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Performer: O du Théâtre des Champs-Elysées MOZART: Die Entführung aus dem Serail (Sir Thomas Beecham) (Review by Alan Swanson) | ensemble or orchestra | BALAKIREV: Overture on Russian Themes (Review by John D. Wiser) | ensemble or orchestra | BORODIN: In the Steppes of Central Asia (Review by John D. Wiser) | ensemble or orchestra | CUI: Two Pieces in Popular Style (Review by John D. Wiser) | ensemble or orchestra | MILHAUD: La Création du monde, op.81. Scaramouche, op. 165b. Saudades do Brasil, op. 67. Suite provençal, op. 152b. Le Boeuf sur le toit, op. 58 (Review by Jon Tuska) | ensemble or orchestra | MILHAUD: Le Boeuf sur le Toit. La Création du Monde (Review by John D. Wiser) | ensemble or orchestra | MILHAUD: Le Boeuf sur le toit, op. 58. La Création du monde, op. 91 (Review by James H. North) | ensemble or orchestra | MOZART: Concerto in C for Flute, Harp, and Orchestra, K. 299. Symphonies (Review by Bernard Jacobson) | ensemble or orchestra | MOZART: The Abduction from the Seraglio, K. 384. Arlas? (Review by John Bauman) | ensemble or orchestra | MUSSORGSKY: Khovanfchina (Review by John D. Wiser) | ensemble or orchestra | RIMSKY-KORSAKOV: Capriccio Espagnol, Op. 34 (Review by John D. Wiser) | ensemble or orchestra |
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