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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

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Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

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Performer: Anthony Rooley

ALL' ILLUSTRISSIMI SIGNORI FUCCARI, I: (Review by J. F. Weber)

director 

ALL' ILLUSTRISSIMI SIGNORI FUCCARI, II: (Review by J. F. Weber)

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AMOROUS DIALOGUES: (Review by Michael Ullman)

lute 

CONCERTO DELLE DONNE: (Review by J. F. Weber)

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DON QUIXOTE: (Review by David Johnson)

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DOWLAND, JOHN: Airs, Songs, Pavans (Thomas Binkley lt/cond) (Review by Barry Brenesal)

lt/cond 

ENGLISH MADRIGALS AND WEDDING SONGS: (Review by J. F. Weber)

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LE CHANSONNIER CORDIFORME: (Review by J. F. Weber)

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LE CHANSONNIER CORDIFORME: (Review by Michael Ullman)

lute 

MADRIGALS AND WEDDING SONGS FOR DIANA: (Review by J. F. Weber)

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MUSIC FROM THE TIME OF CHRISTIAN IV- The Madrigal...: (Review by J. F. Weber)

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MUSIC OF THE FUGGER TIME: (Review by J. F. Weber)

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MUSICKE OF SUNDRIE KINDES: (Review by J. F. Weber)

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PASTORAL DIALOGUES: (Review by Michael Ullman)

lute 

PORTRAIT OF EMMA KIRKBY: (Review by J. F. Weber)

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RENAISSANCE FANTASIAS: (Review by Edward Strickland)

gittern 

RENAISSANCE FANTASIAS: (Review by Edward Strickland)

lute 

RENAISSANCE FANTASIAS: (Review by Edward Strickland)

vihuela 

THE SCYENCE OF LUTYNGE: LOST LUTE WORKS AND TRANSCRIPTIONS (Anthony Rooley) (Review by Elliott S. Hurwitt)

lute 

The Cozens Lute Book: (Review by Mortimer H. Frank)

lute 

ANONYMOUS: A Poor Soul Sat Sighing; The Dark Is My Delight; O Let Us Howle; Come Live With Me and Be My Love; What Is’t Ye Lack? (Review by Christopher Brodersen)

lute 

ANONYMOUS: Fantasie. Matachins. Robin is to the greenwood gone (Review by Edward Strickland)

lute 

ANONYMOUS: Go, my flock. 0 dear life. Passava Amor. Sta notte mi sognava. Vuestros ojos. O bella piu (Review by Paul Turok)

director 

ANONYMOUS: Lost is my liberty. Migaonne allons (Review by Vincent Alfano)

lute 

ANONYMOUS: Lost is my liberty. Mignonne allons (Review by Vincent Alfano)

lute 

ANONYMOUS: Mail Symms; Preludium VI (Review by Michael Ullman)

lute 

ARCADELT: Madrigals (Review by J. F. Weber)

director 

BACHELER, DANIEL: Pavan and Galliard (Review by Michael Ullman)

lute 

BARTLET, JOHN: Sweete birds deprive us never (Review by Michael Ullman)

lute 

BATCHELAR, DANIEL: To plead my faith (Review by Paul Turok)

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BENNET, JOHN: All creatures (Review by J. F. Weber)

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BLOW, JOHN: 11 Songs from Amphion Anglicus (Review by J. F. Weber)

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BLOW, JOHN: I little thought (Review by David Johnson)

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BLOW, JOHN: Sappho to the Goddess of Beauty (Review by Lynn René Bayley)

lute 

BLOW, JOHN: Stay, gentle Echo (Review by David Johnson)

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BLOW, JOHN: Venus and Adonis (Review by David Johnson)

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BLOW, JOHN: Welcome every guest. Rise mighty monarch. Horace to Lydia. If mighty wealth. The self-baniched. Musicke's the cordial. A ground (violins). The bud. Sappho to the goddess of love. Horace to his lute. Arms he delights in. Employed all the day (Review by J. F. Weber)

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BLUNDEVILLE: Beneath this gloomy shade (Review by David Johnson)

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BONINI, SEVERO: Lamento d'Arianna (Review by J. F. Weber)

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BUSNOIS: fay moins de bien. Est il mercy de quoy (Review by J. F. Weber)

