger von Nürnberg (Review by Andrew Quint)

Magdalene 

WAGNER: Götterdämmerung (Review by Andrew Quint)

Waltraute  

WAGNER: Götterdämmerung (Review by Peter J. Rabinowitz)

Waltraute  

WAGNER: Siegfried (Review by Andrew Quint)

Erda  

WAGNER: Siegfried (Review by Peter J. Rabinowitz)

Erda  

 

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