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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

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Performer: William Winant

BISCHOFF: The Glass Hand (Review by Mike Silverton)

airdrums midi controller 

BISCHOFF/BROWN/ERBE/PAYNE: CCM Flotsam (Review by Mike Silverton)

airdrums midi controller 

BROWN, CHRIS: Chain Reaction (Review by Mike Silverton)

airdrums midi controller 

BROWN, CHRIS: Stupa. Gangsa. Iceberg (Review by Peter Burwasser)

percussion  

BYRON, MICHAEL: Elegant Detours (Review by Raymond Tuttle)

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CAGE, JOHN: 45’ for a Speaker. 31’ 57.9864” for a Pianist. 34’ 46.776” for a Pianist . 26’ 1.1499” for a String Player. 27’ 10.544 for a Percussionist (Review by Robert Carl)

percussion 

CAGE, JOHN: 45’ for a Speaker. 31’57.9864” for a pianist. 34’46.776” for a pianist. 26’1.1499” for a string player. 27’10.554” for a percussionist (Review by Raymond Tuttle)

percussion 

CAGE, JOHN: Music for Three. Eight Whiskus. Four (Review by Mike Silverton)

percussion 

CAGE, JOHN: Music for Three. Eight Whiskus. Four⁵ (Review by Robert Carl)

percussion 

CAGE, JOHN: Singing Through (Review by Mike Silverton)

percussion 

CAGE, JOHN: The Ten Thousand Things (Review by Raymond Tuttle)

percussion 

CAMPION, EDMUND: Domus aurea (Review by Robert Carl)

percussion 

COWELL, HENRY: Cleistogamy, lor Violin and Cello. Four Combinations for Piano, Violin, and Cello (Review by Kyle Gann)

gong 

COX, RICK: On Tuesday (Review by Raymond Tuttle)

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CURRAN: Animal Behavior (Review by Mike Silverton)

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DRESHER, PAUL: Double Ikat. Dark Blue Circumstance. Channels Passing. Night Songs (Review by Scott Wheeler)

percussion 

ERBE: After a Day (Review by Mike Silverton)

airdrums midi controller 

FINK: As Is Thought/Aurora (Review by Raymond Tuttle)

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FOX, JIM: Among Simple Shadows (Review by Raymond Tuttle)

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GARLAND: Dancing on Water (Review by Raymond Tuttle)

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GARLAND, P.: Moon Viewing Music (Review by Marc Medwin)

gong 

GARLAND, P.: Moon Viewing Music (Review by Marc Medwin)

tam-tam 

HARRISON, LOU: Ariadne (Review by Colin Clarke)

percussion 

HARRISON, LOU: Double Concerto for Violin and Cello with Javanese Gamelan (Review by Kyle Gann)

gong 

HARRISON, LOU: First Concerto for Flute and Percussion (Review by Colin Clarke)

percussion 

HARRISON, LOU: La Koro Sutra. Varied Trio. Suite for Violin and American Gamelan (Review by Edward Strickland)

percussion 

HARRISON, LOU: La Koro Sutro. Varied Trio. Suite for Violin and American Gamelan (Review by Kyle Gann)

percussion 

HARRISON, LOU: Solstice (Review by Benjamin Pernick)

percussion 

JEANRENAUD: Dervish (Review by Robert Schulslaper)

marimba 

JEANRENAUD: Dervish (Review by Robert Schulslaper)

vibraphone 

JEANRENAUD: Livre (Review by Robert Schulslaper)

marimba 

JEANRENAUD: Livre (Review by Robert Schulslaper)

vibraphone 

LENTZ: Song(s) of the Sirens (Review by Raymond Tuttle)

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LEWIS, PETER SCOTT: Journey to Still Water Pond. Night Lights. Beaming Contrasts. Little Trio. Through the Mountain (Review by Scott Wheeler)

percussion 

LOCKWOOD, ANNEA: Jitterbug. In Our Name. Thirst (Review by Robert Carl)

percussion 

MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl)

percussion 

OCHS, LARRY: The Secret Magritte (Review by Art Lange)

percussion 

PARKINS: s (Review by Lynn René Bayley)

chimes 

PARKINS: s (Review by Robert Carl)

chimes 

PARKINS: s (Review by Lynn René Bayley)

drum 

PARKINS: s (Review by Robert Carl)

drum 

PARKINS: s (Review by Lynn René Bayley)

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PARKINS: s (Review by Robert Carl)

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PAYNE: Resonant Places (Review by Mike Silverton)

airdrums midi controller 

REALE: Trio for Piano, Violin, and Cello (Review by Kyle Gann)

gong 

ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl)

calung 

ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl)

jegog 

ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl)

marimba 

ROSENBOOM: In the Beginning (Review by Robert Carl)

percussion 

RZEWSKI: New and Recent Works (Review by Mike Silverton)

percussion 

RZEWSKI: The Road, for Solo Piano (Review by Mike Silverton)

percussion 

RZEWSKI: To the Earth, for Percussion (Review by Mike Silverton)

percussion 

RZEWSKI: Whangdoodles, for Violin, Piano, and Percussion (Review by Mike Silverton)

percussion 

RZEWSKI: Whimwhams (Review by Lynn René Bayley)

chimes 

RZEWSKI: Whimwhams (Review by Robert Carl)

chimes 

RZEWSKI: Whimwhams (Review by Lynn René Bayley)

drum 

RZEWSKI: Whimwhams (Review by Robert Carl)

drum 

RZEWSKI: Whimwhams (Review by Lynn René Bayley)

marimba 

RZEWSKI: Whimwhams (Review by Robert Carl)

marimba 

TENNEY: Cognate Canons (Review by Lynn René Bayley)

chimes 

TENNEY: Cognate Canons (Review by Robert Carl)

chimes 

TENNEY: Cognate Canons (Review by Lynn René Bayley)

drum 

TENNEY: Cognate Canons (Review by Robert Carl)

drum 

TENNEY: Cognate Canons (Review by Lynn René Bayley)

marimba 

TENNEY: Cognate Canons (Review by Robert Carl)

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