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BYRD, WILLIAM: Psalmes, Sonets, and Songs of Sadness and Pietie, 1588 (Review by J. F. Weber)

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CACCINI-NAUWACH: Amarilli (Review by Lynn René Bayley)

lute 

CACCINI-NOTARI: Parlo, misero, o taccio? (Review by Lynn René Bayley)

lute 

CACCINI, GIULIO: Amarilli (Review by Lynn René Bayley)

lute 

CACCINI, GIULIO: Muove si dolce. Chi mi contort'ahime. lo, che l'età solea viver. Deh chi d'alloro. O che felice giorne (Review by Tom Moore)

chittarone 

CACONI: Il Rapimento di Cefalo (Review by Anthony D. Coggi)

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CAMPION, THOMAS: Come let us sound. When to her lute (Review by Michael Ullman)

lute 

CAMPION, THOMAS: Jack and Jone (Review by Christopher Brodersen)

lute 

CAMPION, THOMAS: Now hath Flora. Move now. Woo her (Review by J. F. Weber)

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CAMPION, THOMAS: Though you are young and I am old. Come, cheerful day (Review by Vincent Alfano)

lute 

CAMPION, THOMAS: Though you are young and I am old. Come, cheerful day (Review by Vincent Alfano)

lute 

CAPIROLA, VINCENZO: Recercare "De tous biend plaine." (Review by Edward Strickland)

lute 

CARISSIMI: Lamento di Maria Stuarda (Review by Lynn René Bayley)

lute 

CAVENDISH: Come, gentle swains (Review by J. F. Weber)

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COBB: Dear Will is dead (Review by Elliott S. Hurwitt)

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COPRARIO: Funeral Teares, RC 136-42. Suites, RC 113 and 116. Three Fantasias (Review by J. F. Weber)

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COPRARIO: Funeral Teares. Consort Music (Review by J. F. Weber)

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COPRARIO: Go happy man. While dancing rests. Come ashore. Ellis (Review by J. F. Weber)

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COPRARIO: Songs of Mourning. Consort Music (Review by J. F. Weber)

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COPRARIO: Songs of Mourning; 4 Fantasias; 2 Suites. Plus Discography (Review by J. F. Weber)

lute 

COSTA, FRANCISCO ANTONIO: Pianto d'Arianna (Review by J. F. Weber)

director 

DALZA, JOAN AMBROSIO: Three Tastari de corde e Recercare (Review by Edward Strickland)

lute 

DANYEL: Like as the lute delights (Review by Michael Ullman)

lute 

DANYEL: Mistress Anne Grene Her Leaves Be Greene (Review by Michael Ullman)

lute 

DANYEL: Songs for the Lute, Viol and Voice, 1606 (Review by Michael Ullman)

conductor 

DANYEL: Songs for the Lute, Viol and Voice, 1606 (Review by Michael Ullman)

lute 

DANYEL: Time, cruel Time. He whose desires are still abroad (Review by Vincent Alfano)

lute 

DANYEL: Time, cruel time. He whose desires are still abroad (Review by Vincent Alfano)

lute 

D'INDIA: 12 Madrigals for Five Voices (Book VIII), (Review by J. F. Weber)

director 

D'INDIA: Diana (Questo dardo, quest'arco). Amico, hai vinto. Piangono al pianger mio. Lamento d'Olimpia (Misera me!). Torna il sereno Zefiro. Sfere fermate (Review by J. F. Weber)

chittarone 

D'INDIA: Madrigals (Review by J. F. Weber)

chittarone 

D'INDIA: Six Vocal Works (Review by J. F. Weber)

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D'INDIA: Six vocal works (Review by J. F. Weber)

chittarone 

D'INDIA: Vocal Works (Review by J. F. Weber)

chittarone 

DLUGORAJ, ALBERT: Fantasia (Review by Edward Strickland)

lute 

DOWLAND, JOHN: A Musicall Banquet 1670 (Review by Paul Turok)

director 

DOWLAND, JOHN: A Pilgrimes Solace (Review by Mortimer H. Frank)

director 

DOWLAND, JOHN: Awake, sweet love. Can she excuse my wrongs? All ye whom Love. Dear, if you change. Semper Dowland semper dolens. Mister Dowland's midnight. Sorrow, stay! Die not before thy day. Mourn! Mourn! woeful heart. Now cease my wandering eyes. Behold a wonder here. The lowest trees. Me, me, and none but me. Farewell, too fair. Earl of Derby His Galliard. Mistress Winter's Jump. Stay, Time. Shall I strive. Thou mighty God (Review by Tom Moore)

