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Performer: Vladimír Válek

BARATI: Symphony No. 1... (Lazio Kováks) (Review by John Story)

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KHACHATURIAN; Concerto for Piano and Orchestra....: (Review by John Bauman)

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BARATI: Chant of Darkness (Review by Paul Rapoport)

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BARBER, STEPHEN: XYZ. L (Review by Phillip Scott)

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BARKER NELSON, MARIE: Universe. The Rocky Mountains. Symphonic Fantasy on Orpheus Lex. Ode to Antigone (Review by William Zagorski)

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BARNETT: Overture for a Greek Drama (Review by Stephen Ellis)

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BEELER: Homage to Roger Sessions (Review by Stephen Ellis)

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BEELER: Mad Song for Orchestra (Review by Stephen Ellis)

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BEETHOVEN, LUDWIG VAN: Symphonies (Review by Richard Burke)

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BIGGS: Salutation (Review by Raymond Tuttle)

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BIGGS: Salutation (Review by William Zagorski)

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BLAHNIK: Sláva! (Review by Raymond Tuttle)

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BRIXI: Concerto No. 2 in G for Organ and Orchestra (Review by David Johnson)

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BROWN, JONATHAN BRUCE: Symphony for String Orchestra (Review by Raymond Tuttle)

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BROWN, J. WINDEL: About Time (Review by Colin Clarke)

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BROWN, WHITMAN: Zudnick (Review by Stephen Ellis)

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CARBON: Piano Concerto. Rasgos (Sketches). Rhapsody for Clarinet and Orchestra. Ghost Town Sketches (Review by Peter Burwasser)

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COOMAN, CARSON: Joy of Humankind (Review by Colin Clarke)

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DAVIS, MICHAEL: . . . and One Last Waltz (Review by Jerry Dubins)

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DIEHL: Insiders. (Review by Phillip Scott)

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DIEMER, EMMA LOU: Piano Concerto in One Movement (Review by Raymond Tuttle)

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FARMER, PETER: Concertino for Tenor Saxophone. Symphony No. 1 (Review by Paul Ingram)

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FELD: Fantasia concertante. Concertino. Flute Concerto (Review by Raymond Tuttle)

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FRIED: Concerto No. 2 for Clarinet and Orchestra. Guernica—Quintet for Soprano Saxophone and String Quartet (Review by Stephen Ellis)

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FRISK: Tetrachordal Variations. (Review by Phillip Scott)

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FUNK: Symphonies (Review by David Denton)

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FUNK: Symphony No. 1 (“Emily“). Lidice. Concerto for Oboe and Orchestra, op. 57^. Concerto for Cello and Orchestra, op. 55 (“Homage to Jacqueline DuPre“) (Review by Raymond Tuttle)

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GILLINGHAM: Interplay (Review by William Zagorski)

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GILLINGHAM: Interplay (Review by Lynn René Bayley)

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GILLINGHAM: Interplay (Review by Patrick Rucker)

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GLAZUNOV: Concerto for Alto Saxophone and String Orchestra (Review by Stephen Ellis)

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GLENCK: Carità eternal Liebesklage und Trauerhymnus. Variationen-Suite (Review by Martin Anderson)

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GOODMAN, DAVID: Violin Concerto (Review by Paul Rapoport)

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GOODMAN, JEROME DAVID: Stockbridge Overtones (Review by Raymond Tuttle)

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GREGOR: Concerto for Cello and Orchestra (Review by ROGER DETTMER)

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HAMPTON, MITCH: Concerto for Jazz Piano and Orchestra (Review by Paul A. Snook)

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HAMPTON, MITCH: Concerto for Jazz Piano and Orchestra (Review by Stephen Ellis)

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HANSEN, DEANNA: Polish Suite. L (Review by Jerry Dubins)

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HEINRICHS: Dream Sequence.' (Review by Raymond Tuttle)

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HOAG: Flint Hills Contours. (Review by Phillip Scott)

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HOMANS: Tavistock (Review by William Zagorski)

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HOOSE: Monograph (Review by Raymond Tuttle)

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JIRKO: Serenata Giocosa (Review by John Ditsky)

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KHACHATURIAN, ARAM: Concerto for Piano and Orchestra. Dance Suite for Orchestra (Review by Paul Turok)

