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Fanfare Archive Subscriber-Only Features

 Listen to Audio & Video 

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


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Performer: Robert Satanowski

BARKER NELSON, MARIE: Song of the Goddesses (Review by Peter Burwasser)

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BOHDANOWICZ: Symphony in D (Review by George Chien)

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DEBUSSY: Petite Suite (arr. Henri Busser) (Review by David Claris)

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GOLABEK: Symphonies (Review by George Chien)

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GOODMAN, JEROME DAVID: Montségur Suite (Review by Peter Burwasser)

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HACZEWSKI: Symphony in D (Review by George Chien)

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HONEGGER, ARTHUR: Symphony No. 3 ("Liturgique") (Review by David Claris)

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MASSENET, JULES: Thaïs (Review by David Claris)

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MONIUSZKO: Halka (Review by David Johnson)

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MONIUSZKO: Opera Overtures (Review by David Johnson)

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MUSSORGSKY: Boris Godunov (Review by Benjamin Pernick)

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PIETROWSKI: Symphony in D (Review by George Chien)

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RAVEL: Daphnis et Chloé (Review by David Claris)

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RÓŻYCKI: Ballad for Piano and Orchestra. Stanczyk—Symphonic Scherzo. Anheilt— Symphonic Poem. Pan Twardowski (Review by Stephen Ellis)

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SLEEPER: Quartet for Piano and Strings (Review by Peter Burwasser)

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STEWART: Idyll (Review by Peter Burwasser)

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SZYMANOWSKI: Harnasie, op. 53. Mandragora, op. 43 (Review by Adrian Corleonis)

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SZYMANOWSKI: King Roger, op. 46 (Review by Adrian Corleonis)

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SZYMANOWSKI: Songs for Voice and Orchestra (Review by Adrian Corleonis)

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SZYMANOWSKI: Songs of a Fairytale Princess, op. 31 (Review by Adrian Corleonis)

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TCHAIKOVSKY: Violin Concerto (Review by Robert Maxham)

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TEPPER: Concertino for Oboe and Strings (Review by Peter Burwasser)

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WÁNSKI: Symphony in D on Themes from the Opera "The Shepherd by the Vistula.". Symphony In G on Themes from the Opera "The Peasant." (Review by George Chien)

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WIENIAWSKI: Violin Concerto No. 2. (Review by Robert Maxham)

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