|
Performer: Setrak ALIABIEV-LISZT: The Nightingale, (Review by John Bauman) | piano | BALAKIREV: Islamey (Review by John Bauman) | piano | BIZET-MOSZKOWSKI: Fantasy on “Carmen.“ (Review by John Bauman) | piano | BIZET: Complete Music for Piano Solo (Review by Susan Kagan) | piano | BIZET: Complete Music for Piano Solo (Review by Susan Kagan) | piano | BIZET: Complete Works for Piano (Review by David Johnson) | piano | BIZET: Disc 1 (Review by David Johnson) | piano | BIZET: Disc 2 (Review by David Johnson) | piano | BIZET: Quatre Préludes (1854). Vafse (1854). Thème. Deux Caprices Originaux. Romance Sans Paroles. Grande Valse de Concerto 854). Premier Nocturne in F(1854). Trois Pièces Publiées Dans Le Magasin des Familles (1854). Trois Esquisses Musicales (1857). Chasse Fantastique (pub. 1865). Criants du Rhin(1867). Marine(1868). Premier Nocturne Pour Le Piano in DO 868). Variations Chromatiques Pour Le Piano (1868) (Review by Susan Kagan) | piano | BIZET: Quatre Préludes (1854). Valse (1854). Thème. Deux Caprices originaux. Romance sans paroles. Grande valse de concerto 854). Premier nocturne in F (1854). Trois pièces publiées dans Le Magazin des familles (1854). Trois Esquisses musicales (1857). Chasse fantastique (pub. 1865). Chants du Rhin (1867). Marine (1868). Premier nocturne pour le piano in D (1868). Variations chromatiques pour le piano (1868) (Review by Susan Kagan) | piano | CHOPIN-TAUSIG: Concerto No. 1 in E minor for Piano and Orchestra, Op. 11 (Review by Peter J. Rabinowitz) | piano | CHOPIN, FRÉDÉRIC: 19 Waltzes. Wiosna. Two Bourrées (Review by Leslie Gerber) | piano | CHOPIN, FRÉDÉRIC: Concerto No. 2 in F Minor for Piano and Orchestra, op. 21 (Review by Howard Kornblum) | piano | CHOPIN, FRÉDÉRIC: Piano Sonata No. 2 in B-Flat Minor, Op. 35 (“Funeral“). Andante Spianato and Grand Polonaise, Op. 22. Polonaises (Review by Paul Turok) | piano | CHOPIN, FRÉDÉRIC: Waltz No. 28 (sic) (Review by John Bauman) | piano | CHOPIN/NICODE: Aliegro de Concert in A, op. 46 (Review by Howard Kornblum) | piano | LIADOV: Musical Snuff-box, Op. 32 (Review by John Bauman) | piano | LISZT: Hungarian Rhapsodies Nos. 1-19. Magyar Dallok (Review by Peter J. Rabinowitz) | piano | LISZT: Mephisto Waltzes Nos. 1—4. Bagatelle sans tonalité. Mephisto Polka (Review by Adrian Corleonis) | piano | LISZT: Mephisto Waltzes, Nos. 1-4. Bagatelle sans tonalité. Mephisto Polka. Valses oubliées, Nos. 1-4 (Review by Adrian Corleonis) | piano | LISZT: Sonata for Piano in B Minor. Quatres Valses oubliées. Mazurka brilliante. Mazurkia (Review by Paul Turok) | piano | POULENC, FRANCIS: The Human Voice (La Voix humaine) (Review by John Ditsky) | piano | SAINT-SAËNS: Etude en forme de Valse, Op. 52, no. 6; Allegro appassionato, Op. 70; Le Cygne (transcribed for solo piano by Emile Hoskier). Concerto No. 3 for Piano and Orchestra, Op. 29 (Review by John D. Wiser) | piano | SCHUBERT/LISZT: Wanderer Fantasy. Impromptus, op. 90 (Review by Gregor Benko) | piano | SCHUBERT/PROKOFIEV: Suite of Waltzes (Review by Gregor Benko) | piano | SCHUBERT/TAUSIG: Polonaise, op. 75, no. 3 (Review by Gregor Benko) | piano | SCHUBERT/THALBERG: Fantaisie sur des Mélodies de Schubert (Review by Gregor Benko) | piano | SCHUMANN: Abenlied, Op. 85, no. 12 (transcribed for solo piano by Camille Saint-Saëns) (Review by John D. Wiser) | piano | SCRIABIN, ALEXANDER: Sonata No, 2 in G# minor, Op. 19, ('Sonata-Fantasy') (Review by John Bauman) | piano | SCRIABIN, ALEXANDER: Études (complete) (Review by Charles Timbrell) | piano | SCRIABIN, J.: Four Preludes (Review by Charles Timbrell) | piano | TAUSIG: Hungarian Gypsy Airs (Review by John Bauman) | piano | TAUSIG/EIBENSCHUTZ: Hungarian Gypsy Melodies (Review by Howard Kornblum) | piano | TCHAIKOVSKY-LISZT: Polonaise from “Eugene Onegin.“ (Review by John Bauman) | piano | WIENIAWSKI, JOSEF: Concerto in G minor for Piano and Orchestra, Op. 20 (Review by Peter J. Rabinowitz) | piano |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|