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Performer: Nigel North LE PARLER ET LE SILENCE: Music for Flute Consort... (Attaignant Consort) (Review by Barry Brenesal) | lute | MUSIC OF THE RENAISSANCE VIRTUOSI: (Review by Edward Strickland) | cittern | MUSIC OF THE RENAISSANCE VIRTUOSI: (Review by Edward Strickland) | lute | MUSIC OF THE RENAISSANCE VIRTUOSI: (Review by Edward Strickland) | theorbo | PIÈCES DE LUTH. FRENCH LUTE MUSIC OF THE SEVENTEENTH...: (Review by Edward Strickland) | Baroque lute | PURCELL, HENRY: Strike the Viol; The Queen’s Expedition;... (Michael Chance) (Review by Michael Ullman) | lute | PURCELL, HENRY: Strike the Viol; The Queen’s Expedition;... (Michael Chance) (Review by Michael Ullman) | theorbo | THREE, FOUR, AND TWENTY LUTES: (Review by Edward Strickland) | lute | ALBINONI: Oboe Concerto in D Minor, op. 9, no. 2 (Review by Heuwell Tircuit) | lute | ANONYMOUS: Passava Amor su arco desarmado. Go, my flock, go get you hence. O bella più che le stelle. Ce penser qui sans fin tirannise ma vie. O dear life, when shall it be? Vous que le Bonheur rappelle. Sta notte mi sognava. Vuestros ojos tienen d’Amor. Se di farmi morire (Review by William Zagorski) | lute | BACH, JOHANN SEBASTIAN: Overture (Orchestral Suite) No. 3 In D, BWV 1068 (Review by Heuwell Tircuit) | lute | BACH, JOHANN SEBASTIAN: Suites for Lute (Review by Eric Goldberg) | Baroque lute | BATCHELAR, DANIEL: Galliard (Review by William Zagorski) | lute | BATCHELAR, DANIEL: To plead my faith (Review by William Zagorski) | lute | BOYCE: Symphony No. 4 In F (Review by Heuwell Tircuit) | lute | BUONAMENTE, GIOVANNI BATTISTA: Sonata a tre violini (Book 6, 1636) (Review by Elliott S. Hurwitt) | theorbo | BUONAMENTE, GIOVANNI BATTISTA: Sonata a tre violini (Review by Robert Maxham) | theorbo | CACCINI, GIULIO: Dovrò dunque morire? Amarilli mia bella (Review by William Zagorski) | lute | CACCINI, GIULIO: Queste lagrim’ amare (Review by Barry Brenesal) | lute | CACCINI, GIULIO: Queste lagrim’ amare (Review by Barry Brenesal) | theorbo | CAMPION, THOMAS: Fire, fire. I care not for these ladies (Review by Barry Brenesal) | lute | CARISSIMI: Lamento della Regina Maria Stuarda (Review by Barry Brenesal) | lute | CARISSIMI: Lamento della Regina Maria Stuarda (Review by Barry Brenesal) | theorbo | CARULLI: Variations of Beethoven, arr. for pianoforte and guitar, Op. 169 (Review by John D. Wiser) | guitar | CARULLI: Variations of Beethoven, arr. for pianoforte and guitar, Op. 169 (Review by John D. Wiser) | vihuela | CHARPENTIER, MARC-ANTOINE: Te Deum In D (Review by Heuwell Tircuit) | lute | CHÉDEVILLE, NICOLAS: (arr. Vivaldi) IIpastor fido (Review by George Chien) | archlute | CHÉDEVILLE, NICOLAS: (arr. Vivaldi) IIpastor fido (Review by George Chien) | guitar | CLARKE, JEREMIAH: The Prince of Denmark's March—Rondeau (Review by Heuwell Tircuit) | lute | CONSTANTIN, LOUIS: 't Uitnemend Kabinet (Review by Robert Maxham) | theorbo | CONSTANTIN, LOUIS: Pavan ('t Uitnemend Kabinet, 1649) (Review by Elliott S. Hurwitt) | theorbo | CORBETTA, FRANCISCO: Sinfonia a 2, for Guitar and Virginals (Review by