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Fanfare Archive Subscriber-Only Features

 Watch Reviewed Videos

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

Varda Kotler: YouTube Channel

Performer: Peter Pears

75 JAHRE DONAUESCHINGER MUSIKTAGE 1921-1996: (Review by Stephen Ellis)

tenor 

THE HIDDEN HEART—A LIFE OF BENJAMIN BRITTEN AND PETER PEARS: Excerpts from War Requiem, Peter Grimes, Death in Venice (Review by Lynn René Bayley)

tenor 

A TREASURY OF ENGLISH SONG: (Review by Alan Swanson)

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BRITTEN: Our Hunting Fathers. Who Are These... (Benjamin Britten) (Review by James Miller)

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HANDEL, GEORGE FRIDERIC; BRITTEN: (Review by Bernard Jacobson)

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ROYAL OPERA GALA: (Review by Bob Rose)

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WALTON; BAX; BLISS, ARTHUR: (Review by James Miller)

narrator 

ARNE, THOMAS: Rule Britannia (Review by George Chien)

tenor 

ARNE, THOMAS: Under the Greenwood Tree. Come away Death (Review by Henry Fogel)

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BACH, JOHANN SEBASTIAN: Mass in b (Review by Ralph V. Lucano)

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BACH, JOHANN SEBASTIAN: Mass in b (Review by Marc Mandel)

tenor 

BACH, JOHANN SEBASTIAN: Saint Matthew Passion (Review by George Chien)

Evangelist 

BACH, JOHANN SEBASTIAN: Saint Matthew Passion, BWV 244 (Review by Ralph V. Lucano)

Evangelist 

BACH, JOHANN SEBASTIAN: Saint Matthew Passion, BWV 244 (Review by Ralph V. Lucano)

tenor 

BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by David Denton)

Evangelist 

BECK, CONRAD: Hommages—Two Pieces for Orchestra (Review by Paul A. Snook)

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BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by Huntley Dent)

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BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by James A. Altena)

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BOULEZ, PIERRE: Polyphonie X. Poésie pour pouvoir. Structures (Review by Alex Ross)

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BRAHMS, JOHANNES: Liebeslieder Waltzes, op. 52 (Review by Henry Fogel)

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BRIDGE, FRANK: Go not, happy day (Review by Tom Godell)

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BRITTEN: 2 Scottish Folk Songs (Review by Paul Ingram)

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BRITTEN: 4 Song Arrangements (Review by Henry Fogel)

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BRITTEN: 5 French Folksong arrangements (Review by Huntley Dent)

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BRITTEN: A Birthday Hansel (Review by Paul Ingram)

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BRITTEN: A Birthday Hansel, Op. 92; Canticle V-The Death of Saint Narcissus, Op. 89; Suite for Harp, Op. 83;Second Lute Song from “Gloriana, “ Op. 53; Two Scottish Folk Songs (arr. Britten) (Review by John W. Charles)

tenor 

BRITTEN: Albert Herring (Review by Paul Ingram)

Albert Herring 

BRITTEN: Albert Herring—Opera, op. 39 (Review by John Ditsky)

Albert 

BRITTEN: Albert Herring—Opera, op. 39 (Review by John Ditsky)

tenor 

BRITTEN: Billy Budd (Review by James Miller)

Captain Vere 

BRITTEN: Billy Budd (Review by Paul Ingram)

Captain Vere 

BRITTEN: Billy Budd (Review by James Miller)

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BRITTEN: Cantata Academica (Review by Paul A. Snook)

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BRITTEN: Cantata misericordium (Review by Michael Fine)

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BRITTEN: Canticle III (Review by James Miller)

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BRITTEN: Canticle V (Review by Paul Ingram)

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BRITTEN: Folk Song Arrangements (Review by Lynn René Bayley)

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BRITTEN: Folk Songs with Harp (Review by Paul Ingram)

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BRITTEN: Folksong Arrangements (17) (Review by John Ditsky)

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BRITTEN: Folksong arrangements (Review by Huntley Dent)

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BRITTEN: Folksongs (Review by Evan Dickerson)

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BRITTEN: Gloriana (Review by Lynn René Bayley)

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BRITTEN: Gloriana (Review by Paul Ingram)

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BRITTEN: Gloriana (Review by Lynn René Bayley)

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BRITTEN: Gloriana (Review by James A. Altena)

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BRITTEN: Les Illuminations (Review by Michael Fine)

