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Performer: Thomas Trotter

CHRISTMAS AT KING'S COLLEGE: A Festical of Lessons and Carols from King’s (Review by George Chien)

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CHRISTMAS AT KING'S COLLEGE: Christmas Music from King’s (Review by George Chien)

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CHRISTMAS AT KING'S COLLEGE: Favorite Carols from King’s (Review by George Chien)

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CHRISTMAS AT KING'S COLLEGE: Procession with Carols on Advent Sunday (Review by George Chien)

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A FESTIVAL OF LESSONS AND CAROLS FROM KING'S: (Review by George Chien)

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JANÁČEK, LEOŠ: Glagolitic Mass... (Edward Gardner) (Review by Huntley Dent)

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SCRIABIN-NEMTIN: Preparation for the Final Mystery (Vladimir Ashkenazy) (Review by Peter J. Rabinowitz)

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BARBER, SAMUEL: Agnus Dei (Review by John Ditsky)

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BARBER, SAMUEL: Agnus Dei (Review by John Ditsky)

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BARBER, SAMUEL: Knoxville (Review by Walter Simmons)

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BERKELEY, LENNOX: Symphony No. 2. Voices of the Night (Review by Colin Anderson)

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BERKELEY, MICHAEL: Concerto for Organ and Orchestra. Viola Concerto (Review by Colin Anderson)

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BERNSTEIN, LEONARD: Chichester Psalms (Review by John Ditsky)

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BERNSTEIN, LEONARD: Chichester Psalms (Review by John Ditsky)

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BINGHAM, JUDITH: The Darkness Is no Darkness (Review by Phillip Scott)

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BINGHAM, JUDITH: The Secret Garden (Review by Phillip Scott)

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BRITTEN: Rejoice in the Lamb—Festival Cantata, Op. 30. A Wedding Anthem (Amo ergo sum), Op. 46. Festival Te Deum, Op. 32. A Boy was Born—Choral Variations, Op. 3 (Review by David Johnson)

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BRUCKNER, ANTON: Locus iste a Deo factus est. Os justi meditabitur. Afferentur regí. Ave Maria. Vexiüa regis. Ecce sacerdos nuignus. Tota pulchra es. Virga Jesse floruit. Pange lingua. Inveni David. Christus factus est pro nobis (Review by Peter J. Rabinowitz)

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BRUCKNER, ANTON: Locus iste. Os justi. Afferentur regi. Ave Maria. Vexillä regis. Ecce sacerdos magnus. Tota pulchra es. Virga Jesse floruit. Pange lingua. Inveni David. Christus factus est (Review by Peter J. Rabinowitz)

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BRUCKNER, ANTON: Motets (Review by Peter J. Rabinowitz)

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BRUCKNER, ANTON: Motets (Review by Peter J. Rabinowitz)

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BRUCKNER, ANTON: Requiem in D minor. Psalm 114 (116). Psalm 112 (Review by Peter J. Rabinowitz)

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COPLAND, AARON: In the Beginning. Three Motets (Review by John Ditsky)

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COPLAND, AARON: In the Beginning. Three Motets (Review by John Ditsky)

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DURUFLÉ, MAURICE: Requiem (3rd version) (Review by Adrian Corleonis)

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DURUFLÉ, MAURICE: Requiem, Op. 9. Quatre Motets sur des themes grégoriennes, Op. 10 (Review by George Chien)

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DURUFLÉ, MAURICE: Requiem, Op. 9. Quatre Motets sur les themes grégoriens, Op. JO. Ubi caritas et amor; Tota pulchra es; Tu es Petrus; Tantum ergo (Review by George Chien)

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DYSON: 3 Choral Hymns (Review by Martin Anderson)

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DYSON: 3 Songs of Praise (Review by Martin Anderson)

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DYSON: Hierusalem. Three Choral Hymns. Three Songs of Praise. Fantasia and Ground Bass. O Praise God in His Holiness (Review by Haig Mardirosian)

