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Fanfare Archive Subscriber-Only Features

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Anthony Newman: Works for Organ

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Antonello: Collected Works

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Thomas Murray: Symphonic Masterworks of Grieg & Franck

Varda Kotler: YouTube Channel


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Performer: Mark Padmore

SCHÜTZ; TUNDER: (Review by James A. Altena)

Evangelist 

SONGS BY SCHUBERT’S FRIENDS AND CONTEMPORARIES: (Review by Joel Kasow)

tenor 

BACH, JOHANN SEBASTIAN: "Lutheran" Masses (Review by Michael Carter)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas, Vol. 8 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Christmas Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Christmas Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Christmas Oratorio, BWV248 (Review by Ralph V. Lucano)

tenor 

BACH, JOHANN SEBASTIAN: Easter Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Mit Fried und Freud— Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Saint John Passion (Review by George Chien)

Evangelist 

BACH, JOHANN SEBASTIAN: Secular Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: St. John Passion (Review by Huntley Dent)

Evangelist 

BACH, JOHANN SEBASTIAN: St. John Passion (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by George Chien)

Evangelist 

BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: St. Matthew Passion, BWV 244 (Review by John Story)

tenor 

BACH, JOHANN SEBASTIAN: St. Matthew Passion, BWV 244 (Review by Brian Robins)

tenor 

BEETHOVEN, LUDWIG VAN: An die ferne Geliebte. Maigesang. Neue Liebe, neues Leben. Mephistos Flohlied. Adelaide. Selbstgesprach. Resignation. An die Hoffnung. Abendlied unter’m gestirnten Himmel (Review by Huntley Dent)

tenor 

BEETHOVEN, LUDWIG VAN: Mass in C, op. 86. Elegischer Gesang, op. 118. Meerestille und glückliche Fahrt, op. 112 (Review by J. F. Weber)

tenor 

BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by James A. Altena)

tenor 

BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by Huntley Dent)

tenor 

BERLIOZ: L'enfance du Christ (Review by Adrian Corleonis)

narrator 

BRITTEN: 6 Hölderlin Fragments (Review by Lynn René Bayley)

tenor 

BRITTEN: 7 Sonnets of Michaelangelo (Review by Lynn René Bayley)

tenor 

BRITTEN: Folksong Arrangements (Review by Alan Swanson)

tenor 

BRITTEN: Holy Sonnets of John Donne (Review by Alan Swanson)

tenor 

BRITTEN: La belle est au jardin (Review by Lynn René Bayley)

tenor 

BRITTEN: La noël passée (Review by Lynn René Bayley)

tenor 

BRITTEN: Le roi s’en va-t’en chasse (Review by Lynn René Bayley)

tenor 

BRITTEN: Nocturnal after John Dowland (Review by Michael Ullman)

tenor 

BRITTEN: Purcell Realizations (Review by Alan Swanson)

tenor 

BRITTEN: Serenade for Tenor, Horn and Strings. Nocturne (Review by Alan Swanson)

tenor  

BRITTEN: The Turn of the Screw (Review by Paul Ingram)

Quint 

BRITTEN: Um Mitternacht (Review by Lynn René Bayley)

tenor 

BRITTEN: Voici le printemps (Review by Lynn René Bayley)

tenor 

BRITTEN: War Requiem (Review by J. F. Weber)

tenor 

BRITTEN: War Requiem, Op. 66 (Review by J. F. Weber)

tenor  

BRITTEN: Who Are These Children? 6 Hölderlin Fragments. Um Mitternacht (Review by Paul Ingram)

tenor 

BRITTEN: Winter Words (Review by Alan Swanson)

tenor 

CAVALLI: Vespro della Beata Vergine (Review by Barry Brenesal)

Alt  

CAVALLI: Vespro della Beata Vergine (Review by Barry Brenesal)

Ten  

CAVALLI: Vespro della beata Vergine (Review by Brian Robins)

alto 

CAVALLI: Vespro della beata Vergine (Review by Brian Robins)

tenor 

CHABRIER: Briséïs, ou les amants de Corinthe (Review by Adrian Corleonis)

Hy-las 

CHABRIER: Briséïs, ou les amants de Corinthe (Review by David Johnson)

Hy-las 

CHABRIER: Briséïs, ou les amants de Corinthe (Review by Adrian Corleonis)

tenor 

CHABRIER: Briséïs, ou les amants de Corinthe (Review by David Johnson)

tenor 

CHARPENTIER, MARC-ANTOINE: Médée (Review by David Johnson)