lute 

DOWLAND, JOHN: Awake, sweet love. Can she excuse my wrongs? All ye whom Love. Dear, if you change. Semper Dowland semper dolens. Mister Dowland's midnight. Sorrow, stay! Die not before thy day. Mourn! Mourn! woeful heart. Now cease my wandering eyes. Behold a wonder here. The lowest trees. Me, me, and none but me. Farewell, too fair. Earl of Derby His Galliard. Mistress Winter's Jump. Stay, Time. Shall I strive. Thou mighty God (Review by Tom Moore)

orpharion 

DOWLAND, JOHN: Can she excuse my wrongs? (Review by Bernard Jacobson)

lute 

DOWLAND, JOHN: Can shee excuse. O sweet woods. It was a time. I saw my lady weepe. Flow my tear-es. Sorrow stay. Dye not before thy day. Mourne, mourne, day is with darknesse. Fine knacks for ladies. Farewell too faire. Time stands still. Behold a wonder here. Daphne was not so chaste. Me me and none but me. When Phoebus first did Daphne love. Say love if ever thou didst find. His golden locks. Time's eldest sonne. Farre from triumphing Court (Review by James Reel)

lute 

DOWLAND, JOHN: Come again. Would my conceits. Shall I strive. Woeful heart. Sleep wayward thoughts. Toss not my soul. From silent night. Go nightly cares. Sorrow stay. In darkness let me dwell. Thou mighty God (Review by Brian Robins)

director 

DOWLAND, JOHN: Come again. Would my conceits. Shall I strive. Woeful heart. Sleep wayward thoughts. Toss not my soul. From silent night. Go nightly cares. Sorrow stay. In darkness let me dwell. Thou mighty God (Review by Brian Robins)

lute 

DOWLAND, JOHN: Complete Lute Music (Review by Mortimer H. Frank)

lute 

DOWLAND, JOHN: Consort Music (Review by Mortimer H. Frank)

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DOWLAND, JOHN: Fancy; Frogg Galliard; Lachrimae Pavan (Review by Michael Ullman)

lute 

DOWLAND, JOHN: Fantasia No. 6 (Review by Edward Strickland)

lute 

DOWLAND, JOHN: Far from triumphing court. Lady, If you spite me. In darkness let me dwell (Review by Paul Turok)

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DOWLAND, JOHN: First Booke of Songs (Review by Mortimer H. Frank)

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DOWLAND, JOHN: His golden locks Time hath to silver turned. It was a time when silly bees could speak. Far from triumphing Court. Flow not so fast, ye fountains. Time stands still (Review by Vincent Alfano)

lute 

DOWLAND, JOHN: His golden locks Time hath to silver turned. It was a time when silly bees could speak. Far from triumphing Court. Flow not so fast, ye fountains. Time stands still (Review by Vincent Alfano)

lute 

DOWLAND, JOHN: In this trembling shadow. I saw my Ladye weep (Review by Michael Ullman)

lute 

DOWLAND, JOHN: Mr. Henry Noel/Lamentations; Psalms and Sacred Songs (Review by Mortimer H. Frank)

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DOWLAND, JOHN: THE ENGLISH ORPHEUS (Review by Tom Moore)

lute 

DOWLAND, JOHN: THE ENGLISH ORPHEUS (Review by Tom Moore)

orpharion 

DOWLAND, JOHN: Third Book of Songs (1603) (Review by Mortimer H. Frank)

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DOWLAND, JOHN: Welcome, black Night (Review by J. F. Weber)

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DUFAY, GUILLAUME: Dona gentile. Vostre bruit. Le serviteur hault guerdonné. je ne veis onques la pareille (Review by J. F. Weber)

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DUNSTABLE: O rosa bella (Review by J. F. Weber)

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EAST: Hence stars! You meaner beauties (Review by J. F. Weber)

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ECCLES, JOHN: Fixt on the fair Miranda's eyes. Releive, the fair Belinda said. Come, let us howle. Let us revell and roar. Hey hoe! (Review by David Johnson)

