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Performer: László Polgár

FIFTY YEARS OF HUNGAROTON SINGERS 1951–2001: (Review by Carla Maria Verdino-Süllwold)

vocal 

BACH, JOHANN SEBASTIAN: Cantatas Ach Gott, wie manches Herzeleid, BWV 58, Tritt auf die Glaubensbahn, BWV 152, Selig ist der Mann, BWV 57, Wer mich liebet, der wird mein Wort halten, BWV 59 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas Ich will den Kreuzstab gerne tragen, BWV 56, Ich habe genug, BWV 82 (Review by George Chien)

bass 

BALASSA: The Man Outside, Op. 27 (Review by Peter J. Rabinowitz)

bass 

BALASSA: The Man Outside, Op. 27 (Review by Peter J. Rabinowitz)

One-Legged Man 

BARTÓK: Bluebeard’s Castle (Review by Peter J. Rabinowitz)

Bluebeard 

BARTÓK: Bluebeard’s Castle (Review by James H. North)

Bluebeard 

BEETHOVEN, LUDWIG VAN: Fidelio (Review by James H. North)

Rocco 

BEETHOVEN, LUDWIG VAN: Fidelio (Review by Mortimer H. Frank)

Rocco 

BEETHOVEN, LUDWIG VAN: Fidelio (Review by Mortimer H. Frank)

Rocco 

BEETHOVEN, LUDWIG VAN: Fidelio (Review by Lynn René Bayley)

Rocco 

BEETHOVEN, LUDWIG VAN: Fidelio (Review by James H. North)

Rocco 

BEETHOVEN, LUDWIG VAN: Fidelio (Review by Bill White)

Rocco 

BEETHOVEN, LUDWIG VAN: Fidelio, op. 72 (Review by James H. North)

bass 

BEETHOVEN, LUDWIG VAN: Fidelio, op. 72 (Review by James H. North)

Rocco 

BEETHOVEN, LUDWIG VAN: Mass in C, Op. 86 (Review by Mortimer H. Frank)

bass 

DEBUSSY: Pelléas et Mélisande (Review by Peter J. Rabinowitz)

Arkel 

DEBUSSY: Pelléas et Mélisande (Review by Bill White)

Arkel 

DEBUSSY: Pelléas et Mélisande (Review by Joel Kasow)

Arkel 

DONIZETTI: Linda di Chamounix (Review by Bill White)

Prefetto 

GOLDMARK: Die Königin von Saba (Review by ROGER DETTMER)

bass 

GOLDMARK: Die Königin von Saba (Review by Henry Fogel)

bass 

GOLDMARK: Die Königin von Saba (Review by ROGER DETTMER)

Watchman 

GOLDMARK: Die Königin von Saba (Review by Henry Fogel)

Watchman 

HANDEL, GEORGE FRIDERIC: Atalanta (Review by Anthony D. Coggi)

bass 

HANDEL, GEORGE FRIDERIC: Atalanta (Review by Anthony D. Coggi)

Mercurio 

KÓSA, GYORGY: Death Fugue—Cantata for Soprano and Chamber Ensemble on a Poem by Paul Celan. In Memoriam for Solo Viola. I Call You, Swan—Cantata for Solo Bass Voice and Harmonium on a Poem by László Nagy. Karinthy Cantata—Chamber Cantata on Texts from Frigyes Karinthy's Journal (Review by John Ditsky)

bass 

LANG, ISTVAN: A Dream About the Theatre (Review by Vincent Alfano)

bass 

LENDVAY: Scenes—Cantatas after Thomas Mann. The Harmony of Silence, for Orchestra. Fifth Music, for Solo Cello. Five Arrogant Ideas, for Brass Sextet (Review by Stephen Ellis)

bass baritone 

LENDVAY: The Respectful Prostitute (Review by John Ditsky)

bass 

LENDVAY: The Respectful Prostitute (Review by John Ditsky)

The Negro 

LISZT: Christus (Review by Peter J. Rabinowitz)

bass 

LISZT: Christus (Review by Peter J. Rabinowitz)

bass 

LISZT: Christus (Review by Peter J. Rabinowitz)

bass 

LISZT: Hungarian Coronation Mass (Review by Adrian Corleonis)

bass 

MASCAGNI, PIETRO: Lodoletta (Review by David Mason Greene)