Jason 

CHARPENTIER, MARC-ANTOINE: Médée (Review by David Johnson)

tenor 

CLERAMBAULT: Domine a trois voix, C. 158. O delici-is affluens, C. 109. Magnificat, C. 136. Salve regina, C. 114. O piisima, o sanctissima, C. 135 (Review by Brian Robins)

tenor 

CLERAMBAULT: Domine salvu m, C. 152 (Review by Brian Robins)

tenor 

CLERAMBAULT: Domine salvum,C. 157 (Review by Brian Robins)

tenor 

CLERAMBAULT: Exultet omnium, C. 112 (Review by Brian Robins)

tenor 

CLERAMBAULT: Motets (Review by Brian Robins)

tenor 

CLERAMBAULT: Panis angelicas, C. 131 (Review by Brian Robins)

tenor 

DIBDIN: The Ephesian Matron. The Brickdust Man. The Grenadier (Review by John Bauman)

tenor 

DIBDIN: The Ephesian Matron. The Brickdust Man. The Grenadier (Review by John Bauman)

The Centurion 

DOVE: The End (Review by Alan Swanson)

tenor 

DOWLAND, JOHN: Come again! Sweet love. Sleep, wayward thoughts. Come, heavy sleep. Flow, my tears. I must complain. If my complaints could passions move. Captain Digorie Piper’s Galliard (Review by Michael Ullman)

tenor 

DOWLAND, JOHN: Fantasia No. 7 (Review by Michael Ullman)

tenor 

DOWLAND, JOHN: Unquiet Thoughts. Say, Love, if ever thou didst find. Sorrow, stay! Away with these self-loving lads (Review by Michael Ullman)

tenor 

DOWLAND, JOHN: What if I never speed? To ask for all thy love. Now, O now, I needs must part. In darkness let me dwell (Review by Michael Ullman)

tenor 

FINZI: A Young Man's Exhortation (Review by Paul Ingram)

tenor 

FINZI: Dies Natalis (Review by Alan Swanson)

tenor  

GRAINGER: Dreamery. Colonial Song (Review by Peter J. Rabinowitz)

tenor 

GRAINGER: Shallow Brown'. Marching Tune. I'm Seventeen Come Sunday. Two Sea Chanties (Review by Peter J. Rabinowitz)

tenor 

GRAINGER: The Grainger Edition, Volume 3 (Review by Peter J. Rabinowitz)

tenor 

HANDEL, GEORGE FRIDERIC: Alceste (Review by Melanie Eskenazi)

tenor 

HANDEL, GEORGE FRIDERIC: Esther (Review by Brian Robins)

First Israelite 

HANDEL, GEORGE FRIDERIC: Esther (Review by Bernard Jacobson)

First Israelite 

HANDEL, GEORGE FRIDERIC: Esther (Review by Brian Robins)

Mordecai 

HANDEL, GEORGE FRIDERIC: Esther (Review by Bernard Jacobson)

Mordecai 

HANDEL, GEORGE FRIDERIC: Esther (Review by Melanie Eskenazi)

tenor 

HANDEL, GEORGE FRIDERIC: Giustino (Review by David Johnson)

tenor 

HANDEL, GEORGE FRIDERIC: Giustino (Review by David Johnson)

Vitaliano 

HANDEL, GEORGE FRIDERIC: Il trionfo del Tempo e del Disinganno (Review by Melanie Eskenazi)

tenor 

HANDEL, GEORGE FRIDERIC: Jephtha (Review by Melanie Eskenazi)

tenor 

HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso, ed il Moderato (Review by Melanie Eskenazi)

tenor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

tenor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Henry Fogel)

tenor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Ron Salemi)

tenor 

HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Brian Robins)

A Herald 

HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson)

Herald 

HANDEL, GEORGE FRIDERIC: Rodelinda (Review by Melanie Eskenazi)

tenor 

HANDEL, GEORGE FRIDERIC: Samson (Review by Melanie Eskenazi)

tenor 

HANDEL, GEORGE FRIDERIC: Saul (Review by Brian Robins)

JONATHAN 

HANDEL, GEORGE FRIDERIC: Saul (Review by Bernard Jacobson)

