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Performer: Christine Rice

BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Lynn René Bayley)

mezzo-soprano 

BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by George Chien)

mezzo-soprano 

BIRTWISTLE: The Minotaur (Review by Ronald E. Grames)

Ariadne 

BIRTWISTLE: The Minotaur (Review by Ronald E. Grames)

Ariadne 

BIRTWISTLE: The Minotaur (Review by Arthur Lintgen)

Ariadne 

BIRTWISTLE: The Minotaur (Review by James H. North)

Ariadne 

BIZET: Carmen (Review by James A. Altena)

Carmen 

BIZET: Carmen (Review by Joel Kasow)

Mercédès 

BIZET: Carmen (Review by Andrew Quint)

Mercédès 

BRIAN: Symphony No. 1, “Gothic” (Review by Phillip Scott)

mezzo-soprano 

BRITTEN: The Rape of Lucretia (Review by Bill White)

Lucretia 

DURUFLÉ, MAURICE: Requiem (Review by George Chien)

mezzo-soprano 

DURUFLÉ, MAURICE: Requiem (Review by J. F. Weber)

mezzo-soprano 

ELGAR: Symphony No. 1. In the South, “Alassio.“ In Moonlight—Canto popolare (Review by Bernard Jacobson)

mezzo-soprano 

HOWELLS: Take him, earth, for cherishing (Review by J. F. Weber)

mezzo-soprano 

MOORE, PHILIP: 3 Prayers of Dietrich Bonhoeffer (Review by J. F. Weber)

mezzo-soprano 

MOZART: Così fan tutte (Review by Evan Dickerson)

mezzo-soprano 

MOZART: Die Zauberflöte (Review by Andrew Quint)

Second Lady 

MOZART: Die Zauberflöte (Review by Andrew Quint)

Second Lady 

MOZART: Die Zauberflöte (Review by Evan Dickerson)

mezzo-soprano 

MOZART: La clemenza di Tito (Review by Brian Robins)

Annio 

MOZART: Requiem (ed. Süssmayr) (Review by Christopher Brodersen)

mezzo-soprano  

MOZART: Requiem (ed. Süssmayr) (Review by J. F. Weber)

mezzo-soprano  

MOZART: Requiem (ed. Süssmayr) (Review by George Chien)

mezzo-soprano  

TAVENER: The peace that surpasseth understanding (Review by J. F. Weber)

mezzo-soprano 

VAUGHAN WILLIAMS: Lord, thou hast been our refuge (Review by J. F. Weber)

mezzo-soprano 

 

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