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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

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Performer: David Robertson

HORIZON 7: (Review by James H. North)

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ADAMS, JOHN: City Noir. Saxophone Concerto (Review by Ronald E. Grames)

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ADAMS, JOHN: City Noir. Saxophone Concerto (Review by Robert Carl)

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ADAMS, JOHN: City Noir. Saxophone Concerto (Review by Ronald E. Grames)

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ADAMS, JOHN: Doctor Atomic Symphony (Review by Ronald E. Grames)

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ADAMS, JOHN: Doctor Atomic Symphony (Review by Robert Carl)

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ADAMS, JOHN: Gnarly Buttons (Review by Robert Carl)

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ADAMS, JOHN: Guide to Strange Places (Review by Ronald E. Grames)

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ADAMS, JOHN: Guide to Strange Places (Review by Robert Carl)

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ADAMS, JOHN: Scheherezade.2 (Review by Ronald E. Grames)

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BARTÓK: Dance Suite. 4 Pieces for Orchestra (Review by James H. North)

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BARTÓK: Dance Suite. 4 Pieces for Orchestra, Sz 51. The Miraculous Mandarin (Review by James H. North)

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BARTÓK: The Miraculous Mandarin (Review by James H. North)

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BOLCOM, WILLIAM: Surprise! The Actor. Song of Black Max. Amor. Toothbrush Time. The Total Stranger in the Garden. George. At the last lousy moments of love (Review by Joel Kasow)

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BOULEZ, PIERRE: Piano Sonatas Nos. 1-3 (Review by Robert Carl)

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BOULEZ, PIERRE: Rituel in Memoriam Bruno Maderna. Notations I-IV, VII. Figures–Doubles–Prismes (Review by Robert Carl)

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CARTER, ELLIOTT: Clarinet Concerto (Review by Robert Carl)

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CARTER, ELLIOTT: Gra (Review by Robert Carl)

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CHIN, UNSUK: Akrostichon-Wortspiel. Fantasie mécanique. Xi. Double Concerto. (Review by Robert Carl)

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DUSAPIN: Extenso. Apex. La melancholia (Review by Robert Carl)

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DVOŘÁK, ANTONIN: Cello Concerto No. 2 in b. Lasst mich allein. Zigeunermelodien, op. 55 (Review by James H. North)

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FOSTER, STEPHEN: Jeanie with the Light Brown Hair. Wilt Thou Be Gone, Love? (Review by James H. North)

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GINASTERA, ALBERTO: Estancia (Review by James Miller)

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GORDON, MICHAEL: Dystopia. Rewriting Beethoven’s Seventh Symphony (Review by Raymond Tuttle)

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HARTMANN, KARL AMADEUS: Concerto Funebre (Review by Lynn René Bayley)

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LALO: Hamouna—musique de ballet; Prélude; Scène de balcon; Allegro vivace; Pas de cymbales; Valse de la cigarette; Tambourin; Danse marocaine; La Gitane; Parade de foire; Danse de Namouna; Fête foraine; La Sieste; Mazurka; Presto—Danse de toutes les esclaves; Thème varié; Bacchanale (Review by Adrian Corleonis)

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MILHAUD: Le Carnival D'Aix, op. 83b. Concertos for Piano and Orchestra (Review by Richard Burke)

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MUHLY: Two Boys (Review by Marc Medwin)

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REICH: Different Trains. Triple Quartet. The Four Sections (Review by Christopher Abbot)

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REICH: New York Counterpoint’ (Review by Robert Carl)

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REYNOLDS: Odyssey, an Opera in the Mind Summer Island, for Oboe and Computer Sound. Archipelago, for Thirty-two Instruments and Computer Sound. Autumn Island, for Marimba. Fantasy for Piano (Review by Mike Silverton)

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REYNOLDS: The Paris Pieces (Review by Mike Silverton)

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SANDROFF: "Tephillah" (Review by Robert Carl)

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SATIE: Daphénéo. Je te veux (Review by Joel Kasow)

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SATIE: La diva de l’empire (Review by Joel Kasow)

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SATIE: L’omnibus automobile (Review by Joel Kasow)

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SATIE: Tendrement (Review by Joel Kasow)

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SCHMITT, FLORENT: Symphonie concertante, op. 82. Rêves, op. 65. Soirs, op. 5 (Review by Ron McDonald)

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SCHOENBERG, ARNOLD: Cabaret Songs (Review by Joel Kasow)

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SCRIABIN: Poem of Ecstasy (Review by Ronald E. Grames)

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SILVESTROV: Symphony No. 5. Postludium (Review by John Story)

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SZYMANOWSKI: Violin Concerto No. 1 (Review by Ronald E. Grames)

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