JONATHAN 

HANDEL, GEORGE FRIDERIC: Semele (Review by Melanie Eskenazi)

tenor 

HANDEL, GEORGE FRIDERIC: Tamerlano (Review by Melanie Eskenazi)

tenor 

HAYDN, FRANZ JOSEPH: Alfred, König der Angelsachsen (Review by Bernard Jacobson)

tenor 

HAYDN, FRANZ JOSEPH: Die Schöpfung (Review by Huntley Dent)

tenor 

HAYDN, FRANZ JOSEPH: Great Organ Mass, Hob. XXII (Review by J. F. Weber)

tenor 

HAYDN, FRANZ JOSEPH: Mass in B♭, Hob XXII (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: Mass in B♭, Hob.XXII (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: Masses (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: Missa Cellensis. Missa Sunt bona mixta malis (Review by J. F. Weber)

tenor 

HAYDN, FRANZ JOSEPH: Missa in tempore belli, "Paukenmesse." Te Oeum in C, Hob XXIIIc (Review by Bernard Jacobson)

tenor 

HAYDN, FRANZ JOSEPH: Salve Regina in E, Hob XXIIIb (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: She never told her love. Hark, what I tell to thee. Antwort auf die Frage eines Mädchens (Review by Huntley Dent)

tenor 

HAYDN, FRANZ JOSEPH: Te Deum in C, Hob XXIIIc (Review by Bernard Jacobson)

tenor 

HUMMEL, JOHANN NEPOMUK: Mass in d. Salve Regina. (Review by David L. Kirk)

tenor 

LAMPE: Pyramus and Thisbe. Concerto in G for Flute and Strings (Review by David Johnson)

Pyramus 

LAMPE: Pyramus and Thisbe. Concerto in G for Flute and Strings (Review by David Johnson)

tenor 

MENDELSSOHN-HENSEL, FANNY: Wenn ich in deine Augen sehe. Sehnsucht. Suleika und Hatem. Das Heimweh. Im wunderschönen Monat Mai. Aus meinen Tränen spriessen (Review by Raymond Beegle)

tenor 

MENDELSSOHN, FELIX: Gruss. Sonntagslied. Entsagung. Die Sterne schau'n in stiller Nacht. Frühlingslied. Schifflied. Altendeutsches Lied. Keinen von der Erde Schönen. Schlafloser Augen Leuchte. Suleika. Der Mond. Wie kann ich froh und lustig sein?. Abendlied. Morgenlied. Im Frühling. Romanze. Tröstung. Pilgerspruch. Minnelied im Mai. Nachtlied (Review by Raymond Beegle)

tenor 

MONTÉCLAIR: Jephté (Review by David Johnson)

Ammon 

MONTÉCLAIR: Jephté (Review by David Johnson)

tenor 

MOZART: Das Veilchen. Abendempfindung. Die ihr des unermeßlichen Weltalls, K 619 (Review by Huntley Dent)

tenor 

MOZART: Don Giovanni (Review by Raymond Tuttle)

Don Ottavio 

MOZART: La clemenza di Tito (Review by Brian Robins)

Tito 

MOZART: La clemenza di Tito (Review by James Camner)

Tito  

MOZART: Requiem (Review by Lynn René Bayley)

tenor 

MOZART: Requiem (Review by Jerry Dubins)

tenor 

PURCELL: Complete Odes and Welcome Songs, Volume 6 (Review by Michael Ullman)

high tenor 

PURCELL: Dioclesian, Z. 627. Timon of Athens, Z. 632 (Review by Eric Van Tassel)

tenor 

PURCELL: I will give thanks unto the Lord, Z. 21“ -1 will sing unto the Lord as long as I live, Z. 22- -. How have I stray'd, Z. 188. Benedlctus In B♭, Z. 230/2 . Hear my prayer, O God, Z. . Kyrie In B♭, Z. 230/5. Out of the deep, Z. 45. Nicene Creed In B♭, Z. 23. Blessed Is he that considered the poor, Z. 7. The Lord Is king, and hath put on glorious apparel, Z. N69. Unto thee will I cry, Z. 63 (Review by Eric Van Tassel)

tenor 

PURCELL: In thee, O Lord, Z. Í6 . Blessed is the man that feareth the Lord, Z. 9***. Benedicite in B♭, Z 230(3) . Jehova, quam multi sunt hostes mei, Z. 135 . Full of wrath, his threatening breath, Z. 185 [by Humphrey Brailsford]. Bow down thine ear, O Lord, Z. 11. Evening Service in G Minor, Z. 29Í*** Be merciful unto me, Z. 4. They that go down to the sea in ships, Z. 57 (Review by Eric Van Tassel)

tenor 

PURCELL: King Arthur, or, The British Worthy, Z. 628 (Review by James H. North)

tenor 

PURCELL: Ode for Queen Mary's Birthday, 1692,1. 334 (“Love's goddess sure was blind“). Ode for St. Cecilia's Day, Z. 334 (“Raise, raise the voice“). Ode for St. Cecilia's Day, Z. 329 (“Laudate Cecíliám“). Welcome Song for Charles II, Z. 326 (“From those serene and rapturous joys“) (Review by Michael Ullman)

