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Fanfare Archive Subscriber-Only Features

 Listen to Audio & Video 

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


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Performer: Gil Rose

LEVERING: Furies... (Paul Hostetter) (Review by Robert Carl)

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MACHOVER: Begin Again Again... (Matt Haimovitz) (Review by Carson Cooman)

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MACHOVER: Begin Again Again... (Matt Haimovitz) (Review by David DeBoor Canfield)

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ANDRIESSEN, LOUIS: Bells for Haarlem. Passeggiata in tram in America e ritorno (Review by Robert Carl)

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ANDRIESSEN, LOUIS: Bells for Haarlem. Passegiata in tram in America e ritorno (Review by James H. North)

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ANDRIESSEN, LOUIS: La passione (Review by James H. North)

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ANDRIESSEN, LOUIS: La passione (Review by Robert Carl)

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ANDRIESSEN, LOUIS: Letter from Cathy (Review by James H. North)

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ANDRIESSEN, LOUIS: Letter from Cathy (Review by Robert Carl)

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ANTHEIL: A Jazz Symphony. Ballet Mécanique (Review by Lynn René Bayley)

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ANTHEIL: Ballet Mécanique. Jazz Symphony (Review by Robert Carl)

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ANTHEIL: Ballet Mécanique. Jazz Symphony (Review by Phillip Scott)

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BABBITT: Composition for 12 Instruments. All Set. Correspondences. Paraphrases. The Crowded Air. From the Psalter (Review by Robert Carl)

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BARBER, SAMUEL: Vanessa (Review by Walter Simmons)

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BERGER, ARTHUR: Ideas of Order. Perspectives II. (Review by Paul Ingram)

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BIELAWA, LISA: Double Violin Concerto. Unfinish’d, Sent (Review by David Wolman)

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BIELAWA, LISA: In Medias Res. Synopses 1-15 (Review by David Wolman)

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BIELAWA, LISA: Roam (Review by David Wolman)

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BOLCOM, WILLIAM: Concerto Grosso (Review by Walter Simmons)

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CAGE, JOHN: 16 Dances (Review by Art Lange)

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CHASALOW: And It Flew Upside Down. Crossing Boundaries. Dream Songs. In a Manner of Speaking.* In the Works. Left to His Own Devices. Out of Joint. Suspicious Moves? Yes I Really Did (Review by John Story)

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CROCKETT: Blue Earth (Review by Lynn René Bayley)

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CROCKETT: Viola Concerto (Review by Lynn René Bayley)

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CROCKETT: Wedge (Review by Lynn René Bayley)

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DAVIS, CARL: Notes From the Underground. You Have the Right to Remain Silent. Wayang V (Review by Lynn René Bayley)

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ERICKSON, ROBERT: Fantasy for Cello and Orchestra (Review by Phillip Scott)

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ERICKSON, ROBERT: Night Music. East of the Beach. Auroras (Review by Phillip Scott)

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FINE, IRVING: Blue Towers. Diversions for Orchestra. Symphony (Review by Robert Carl)

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FINE, IRVING: Blue Towers. Diversions for Orchestra. Symphony (Review by David DeBoor Canfield)

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FINE, IRVING: Serious Song, A Lament for String Orchestra (Review by Robert Carl)

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FINE, IRVING: Serious Song, A Lament for String Orchestra (Review by David DeBoor Canfield)

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FINE, IRVING: Toccata Concertante. Notturno for Strings and Harp (Review by Robert Carl)

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FINE, IRVING: Toccata Concertante. Notturno for Strings and Harp (Review by David DeBoor Canfield)

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FOSS: Griffelkin (Review by John Story)

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FOSS: Symphonies Nos. 1; 2, “Symphony of Chorales”; 3, “Symphony of Sorrows”; 4, “A Window to the Past” (Review by Robert Carl)

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FOSS: Symphonies Nos. 1; 2, “Symphony of Chorales”; 3, “Symphony of Sorrows”; 4, “A Window to the Past” (Review by Phillip Scott)

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FUSSELL: High Bridge Prelude. Symphony for Baritone and Orchestra, “Wilde” (Review by Michael Cameron)

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GANDOLFI: Points of Departure. Themes from a Midsummer Night. Y2K Compliant (Review by Phillip Scott)

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GANDOLFI: Points of Departure. Themes from a Midsummer Night. Y2K Compliant (Review by Robert Carl)

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HARBISON, JOHN: Ulysses (Review by Paul A. Snook)

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HOVHANESS, ALAN: Saxophone Concerto. Armenian Rhapsodies (Review by Walter Simmons)

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HOVHANESS, ALAN: Song of the Sea (Review by Walter Simmons)

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HOVHANESS, ALAN: Symphony No. 1, “Exile” (Review by Walter Simmons)

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HYLA, LEE: At Suma Beach. Lives of the Saints (Review by Robert Carl)

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HYLA, LEE: Bass Clarinet Concerto. Trans. Violin Concerto (Review by Robert Carl)

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HYLA, LEE: Violin Concerto. Bass Clarinet Concerto. Trans (Review by Paul Ingram)

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LEVERING: Parallel Universe (Review by Robert Carl)

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MACHOVER: Forever and Ever (Review by Carson Cooman)

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MACHOVER: Forever and Ever (Review by David DeBoor Canfield)

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MACKEY, STEVEN: Animal, Vegetable, Mineral (Review by Walter Simmons)

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MANSURIAN: 3 Arias (Review by Colin Clarke)

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MCKINLEY, WILLIAM THOMAS: 13 Dances for Orchestra. Childhood Memories (Review by Robert Schulslaper)

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MCKINLEY, WILLIAM THOMAS: R.A.P (Review by Robert Schulslaper)

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MOE: Superhero. 8 Point Turn. Kick & Ride (Review by Robert Carl)

