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Fanfare Archive Subscriber-Only Features

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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


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Performer: Robert Stankovsky

ALEXANDER, WILLIAM: Salphynx (Review by Richard Burke)

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ALKAN: Concerti da camera (Review by Paul Rapoport)

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ALKAN: Concerto for Piano and Orchestra, op. 39/8 (arr. Klindworth) (Review by Paul Rapoport)

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ALTHANS: Valse excentrique (Review by Martin Anderson)

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ASHTON, JOHN H.: Fairmont Overture (Review by Lawrence A. Johnson)

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BARBER, STEPHEN: XYZ. L (Review by Phillip Scott)

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BARKER NELSON, MARIE: Hodeeyaada (Review by Joanne Forman)

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BARKER NELSON, MARIE: Hodeeyaada (Review by James H. North)

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BARKER NELSON, MARIE: TheMedead (Review by Richard Burke)

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BARNES, FLOYD: Elegy (Review by Colin Clarke)

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BARNES, FLOYD: Intrada for Brass and Percussion (Review by Elliott S. Hurwitt)

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BAUMAN: Adagio for Orchestra (Review by Lawrence A. Johnson)

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BERK: Rx for3ř (Review by Robert McColley)

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BERKY, CARL: Frozen Vibrations. Baroqueisms of Pleasure (Review by Elliott S. Hurwitt)

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BLOCK, STEVEN: Shadows (Review by William Zagorski)

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BLOCK, STEVEN: Shadows (Review by John Story)

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BRISMAN: Concerto for Piano and Strings (Review by Richard Burke)

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BROWN, J. WINDEL: Piano Concerto (Review by William Zagorski)

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BROWN, J. WINDEL: Piano Concerto (Review by John Story)

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BULLEN: Elegy Eroica' (Review by Joanne Forman)

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BULLEN: Elegy Eroica' (Review by James H. North)

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BURWASSER: A Well-Traveled Road (Review by Richard Burke)

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BUSCH, DENNIS: Symphony No. 67 in D. Piano Concerto No. 27 in F. Flute Concerto No. 2 in G (Review by William Zagorski)

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CIPULLO: Sparkler (Review by Elliott S. Hurwitt)

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COLSON: Searching Schubert (Review by Robert Carl)

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COUNTRYMAN: Concerto for Marimba and Orchestra (Review by Robert McColley)

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CROWELL: Black Holes and Antimatters' (Review by Richard Burke)

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CUI: Suites for Orchestra (Review by David Johnson)

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DIEHL: Insiders. (Review by Phillip Scott)

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DIEHL: On Wisdom. Prosper the Word (Review by Robert McColley)

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DIEHL: Right of Way (Review by William Zagorski)

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DIEHL: Right of Way (Review by John Story)

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DUSEK, ROBERT: Leviathan (Review by Elliott S. Hurwitt)

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DVOŘÁK, ANTONIN: King and Charcoal Burner (Review by David Johnson)

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DVOŘÁK, ANTONIN: Opera Overtures and Preludes (Review by David Johnson)

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EARNEST, JOHN DAVID: Chasing the Sun (Review by David Denton)

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ELKANA: A Color in Time' (Review by Richard Burke)

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ERICKSON, ELAINE: A Shipwrecked Landscape (Review by Richard Burke)

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ERNST, DAVID: Crossover (Review by Robert Carl)

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FEIST: Fog of Clusters (Review by Lawrence A. Johnson)

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FRANKLIN: Overture to a Confederacy of Dunces (Review by David Denton)

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FRISK: Tetrachordal Variations. (Review by Phillip Scott)

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FUGARINO: Riding on a Cloud (Review by Richard Burke)

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GASS: Midday Above Heiligenblut (Review by Elliott S. Hurwitt)

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GEORGE: A Thanksgiving Overture (Review by Richard Burke)

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GIUSTO: Peace Cow (it's not a habit, I'm used to it) (Review by Richard Burke)

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GOOCH: CLockwork (Review by Lawrence A. Johnson)

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GRIEG, EDVARD: Concerto in A Minor for Piano and Orchestra, op. 16 (Review by Peter J. Rabinowitz)

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HAI: M O Symphony for Strings (Review by William Zagorski)

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HALMO: Symphony for Strings (Review by John Story)