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ECCLES, JOHN: Semele (Review by Brian Robins)

conductor 

EDWARDS, RICHARD: Where grypinge griefs (Review by Michael Ullman)

lute 

FERRABOSCO I, ALFONSO: Fantasia (Review by Edward Strickland)

lute 

FERRABOSCO II, ALFONSO: Pavan (Review by Vincent Alfano)

lute 

FERRABOSCO II, ALFONSO: Pavan (Review by Vincent Alfano)

lute 

FORD, THOMAS: Go, passions, to the cruel fair (Review by Vincent Alfano)

lute 

FORD, THOMAS: Go, passions, to the cruel fair (Review by Vincent Alfano)

lute 

FRYE, WALTER: Tout a par moy (Review by J. F. Weber)

director 

GESUALDO: Madrigals, Book 5 (Review by J. F. Weber)

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GHIZEGHEM, HAYNE VAN: De tous bien pigine (Review by J. F. Weber)

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GIBBONS, CHRISTOPHER/LOCKE, MATTHEW: Cupid and Death (Review by David Johnson)

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GIBBONS, ORLANDO: Long live fair Oriana (Review by J. F. Weber)

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GILES, THOMAS: Triumph now (Review by J. F. Weber)

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GRABBE: First Book of Madrigals (Review by J. F. Weber)

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GRABBE: First Book of Madrigals (Review by J. F. Weber)

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GUÉDRON: Si le parler. Ce penser. Vous que le bonheur rappelle (Review by Paul Turok)

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HALES: O eyes, leave off your weeping (Review by Paul Turok)

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HALL, WILLIAM: These full two hours now (Review by David Johnson)

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HANDFORD: Now each creature (Review by Vincent Alfano)

lute 

HANDFORD: Now each creature (Review by Vincent Alfano)

lute 

HILTON: Bound by the neere conjunction (Review by Elliott S. Hurwitt)

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HOLBORNE, ANTHONY: My heavy sprite (Review by Paul Turok)

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HOLBORNE, ANTHONY: Pavan, Galliard. Heres Paternus, Muy Linda. Internum, Galliard. Paradizo, The Sighes. The Image of Melancholly, Ecce Quam bonum. Pavana Ploravìt, Sic semper soleo. The Funerals, Galliard. Almayne, The Honeysuckle, As it fell on a holie eve, Heigh ho holiday (Review by Edward Strickland)

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HOLBORNE, ANTHONY: Pawns and Galliards 1599 (Review by Edward Strickland)

director 

HOLLIS: John Blundeville’s Last Farewell (Review by Michael Ullman)

lute 

HUME, CAPTAIN TOBIAS: Tobacco, Tobacco (Review by Christopher Brodersen)

lute 

HUWET, GREGORIUS: Fantasia (Review by Edward Strickland)

lute 

IVES, CHARLES: Lament and mourne (Review by Elliott S. Hurwitt)

director 

JENKINS, JOHN: Why in this shade of night? (Review by Elliott S. Hurwitt)

director 

JONES, ROBERT: If in this flesh (Review by Michael Ullman)

lute 

JONES, ROBERT: Might I redeem my errors (Review by Bernard Jacobson)

lute 

JONES, ROBERT: The First Booke of Songes (1600) (Review by Tom Moore)

lute 

JONES, ROBERT: The Muses Sardin (Review by Tom Moore)

lute 

KING, ROBERT: False, foolish Heart! No; to what purpose (Review by David Johnson)

director 

KING, WILLIAM: I wonder what those lovers mean. What Mines of Sulphur. Go bid the Needle. It gave a pit'eous groan (Review by David Johnson)

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LANIER: Bring away. The Marigold (Review by J. F. Weber)

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LASSUS: Le lagrime de San Pietro (Review by J. F. Weber)

director 

LAURENZINI: Fantasia (Review by Michael Ullman)

lute 

LAWES, HENRY: Cease you jolly Shepherds (Review by Elliott S. Hurwitt)

director 

LAWES, HENRY: Psalms, Ayres, and Dialogues (Review by J. F. Weber)

conductor 

LAWES, HENRY: Sitting by the Streams, 16 other pieces (Review by J. F. Weber)

director 

LAWES, WILLIAM: Ariadne’s Lament (Review by Lynn René Bayley)