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BRITTEN: Les illuminations (Review by James Miller)

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BRITTEN: Let the florid music praise! (Review by James Miller)

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BRITTEN: Nocturnal (Review by Lynn René Bayley)

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BRITTEN: Nocturne (Review by Richard Burke)

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BRITTEN: Nocturne (Review by James Miller)

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BRITTEN: Nocturne (Review by Michael Fine)

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BRITTEN: Nocturne (Review by Lynn René Bayley)

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BRITTEN: On this Island (Review by Henry Fogel)

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BRITTEN: Our Hunting Fathers. Who Are These Children? (Review by James Miller)

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BRITTEN: Our Hunting Fathers—Symphonic Cycle for Voice and Orchestra, Op. 8. OnThis Island, Öp. 11. A Charm of Lullabies, Op. 41 (Review by John Ditsky)

tenor 

BRITTEN: Peter Grimes (Review by Vincent Alfano)

Grimes 

BRITTEN: Peter Grimes (Review by James Miller)

Grimes 

BRITTEN: Peter Grimes (Review by James Miller)

Grimes 

BRITTEN: Peter Grimes (Review by Paul Ingram)

Peter Grimes 

BRITTEN: Peter Grimes (Review by Vincent Alfano)

tenor 

BRITTEN: Serenade for Tenor, Horn and Strings (Review by Michael Fine)

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BRITTEN: Serenade for Tenor, Horn, and Strings (Review by James Miller)

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BRITTEN: Serenade for Tenor, Horn, and Strings (Review by Marc Mandel)

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BRITTEN: Serenade for Tenor, Horn, and Strings (Review by Huntley Dent)

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BRITTEN: Serenade for Tenor, Horn, and Strings. Folk Songs (Review by Alan Swanson)

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BRITTEN: Seven Sonnets of Michelangelo, Op. 22. The Holy Sonnets of John Donne, Op. 35. Folk Song Arrangements (Review by Peter J. Rabinowitz)

tenor 

BRITTEN: Songs from the Chinese (Review by Lynn René Bayley)

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BRITTEN: Sonnets of Michelangelo (Review by James Miller)

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BRITTEN: The Burning Fiery Furnace (Review by Vincent Alfano)

Nebuchadnezzar 

BRITTEN: The Burning Fiery Furnace (Review by Vincent Alfano)

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BRITTEN: The Holy Sonnets of John Donne (Review by Michael Fine)

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BRITTEN: The Holy Sonnets of John Donne, for Tenor and Piano, op. 35. Songs and Proverbs of William Blake, for Baritone and Piano, op. 74. Billy Budd—Opera, op. 50 (Review by John Ditsky)

Edward Fairfax Vere 

BRITTEN: The Holy Sonnets of John Donne, for Tenor and Piano, op. 35. Songs and Proverbs of William Blake, for Baritone and Piano, op. 74. Billy Budd—Opera, op. 50 (Review by John Ditsky)

tenor 

BRITTEN: The Rape of Lucretia (excerpts) (Review by J. F. Weber)

Male Chorus 

BRITTEN: The Rape of Lucretia (excerpts) (Review by Peter J. Rabinowitz)

Male Chorus 

BRITTEN: The Rape of Lucretia (excerpts) (Review by Peter J. Rabinowitz)

tenor 

BRITTEN: The Rape of Lucretia, op. 37. Excerpts (Review by Marc Mandel)

Male Chorus 

BRITTEN: The Rape of Lucretia, op. 37. Excerpts (Review by Marc Mandel)

tenor 

BRITTEN: War Requiem (Review by J. F. Weber)

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BRITTEN: War Requiem (Review by Phillip Scott)

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BRITTEN: War Requiem (Review by J. F. Weber)

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BRITTEN: War Requiem (Review by Lynn René Bayley)

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BRITTEN: War Requiem (Review by Lynn René Bayley)

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BRITTEN: War Requiem (Review by Ronald E. Grames)

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BRITTEN: War Requiem (Review by J. F. Weber)

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BRITTEN: War Requiem (Review by J. F. Weber)

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BRITTEN: War Requiem (Review by Arthur Lintgen)

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BRITTEN: War Requiem, op. 66. Nocturne, op. 60. Our Hunting Fathers, op. 8 (Review by J. F. Weber)

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BRITTEN: Who are these children? (Review by James Miller)

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BRITTEN: Winter Words (Review by James Miller)