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HAMPTON, MITCH: Concerto for Jazz Piano and Orchestra (Review by Paul A. Snook)

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HAMPTON, MITCH: Concerto for Jazz Piano and Orchestra (Review by Stephen Ellis)

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HAWTHORNE: Night (Review by Joanne Forman)

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HAWTHORNE: Night (Review by James H. North)

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HICKS, GEOFFREY: The African-American Symphony (Review by Elliott S. Hurwitt)

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HOAG: Flint Hills Contours. (Review by Phillip Scott)

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HOIBY, LEE: Concerto No. 2 for Piano and Orchestra. Sonata for Violin and Piano. Narrative. Schubert Variations (Review by Walter Simmons)

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HOIBY, LEE: Concerto No. 2 for Piano and Orchestra. Sonata for Violin and Piano. Narrative. Schubert Variations (Review by Joanne Forman)

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HOOSE: Gestures and Intimations (Review by Richard Burke)

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HUGGLER: Ecce Homo (Review by David Denton)

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KEMP: Divertimento for Strings (Review by David Denton)

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KESSLER, MINUETTA: Alberto Concerto (Review by Martin Anderson)

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KIDDE: Quest (Review by Robert Carl)

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LAVENDA: Look, See (Review by Lawrence A. Johnson)

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LECLAIR: Haikus (Review by Martin Anderson)

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LEVY, FRANK EZRA: Symphony No. 4 ("Structures of the Mind“) (Review by Raymond Tuttle)

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LEVY, FRANK EZRA: Symphony No. 4 (“Structures of the Mind“) (Review by Joanne Forman)

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LEWIS, MALCOLM: Etesian Zephyrs (Review by Lawrence A. Johnson)

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LISZT: Concerto No. 1 in E♭ for Piano and Orchestra (Review by Peter J. Rabinowitz)

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MASCARI: Mount Washington—Symphonic Poem (Review by Joanne Forman)

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MASCARI: Mount Washington—Symphonic Poem (Review by James H. North)

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MCCARTHY: Towers (Review by Phillip Scott)

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MCKINLEY, WILLIAM THOMAS: An Overture fo ra Film (Review by David Denton)

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MCKINLEY, WILLIAM THOMAS: Andante and Scherzo (Review by Martin Anderson)

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MCKINLEY, WILLIAM THOMAS: Fantasia Variazioni (Review by Richard Burke)

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MCKINLEY, WILLIAM THOMAS: Symphony No. 4. Concerto No. 3 for Piano and Orchestral. Three Poems of Pablo Neruda* (Review by Robert McColley)

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MELLONI: Piano Symphony (Review by Stephen Ellis)

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MENDELSSOHN, FELIX: Concerto No. 2 in D Minor for Piano and Orchestra, op. 40 (Review by Peter J. Rabinowitz)

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MENDELSSOHN, FELIX: Concertos for Piano and Orchestra (Review by Elliott S. Hurwitt)

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MIASKOVSKY: Symphony No. 12 in G Minor, op. 35 (“Collective Farm“). Silence, op. 9 (Review by Royal S. Brown)

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MIASKOVSKY: Symphony No. 6 in E♭ Minor, op. 23 (Review by Peter J. Rabinowitz)

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MIASKOVSKY: Symphony No. 8 in A, op. 26 (Review by Peter J. Rabinowitz)

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MOLNÁR: Hyacinths (Review by Lawrence A. Johnson)

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MOSONYI: Concerto in E Minor for Piano and Orchestra. Symphony in D (Review by David Johnson)

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MUNCY: Paean (Review by Robert Carl)

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NIELSON: Crosscurrents on the Vertical River (Review by William Zagorski)

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NIELSON: Crosscurrents on the Vertical river (Review by John Story)

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NIELSON: Procession. (Review by Phillip Scott)

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NYTCH: Novas' (Review by Richard Burke)

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PACKALES: I Was on the Sea (Review by Joanne Forman)

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PACKELES: I Was On the Sea (Review by Raymond Tuttle)

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PAYNE: Desertscapes (Review by Robert McColley)

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PERLONGO: Concerto for Piano and Orchestra (Review by Stephen Ellis)

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PIZER: Elegy in Amber (Review by Robert McColley)

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PIZER: Manhattan Impressions (Review by Paul A. Snook)

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PIZER: Manhattan Impressions (Review by Stephen Ellis)

