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Performer: Adrian Thompson

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow)

tenor 

BRITTEN: A Midsummer Night's Dream (Review by James Miller)

flute 

BRITTEN: A Midsummer Night's Dream (Review by James Miller)

tenor 

BRITTEN: Les Illuminations, op. 18. Nocturne, for Tenor, 7 Obligato Instruments, and Strings, op. 60 (Review by Andrew Quint)

tenor 

BRITTEN: Serenade, for Tenor, Horn, and Strings, op. 31 (Review by Andrew Quint)

tenor 

BUSH: A Summer Serenade*. Four Songs from “The Hesperides“. A Menagerie. Farewell, Earth's Bliss (Review by Peter J. Rabinowitz)

tenor 

GAY/PEPUSCH: The Beggar's Opera (Review by James Camner)

Macheath 

GAY/PEPUSCH: The Beggar's Opera (Review by James Camner)

tenor 

GURNEY: Ludlow and Teme. The Western Playland (Review by Elliott Kaback)

tenor 

HANDEL, GEORGE FRIDERIC: Rodelinda, regina de’ Longobardi (Review by Bernard Jacobson)

Grimoaldo 

JANÁČEK, LEOŠ: The Eternal Gospel (Review by Huntley Dent)

tenor 

JANÁČEK, LEOŠ: The Eternal Gospel. The Ballad of Blaník. The Fiddler's Child. The Excursions of Mr. Brouček (Review by Richard A. Kaplan)

tenor 

KUBIK, LADISLAV: Songs of Zhivago (Review by Peter Burwasser)

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MARTIN, FRANK: Golgotha (Review by Henry Fogel)

tenor 

MOERAN: Complete Solo Songs (Review by Barry Brenesal)

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MOERAN: Folk Song Arrangements (Review by Jim Svejda)

tenor 

MONTEVERDI: Il ritorno d'Ulisse in patria (Review by Barry Brenesal)

Eumete 

MOZART: Die Zauberflöte (Review by Andrew Quint)

Monostatos 

MOZART: Die Zauberflöte (Review by Andrew Quint)

Monostatos 

SCHUBERT: Complete Songs, Volume 12 (Review by David Johnson)

tenor 

SCHUBERT: Der Vatermörder, D. 10. Der Geistertanz (two versions), D. 15 and 15a. Die Advokaten, D. 3T. Die Schatten, D. 50. Ein Jugendlicher Malenschwung, D. 6Í. Verschwunden sind die Schmerzen, D. 88. Don Gayseros—I, D. 93, no. í. Don Gayseros—II, D. 93, no. 2. Don Gayseros—III, D. 93, no. 3. Adelaide, D. 95. Trost. An Elisa, D. 97. Andenken, D. 99. Lied der Liebe, D 109. Lied aus der Feme, D. 107. Die Betende, D. 102. An Laura, als sie Klopstocks Auferstehungslied sang, D. 115. Sehnsucht (Was Zieht mir das Herz so?), D. 123. Trost im Tränen, D. 119. Ballade, D. 134 (Review by David Johnson)

tenor 

SCHUBERT: Die schöne Müllerin, D. 795 (Review by Ralph V. Lucano)

tenor 

SCHUMANN: Des Sängers Fluch (Review by Marc Mandel)

tenor 

SCHUMANN: Lieder, op. 40 (Review by John Story)

tenor 

SCHUMANN: Minnespiel (Review by Marc Mandel)

tenor 

SCHUMANN: Spanische Liebeslieder, op. 138 (Review by Marc Mandel)

tenor 

SCHUMANN: Spanisches Liebeslieder, op. 138 (Review by John Story)

tenor 

SCHUMANN: Spanisches Liederspiel, op. 74 (Review by John Story)

tenor 

SCHUMANN: Spanisches Liederspiel, op. 74 (Review by Marc Mandel)

tenor 

VAUGHAN WILLIAMS: On Wenlock Edge (Review by Elliott Kaback)

tenor 

VICTORY: Ultima Rerum—& Requiem Cantata for Four Soloists, Large and Small Choirs, Children's Choir, and Orchestra (Review by Stephen Ellis)

tenor 

WARLOCK: And Wilt Thou Leave Me Thus? (Review by Adrian Corleonis)

tenor 

WARLOCK: Away to Twiver (Review by Adrian Corleonis)

tenor 

WARLOCK: Bethlehem Down (Review by Adrian Corleonis)

tenor 

WARLOCK: Bright Is the Ring of Words (Review by Adrian Corleonis)

tenor 

WARLOCK: Captain Stratton’s Fancy (Review by Adrian Corleonis)

tenor 

WARLOCK: Lillygay (Review by Adrian Corleonis)

tenor 

WARLOCK: Mr Belloc’s Fancy (Review by Adrian Corleonis)

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WARLOCK: My Gostly Fader (Review by Adrian Corleonis)

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WARLOCK: Peter Warlock’s Fancy (Review by Adrian Corleonis)

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WARLOCK: Peterisms (Review by Adrian Corleonis)

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WARLOCK: Songs (Review by Adrian Corleonis)

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WARLOCK: Sweet and Twenty (Review by Adrian Corleonis)

tenor 

WARLOCK: The Bachelor (Review by Adrian Corleonis)

tenor 

WARLOCK: The Cloths of Heaven (Review by Adrian Corleonis)

tenor 

WARLOCK: The Curlew (Review by Adrian Corleonis)

tenor 

WARLOCK: The Frostbound Wood (Review by Adrian Corleonis)

tenor 

 

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