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Performer: Heinz Rehfuss

ERNEST ANSERMET: The Stereo Years (Ernest Ansermet) (Review by Richard A. Kaplan)

bass 

IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Ken Meltzer)

Oreste 

IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Huntley Dent)

Oreste 

IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Phillip Scott)

Oreste 

IGOR MARKEVITCH: THE PHILIPS LEGACY (Igor Markevitch) (Review by Ken Meltzer)

bass 

IGOR MARKEVITCH: THE PHILIPS LEGACY (Igor Markevitch) (Review by Huntley Dent)

bass 

IGOR MARKEVITCH: THE PHILIPS LEGACY (Igor Markevitch) (Review by Phillip Scott)

bass 

Le nozze di Figaro, K. 492: (Review by Ralph V. Lucano)

baritone 

Le nozze di Figaro, K. 492: (Review by Ralph V. Lucano)

Count 

MAHLER, GUSTAV: Des Knaben Wunderhorn... (Maureen Forrester) (Review by Henry Fogel)

bass 

BACH, JOHANN SEBASTIAN: Christmas Oratorio (Review by J. F. Weber)

bass 

BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV232 (Review by Ralph V. Lucano)

bass 

BECK, CONRAD: Hommages—Two Pieces for Orchestra (Review by Paul A. Snook)

bass 

BEETHOVEN, LUDWIG VAN: Egmont Overture (Review by James A. Altena)

bass 

BEETHOVEN, LUDWIG VAN: Fidelio (Review by Barry Brenesal)

Pizarro 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Mortimer H. Frank)

bass 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by James A. Altena)

bass 

BERG, ALBAN: Lulu (two act version, with Variations and Adagio) (Review by Peter J. Rabinowitz)

baritone 

BERG, ALBAN: Lulu (two act version, with Variations and Adagio) (Review by Peter J. Rabinowitz)

Dr. Schön 

BRAHMS, JOHANNES: Feldeinsamkeit, op. 86, no. 2. Vergebliches Ständchen, op. 84, no. 4. Mein Mädel hat einen Rosenmund (Review by Ralph V. Lucano)

baritone 

BRAHMS, JOHANNES: Liebeslieder-Walzer, op. 52. Neue Liebeslieder-Walzer, op. 65. Feldeinsamkeit, op. 86, no. 2. Vergebliches Ständchen, op. 84, no. 4. Mein Mädel hat einen Rosenmund (Review by Ralph V. Lucano)

baritone 

BRITTEN: Cantata Academica (Review by Paul A. Snook)

bass 

BUSONI, FERRUCCIO: Turandot Suite, op. 41 (Review by David Johnson)

baritone 

BUSONI, FERRUCCIO: Turandot Suite, op. 41 (Review by David Johnson)

Ottone 

CHÁVEZ, CARLOS: Tambuco, for Seven Percussionists (Review by Paul A. Snook)

bass 

DEBUSSY: Pelléas et Mélisande (Review by Richard A. Kaplan)

baritone 

DEBUSSY: Pelléas et Mélisande (Review by James Miller)

Golaud 

DITTERSDORF, KARL DITTERS VON: Arcifanfano, King of Fools or It's Always Too Late to Learn (Review by David Johnson)

bass 

DITTERSDORF, KARL DITTERS VON: Arcifanfano, King of Fools or It's Always Too Late to Learn (Review by David Johnson)

Furibondo 

DÖHL: Conductus, for Four Percussionists (Review by Paul A. Snook)

bass 

DUTILLEUX: Mystère de l'instant (Review by Paul A. Snook)

bass 

FALLA, MANUEL DE: Atlantida (Review by James Miller)

baritone 

FORTNER, WOLFGANG: Variations for Large Chamber Orchestra (Review by Paul A. Snook)

bass 

HANDEL, GEORGE FRIDERIC: Samson (Review by Jerry Dubins)

Harapha 

HENZE, HANS WERNER: Double Concerto for Oboe, Harp, and Strings (Review by Paul A. Snook)

bass 

KELTERBORN: Visions Sonores, for Seven Percussionists and Seven Instruments (Obbligato) (Review by Paul A. Snook)

bass 

MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by David Hurwitz)

baritone 

MAHLER, GUSTAV: Des Knaben Wunderhorn. Rückert-Lieder (Review by James A. Altena)

bass 

MAHLER, GUSTAV: Des Knaben Wunderhorn. Rückert-Lieder (Review by Paul Orgel)

bass 

MARTIN, FRANK: 6 Monologe aus Jedermann (Review by Henry Fogel)

baritone 

MARTIN, FRANK: Concerto for Cello and Orchestra (Review by Paul A. Snook)

bass 

MARTIN, FRANK: Le Vin Herbé, Oratorio in Three Parts after “The Romance of Tristan and Iseut“ by Joseph Bédier, for 12 solo voices, 7 strings and piano (Review by John D. Wiser)