high tenor 

PURCELL: Odes for Saint Cecilia's Day (Review by Brian Robins)

tenor 

PURCELL: Praise the Lord, O my should (Review by Eric Van Tassel)

tenor 

PURCELL: The Complete Anthems and Services, Volume 10 (Review by Eric Van Tassel)

tenor 

PURCELL: The Complete Anthems and Services, Volume 11 (Review by Eric Van Tassel)

tenor 

PURCELL: The Complete Anthems and Services, Volume 8 (Review by Eric Van Tassel)

tenor 

PURCELL: The Complete Anthems and Services, Volume 9 (Review by Eric Van Tassel)

tenor 

PURCELL: The Fairy Queen (Review by Brian Robins)

tenor 

PURCELL: The Fairy Queen, Z. 629 (Review by Eric Van Tassel)

tenor 

PURCELL: The Lord is my light, Z. 55. The Lord is King, the earth may be glad thereof, Z. 54. Blessed Is he whose unrighteousness is forgiven, Z. 823.7.9.10.12 0 Lord God of nosts z 3753.11.7.9 12 Lgt God grjse 7 239,io Cantate Domino and Deus misereatur in B♭, Z. 230/9-10. Blessed be the Lord my strength, Z. e. O Lord our governor, Z. 141 In guilty nighti. i34- (Review by Eric Van Tassel)

tenor 

RAMEAU: Castor et Pollux (Review by David Johnson)

countertenor 

RAMEAU: Castor et Pollux (Review by David Johnson)

L’Amour 

RAMEAU: Castor et Pollux (Review by David Johnson)

Le Grand-prêtre 

RAMEAU: Hippolyte et Aricie (Review by David Johnson)

Hippolyte 

RAMEAU: Hippolyte et Aricie (Review by Lynn René Bayley)

Hippolyte 

RAMEAU: Hippolyte et Aricie (Review by Barry Brenesal)

Hippolyte 

RAMEAU: Hippolyte et Aricie (Review by Barry Brenesal)

Hippolyte 

RAMEAU: Hippolyte et Aricie (Review by David Johnson)

tenor 

RAMEAU: Zoroastre (Review by Brian Robins)

Zoroastre 

RAMEAU: Zoroastre (Review by John Story)

Zoroastre 

SCARLATTI, A.: Sedecia, re di Gerusalemme (Review by Brian Robins)

Nababbe 

SCHUBERT: Die schöne Müllerin (Review by Burton Rothleder)

tenor 

SCHUBERT: Mass No. 6 (Review by Joel Kasow)

tenor 

SCHUBERT: Schwanengesang. Auf dem Strom. Die Sterne (Review by Raymond Beegle)

tenor  

SCHUBERT: Winterreise (Review by Alan Swanson)

tenor 

SCHUMANN: Das Paradies und die Peri (Review by Huntley Dent)

narrator 

SCHUMANN: Das Paradies und die Peri (Review by James A. Altena)

narrator 

SCHUMANN: Der Wanderern Der Wanderer in der Sagemühle (Review by John Story)

tenor 

SCHUMANN: Liederkreis, op. 24. Frühe Lieder, WoO 21. An Anna (ii). Hirtenknabe. Im Herbste. Der Fischer.''* Die nächtliche Heerschau? Ein Gedanke? Der Reiter und der Bodensee? Schlusslied des Narren.* Dem roten Röslein. Der frohe Wandersmann?- Nur ein lächelnder Blick.™ Trost im Gesang.“ Die rote Hanne. Der deutsche Rhein. C (Review by John Story)

tenor 

SCHUMANN: Sehnsucht.' Die Weinenden Der Fischer.' Im Herbste.' Kurzes Erwachen.' An Anna I.' Gesanges Erwachen.' An Anna II.' (Review by Marc Mandel)

tenor 

SCHUMANN: Songs, Vol. 8 (Review by Marc Mandel)

tenor 

TIPPETT, M.: Boyhood's End (Review by Paul Ingram)

tenor 

VAUGHAN WILLIAMS: On Wenlock Edge (Review by Lynn René Bayley)

tenor 

VAUGHAN WILLIAMS: On Wenlock Edge. Ten Blake Songs (Review by Alan Swanson)

tenor 

VAUGHAN WILLIAMS: Sir John in Love (Review by James Miller)

Fenton 

VIVALDI, ANTONIO: Ottone in villa (Review by Joel Kasow)

Decio 

WARLOCK: The Curlew (Review by Alan Swanson)

tenor 

 

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