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Performer: Alan Opie BRUCE FORD VIENNESE OPERETTA: (Review by Christopher Williams) | baritone | BIRTWISTLE: The Mask of Orpheus (Review by John Story) | Aristaneus | BOUGHTON: Bethlehem (Review by Peter J. Rabinowitz) | baritone | BOUGHTON: Bethlehem (Review by Peter J. Rabinowitz) | Zarathustra | BRITTEN: Death in Venice (Review by Paul Ingram) | The Traveller | BRITTEN: Gloriana (Review by James Miller) | baritone | BRITTEN: Gloriana (Review by James Miller) | Cecil | BRITTEN: Gloriana (Review by Barry Brenesal) | Sir Robert Cecil  | BRITTEN: Owen Wingrave (Review by Ronald E. Grames) | Spencer Coyle | BRITTEN: Owen Wingrave (Review by James H. North) | Spencer Coyle | BRITTEN: Peter Grimes, op. 33 (Review by Marc Mandel) | baritone | BRITTEN: Peter Grimes, op. 33 (Review by Marc Mandel) | Captain Balstrode | BRITTEN: The Rape of Lucretia, op. 37 (Review by James Miller) | baritone | BRITTEN: The Rape of Lucretia, op. 37 (Review by James Miller) | Junius | BRUBECK, DAVE: Beloved Son. Pange lingua Variations. Voice of the Holy Spirit (Tongues of Fire). Regret (Review by Raymond Tuttle) | baritone | CIMAROSA: Artemisia (Review by James Miller) | baritone | DELIUS: A Mass of Life. Prelude and Idyll (Review by Adrian Corleonis) | baritone | DELIUS: A Mass of Life. Prelude and Idyll (Review by Richard A. Kaplan) | baritone | DELIUS: A Mass of Life. Prelude and Idyll (Review by Ronald E. Grames) | baritone | DONIZETTI: Dom Sébastien (Review by Henry Fogel) | baritone | DONIZETTI: Lucia of Lammermoor (Review by Henry Fogel) | Enrico | DONIZETTI: Maria Stuarda (Review by Henry Fogel) | baritone | DONIZETTI: Maria Stuarda (Review by Henry Fogel) | William | DONIZETTI: Mary Stuart (Review by Robert Levine) | baritone | DONIZETTI: Mary Stuart (Review by Robert Levine) | Cecil | DONIZETTI: Mary Stuart (Review by Raymond Beegle) | baritone | ELGAR: Scenes from the Saga of King Olaf. The Banner of St George (Review by Ronald E. Grames) | baritone | FIORAVANTI: I virtuosi ambulanti (Review by James Miller) | baritone | GENERALI: Pamela nubile (Review by James Miller) | baritone | GNECCO: La prima prova dell' opera Gli Orazi e Curiazi (Review by James Miller) | baritone | HOLST, GUSTAV: Suite de ballet. A Song of the Night. The Wandering Scholar (Review by Barry Brenesal) | Louis | HOLST, GUSTAV: The Wandering Scholar, op. 50 (Review by Peter J. Rabinowitz) | Louis | HOWELLS, HERBERT: Hymnus Paradisi. A Kent Yeoman’s Wooing Song (Review by Martin Anderson) | baritone | LAVIGNA: Hoango (Review by James Miller) | baritone | LEONCAVALLO, RUGGERO: I pagliacci (Review by Henry Fogel) | Tonio | LEONCAVALLO, RUGGERO: I pagliacci (Review by Henry Fogel) | Tonio | LEONCAVALLO, RUGGERO: Pagliacci (Review by Henry Fogel) | baritone | MAW: Sophie’s Choice (Review by James A. Altena) | Doctor | MAYR, GIOVANNI SIMONE: Elisa (Review by James Miller) | baritone | MERCADANTE: Excerpts (Review by Joel Kasow) | baritone | MOSCA: Li sposi in cimento (Review by James Miller) | baritone | NICOLINI: f baccanali di Roma (Review by James Miller) | baritone | NIGG: Jérôme Bosch-Symphonie. Le Chant du dépossédé (Review by Peter J. Rabinowitz) | baritone | OFFENBACH: Christopher Columbus (Review by Heuwell Tircuit) | Chief Of Police | OFFENBACH: Robinson Crusoe (sung and spoken in English) (Review by C. -P. Gerald Parker) | Jim Cocks | OFFENBACH: Robinson Crusoe (Review by David Mason Greene) | bass | OFFENBACH: Robinson Crusoe (Review by David Mason Greene) | Jim Cocks | PACINI: Excerpts (Review by Joel Kasow) | baritone | PAËR: Achille (Review by James Miller) | baritone | PAISIELLO: Il passaggio di Monte San Bernado (Review by James Miller) | baritone | PAVESI: Elisabetta d'Inghilterra (Review by James Miller) | baritone | PORTUGAL, MARCOS: La Semiramide (Review by James Miller) | baritone | PROKOFIEV, SERGEI: Betrothal in a Monastery (Review by Barry Brenesal) | Don Carlos | PUCCINI II, GIACOMO: La Bohème (Review by Henry Fogel) | Marcello | PUCITTA: La caccia di Enrico IV (Review by James Miller) | baritone | RIGHINI: Gerusalemme liberata (Review by James Miller) | baritone | ROSSINI: Barber of Seville (Review by Henry Fogel) | baritone | ROSSINI: The Barber of Seville (performed in English) (Review by Henry Fogel) | baritone | ROSSINI: The Barber of Seville (performed in English) (Review by Henry Fogel) | Figaro | SULLIVAN: The Beauty Stone (Review by Barry Brenesal) | The Devil | SULLIVAN: The Beauty Stone (Review by Ronald E. Grames) | The Devil | VAUGHAN WILLIAMS: Hugh the Drover (Review by Martin Anderson) | baritone | VAUGHAN WILLIAMS: Hugh the Drover (Review by Martin Anderson) | John the Butcher | VERDI: Ernani (Review by Henry Fogel) | Don Carlo | VERDI: II trovatore (Review by Joel Kasow) | di Luna | VERDI: Il trovatore (Review by Henry Fogel) | baritone | VERDI: Nabucco (Review by Evan Dickerson) | Nabucco | VERDI: Rigoletto (Review by Joel Kasow) | Rigoletto | VERDI: Rigoletto (Review by Joel Kasow) | Rigoletto | VERDI: Simon Boccanegra (Review by Colin Clarke) | Paolo | VICTORY: Ultima Rerum—& Requiem Cantata for Four Soloists, Large and Small Choirs, Children's Choir, and Orchestra (Review by Stephen Ellis) | baritone | WAGNER: Die Meistersinger (Review by William H. Youngren) | Beckmesser | WALTON: The Bear (Review by James Miller) | baritone | WALTON: The Bear (Review by James Miller) | Smirnov | WALTON: The Bear (Review by James H. North) | Smirnov | WALTON: Troilus and Cressida (Review by James Miller) | baritone | WALTON: Troilus and Cressida (Review by James Miller) | Diomede | WALTON: Troilus and Cressida (Review by James H. North) | Diomede | WALTON: Troilus and Cressida (Review by Phillip Scott) | Diomede | WEIGL, JOSEPH: Ginerva di Scozia (Review by James Miller) | baritone | WEILL: The Seven Deadly Sins–A Ballet with Song. Little Threepenny Music (Review by John Ditsky) | baritone | WINTER, PETER VON: H ratto di Proserpina (Review by James Miller) | baritone | ZINGARELLI: Ines de Castro (Review by James Miller) | baritone |
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