|
|
Performer: O 2001 CRUMB, GEORGE: Unto the Hills... (James Freeman) (Review by David DeBoor Canfield) | ensemble or orchestra | CRUMB, GEORGE: Voices from the Morning of the... (James Freeman) (Review by David DeBoor Canfield) | ensemble or orchestra | LEVINSON: Avatar... (James Freeman) (Review by Robert Carl) | ensemble or orchestra | LEVINSON: Avatar... (James Freeman) (Review by Raymond Tuttle) | ensemble or orchestra | LEVINSON: Avatar... (James Freeman) (Review by Colin Clarke) | ensemble or orchestra | LEVINSON: Avatar... (James Freeman) (Review by Robert Carl) | ensemble or orchestra | LEVINSON: Avatar... (James Freeman) (Review by Robert Schulslaper) | ensemble or orchestra | LEVINSON: Avatar... (James Freeman) (Review by Peter Burwasser) | ensemble or orchestra | CASCARINO: Blades of Grass (Review by Jeremy Marchant) | ensemble or orchestra | CRUMB, DAVID: Variations for Cello and Chamber Ensemble (Review by Robert Carl) | ensemble or orchestra | CRUMB, GEORGE: A Journey Beyond Time (American Songbook II). The Winds of Destiny (American Songbook IV) (Review by David DeBoor Canfield) | ensemble or orchestra | CRUMB, GEORGE: Ancient Voices of Children (Review by Robert Carl) | ensemble or orchestra | CRUMB, GEORGE: Dream Sequence (Images II) (Review by Robert Carl) | ensemble or orchestra | CRUMB, GEORGE: Lux Aeterna (Review by Benjamin Pernick) | ensemble or orchestra | CRUMB, GEORGE: The Ghosts of the Alhambra. Voices From a Forgotten World (Review by Robert Carl) | ensemble or orchestra | CRUMB, GEORGE: The River of Life (American Songbook I). Unto the Hills (American Songbook III) (Review by David DeBoor Canfield) | ensemble or orchestra | CRUMB, GEORGE: Unto the Hills. Black Angels. (Review by Robert Carl) | ensemble or orchestra | CRUMB, GEORGE: Voices From a Forgotten World (American Songbook V) (Review by David DeBoor Canfield) | ensemble or orchestra | CRUMB, GEORGE: Voices from the Heartland (American Songbook VII) (Review by David DeBoor Canfield) | ensemble or orchestra | CRUMB, GEORGE: Volume 11 (Review by David DeBoor Canfield) | ensemble or orchestra | CRUMB, GEORGE: Volume 14 (Review by David DeBoor Canfield) | ensemble or orchestra | FINKO: Concerto for Viola and Orchestra (Review by Benjamin Pernick) | ensemble or orchestra | FINKO: Fromm Septet (Review by Robert Carl) | ensemble or orchestra | HIGDON, JENNIFER: To the Point (Review by Jeremy Marchant) | ensemble or orchestra | LEVINSON: Chant des Rochers (Review by Robert Carl) | ensemble or orchestra | LEVINSON: Chant des rochers. For the Morning of the World (Review by Robert Schulslaper) | ensemble or orchestra | LEVINSON: Dreamlighť. Bronze Music. Black Magic/White Magic. Morning Star (Review by Scott Wheeler) | ensemble or orchestra | LEVINSON: Time and the Bell .. (Review by Robert Schulslaper) | ensemble or orchestra | LEVINSON: in dark (Review by Robert Carl) | ensemble or orchestra | LEVINSON: in dark (Review by Raymond Tuttle) | ensemble or orchestra | LEVINSON: in dark (Review by Colin Clarke) | ensemble or orchestra | LEVINSON: in dark (Review by Robert Carl) | ensemble or orchestra | LEVINSON: in dark (Review by Robert Schulslaper) | ensemble or orchestra | LEVINSON: in dark (Review by Peter Burwasser) | ensemble or orchestra | LEVINSON, G.: Avatar. At the Still Point of the Turning World, There the Dance Is. Chorale for Nanine, With Birds. Now Your Colors Sing. Musiques Nocturnes (Hommage à Bartók). Ringing Changes. Anāhata. Crickets. Au Coeur De L’Infini. In Dark (Review by Robert Carl) | want list ensemble | LEVINSON, G.: Chant des rochers. For the Morning of the World (Review by Colin Clarke) | ensemble or orchestra | LEVINSON, G.: Chant des rochers. For the Morning of the World (Review by Raymond Tuttle) | ensemble or orchestra | LEVINSON, G.: Time and the Bell .. (Review by Colin Clarke) | ensemble or orchestra | LEVINSON, G.: Time and the Bell .. (Review by Raymond Tuttle) | ensemble or orchestra | LEVINSON, G.: Trio. Consolation. Duo (Winds of Light). Ragmalika. Here of amazing most now (Review by Colin Clarke) | ensemble or orchestra | LEVINSON, G.: Trio. Consolation. Duo (Winds of Light). Ragmalika. Here of amazing most now (Review by Raymond Tuttle) | ensemble or orchestra | MUSGRAVE: Orfeo III (Review by Benjamin Pernick) | ensemble or orchestra | REISE: The River Within (Review by Jeremy Marchant) | ensemble or orchestra | RUDIN, ANDREW: Canto di Ritorno (Review by Jeremy Marchant) | ensemble or orchestra | RUDIN, ANDREW: Celebrations (Review by Jeremy Marchant) | want list ensemble | RUDIN, ANDREW: Piano Concerto (Review by Jeremy Marchant) | ensemble or orchestra | RUDIN, ANDREW: Piano Concerto (Review by David DeBoor Canfield) | ensemble or orchestra | RUDIN, ANDREW: Piano Concerto (Review by David DeBoor Canfield) | ensemble or orchestra | RUDIN, ANDREW: Piano Concerto. Viola Concerto (Review by Jeremy Marchant) | want list ensemble | RUDIN, ANDREW: Viola Concerto. Celebrations (Review by Jeremy Marchant) | ensemble or orchestra | RUDIN, ANDREW: Viola Concerto. Celebrations (Review by David DeBoor Canfield) | ensemble or orchestra | RUDIN, ANDREW: Viola Concerto. Celebrations (Review by David DeBoor Canfield) | ensemble or orchestra | SCHULLER: Concerto da Camera (Review by Jeremy Marchant) | ensemble or orchestra | SCHWANTNER: Distant Runes and Incantations' (Review by Benjamin Pernick) | ensemble or orchestra | STILLER: A Descent Into the Maelstrom (Review by Elliott S. Hurwitt) | ensemble or orchestra | STILLER: The Mouse Singed. A Periodic Tale of the Elements. A Descent Into the Maelstrom. Sonata a3 pulsatorlbus, with gargoyle and a moral in Kesh*. The Water Is Wide, Daisy Bell (Review by Elliott S. Hurwitt) | ensemble or orchestra | STUCKY: Double Concerto for Violin, Oboe, and Chamber Orchestra (Review by Robert Carl) | ensemble or orchestra | WHITMAN: Aubade* (Review by Benjamin Pernick) | ensemble or orchestra |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