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DYSON: Hierusalem—Hymn for Soprano Solo, Chorus, Solo String Quartet, and String Orchestra, with Harp and Organ. Three Choral Hymns, for Chorus & Organ. Three Songs of Praise, for Chorus & Organ. Fantasia and Ground Bass, for Organ. O Praise God in His Holiness (Psalm 150), for Chorus & Organ (Review by John Ditsky)

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DYSON: O Praise God in His Holiness (Review by Martin Anderson)

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ELGAR: Pomp and Circumstance No. 1. Chanson de Matin (Review by Haig Mardirosian)

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GOUNOD, CHARLES: Funeral March of a Marionette (Review by Haig Mardirosian)

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HOWELLS: Requiem. Take Him, Earth, for Cherishing (Review by John Ditsky)

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HOWELLS: Requiem. Take Him, Earth, for Cherishing (Review by John Ditsky)

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JANÁČEK, LEOŠ: Glagolitic Mass (Review by James H. North)

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JANÁČEK, LEOŠ: Glagolitic Mass. Adagio for Orchestra. Zdravas Maria (Hail Mary). Otče náš (Our Father) (Review by James H. North)

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LISZT: Consolation in D♭ (Review by Haig Mardirosian)

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LISZT: Evocation a la Chapelle Sixtine, S 658 (Review by Peter J. Rabinowitz)

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LISZT: Fantasia and Fugue on "Ad nos, ad salutarem undam," S 259 (Review by Peter J. Rabinowitz)

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LISZT: Missa Choralis (Review by Martin Anderson)

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LISZT: Missa Choralis (Review by Peter J. Rabinowitz)

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LISZT: Organ Works (Review by Peter J. Rabinowitz)

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LISZT: Prelude and Fugue on BACH, S 260 (version of 1855) (Review by Peter J. Rabinowitz)

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LISZT: Variations on "Weinen, Klagen, Sorgen, Zagen," S 673 (Review by Peter J. Rabinowitz)

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LISZT: Via Crucis (Review by Martin Anderson)

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LISZT: Via Crucis (Review by Peter J. Rabinowitz)

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MENDELSSOHN, FELIX: A Midsummer Night's Dream (Review by Haig Mardirosian)

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MENDELSSOHN, FELIX: A Midsummer Night’s Dream (Review by Haig Mardirosian)

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MESSIAEN: Verser pour la fête de la Dédicace. Le Banquet céleste. Les Corps glorieux (Review by Alex Ross)

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POULENC: Concerto for Organ, Strings, and Timpani (Review by Barnaby Rayfield)

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PROKOFIEV: Toccata (Review by Haig Mardirosian)

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ROSSINI: William Tell (Review by Haig Mardirosian)

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SAINT-SAËNS: Symphony No. 3 (Review by Barnaby Rayfield)

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SAINT-SAËNS: The Swan. Danse macabre (Review by Haig Mardirosian)

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SCHUMANN: 4 Sketches for Pedal Piano, op. 58 (Review by Steven E. Ritter)

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SCHUMANN: 6 Fugues on the name of BACH, op. 60 (Review by Steven E. Ritter)

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SCHUMANN: Studies for Pedal Piano, op. 56 (Review by Steven E. Ritter)

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SUPPÉ, VON: Poet and Peasant (Review by Haig Mardirosian)

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TCHAIKOVSKY: Nutcracker (Review by Haig Mardirosian)

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VAUGHAN WILLIAMS: Mass in G Minor. Te Deum in G (Review by John Ditsky)

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VAUGHAN WILLIAMS: Mass in G minor. Te Deum in G (Review by John Ditsky)

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VAUGHAN WILLIAMS: Te Deum (Review by Alan Swanson)

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WAGNER: Die Meistersinger (Review by Haig Mardirosian)

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WAGNER: Pilgrim’s Chorus. Ride of the Valkyries (Review by Haig Mardirosian)

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WEBER: Jubel Overture (Review by Haig Mardirosian)

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