lute 

LAWES, WILLIAM: Come, heavy heart. Charon, O Charon. Charon, O gentle Charon. Orpheus, O Orpheus. Tis not Boy. When death shall snatch us. The Catts as other creatures doe. Musicke, the Master of thy Art. How like a widow? (Review by Brian Robins)

director 

LAWES, WILLIAM: Come, heavy heart. Charon, O Charon. Charon, O gentle Charon. Orpheus, O Orpheus. Tis not Boy. When death shall snatch us. The Catts as other creatures doe. Musicke, the Master of thy Art. How like a widow? (Review by Brian Robins)

lute 

LAWES, WILLIAM: Dialogues, Psalmes, and Elegies (Review by Mortimer H. Frank)

director 

LAWES, WILLIAM: Gather your rosebuds (Review by Vincent Alfano)

lute 

LAWES, WILLIAM: Gather your rosebuds (Review by Vincent Alfano)

lute 

LAWES, WILLIAM: In Loving Memory (Review by Elliott S. Hurwitt)

director 

LAWES, WILLIAM: Lord, as the Hart. Out of the honour of the Deep. Praise the Lord. How like a widow. How long wilt thou forget. Ne irascaris Domine. Gloria Patri et Filio. Perfect and Endless Circles. Amarilis, tear thy hair. Come Adonis, come away. He that will not love. Why soe pall and wan. Ye Feinds and Furies. Gather your Rosebuds. Mustek, the Master of thy Art is dead (Review by Elliott S. Hurwitt)

director 

LOCKE, MATTHEW: Break, distracted heart (Review by Brian Robins)

director 

LOCKE, MATTHEW: Break, distracted heart (Review by Brian Robins)

lute 

LOTTI: Four Madrigals (Review by J. F. Weber)

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LUPO: Shows and nightly revels. Time that leads (Review by J. F. Weber)

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MARTIN, RICHARD: Change thy mind since she doth change (Review by Paul Turok)

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MAYNARD: The XII Wonders of the World (Review by J. F. Weber)

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MAYNARD: The XII Wonders of the World (Review by Christopher Brodersen)

lute 

MEGLI: Se di farmi morire? (Review by Paul Turok)

director 

MILAN: Fantasias (Review by Edward Strickland)

lute 

MILANO, FRANCESCO DA: Ricercar No. 13. Fantasia No. 42 (Review by Edward Strickland)

lute 

MONTEVERDI: Chiome d'oro. O come sei gentile. Se pur destina. Non è de gentil core. Ohimè, dov'è il mio ben. Lament of Penelope, lo son pur. Cantate Domino. Sancta Maria. Laudate Dominum. Venite sitientes. Exulta filia Sion. O bone Jesu. Iste confessor (Review by J. F. Weber)

director 

MONTEVERDI: Con che soavità. Vorrei baciarti. Tempro la cetra. Mentre vaga. Come dolce hoggi. Chiome d'oro. S'el vostro cor. Ohimè dov'è il mio ben. Ogni amante. Parlo, miser'o taccio (Review by J. F. Weber)

director 

MONTEVERDI: Five Vocal Works (Review by J. F. Weber)

chittarone 

MONTEVERDI: Five vocal works (Review by J. F. Weber)

chittarone 

MONTEVERDI: Lamento d'Arianna (solo). Lamento d'Arianna à 5. Pianto della Madonna (Review by J. F. Weber)

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MONTEVERDI: Lamento della ninfa (Review by Bernard Jacobson)

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MONTEVERDI: Madrigali erotici (Review by J. F. Weber)

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MONTEVERDI: Madrigals (Review by J. F. Weber)

chittarone 

MONTEVERDI: Madrigals (Review by J. F. Weber)

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MONTEVERDI: Madrigals, Book 2 (1590) (Review by J. F. Weber)

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MONTEVERDI: Madrigals, Book 3 (1592) (Review by J. F. Weber)

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MONTEVERDI: Madrigals, Book 6 (Review by J. F. Weber)

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MONTEVERDI: Madrigals, Book 8 —Balli (Review by J. F. Weber)

