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Performer: Thomas Weaver

BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Hana Gubenko)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Huntley Dent)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Colin Clarke)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Ken Meltzer)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Henry Fogel)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Mark Novak)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Raymond Tuttle)

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BARTÓK: 15 Hungarian Peasant Songs, Sz 71 (arr. Darvarova) (Review by Phillip Scott)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Hana Gubenko)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Huntley Dent)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Colin Clarke)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Ken Meltzer)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Henry Fogel)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Mark Novak)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Raymond Tuttle)

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BARTÓK: Andante for Violin and Piano. Rhapsody No. 1 for Violin and Piano, Sz 87 (Review by Phillip Scott)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Hana Gubenko)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Huntley Dent)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Colin Clarke)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Ken Meltzer)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Henry Fogel)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Mark Novak)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Raymond Tuttle)

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BARTÓK: Six Dances in Bulgarian Rhythm (Review by Phillip Scott)

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BRAHMS, JOHANNES: Horn Trio (Review by Hana Gubenko)

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BRAHMS, JOHANNES: Horn Trio (Review by Colin Clarke)

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BRAHMS, JOHANNES: Horn Trio (Review by Raymond Tuttle)

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BRAHMS, JOHANNES: Horn Trio (Review by Mark Novak)

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BRAHMS, JOHANNES: Horn Trio (Review by Mark Gabrish Conlan)

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BROWN, STEPHEN: I See the Moon (Review by Hana Gubenko)

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BROWN, STEPHEN: I See the Moon (Review by Colin Clarke)

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BROWN, STEPHEN: I See the Moon (Review by Raymond Tuttle)

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BROWN, STEPHEN: I See the Moon (Review by Mark Novak)

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BROWN, STEPHEN: I See the Moon (Review by Mark Gabrish Conlan)

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DOBRINESCU: Solitude (Review by Hana Gubenko)

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DOBRINESCU: Solitude (Review by Colin Clarke)

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DOBRINESCU: Solitude (Review by Raymond Tuttle)

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DOBRINESCU: Solitude (Review by Mark Novak)

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DOBRINESCU: Solitude (Review by Mark Gabrish Conlan)

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DUBOIS, THÉODORE: Trio cantabile (Review by Hana Gubenko)

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DUBOIS, THÉODORE: Trio cantabile (Review by Colin Clarke)

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DUBOIS, THÉODORE: Trio cantabile (Review by Raymond Tuttle)

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DUBOIS, THÉODORE: Trio cantabile (Review by Mark Novak)

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DUBOIS, THÉODORE: Trio cantabile (Review by Mark Gabrish Conlan)

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GOLDMARK: Ballade in G, op. 54 (Review by Hana Gubenko)

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GOLDMARK: Ballade in G, op. 54 (Review by Huntley Dent)

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GOLDMARK: Ballade in G, op. 54 (Review by Colin Clarke)

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GOLDMARK: Ballade in G, op. 54 (Review by Ken Meltzer)

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GOLDMARK: Ballade in G, op. 54 (Review by Henry Fogel)

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GOLDMARK: Ballade in G, op. 54 (Review by Mark Novak)

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GOLDMARK: Ballade in G, op. 54 (Review by Raymond Tuttle)

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GOLDMARK: Ballade in G, op. 54 (Review by Phillip Scott)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Hana Gubenko)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Huntley Dent)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Colin Clarke)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Ken Meltzer)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Henry Fogel)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Mark Novak)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Raymond Tuttle)

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HUBAY: Scènes de Csárda No. 4, op. 32, “Hejre Kati” (Review by Phillip Scott)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Hana Gubenko)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Colin Clarke)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Raymond Tuttle)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Mark Novak)

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KAHN, ROBERT: Serenade in f, op. 73 (Review by Mark Gabrish Conlan)

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KODÁLY: Adagio for Violin and Piano (Review by Hana Gubenko)

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KODÁLY: Adagio for Violin and Piano (Review by Huntley Dent)

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KODÁLY: Adagio for Violin and Piano (Review by Colin Clarke)

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KODÁLY: Adagio for Violin and Piano (Review by Ken Meltzer)

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KODÁLY: Adagio for Violin and Piano (Review by Henry Fogel)

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KODÁLY: Adagio for Violin and Piano (Review by Mark Novak)