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KORNEITCHOUK: Viola Concerto, “Coaxing the Shadows to Move of Their Own Volition.“ Everything That Rises Must Converge. The Disqualification of Harry Semantix as Trial Juror for East County. (Review by Raymond Tuttle)

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KVĚCH: Metamorphosis (Review by ROGER DETTMER)

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LALO: Symphonie espagnole, for Violin and Orchestra, op. 21. Concerto russe, for Violin and Orchestra, op. 29 (Review by Adrian Corleonis)

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LARSON, ANNA: Adagio for Trumpet and Strings. (Review by Jerry Dubins)

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LINEK: Concerto in C for Organ and Orchestrer (Review by David Johnson)

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LUCKÝ, STEPÁN: Nenia (Review by John Ditsky)

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LUKÁS: Concerto for Bassoon and Orchestra (Review by Stephen Ellis)

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MANDELBAUM, JOEL: The Village (Review by William Zagorski)

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MANDELBAUM, JOEL: The Village (Review by Lynn René Bayley)

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MANDELBAUM, JOEL: The Village (Review by Patrick Rucker)

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MATĚJ: Concerto for Flute, String Orchestra, and Harpsichord (Review by Stephen Ellis)

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MATYS: Symphony Overture (Review by John Ditsky)

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MCBRIDE: Four for Orchestra (Review by Stephen Ellis)

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MCCARTHY: Towers (Review by Phillip Scott)

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MCKINLEY, ELLIOTT MILES: April (Review by Colin Clarke)

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MCKINLEY, WILLIAM THOMAS: Concerto for Orchestra No. 2. Tango, Intermezzo, and Dance (Review by Raymond Tuttle)

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MCKINLEY, WILLIAM THOMAS: Goldberg Variations for Flute Duo and Orchestra. 2 Movements for Flute and Strings. 3 Movements for Flute and Strings. (Review by William Zagorski)

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MCKINLEY, WILLIAM THOMAS: Symphony No. 6, “Prague“ (Review by Raymond Tuttle)

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MCKINLEY, WILLIAM THOMAS: Symphony No. 6, “Prague“ (Review by William Zagorski)

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MELLONI: Festive Overtures. (Review by Jerry Dubins)

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MELLONI: Symphony, “Chehalis.“ (Review by William Zagorski)

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MOZART: Concertante Works for Flute and Orchestra (Review by Bernard Jacobson)

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MOZART: Concerto No. 1 in G, K. 313. Concerto No. 2 in D, K. 314. Andante in C, K. 315. Concerto in C for Flute, Harp, and Orchestra, K. 299 (Review by Bernard Jacobson)

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MOZART: Symphonies (Review by Richard Burke)

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NIELSON: Procession. (Review by Phillip Scott)

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PALMER: Millennium. (Review by Jerry Dubins)

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PARSHALL-VEHAR: LighťLux/Svietlo (Review by Stephen Ellis)

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PHILO: Spring Music (Review by Stephen Ellis)

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PIERCE: Short Suite Overture (Review by Stephen Ellis)

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PIZER: Manhattan Impressions (Review by Paul A. Snook)

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PIZER: Manhattan Impressions (Review by Stephen Ellis)

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POST, DAVID: Divertimento for Reed Trio. English Horn Concerto. (Review by Paul Ingram)

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POST, DAVID: English Horn Concerto (Review by William Zagorski)

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POST, DAVID: Symphony No. 1 (Review by Paul Rapoport)

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PROKOFIEV: Romeo and Juliet (Review by Peter J. Rabinowitz)

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RAMETTE: Prelude, Fugue, and Postlude; Symphony No. 3; Symphony No. S (Review by Barry Brenesal)

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RAPCHAK: Orloj (Review by Raymond Tuttle)

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REICHA: 3 Fanfares (Review by Stephen Ellis)

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RICHTER, F. X.: Concertos for Flute and Orchestra (Review by John Bauman)

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RIMSKY-KORSAKOV: Scheherazade. Capriccio espagnol (Review by Michael Fine)

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ROBBINS: The Heart's Trapeze“ (Review by Raymond Tuttle)

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ROCKMAKER: Interchangeable Parts? (Review by Raymond Tuttle)

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ROGERS, RUSSELL: Warrior Dreams? (Review by Raymond Tuttle)

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ROSSI, LUIGI: Moon-Mirror, Denying the Abyss (Review by Raymond Tuttle)