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POLAY: Cathedral Images (Review by Joanne Forman)

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POLAY: Cathedral Images' (Review by James H. North)

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RAHBEE, GOOLKASIAN: Tapestry No. 1 (“Proclamation“) (Review by Martin Anderson)

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RANDOLPH: Exordium (Review by Lawrence A. Johnson)

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RENDLEMAN: Chorale and Toccata for Strings (Review by Martin Anderson)

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ROSS, WALTER: Concerto for Piano and Orchestra (“Mosaics“) (Review by Stephen Ellis)

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RUBINSTEIN, ANTON: Concerto No. 5 in E♭ for Piano and Orchestra, op. 94. Caprice russe, op. 102 (Review by David Johnson)

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RUBINSTEIN, ANTON: Concertos for Piano and Orchestra (Review by David Johnson)

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RUBINSTEIN, ANTON: Symphony No. 1 in F, op. 40. Ivan the Terrible—Musical Portrait, op. 79 (Review by David Johnson)

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RUBINSTEIN, ANTON: Symphony No. 3 in A, op. 56. Eroica Fantasia, op. 110 (Review by David Johnson)

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RUBINSTEIN, ANTON: Symphony No. 4 in D Minor, op. 95 (“Dramatic“) (Review by David Johnson)

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SACCO: Sketches on Emerson Essays. Flying Saucer Overture (Review by Richard Burke)

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SCHWARZ, IRA-PAUL: Celtic Concerto. (Review by Phillip Scott)

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SCHWARZ, IRA-PAUL: Rosa’s Rhapsody (Review by Paul A. Snook)

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SCHWARZ, IRA-PAUL: Rosa’s Rhapsody (Review by Stephen Ellis)

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SHAFFER: Boats and Candles (Review by Robert McColley)

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SHARPLEY: Sojourn (Review by Elliott S. Hurwitt)

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SINGER: 5 Gulgenlieder (Review by John Story)

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SINGER: From the Green Mountains. Grandmother’s Attic (Review by John Story)

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SINGER: Legend (Review by John Story)

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SINGER: Nocturne (Review by John Story)

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SINGER: Recollections of City Island. Sweet Stacy Suite. Tribute to Raoul Wallenberg (Review by John Story)

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SKUPINSKY: Obscene Limericks (Review by David Denton)

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SKUPINSKY: Wild N'Sexy (Review by Robert Carl)

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SLÁDEK: Chroma (Review by Paul A. Snook)

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SLÁDEK: Chroma (Review by Stephen Ellis)

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SLÁDEK: McKINLEY Patriotic Variations (Review by Paul A. Snook)

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SLÁDEK: McKINLEY Patriotic Variations (Review by Stephen Ellis)

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SMETANA: Minuet in B♭. Bayadere Galop. Festive Overture in O. Doctor Faust. To Our Lasses (Polka in D). Shakespeare Festival March. Solemn Overture in C. The Fisherman. Libuse's Judgment. A Country Woman. Louisa's Polka (orch. Krejčí). Wedding Scenes (orch. Hertl). Suite from Smetana's Sketch-Book (orch. Šmolka) (Review by James H. North)

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SMETANA: Orchestral Highlights from Operas (Review by James H. North)

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SMETANA: Short Orchestral Pieces (Review by James H. North)

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STANGO: Sol' per Dirti (Review by Martin Anderson)

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STANLEY: Pasacaglia (Review by David Denton)

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STONE: Adagio for String Orchestra and Oboe (Review by Elliott S. Hurwitt)

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STRANDBERG: Fiesta for Orchestra (Review by Elliott S. Hurwitt)

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TARLOW: Kavanah (Review by David Denton)

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TORELLO: Energetic Transformations (Review by Lawrence A. Johnson)

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VALI: Seven Persian Folk Songs (Set No. 7) (Review by Raymond Tuttle)

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VALI: Seven Persian Folk Songs (Set No. 7) (Review by Joanne Forman)

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VIENS: Les Insects dansants , ColorScope (Review by David Denton)

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VIENS: McKINLEY Dallas (Review by David Denton)

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VIENS: SinfoNova (Review by David Denton)

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WENDELBURG: Sinfonietta (Review by Richard Burke)

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ZIFFRIN: Symphony for Voice and Orchestra (“Letters“)“ (Review by Robert Carl)

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