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Performer: Richard Wistreich PENNY MERRIMENTS: STREET SONGS OF 17TH CENTURY... (Lucie Skeaping) (Review by Brian Robins) | bass | ANONYMOUS: Gedenke doch, mein Geist zürucke. Musette No. 22. Erbauliche Gedanken eines Tobackrauchers. Wie wohl ist mir, o Freund der Seelen. Menuet No. 14. Schaff's mit mir, Gott. Willst du dein Herz mir schenken. Warum betrübst du dich. Menuet No. 36. Menuet No. 15. So ott ich meine Tobackspfeife (instrumental reprise) (Review by Elliott S. Hurwitt) | bass | BACH, CARL PHILIPP EMANUEL: Marche. Polonaise. Marche. Polonaise (Review by Elliott S. Hurwitt) | bass | BACH, JOHANN SEBASTIAN: Notenbüchlein für Anna Magdalena Bach (1725) (Review by Elliott S. Hurwitt) | bass | BACH, JOHANN SEBASTIAN: Wachet auf, ruft uns die Stimme. O Ewigkeit du Donnerwort. Wer nur den lieben Gott läßt walten. Gib dich zufrieden und sei stille. Prelude and Fugue in C (The Well-Tempered Clavier). Dir, dir Jehova (Chorale No. 39). Aria No. 26 (Goldberg Variations). Ich habe genug!—Schlummert ein, ihr matten Augen (Review by Elliott S. Hurwitt) | bass | BEETHOVEN, LUDWIG VAN: Concerto No. 5 In E♭ for Piano and Orchestra, op. 73 (“Emperor“). Fantasia in C for Piano, Chorus, and Orchestra, op. 80 (Review by William Zagorski) | bass | BLOW, JOHN: The Glorious Day Is Come (Review by Elliott S. Hurwitt) | bass | BLOW, JOHN: The Glorious Day Is Come (Review by Elliott S. Hurwitt) | conductor | BLOW, JOHN: Venus and Adonis (Review by David Johnson) | Adonis | BLOW, JOHN: Venus and Adonis (Review by David Johnson) | bass | COUPERIN, FRANÇOIS: Rondeau No. 6 (“Les Bergeries“) (Review by Elliott S. Hurwitt) | bass | DRAGHI: From Harmony, from Heav'nly Harmony (Review by Elliott S. Hurwitt) | bass | DRAGHI: From Harmony, from Heav'nly Harmony (Review by Elliott S. Hurwitt) | conductor | EMMERSON: Ophelias Dream II (Review by David Sachs) | bass | GIBBONS, CHRISTOPHER/LOCKE, MATTHEW: Cupid and Death (Review by David Johnson) | Adonis | GIBBONS, CHRISTOPHER/LOCKE, MATTHEW: Cupid and Death (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Belshazzar (Review by Nicholas Deutsch) | bass | HANDEL, GEORGE FRIDERIC: Belshazzar (Review by Nicholas Deutsch) | Messenger | LINLEY JR, THOMAS: A Lyric Ode on the Fairies, Aerial Beings, and Witches of Shakespeare (Review by Michael Carter) | Fearful Observer | LINLEY JR, THOMAS: A Lyric Ode on the Fairies, Aerial Beings, and Witches of Shakespeare (Review by Brian Robins) | Fearful Observer | MAIER-RÖNTGEN, AMANDA: Atalanta Fugiens (Review by Bertil van Boer) | bass | MONTEVERDI: Con che soavità. Vorrei baciarti. Tempro la cetra. Mentre vaga. Come dolce hoggi. Chiome d'oro. S'el vostro cor. Ohimè dov'è il mio ben. Ogni amante. Parlo, miser'o taccio (Review by J. F. Weber) | baritone | MONTEVERDI: Madrigali erotici (Review by J. F. Weber) | baritone | MONTEVERDI: Mass of Thanksgiving, Venice, 1631 (Review by J. F. Weber) | bass | MOODY: Passion and Resurrection (Review by Richard Burke) | bass | PETZOLD: Menuet No. 4. Menuet No. 5 (Review by Elliott S. Hurwitt) | bass | PURCELL, HENRY: The Fairy Queen (Review by Brian Robins) | bass | PURCELL, HENRY: The Fairy Queen, Z. 629 (Review by Eric Van Tassel) | bass | SCHÜTZ, HEINRICH: Symphoniae Sacrae II, op. 10. SWV341-367 (Review by J. F. Weber) | bass | SMALLEY, DENIS: Pneuma (Review by David Sachs) | bass | STOELZEL: Bist du bei mir (Review by Elliott S. Hurwitt) | bass | TOMKINS: Anthems and Consort Music (Review by J. F. Weber) | bass | TOMKINS: O Lord let me knowe. Sing unto God. Above the starrs. Woe is me. Thou art my king. Rejoice, rejoice and singe. 14 consort pieces (Review by J. F. Weber) | bass | WISHART, TREVOR: Anticredos (Review by David Sachs) | bass |
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