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ROSSI, LUIGI: Moon-Mirror (Review by William Zagorski)

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ROSS, WALTER: Clarinet Concerto. Violin Concerto. Piano Concerto (Review by Stephen Ellis)

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ROSS, WALTER: Clarinet Concerto. Violin Concerto. Piano Concerto, “Mosaics“ (Review by Jerry Dubins)

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RUSH: Possession (Review by Stephen Ellis)

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SACCO: Violin Concerto No. 1 (Review by William Zagorski)

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SAINT-SAËNS: Symphony No. 3 in C Minor, op. 78 (“Organ“). Suite algérienne, op. 60 (Review by David Hurwitz)

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SCHUBERT: (arr. Stephen Casale) Symphony in b, “Unfinished“ (Review by Jerry Dubins)

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SCHUBERT: Mass No. 5 in Ab, D. 678 (Review by Elliott Kaback)

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SCHULHOFF, ERWIN: Symphonies (Review by James H. North)

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SCHWARZ, IRA-PAUL: Celtic Concerto. (Review by Phillip Scott)

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SCHWARZ, IRA-PAUL: Rosa’s Rhapsody (Review by Paul A. Snook)

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SCHWARZ, IRA-PAUL: Rosa’s Rhapsody (Review by Stephen Ellis)

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SLÁDEK: Chroma (Review by Paul A. Snook)

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SLÁDEK: Chroma (Review by Stephen Ellis)

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SLÁDEK: McKINLEY Patriotic Variations (Review by Paul A. Snook)

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SLÁDEK: McKINLEY Patriotic Variations (Review by Stephen Ellis)

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SMETANA: Louisen Polka (arr. Krejčí) (Review by Barry Brenesal)

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SMETANA: My Fatherland. Richard III. Wallenstein’s Camp. Hakon Jarl. Triumph Symphony. March for a Shakespeare Festival. Ceremonial Prelude in C. Our Lasses Polka. Georginen Polka (arr. Krejčí) (Review by Barry Brenesal)

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SMETANA: Richard III, op. 11. Wallenstein's Camp, op. 14. Håkon Jarl, op. 16. Solemn March for Shakespeare Celebrations. Solemn Prelude in C. The Country Woman Polka. The Prague CarnivaP. To Our Girls Polka (Review by James H. North)

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STALNAKER: String Symphony (Review by Patrick Rucker)

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STAMITZ: Concertos for Organ and Orchestra (Review by David Johnson)

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STAMITZ, D. K.: Concertos for Flute and Orchestra (Review by John Bauman)

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STANLEY, HELEN: Concerto romantico (Review by Colin Clarke)

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STARER: Concerto for 2 Pianos and Orchestra (Review by William Zagorski)

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STARER: Kli Zemer— Concerto for Clarinet and Orchestra. Samson Agonistes—Symphonic Poem. Concerto a Quattro. Annapolis Suite—Music for Brass and Harp (Review by Robert McColley)

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STEWART: Overture brevis? Viola Concerto. Fantasy for Orchestra. Clarinet Concerto. Scherzo for Orchestra (Review by Raymond Tuttle)

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STEWART: Scherzo for Orchestra (Review by Raymond Tuttle)

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STEWART: Scherzo for Orchestra (Review by William Zagorski)

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STOCK, DAVID: Fast Break (Review by Stephen Ellis)

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STRAVINSKY, IGOR: Concerto for Piano and Wind Instruments. Sonata in C. Serenade in A (Review by Peter J. Rabinowitz)

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TCHAIKOVSKY: Symphonies (Review by Michael Ullman)

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TOMÁŠEK: Symphony in D (Review by Jon Tuska)

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TUČAPSKÝ: Stabat mater (Review by Jerry Dubins)

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UNDERHILL: Piano Concerto. Piano Sonata. Passacaglia (Review by Raymond Tuttle)

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VALEK: La Partenza della Primavera (Review by John Ditsky)

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VOLLRATH: Siciliano (Review by Colin Clarke)

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VRANICKÝ, ANTONIN: Aphrodite Symphony (Review by Jon Tuska)

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WHIPPLE: McKINLEY Night Music (Review by David Denton)

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WINTEREGG: Visions and Revelations.*' (Review by Raymond Tuttle)

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ZEMLINSKY: String Quartet No. 3, op. 19. Lyrische Symphonie, op. 18 (Review by James H. North)

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