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Performer: Frances-Marie Uitti BROWN, EARLE: Folio. Music for Cello and Piano (Review by Mike Silverton) | cello | CAGE, JOHN: 45' for a Speaker. 45' für einen Sprecher. 34'46.776“ for a Pianist. 31'57.9864“ for a Pianist. 2T10.554“ for a Percussionist. 26'1.1499“ for a String Player. 4/33” (No. 2) (0’00”). Two. Music for Five (Review by Mike Silverton) | cello | CAGE, JOHN: 45' for a Speaker. 45' für einen Sprecher. 34'46.776“ for a Pianist. 31'57.9864“ for a Pianist. 2T10.554“ for a Percussionist. 26'1.1499“ for a String Player. 4/33” (No. 2) (0’00”). Two. Music for Five (Review by Mike Silverton) | voice | CAGE, JOHN: Variations I. Seven Haiku. Solo for Flute, Alto Flute, and Piccolo (Review by Mike Silverton) | cello | CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange) | cello | CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange) | record players | CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange) | toy instruments | CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange) | transistor radio | CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange) | voice | CAGE, JOHN: Études Boreales. Ryoanji (Review by David Sachs) | cello | FELDMAN, MORTON: Projection I. Extension 3. Intersection 4. Duration 2 (Review by Mike Silverton) | cello | GRIFFITHS/UITTI: There Is Still Time (Review by Robert Carl) | cello | HARVEY, JONATHAN: Concerto for Cello and Orchestra'. Curve with Plateaux, for Solo Cello. Ricercare una Melodia, Version for Cello and Tape Delay. Three Sketches, for Solo Cello. Philia's Dream, for Cello and Synthesizer (Review by Mike Silverton) | cello | HARVEY, JONATHAN: Concerto for Cello and Orchestra'. Curve with Plateaux, for Solo Cello. Ricercare una Melodia, Version for Cello and Tape Delay. Three Sketches, for Solo Cello. Philia's Dream, for Cello and Synthesizer (Review by Art Lange) | cello | SCELSI: Ave Maria. Ygghur. Alleluja. Ohoi. Anâgâmin. Natura renovatur (Review by Robert Carl) | cello | SCELSI: Okanagon (Review by Mike Silverton) | cello | SCELSI: Okanagon, for Harp, Double bass, and Tam-Tam. Uaknongan, for Double bass and Voice. Three Pieces, for Trombone. Wo Ma, for Bass Voice. C'est bien, la nuit, for Double bass. Le Réveil profond, for Double bass. Uaknongan, for Bb Bass Tuba. Et maintenant, c'est à vous à Jouer, for Cello and Double bass. Mantram, for Double bass (Review by Mike Silverton) | cello | SCELSI: Trilogia. Ko-Tha (Review by Alex Ross) | cello | STIEBLER: Three in One, for Bass Flute and Tape. Trio '89, for Cello, Piano, and Percussion. Sequenz II, for Celio and Tape (Review by Mike Silverton) | cello | WOLFF, CHRISTIAN G.: For Prepared Piano. For 1,2, or 3 People (Review by Mike Silverton) | cello |
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