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BRITTEN: Winter Words (Review by Michael Fine)

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CARTER, ELLIOTT: Concerto for Oboe and Orchestra (Review by Alex Ross)

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CHÁVEZ, CARLOS: Tambuco, for Seven Percussionists (Review by Paul A. Snook)

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COPLAND, AARON: Old American Songs (Review by Peter J. Rabinowitz)

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DÖHL: Conductus, for Four Percussionists (Review by Paul A. Snook)

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DOWLAND, JOHN: I Saw My Lady Weep. Dear, If You Change. Stay,Time. Weep You No More. Shall I Sue? Sweet, Stay Awhile. Can She Excuse. Come, Heavy Sleep. Wilt Thou Unkind, Thus Leave Me? Sorrow, Stay. The Lowest Trees Have Tops. Time’s Eldest Son, Old Age. In Darkness Let Me Dwell. Say, Love, If Ever Thou Did’st Find (Review by Michael Ullman)

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DUTILLEUX: Mystère de l'instant (Review by Paul A. Snook)

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ELGAR: The Dream of Gerontius (Review by James A. Altena)

Gerontius 

FAURÉ, GABRIEL: La Bonne chanson (Review by Henry Fogel)

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FORD, THOMAS: Come, Phyllis. Fair, Sweet, Cruel (Review by Michael Ullman)

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FORTNER, WOLFGANG: Variations for Large Chamber Orchestra (Review by Paul A. Snook)

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GRAINGER: 6 Dukes Went A-fishin’ (Review by Peter J. Rabinowitz)

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GRAINGER: Brigg Fair (Review by Peter J. Rabinowitz)

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GRAINGER: Lord Maxwell’s Goodnight (Review by Peter J. Rabinowitz)

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GRAINGER: Shepherd’s Hey. Willow, Willow.I’m 17 Come Sunday. Bold William Taylor. There Was a Pig Went Out to Dig. My Robin Is to the Green Wood Gone. Lord Maxwell’s Goodnight. The Duke of Marlborough Fanfare. Let’s Dance Gay in Green Meadow. Scotch Strathspey and Reel. The Pretty Maid Milkin’ Her Cow. The Sprig of Thyme. Lisbon. The Lost Lady Found. Shallow Brown. Molly on the Shore. Shenandoah. Irish Tune from County Derry. Brigg Fair. Green Bushes. Under a Bridge. Dollar and a Half a Day. The Merry King. 6 Dukes Went A-fishin’. Stormy. The 3 Ravens. Died for Love. Country Gardens. The Power of Love. The Hunter in His Career. The Warriors (Review by Peter J. Rabinowitz)

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GRAINGER: The 3 Ravens (Review by Peter J. Rabinowitz)

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GRAINGER: The Jolly Sailor Song; Six Dukes Went A-Fishin' (Review by Peter J. Rabinowitz)

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GRAINGER: The Power of Love (Review by Peter J. Rabinowitz)

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GRAINGER: The Pretty Maid Milkin’ Her Cow (Review by Peter J. Rabinowitz)

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GRAINGER: The Sprig of Thyme (Review by Peter J. Rabinowitz)

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GRAINGER: Willow, Willow (Review by Peter J. Rabinowitz)

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HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Barry Brenesal)

Acis 

HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Ron Salemi)

Acis 

HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Ken Meltzer)

Acis 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Ron Salemi)

Acis 

HARTMANN, KARL AMADEUS: Symphony No. 2 (Review by Alex Ross)

tenor 

HAYDN, FRANZ JOSEPH: Quartets for Strings Nos. 13-18, Op. 3; The Seven Last Words, Op. 51 (Review by John Bauman)

narrator 

HENZE, HANS WERNER: Double Concerto for Oboe, Harp, and Strings (Review by Paul A. Snook)

tenor 

HOLLIGER, HEINZ: Pneuma (Review by Alex Ross)

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HOLST, GUSTAV: 12 Songs, op. 48. Ave Maria (Review by Richard A. Kaplan)

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HOLST, GUSTAV: 4 Songs for Voice and Violin. This Have I Done For My True Love (Review by Richard A. Kaplan)

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KALITZKE: Nachtschleife (Review by Alex Ross)

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KELTERBORN: Visions Sonores, for Seven Percussionists and Seven Instruments (Obbligato) (Review by Paul A. Snook)

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LACHENMANN: Schwankungen am Rand (Review by Alex Ross)