Antonio 

MASCAGNI, PIETRO: Lodoletta (Review by David Mason Greene)

bass 

MOZART: Arias (Review by Ralph V. Lucano)

bass 

MOZART: Arias (Review by Ralph V. Lucano)

Colas 

MOZART: Bastien und Bastienne, K. 50. Opera and Concert Arias (Review by Ralph V. Lucano)

bass 

MOZART: Bastien und Bastienne, K. 50. Opera and Concert Arias (Review by Ralph V. Lucano)

Colas 

MOZART: Così fan tutte. Don Giovanni (Review by Christopher Williams)

Leporello 

MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano)

bass 

MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano)

Leporello 

MOZART: Don Giovanni. Così fan tutte (Review by Carla Maria Verdino-Süllwold)

Leporello 

MOZART: Don Giovanni. Così fan tutte (Review by Colin Clarke)

Leporello 

MOZART: La clemenza di Tito, K. 621 (Review by Henry Fogel)

baritone 

MOZART: La clemenza di Tito, K. 621 (Review by Henry Fogel)

Publio 

MOZART: Mass No. 6 in F, K. 192 (Review by George Chien)

bass 

MOZART: Mass in C, K. 317 (“Coronation“). Vesperae Solennes de confessore, K. 339 (Review by J. F. Weber)

bass 

MOZART: Missa Brevis, K. 192. Epistle Sonata in F, K. 224. Vesperae Solennes de Confessore, K. 339 (Review by J. F. Weber)

bass 

PAISIELLO, GIOVANNI: Nina, o sia La Pazza Per Amore (Review by Lynn René Bayley)

Conte 

PETROVICS: Crime and Punishment (Review by John Ditsky)

bass 

PETROVICS: Crime and Punishment (Review by John Ditsky)

Raskolnikov 

PUCCINI II, GIACOMO: La Bohème (Review by Raymond Tuttle)

Colline 

RESPIGHI, OTTORINO: Belfagor (Review by David Johnson)

bass 

RESPIGHI, OTTORINO: Belfagor (Review by David Johnson)

Mirocleto 

SCHOENBERG, ARNOLD: Moses und Aron (Review by James H. North)

bass 

SCHOENBERG, ARNOLD: Moses und Aron (Review by James H. North)

Priest 

SCHUBERT: Fierrabras (Review by David Johnson)

bass 

SCHUBERT: Fierrabras (Review by David Johnson)

Boland 

SCHUBERT: Fierrabras (Review by Bob Rose)

König Karl 

SCHUBERT: Winterreise (Review by Ralph V. Lucano)

bass 

STRAVINSKY, IGOR: L'Histoire du Soldat (complete score); Renard; Three Japanese Lyrics (Review by Elliott Kaback)

bass 

VAJDA: Barabbas—Opera in One Act. Stabat Mater. Farewell (Review by ROGER DETTMER)

bass 

VAJDA: Barabbas—Opera in One Act. Stabat Mater. Farewell (Review by ROGER DETTMER)

Pilate 

VERDI, GIUSEPPE: Aida (Review by Marc Mandel)

7/7eking 

VERDI, GIUSEPPE: Aida (Review by James Miller)

7/7eking 

VERDI, GIUSEPPE: Rigoletto (Review by Barry Brenesal)

Sparafucile 

VERDI, GIUSEPPE: Rigoletto (Review by Andrew Quint)

Sparafucile 

VERDI, GIUSEPPE: Rigoletto (Review by Bill White)

Sparafucile 

WEBER, CARL MARIA VON: Der Freischütz (Review by James H. North)

Hermit 

WOLF, HUGO: Italienisches Liederbuch. Auch kleine Dinge; Ihr seid die Allerschönste; Gesegnet sei, durch den die Welt entstund; Nun lass uns Frieden; Dass doch gemalt; Hoffärtig seid Ihr; Geselle, woll'n wir; Und willst du deinen Liebsten. Drei Gedichte von Michelangelo (Review by Ralph V. Lucano)

bass 

 

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