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Performer: John Tomlinson JOHN TOMLINSON: GREAT OPERATIC ARIAS (John Tomlinson) (Review by Joel Kasow) | bass | BARTÓK: Bluebeard's Castle, op.11, Sz.48 (Review by James H. North) | baritone | BARTÓK: Bluebeard's Castle, op.11, Sz.48 (Review by James H. North) | Bluebeard | BARTÓK: Bluebeard's Castle. Piano Concerto No. 3. The Miraculous Mandarin (Review by James H. North) | Bluebeard | BARTÓK: Bluebeard’s Castle (Review by James H. North) | Bluebeard  | BARTÓK: Bluebeard’s Castle (Review by Jerry Dubins) | Bluebeard | BARTÓK: Bluebeard’s Castle (Review by Barry Brenesal) | Bluebeard/Minstrel | BARTÓK: The Wooden Prince, Sz 60. Cantata Profana, Sz 94 (Review by James H. North) | baritone | BEETHOVEN, LUDWIG VAN: Fidelio (Review by Bob Rose) | bass | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 1-9. Overtures (Review by Henry Fogel) | bass | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 8 and 9 (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Symphonies (Review by Richard Burke) | bass | BEETHOVEN, LUDWIG VAN: The Nine Symphonies. Symphony No. 10 in E (Review by William Zagorski) | bass | BELLINI, VINCENZO: I Capuleti e i Montecchi (Review by Vincent Alfano) | bass | BELLINI, VINCENZO: I Capuleti e i Montecchi (Review by Vincent Alfano) | Lorenzo | BELLINI, VINCENZO: I Capuleti e i Montecchi (Review by Alan Swanson) | Lorenzo | BIRTWISTLE: Gawain (Review by James H. North) | Bertilak de Hautdesert | BIRTWISTLE: Gawain (Review by James H. North) | the Green Knight | BIRTWISTLE: Punch and Judy (Review by John Ditsky) | baritone | BIRTWISTLE: Punch and Judy (Review by John Ditsky) | Doctor | BIRTWISTLE: Punch and Judy (Review by Paul Moor) | Doctor | BIRTWISTLE: Punch and Judy (Review by Peter J. Rabinowitz) | Doctor | BIRTWISTLE: Punch and Judy (Review by Colin Clarke) | Doctor | BIRTWISTLE: The Minotaur (Review by Ronald E. Grames) | Minotaur | BIRTWISTLE: The Minotaur (Review by Ronald E. Grames) | Minotaur | BIRTWISTLE: The Minotaur (Review by Arthur Lintgen) | Minotaur | BIRTWISTLE: The Minotaur (Review by James H. North) | The Minotaur | BRITTEN: Billy Budd (Review by James Miller) | Claggart | BRITTEN: Seven Sonnets of Michelangelo, op. 22 (Review by Alan Swanson) | bass | CHARPENTIER, MARC-ANTOINE: Judith (Review by David Johnson) | bass | CORRETTE, MICHEL: Laudate Dominum (Review by David Johnson) | bass | DEBUSSY: Pelléas et Mélisande (Review by Henry Fogel) | Arkel | DEBUSSY: Pelléas et Mélisande (Review by James Miller) | Arkel | DONIZETTI: Maria Stuarda (Review by Henry Fogel) | bass | DONIZETTI: Maria Stuarda (Review by Henry Fogel) | George | DONIZETTI: Mary Stuart (Review by Robert Levine) | bass | DONIZETTI: Mary Stuart (Review by Robert Levine) | Talbot | GLANVILLE-HICKS: Sappho (Review by Lynn René Bayley) | Kreon | HANDEL-MOZART: Acis und Galatea (Review by Ralph V. Lucano) | bass | HANDEL-MOZART: Acis und Galatea (Review by Ralph V. Lucano) | Polyphem | HANDEL, GEORGE FRIDERIC: Alcina (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Alcina (Review by Brian Robins) | Melisso | HANDEL, GEORGE FRIDERIC: Alcina (Review by Melanie Eskenazi) | Melisso | HANDEL, GEORGE FRIDERIC: Hercules (Review by J. F. Weber) | bass | HANDEL, GEORGE FRIDERIC: Julius Caesar (Review by Ralph V. Lucano) | Achillas | HANDEL, GEORGE FRIDERIC: Julius Caesar (Review by Anthony D. Coggi) | bass | HANDEL, GEORGE FRIDERIC: Julius Caesar (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Julius Caesar (Review by Bernard Jacobson) | Achillas | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | bass | HANDEL, GEORGE FRIDERIC: Messiah (Review by James A. Altena) | bass | HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky) | bass | HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky) | Falstaff | LORTZING: Der Waffenschmied (Review by David L. Kirk) | Hans Stadlinger | LORTZING: The Armourer (Review by Bob Rose) | bass | MARTINŮ: The Greek Passion (Review by ROGER DETTMER) | bass | MARTINŮ: The Greek Passion (Review by Peter J. Rabinowitz) | bass | MARTINŮ: The Greek Passion (Review by John Ditsky) | Grigoris | MARTINŮ: The Greek Passion (Review by ROGER DETTMER) | Grigoris | MARTINŮ: The Greek Passion (Review by Peter J. Rabinowitz) | Grigoris | MASSENET, JULES: Werther (sung in English) (Review by Marc Mandel) | Johann | MOZART: Così fan tutte, K. 588 (Review by Ralph V. Lucano) | bass | MOZART: Così fan tutte, K. 588 (Review by Ralph V. Lucano) | Don Alfonso | MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano) | bass | MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano) | Leporello | MOZART: Le nozze di Figaro, K. 492 (Review by Ralph V. Lucano) | bass | MOZART: Le nozze di Figaro, K. 492 (Review by Ralph V. Lucano) | Figaro | MOZART: The Abduction from the Seraglio (Review by Bob Rose) | bass | MOZART: The Magic Flute (Review by Henry Fogel) | Sarastro | MUSSORGSKY: Boris Godunov (Review by Benjamin Pernick) | Boris | RAMEAU: Nais (Review by Anthony D. Coggi) | bass | RAMEAU: Nais (Review by Anthony D. Coggi) | Pluto | SAINT-SAËNS: Samson et Dalila (Review by John W. N. Francis) | Abimélech | SAINT-SAËNS: Samson et Dalila (Review by John W. N. Francis) | bass | SHOSTAKOVICH: Suite, op. 145 (Review by Alan Swanson) | bass | SHOSTAKOVICH: Symphony No. 14 (Review by Art Lange) | bass | STRAUSS: Guntram (Review by Richard A. Kaplan) | Friedhold | STRAUSS: The Knight of the Rose (Review by Bob Rose) | bass | STRAVINSKY, IGOR: Oedipus Rex (Review by James H. North) | bass | STRAVINSKY, IGOR: Oedipus Rex (Review by James H. North) | Creon | VERDI: Don Carlos (Review by Boyd Pomeroy) | Grand Inquisitor | VERDI: Macbeth (Review by Joel Kasow) | Banquo | VERDI: Rigoletto (Review by James Camner) | Sparafucile | WAGNER: Das Rheingold (Review by William H. Youngren) | Wotan | WAGNER: Das Rheingold (Review by Andrew Quint) | Wotan | WAGNER: Der Ring des Nibelungen (Review by William H. Youngren) | bass | WAGNER: Die Meistersinger von Nürnberg (Review by Andrew Quint) | Sachs | WAGNER: Die Walküre (Review by Lynn René Bayley) | Hunding | WAGNER: Die Walküre (Review by William H. Youngren) | Wotan | WAGNER: Die Walküre (Review by William H. Youngren) | Wotan | WAGNER: Die Walküre (Review by Andrew Quint) | Wotan | WAGNER: Die Walküre (Review by Andrew Quint) | Wotan | WAGNER: Die Walküre (Review by William H. Youngren) | Hunding | WAGNER: Die Walküre (Review by Huntley Dent) | Hunding | WAGNER: Götterdämmerung (Review by James Miller) | bass | WAGNER: Götterdämmerung (Review by William H. Youngren) | Hagen | WAGNER: Götterdämmerung (Review by James Miller) | Hagen | WAGNER: Götterdämmerung (Review by Evan Dickerson) | Hagen | WAGNER: Götterdämmerung (Review by Colin Clarke) | Hagen | WAGNER: Götterdämmerung (Review by Andrew Quint) | Hagen | WAGNER: Parsifal (Review by Lynn René Bayley) | Gurnemanz | WAGNER: Parsifal (Review by Huntley Dent) | Gurnemanz | WAGNER: Parsifal (Review by William H. Youngren) | Titurel | WAGNER: Siegfried Idyll. Lohengrin (Review by James Miller) | bass | WAGNER: Siegfried (Review by Andrew Quint) | The Wanderer | WAGNER: Siegfried (Review by William H. Youngren) | Wanderer | WAGNER: The Flying Dutchman (Review by Andrew Quint) | The Dutchman | WAGNER: The Rhinegold (Review by Bob Rose) | bass | WEBER: The Freeshooter (Review by Bob Rose) | bass | WEILL: The Seven Deadly Sins (Review by John Ditsky) | bass | WOLF, HUGO: Drei Gedichte von Michelangelo (Review by Alan Swanson) | bass |
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