baritone 

MARTIN, FRANK: Le Vin Herbé—Oratorio in Three Parts after “The Romance of Tristan and Iseult“ by Joseph Bédier, for Twelve Solo Voices, Seven Strings, and Piano (Review by John D. Wiser)

baritone 

MARTIN, FRANK: Sechs Monologe aits “Jedermann.“ Trois chants de Noël. Drei Minnelieder (Review by John D. Wiser)

baritone 

MARTIN, FRANK: Six Monologs from "Jedermann"Drey Minnelieder. Trois Chants de Noël. Eight Preludes for Piano. Ballade for Flute and Piano. Ballade for Cello and Piano (Review by John D. Wiser)

baritone 

MARTIN, FRANK: Six Monologs of Everyman. Three Minneleider. Three Songs of Christmas (Review by ROGER DETTMER)

baritone 

MILHAUD: Sacred Service for Saturday Morning (in Hebrew) (Review by David Hurwitz)

baritone 

MONTEVERDI: L'Orfeo (Review by David Johnson)

baritone 

MONTEVERDI: L'Orfeo (Review by David Johnson)

Ottone 

MORET: Visitations, for Soprano, Mezzo-Soprano, Tenor, Organs, Piano, and Seven Percussionists (Review by Paul A. Snook)

bass 

MUSSORGSKY: Songs and Dances of Death (Review by Henry Fogel)

baritone 

OFFENBACH: Les contes d’Hoffmann (Review by James Miller)

Coppélius 

OFFENBACH: Les contes d’Hoffmann (Review by James Miller)

Dapertutto 

OFFENBACH: Les contes d’Hoffmann (Review by James Miller)

Dr. Miracle 

OFFENBACH: Les contes d’Hoffmann (Review by James Miller)

Lindorf 

RAVEL: L’heure espagnole (Review by James Miller)

baritone 

RAVEL: L’heure espagnole (Review by Richard A. Kaplan)

baritone 

RIHM, WOLFGANG: Dunkles Speil, for Four Percussionists and Small Orchestra (Review by Paul A. Snook)

bass 

SCARLATTI, ALESSANDRO: Griselda (Review by David Johnson)

baritone 

SCARLATTI, ALESSANDRO: Griselda (Review by David Johnson)

Ottone 

SCARLATTI, ALESSANDRO: Griselda (Review by Lynn René Bayley)

Ottone 

SCHUBERT: Der Strom. Der Wanderer, D 649 (Review by Henry Fogel)

baritone 

SCHUBERT: Frühlingsglaube, D. 686. Der Lindenbaum, D.911, no. 5. Der Wanderer, D. 489. Der Wanderer an den Mond, D. 870. An die Laute, D. 90S. Der Doppelgänger, D. 957, no. 7 (Review by Ralph V. Lucano)

baritone 

SCHUBERT: Totengräbers Heimwehe. Auf der Donau. Fischerweise. Der zürnende Barde. Gruppe aus dem Tartarus (Review by Henry Fogel)

baritone 

SCHUMANN: Widmung, op. 25, no. 1. Du bist wie eine Blume, op. 25, no. 24. Dle Lotosblume, op. 25, no. 7. Die beiden Grenadiere, op. 49, no. 1 (Review by Ralph V. Lucano)

baritone 

STRAVINSKY, IGOR: Apollon musagète. Oedipus Rex. Symphonies d'instruments à vent. Capriccio. Jeu de cartes. Symphony in Three Movements (Review by Art Lange)

Creon 

STRAVINSKY, IGOR: Apollon musagète. Symphonies of Wind Instruments. Oedipus Rex (Review by Lynn René Bayley)

Creon 

STRAVINSKY, IGOR: Apollon musagète. Symphonies of Wind Instruments. Oedipus Rex (Review by Lynn René Bayley)

Messenger 

STRAVINSKY, IGOR: Oedipus Rex. Symphonies for Wind Instruments (Review by James H. North)

Creon 

STRAVINSKY, IGOR: Oedipus Rex. Symphonies for Wind Instruments (Review by James H. North)

Messenger 

VOGEL, WLADIMIR: Composition for Chamber Orchestra (Review by Paul A. Snook)

bass 

WAGNER, RICHARD: A Faust Overture (Review by David Johnson)

baritone 

WAGNER, RICHARD: A Faust Overture (Review by David Johnson)

Ottone 

WOLF, HUGO: Der Tambour. Der Rattenfänger (Review by Ralph V. Lucano)

baritone 

WOLF, HUGO: Wohl denk’ich oft. Alles endet, was entsteht. Fühle mein Seele. Der Freund. Der Musikant. Verschwiegene Liebe. Gesang Weylas. Storchenbotschaft (Review by Henry Fogel)

baritone 

 

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