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MONTEVERDI: Quel sguardo sdegnosetto. Ohimè ch'io cado. Lamento d'Olimpia (Voglio morire). Voglio di vita uscir. Maladetto sia l'aspetto (Review by J. F. Weber)

chittarone 

MONTEVERDI: Soprano Duets and Solos (Review by J. F. Weber)

director 

MONTEVERDI: Vocal Works (Review by J. F. Weber)

chittarone 

MONTEVERDI: Volgendo il ciel. Combattimento di Tancredi e Clorinda. Il ballo delle Ingrate (Review by J. F. Weber)

director 

MORLEY: Deep lamenting. Leave now my eyes (Review by Brian Robins)

director 

MORLEY: Deep lamenting. Leave now my eyes (Review by Brian Robins)

lute 

MORLEY: I saw my Ladye weeping (Review by Michael Ullman)

lute 

MORTON, ROBERT: Le souvenir de vous me tue. N'aray ie jamais mieulx (Review by J. F. Weber)

director 

MUDARRA: Conde claros (Review by Edward Strickland)

lute 

NARVÁEZ, DE: Mille regrets de Josquin. Baxa de contrapunto (Review by Edward Strickland)

lute 

NAUWACH: Tempesta di dolcezza (Review by Lynn René Bayley)

lute 

NOTARI: Ahi, che s’accresce in me (Review by Lynn René Bayley)

lute 

NOTARI: Love and Languishment (Review by J. F. Weber)

director 

OCKEGHEM: L'autre de L'antan. Ma bouche rit (Review by J. F. Weber)

director 

PARI, CLAUDIO: Il Lamento d'Arianna (Review by J. F. Weber)

director 

PARSONS: Joan Quoth John (Review by Christopher Brodersen)

lute 

PIGOTT: Ask me not (Review by David Johnson)

director 

PILKINGTON: Rest sweet nymphs. Come all ye. Mustek deare sollace (Review by Michael Ullman)

lute 

PULIASCHI: Locar sopra gl'abissi, i fondamenti. Pace non truovo. Dunque è pur ver ch'io viva. Occhi meco piangete. Dovrò dunque partire. Deh mirate luce ingrata (Review by Anthony D. Coggi)

chittarone 

PULIASCHI: Locar sopra gl'abissi. Pace non truovo. Dunque è pur ver ch'io viva. Occhi meco piangete. Dovrò dunque partire. Deh mirate luce ingrate (Review by Tom Moore)

chittarone 

PURCELL: Hark! Hark! How All Things. Crown the Altar, Deck the Shrine. If Music Be the Food of Love. Not All My Torments. The PlainHO, O Let Me Weep!). I Attempt from Love's Sickness to Fly. Olinda in the Shades Unseen. Urge Me No More. Bess of Bedlam. Lovely, Lovely Albina. Sweeter Than Roses. Dear Pretty Youth. When First Amintas Sued fora Kiss. The Cares of Lovers. An Evening Hymn. Ye Gentle Spirits of the Air (Review by Elliott Kaback)

lute 

PURCELL: Hark! Hark! How all things. Crown the altar, deck the shrine. If music be the food of love. Not all my torments. O let me weep. I attempt from love's sickness to fly. Olinda in the shades unseen. Urge me no more. Bess of Bedlam. Lovely, lovely Albína. Sweeter than roses. Dear pretty youth. When first Amintas sued for a kiss. The cares of lovers. Ye gentle spirits of the air. An Evening Hymn (Review by Michael Ullman)

lute 

PURCELL: I Came, I saw, and was undon. They say youre angry. No; to what purpose. She loves, and she confesses (Review by David Johnson)

director 

PURCELL: In all our Cinthia's shining sphere. Tell me why. As Amoret and Thyrsis lay. Fair Iris. Go tell Amynta. Why, my Daphne. What can we poor females do? Love and despair. In some kind dream. What a sad fate. Lost is my quiet. Stript of their green. You say 'tis love. For love ev'ry creature is formed (Review by J. F. Weber)

lute 

PURCELL: In all our Cinthia’s shining sphere. Tell me why. As Amoret and Thyrsis lay. Fair Iris and her swain. Why, my Daphne, why complaining? What can we poor females do? Love and despair. In some kind dream. What a sad fate is mine. Lost is my quiet for ever. Stript of their green our groves appear. You say ’tis love. For love ev’ry creature is formed by his nature (Review by Michael Ullman)

lute 

PURCELL: No, no, no, resistance is but vain. Sweeter than Roses. Lovely Albina. Let the dreadfull Engines. From Rosie Bow'rs. Love thou canst hear. The Fatal Hour. Lost is my Quiet. Bacchus is a Pow'r divine (Review by David Johnson)