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MOE: Superhero. 8 Point Turn. Kick & Ride (Review by David DeBoor Canfield)

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MOE: Superhero. 8 Point Turn. Kick & Ride (Review by Peter Burwasser)

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MORAVEC: Clarinet Concerto. SempreDiritto!. Montserrat (Review by Walter Simmons)

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MORAVEC: Clarinet Concerto. SempreDiritto!. Montserrat (Review by Robert Carl)

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MORAVEC: Northern Lights Electric (Review by Walter Simmons)

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MORAVEC: Northern Lights Electric (Review by Robert Carl)

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NORMAN, ANDREW: Play. Try (Review by Robert Carl)

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PAULUS: The Five Senses. The Age of American Passions (Review by Phillip Scott)

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PAULUS: The Five Senses. The Age of American Passions (Review by John Story)

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RAKOWSKI, DAVID: Persistent Memory (Review by Robert Schulslaper)

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RAKOWSKI, DAVID: Piano Concerto No. 2 (Review by Phillip Scott)

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RAKOWSKI, DAVID: Piano Concerto (Review by Robert Schulslaper)

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RAKOWSKI, DAVID: Stolen Moments (Review by Phillip Scott)

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RAKOWSKI, DAVID: Winged Contraption (Review by Robert Schulslaper)

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RANDS: Canti Trilogy (Review by John Story)

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RANDS: Canti Trilogy (Review by Paul Ingram)

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ROCHBERG: Black Sounds. Cantío sacra. Phaedra (Review by Michael Fine)

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ROREM: Our Town (Review by Ronald E. Grames)

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ROSENBLUM: Double Concerto (Review by David DeBoor Canfield)

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ROSENBLUM: Sharpshooter. Möbius Loop( 2 versions) (Review by David DeBoor Canfield)

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RUEHR: Toussaint Before the Spirits (Review by Robert Carl)

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RUEHR: Toussaint Before the Spirits (Review by Colin Clarke)

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SAWYER: Our American Cousin (Review by Robert Carl)

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SCHULLER: Concertino for Jazz Quartet and Orchesta (Review by Art Lange)

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SCHULLER: Journey into Jazz (Review by Art Lange)

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SCHULLER: Variants for Jazz Quartet and Orchestra (Review by Art Lange)

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SCHWARTZ: Chamber Concertos (Review by Colin Clarke)

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SIMS: AEDM in mem (Review by Robert Carl)

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SIMS: Cello Sonata (Review by Robert Carl)

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SIMS: Concert Piece II (Review by Robert Carl)

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SIMS: If I Told Him (Review by Robert Carl)

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SIMS: Musing and Reminiscence (Review by Robert Carl)

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SIMS: Piano Sonatine (Review by Robert Carl)

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SPRATLAN: A Summer’s Day (Review by Robert Carl)

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SPRATLAN: Saxophone Concerto. Apollo and Daphne Variations (Review by Robert Carl)

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STOCK, DAVID: Concerto Cubano. Oborama (Review by Phillip Scott)

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STOCK, DAVID: Percussion Concerto (Review by Phillip Scott)

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STUCKY: Rhapsodies. American Muse. Concerto for Orchestra (Review by Robert Carl)

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THOMSON, VIRGIL: 3 Pictures for Orchestra (Review by Henry Fogel)

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THOMSON, VIRGIL: 3 Pictures for Orchestra (Review by Carson Cooman)

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THOMSON, VIRGIL: 5 Songs from William Blake (Review by Henry Fogel)

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THOMSON, VIRGIL: 5 Songs from William Blake (Review by Carson Cooman)

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THOMSON, VIRGIL: A Solemn Music. A Joyful Fugue. The Feast of Love (Review by Henry Fogel)

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THOMSON, VIRGIL: A Solemn Music. A Joyful Fugue. The Feast of Love (Review by Carson Cooman)

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THOMSON, VIRGIL: Collected Poems (Review by Henry Fogel)

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THOMSON, VIRGIL: Collected Poems (Review by Carson Cooman)

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UNG: Water Rings Overture. Anicca. Antiphonal Spirals. Singing Inside Aura. Grand Spiral (Review by Robert Carl)

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VALI: Calligraphies. Calligraphy No. 4. Calligraphy No. 5. Nayshâboorak (Calligraphy No. 6). Kismet (Calligraphy No. 7). Kereshmeh (Calligraphy No. 8). Kord (Calligraphy No. 9). Khojasteh (Calligraphy No. 10). Gâtâr (Calligraphy No. 11). Keryân (Calligraphy No. 12) (Review by Ronald E. Grames)

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VALI: Calligraphies. Calligraphy No. 4. Calligraphy No. 5. Nayshâboorak (Calligraphy No. 6). Kismet (Calligraphy No. 7). Kereshmeh (Calligraphy No. 8). Kord (Calligraphy No. 9). Khojasteh (Calligraphy No. 10). Gâtâr (Calligraphy No. 11). Keryân (Calligraphy No. 12) (Review by Colin Clarke)

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VALI: Calligraphies. Calligraphy No. 4. Calligraphy No. 5. Nayshâboorak (Calligraphy No. 6). Kismet (Calligraphy No. 7). Kereshmeh (Calligraphy No. 8). Kord (Calligraphy No. 9). Khojasteh (Calligraphy No. 10). Gâtâr (Calligraphy No. 11). Keryân (Calligraphy No. 12) (Review by Robert Carl)

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VALI: Folk Songs (Review by Robert Carl)

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WHEELER, SCOTT: Crazy Weather. City of Shadows. Northern Lights (Review by Robert Carl)

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ZIPORYN: Frog’s Eye. The Ornate Zither and the Nomad Flute. War Chant. Drill (Review by Peter Burwasser)

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