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LIGETI, GYORGY: Atmosphères (Review by Alex Ross)

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MARTIN, FRANK: Concerto for Cello and Orchestra (Review by Paul A. Snook)

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MESSIAEN: Réveil des oiseaux (Review by Alex Ross)

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MORET: Visitations, for Soprano, Mezzo-Soprano, Tenor, Organs, Piano, and Seven Percussionists (Review by Paul A. Snook)

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MORLEY: Absence. It Was a Lover and His Lass. Who is It? (Review by Michael Ullman)

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MOZART: Idomeneo (Review by Henry Fogel)

Idomeneo 

MOZART: Piano Concertos (Review by Michael Ullman)

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MOZART: Requiem (Review by George Chien)

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NONO: Due Espressioni (Review by Alex Ross)

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PENDERECKI: Anaklasis (Review by Alex Ross)

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PURCELL-BRITTEN: Odes and Elegies (Review by Peter J. Rabinowitz)

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PURCELL, HENRY: 5 Songs (Review by Henry Fogel)

tenor 

PURCELL, HENRY: Dido and Aeneas (Review by Mortimer H. Frank)

Aeneas 

PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman)

Aeneas 

PURCELL, HENRY: Dido and Aeneas (Review by Mortimer H. Frank)

voice 

PURCELL, HENRY: Fantasia No. 13 in F, Z. 746 (“Fantasia Upon One Note“) (Review by Peter J. Rabinowitz)

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PURCELL, HENRY: Man Is for the Woman Made (Review by Evan Dickerson)

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PURCELL, HENRY: O Lord, Grant the Queen a Long Life (Review by George Chien)

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PURCELL, HENRY: The Fairy Queen (Review by Huntley Dent)

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PURCELL, HENRY: The Fairy-Queen (ed. Britten, Holst) (Review by Huntley Dent)

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PURCELL, HENRY: The Tempest (Review by Huntley Dent)

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PURCELL, HENRY: When Night Her Purple Veil Had Softly Spread (Review by Michael Ullman)

Aeneas 

QUILTER: O Mistress mine. Fear no more the heat o’ the sun (Review by Henry Fogel)

tenor 

RASEGHI: Kammerquarteť (Review by Alex Ross)

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RIHM: Dunkles Speil, for Four Percussionists and Small Orchestra (Review by Paul A. Snook)

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RIHM: Fran/Stimme (Review by Alex Ross)

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ROSSETER: What Then is Love? If She Forsake Me. When Laura Smiles (Review by Michael Ullman)

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SCHUBERT: 4 Songs (Review by Henry Fogel)

tenor 

SCHUBERT: Abendbilder, D 650 (Review by Huntley Dent)

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SCHUBERT: An die Laute, D 905 (Review by Huntley Dent)

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SCHUBERT: Atys. Abendstern. Auflösung. Ganymed. Nähe des Geliebten. An die Entfernte. Der Musensohn (Review by Henry Fogel)

tenor 

SCHUBERT: Auf dem Strom, D 943 (Review by Marc Mandel)

tenor 

SCHUBERT: Auf dem Wasser zu singen, D 774 (Review by Huntley Dent)

tenor 

SCHUBERT: Auflösung, D 807 (Review by Huntley Dent)

tenor 

SCHUBERT: Das Heimweh, D 851 (Review by Huntley Dent)

tenor 

SCHUBERT: Das Lied im Grünen, D 917 (Review by Huntley Dent)

tenor 

SCHUBERT: Das war ich, D 174 (Review by Huntley Dent)

tenor 

SCHUBERT: Der Geistertanz, D 116 (Review by Huntley Dent)

tenor 

SCHUBERT: Der Musensohn, D 764 (Review by Huntley Dent)

tenor 

SCHUBERT: Der Winterabend, D 938 (Review by Huntley Dent)

tenor 

SCHUBERT: Der blinde Knabe, D 833 (Review by Huntley Dent)

tenor 

SCHUBERT: Die Götter Greichenlands, D 677 (Review by Huntley Dent)

tenor 

SCHUBERT: Die schöne Mullerin, D 795 (Review by Huntley Dent)

tenor 

SCHUBERT: Die schöne Müllerin, Op. 25, D. 795 (Review by James Miller)

tenor 

SCHUBERT: Erster Verlust, D 226 (Review by Huntley Dent)

tenor 

SCHUBERT: Harfenspieler I (Review by Huntley Dent)

tenor 

SCHUBERT: Ihr Grab, D 736 (Review by Huntley Dent)

tenor 

SCHUBERT: Im Frühling, D.882. Auf der Brück, D. 853 (Review by Peter J. Rabinowitz)

tenor 

SCHUBERT: Vor meiner Wiege, D 927 (Review by Huntley Dent)

tenor 

SCHUBERT: Winterreise (Review by Evan Dickerson)

tenor 

SCHUBERT: Winterreise (Review by Huntley Dent)

tenor 

SCHÜTZ: The Resurrection Story, SWV 50 (Review by J. F. Weber)