director 

PURCELL: Songs and Airs (Review by Elliott Kaback)

lute 

PURCELL: Songs and Dialogues (Review by J. F. Weber)

lute 

PURCELL: Songs and Dialogues (Review by Michael Ullman)

lute 

PURCELL: The Blessed Virgin’s Expostulation (Review by Lynn René Bayley)

lute 

PURCELL, DANIEL: On yonder Bed Supinely Laid. Underneath a gloomy shade (Review by David Johnson)

director 

RASCARINI, F. M.: Lasciatemi morire (Review by J. F. Weber)

director 

RAVENSCROFT: The Cryers Song of Cheape-Slde. A Round of Three Country Dances in One. Martin said to his man. Wee be souldlers three. Yonder comes a courteous knight. Of all the birds that ever I see. A wooing song of a yeoman of Kent's Sonne. Browning Madame. Three blinde mice. To morrow the fox will come to town. Viol Fancy à S. Fantasia No. 4. Fancy No.1. The crowning of Belphebe. The marriage of the f rogge and the mouse. Musing mine owns sette all alone. Laboravl In gemitu meo. Ne laeteris inimica mea. There were three ravens. Hodge Trllllndle to his Zweet hort Malkyn (Review by Tom Moore)

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RAVENSCROFT: There Were Three Ravens (Review by Tom Moore)

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RAVENSCROFT: There were 3 ravens (Review by Bernard Jacobson)

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RAVENSCROFT: Yonder Comes a Courteous Knight (Review by Christopher Brodersen)

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REGGIO: Now by my love. By Heav'n I'll tell her boldly. 'Tis well, 'tis well, with them. Then like some wealthy Island. I thought, I'll swear. Unhurt, untoucht. 'Tis a strange kind of Igno'rance. Though all thy gestures (Review by David Johnson)

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ROMANI, EQUITIS: Exercitium (Review by Michael Ullman)

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ROMANO, CACCINI DETTO: Dovrò dunque morire? Amarilli mia bella (Review by Paul Turok)

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ROSSETER: What then is love but mourning? (Review by Vincent Alfano)

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ROSSETER: What then is love but mourning? (Review by Vincent Alfano)

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SARACINI: Toccata (Review by Lynn René Bayley)

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SCARLATTI, A.: Seven Madrigals (Review by J. F. Weber)

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SCHÜTZ: Il Primo Libro de Madrigali (1611). (Review by J. F. Weber)

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SCHÜTZ: Madrigals, op. 1 (Review by J. F. Weber)

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SCHÜTZ: Madrigals, op. 1 (Review by J. F. Weber)

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SERMISY: Las, je m’y plains (Review by Brian Robins)

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SERMISY: Las, je m’y plains (Review by Brian Robins)

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SMYTHE, THOMAS: 2 Galliards (Review by Michael Ullman)

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SPINACINO: Three Recercan (Review by Edward Strickland)

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STROZZI: L’astratto (Review by Lynn René Bayley)

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TESSIER: In a grove (Review by Paul Turok)

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TOMKINS: O let me live for true love. Weep no more (Review by Brian Robins)

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TOMKINS: O let me live for true love. Weep no more (Review by Brian Robins)

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TROMBONCINO: 16 Frottole (Review by J. F. Weber)

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VECCHI: Uhumore musicale. La Caccia d’Amore (Review by Brian Robins)

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VERRIJT: Flammae divinae (Review by Brian Robins)

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VERSO, ANTONIO IL: Lasciatemi morire (Review by J. F. Weber)

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WARD, JOHN: First Set of English Madrigals. 4 Fantasias (Review by Christopher Brodersen)

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WEELKES: Cease sorrows now (Review by Brian Robins)

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WEELKES: Cease sorrows now (Review by Brian Robins)

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WEELKES: Hark! all ye lovely saints. As Vesta was (Review by J. F. Weber)

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WELDON: Nature Framed Thee (Review by Lynn René Bayley)

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WELDON: The appointed Hour. Take, O take those Lips away (Review by David Johnson)

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WERT: The Seventh Book of Madrigals (1581) (Review by J. F. Weber)

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WILBYE: The Lady Oriana (Review by J. F. Weber)

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WILSON, JOHN: O doe not now lament and cry (Review by Elliott S. Hurwitt)

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