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KODÁLY: Adagio for Violin and Piano (Review by Raymond Tuttle)

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KODÁLY: Adagio for Violin and Piano (Review by Phillip Scott)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Hana Gubenko)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Colin Clarke)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Raymond Tuttle)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Mark Novak)

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KOECHLIN: Quatre petites pièces, op. 32 (Review by Mark Gabrish Conlan)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Hana Gubenko)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Huntley Dent)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Colin Clarke)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Ken Meltzer)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Henry Fogel)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Mark Novak)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Raymond Tuttle)

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LIGETI, GYORGY: Duo for Violin and Piano (Review by Phillip Scott)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Hana Gubenko)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Huntley Dent)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Colin Clarke)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Ken Meltzer)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Henry Fogel)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Mark Novak)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Raymond Tuttle)

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LISZT: Grand duo concertant sur la romance “Le Marin,” S 128 (cadenza Darvarova) (Review by Phillip Scott)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Hana Gubenko)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Huntley Dent)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Colin Clarke)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Ken Meltzer)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Henry Fogel)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Mark Novak)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Raymond Tuttle)

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LISZT: Hungarian Rhapsody No. 12, S 379a (arr. Joachim) (Review by Phillip Scott)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Hana Gubenko)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Colin Clarke)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Raymond Tuttle)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Mark Novak)

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MOZART: Horn Trio, after Quintet in E♭, K 407 (Review by Mark Gabrish Conlan)

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PIAZZOLLA, ASTOR: Oblivión (Review by Hana Gubenko)

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PIAZZOLLA, ASTOR: Oblivión (Review by Colin Clarke)

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PIAZZOLLA, ASTOR: Oblivión (Review by Raymond Tuttle)

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PIAZZOLLA, ASTOR: Oblivión (Review by Mark Novak)

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PIAZZOLLA, ASTOR: Oblivión (Review by Mark Gabrish Conlan)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Hana Gubenko)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Colin Clarke)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Raymond Tuttle)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Mark Novak)

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POWERS, DANIEL: Prelude and Bacchanal (Review by Mark Gabrish Conlan)

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PRODANOV: Trio (Review by Hana Gubenko)

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PRODANOV: Trio (Review by Colin Clarke)

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PRODANOV: Trio (Review by Raymond Tuttle)

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PRODANOV: Trio (Review by Mark Novak)

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PRODANOV: Trio (Review by Mark Gabrish Conlan)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Hana Gubenko)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Colin Clarke)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Raymond Tuttle)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Mark Novak)

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RAMEY, PHILLIP: Stonehenge Sunrise (Review by Mark Gabrish Conlan)

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RAUM, ELIZABETH: Pantheon (Review by Hana Gubenko)

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RAUM, ELIZABETH: Pantheon (Review by Colin Clarke)

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RAUM, ELIZABETH: Pantheon (Review by Raymond Tuttle)

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RAUM, ELIZABETH: Pantheon (Review by Mark Novak)

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RAUM, ELIZABETH: Pantheon (Review by Mark Gabrish Conlan)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Hana Gubenko)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Colin Clarke)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Raymond Tuttle)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Mark Novak)

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RHEINBERGER: 6 Pieces, op. 150 (Review by Mark Gabrish Conlan)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Hana Gubenko)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Colin Clarke)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Raymond Tuttle)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Mark Novak)

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TAMBERG: Prelude and Metamorphosis, op. 38 (Review by Mark Gabrish Conlan)

piano 

WEAVER, THOMAS: Stanzas (Review by Hana Gubenko)

narrator 

WEAVER, THOMAS: Stanzas (Review by Colin Clarke)

narrator 

WEAVER, THOMAS: Stanzas (Review by Raymond Tuttle)

narrator 

WEAVER, THOMAS: Stanzas (Review by Mark Novak)

narrator 

WEAVER, THOMAS: Stanzas (Review by Mark Gabrish Conlan)

narrator 

WEAVER, THOMAS: Stanzas (Review by Hana Gubenko)

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WEAVER, THOMAS: Stanzas (Review by Colin Clarke)

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WEAVER, THOMAS: Stanzas (Review by Raymond Tuttle)

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WEAVER, THOMAS: Stanzas (Review by Mark Novak)

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WEAVER, THOMAS: Stanzas (Review by Mark Gabrish Conlan)

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