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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

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Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

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Performer: Philip Thorby

MASTER OF MUSICIANS: (Review by J. F. Weber)

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THE FIELD OF CLOTH OF GOLD (1520): (Review by J. F. Weber)

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WORDPLAY—MADRIGALS AND CHANSONS: (Review by Barry Brenesal)

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ANCHIETA, JUAN DE: Con amores mi madre (Review by Tom Moore)

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ANONYMOUS: Calabaça. Ay Santa Maria. Passamezzo. Tres Morillas. Dentro en le vergei. La Gamba. Nina y vina. A la mia. Dios te salve. Ya somos del todo libre. Dindirin dindirin (Review by Tom Moore)

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ANONYMOUS: Greensleeves to a Ground (Review by Tom Moore)

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CASA, DALLA: Petit Jacquet (Review by Tom Moore)

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CROFT: Sonata in G for Recorder and Continuo (Review by Tom Moore)

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ENCINA, JUAN DEL: Amor con fortuna. Cucú (Review by Tom Moore)

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ESCOBAR: Virgen bendita sin par (Review by Tom Moore)

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EYCK: Wat Zal Men Op Den Avond Doen (Review by Tom Moore)

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FERNANDES, ARMANDO JOSE: Tres moricas (Review by Tom Moore)

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FINGER, GOTTFRIED: Division on a Ground in F for Recorder and Continue (Review by Tom Moore)

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GABRIEL: Aquella mora garrida (Review by Tom Moore)

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GARCIMUNOS: Pues bien para esta (Review by Tom Moore)

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HANDEL, GEORGE FRIDERIC: Trio Sonata in F for Recorder, Violin, and Continuo, op. 2, no. 5 (Review by Tom Moore)

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LECLAIR: Sonata in F for Recorder and Continuo (Review by Tom Moore)

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LUCHAS: A la Caca (Review by Tom Moore)

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MUDARRA: Pavana d'Alexandre. Gallarda. Guardarne las vacas. Si me llama. Isabel. Fantasia en la manera de Luduvico (Review by Tom Moore)

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OCKEGHEM: De la momera (Review by Tom Moore)

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ORTIZ: Recercadas 3-4 (Review by Tom Moore)

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PONCE: Como està (Review by Tom Moore)

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ROMÁN, JUAN: O Voy (Review by Tom Moore)

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TORRE: Alta (Review by Tom Moore)

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VILCHES: Ta cantas los gallos (Review by Tom Moore)

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VIVALDI, ANTONIO: Sonata in G Minor for Recorder and Continuo, op. 13, no. 6, RV. 58 (Review by Tom Moore)

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