Evangelist 

SCHÜTZ: The Resurrection Story, SWV 50 (Review by J. F. Weber)

tenor 

SCHUMANN: 5 Songs, op. 40 (Review by Peter J. Rabinowitz)

tenor 

SCHUMANN: Liederkreis (Review by Henry Fogel)

tenor 

SCHUMANN: Liederkreis, Op. 39. Six Poems and a Requiem, Op. 90. Five Lieder, Op. 40 (Review by Paul Turok)

tenor 

SEIBER: 4 French Folk Songs (Review by Lynn René Bayley)

tenor 

STOCKHAUSEN: Punkte 1952/62 (Review by Alex Ross)

tenor 

STRAVINSKY, IGOR: Apollon musagète. Oedipus Rex. Symphonies d'instruments à vent. Capriccio. Jeu de cartes. Symphony in Three Movements (Review by Art Lange)

Oedipus 

STRAVINSKY, IGOR: Apollon musagète. Symphonies of Wind Instruments. Oedipus Rex (Review by Lynn René Bayley)

Oedipus 

STRAVINSKY, IGOR: Oedipus Rex (Review by Neil Levenson)

Oedipus 

STRAVINSKY, IGOR: Oedipus Rex. Symphonies for Wind Instruments (Review by James H. North)

Oedipus 

STRAVINSKY, IGOR: ln memoriam Dylan Thomas (Review by Alex Ross)

tenor 

TCHAIKOVSKY: Christ in His Garden—Legend, op. 54/5 (Review by Michael Ullman)

tenor 

TCHAIKOVSKY: Serenade for Strings. Nocturne in c# for Cello and Small Orchestra, op. 19/4 (Review by Michael Ullman)

tenor 

TCHAIKOVSKY: Suite No. 4, "Mozartiana" (Review by Michael Ullman)

tenor 

TIPPETT, M.: Come unto these yellow sands (Review by Henry Fogel)

tenor 

TRAD./BRITTEN: The Salley Gardens (Review by Henry Fogel)

tenor 

TRADITIONAL: Down by the Salley Gardens. The Shooting of his Dear. The Plough Boy (Review by Tom Godell)

tenor 

VAUGHAN WILLIAMS: On Wenlock Edge (Review by Alan Swanson)

tenor 

VAUGHAN WILLIAMS: On Wenlock Edge (Review by Huntley Dent)

tenor 

VOGEL, WLADIMIR: Composition for Chamber Orchestra (Review by Paul A. Snook)

tenor 

WALTON: Anon in Love (Review by Lynn René Bayley)

tenor 

WALTON: Façade (Review by James Miller)

narrator 

WALTON: Façade (Review by James Miller)

narrator 

WALTON: Scapino. Siesta. Portsmouth Point. The Wise Virgins (Review by James Miller)

narrator 

WALTON: Troilus and Cressida (Review by James Miller)

Pandarus 

WARLOCK: Corpus Christi (3 versions) (Review by Lynn René Bayley)

tenor 

WARLOCK: Corpus Christi (Review by Alan Swanson)

tenor 

WARLOCK: Corpus Christi (Review by Huntley Dent)

tenor 

WARLOCK: Take, O take those lips away (Review by Henry Fogel)

tenor 

WOLF, HUGO: 3 Christmas Songs (Review by Henry Fogel)

tenor 

WOLF, HUGO: Im Frühling. Lied eines Verliebten. Denk es, O Seele. Heimweh. Bei einer Trauung. Jägerlied. An eine Äolsharfe (Review by Henry Fogel)

tenor 

XENAKIS: Metastaseis (Review by Alex Ross)

tenor 

ZIMMERMANN, BERND ALOIS: Sonata for Viola Solo (Review by Alex Ross)

tenor 

 

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