John D. Wiser) | guitar | CORBETTA, FRANCISCO: Sinfonia a 2, for Guitar and Virginals (Review by John D. Wiser) | vihuela | CORELLI, ARCANGELO: Concerto Gross In D, op. 6, no. 4 (Review by Heuwell Tircuit) | lute | CORELLI, ARCANGELO: Sonatas (Review by Nils Anderson) | archlute | CORELLI, ARCANGELO: Sonatas (Review by Nils Anderson) | guitar | CORELLI, ARCANGELO: Sonatas (Review by Nils Anderson) | theorbo | CORELLI, ARCANGELO: Trio Sonatas, Op. 1 (Review by Edward Strickland) | archlute | CORELLI, ARCANGELO: Trio Sonatas, Op. 1 (Review by Edward Strickland) | theorbo | CORELLI, ARCANGELO: Twelve Sonatas for Violin and Continuo, op. 5 (Review by Nils Anderson) | archlute | CORELLI, ARCANGELO: Twelve Sonatas for Violin and Continuo, op. 5 (Review by Nils Anderson) | guitar | CORELLI, ARCANGELO: Twelve Sonatas for Violin and Continuo, op. 5 (Review by Nils Anderson) | theorbo | CORKINE: Beauty sat bathing. Tis true, tis day (Review by Barry Brenesal) | lute | D'INDIA: Torna il sereno Zefiro. Piangono al pianger mio. Mentre che ‘l cor (Review by Barry Brenesal) | lute | D'INDIA: Torna il sereno Zefiro. Piangono al pianger mio. Mentre che ‘l cor (Review by Barry Brenesal) | theorbo | DÖBEL: Sonata in C (Review by Tom Moore) | guitar | DÖBEL: Sonata in C (Review by Tom Moore) | theorbo | DOWLAND, JOHN: Complete Lute Music (Review by Mortimer H. Frank) | lute | DOWLAND, JOHN: Lachrimae, or Seaven Teares. Coranto Were every thought an eye. The Earle of Essex Galiard. M. Henry Noell his Galiard. Mr. John Langtons Pavan. M. George Whitehead his Almand. Dowland’s Adew for Master Oliver Cromwell. Galiard to Lachrimae. Sir John Souch his Galiard (Review by Michael Ullman) | lute | DOWLAND, JOHN: Lady, if you so spite me. Lady Rich, her galliard. Sir Robert Sidney, his galliard. Far from triumphing court. In darkness let me dwell (Review by William Zagorski) | lute | DOWLAND, JOHN: Pavan Solus cum sola. Melancholy Galliard. Mrs Brigide Fleetwood’s Paven. Sir John Smith, his Almain. The Lady Russell’s Pavan. The Lady Rich’s Galliard. The Lady Laiton’s Almain. Pavan Solus sine sola. Mr Knight’s Galliard. Mrs Clifton’s Almain. Dr Case’s Pavan. Sir Robert Sidney, his Galliard. Sir Henry Guilford, his Almain. Pavana Doulant. The Earl of Derby’s Galliard. Almain. Pavana La mia Barbara. The Battle Galliard. Almain. Pavana Johan Douland. Galliard after Daniel Bachelar. Almain (Review by Michael Ullman) | lute | FERRABOSCO II, ALFONSO: Come my Celia. Like hermit poor. So, so, leave off this last lamenting kisse (Review by Barry Brenesal) | lute | FONTANA, GIOVANNI BATTISTA: Sonata No. 16 a tre violini (1641) (Review by Elliott S. Hurwitt) | theorbo | FONTANA, GIOVANNI BATTISTA: Sonata No. 16 a tre violini (Review by Robert Maxham) | theorbo | FORD, THOMAS: Fair, sweet, cruell. Goe passions to the cruell faire. Not full 12 years (Review by Barry Brenesal) | lute | FRANCESCO DA MILANO: The Lute Music of Il Divino (Review by Barry Brenesal) | lute | FUX, VINCENZ: Rondeau in C for Violino piccolo, Bassoon, and Strings (Review by Heuwell Tircuit) | lute | GABRIELI, GIOVANNI: Sonata XXI con tre violini (1615) (Review by Elliott S. Hurwitt) | theorbo | GABRIELI, GIOVANNI: Sonata XXI con tre violini (Review by Robert Maxham) | theorbo | GALLO: (attr. Pergolesi) Trio Sonata No. 1 in G (Review by Heuwell Tircuit) | lute | GIULIANI, MAURO: Grande Ouverture, Op. 61 (Review by John D. Wiser) | guitar | GIULIANI, MAURO: Grande Ouverture, Op. 61 (Review by John D. Wiser) | vihuela | GUÉDRON: Si le parler et le silence (Review by William Zagorski) | lute | HACQUART: Harmonia Pamassia (Review by Robert Maxham) | theorbo | HACQUART: Sonata Decima (Harmonia Parnassia, 1686) (Review by Elliott S. Hurwitt) | theorbo | HALES: O eyes, leave off your weeping (Review by William Zagorski) | lute | HANDEL, GEORGE FRIDERIC: Solomon (Review by Heuwell Tircuit) | lute | HOLBORNE, ANTHONY: My heavy sprite (Review by William Zagorski) | lute | JOHNSON, ROBERT: 3 Almains (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: Fantasie. Galliard (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: First, Second and Third Dances in the Prince’s Masque (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: Lady Strange’s Almain (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: Pavan No. 1. Galliard (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: Pavan No. 2. 2 Almains (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: Pavan No. 3. 3 Almains (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: Pavan No. 4 (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: The Fairies’ Dance (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: The Noble Man. The Witches’ Dance (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: The Prince’s Almain, Masque, and Coranto (Review by Barry Brenesal) | lute | JOHNSON, ROBERT: The Satyre’s Dance (Review by Barry Brenesal) | lute | JONES, ROBERT: Whither runneth my sweet hart. Come sorrows (Review by Barry Brenesal) | lute | LANDI, STEFANO: Lamento della sposa (Review by Barry Brenesal) | lute | LANDI, STEFANO: Lamento della sposa (Review by Barry Brenesal) | theorbo | LOCKE, MATTHEW: The Tempest (Review by Heuwell Tircuit) | lute | MARINI: Sonata in Ecco con tre violini (Opus 8, 1626/9). Sonata Terza per tre violini (Opus 22, 1655) (Review by Elliott S. Hurwitt) | theorbo | MARINI: Sonata in Ecco con tre violini, op. 8. Sonata Terza per tre violini, op. 22 (Review by Robert Maxham) | theorbo | MARTIN, RICHARD: Change thy mind since she doth change (Review by William Zagorski) | lute | MEGLI: Se di farmi morire (Review by William Zagorski) | lute | MERTZ: Song without Words (Review by John D. Wiser) | guitar | MERTZ: Song without Words (Review by John D. Wiser) | vihuela | MERULA, TARQUINIO: Canzonetta Spirituale sopra alla nanna (Review by Barry Brenesal) | lute | MERULA, TARQUINIO: Canzonetta Spirituale sopra alla nanna (Review by Barry Brenesal) | theorbo | MILAN: Fantasia del quarto tono. ANON. (pub. Adrian le Roy and Robert Ballard) (Review by John D. Wiser) | guitar | MILAN: Fantasia del quarto tono. ANON. (pub. Adrian le Roy and Robert Ballard) (Review by John D. Wiser) | vihuela | MONTEVERDI: Lettera amorosa (Review by Barry Brenesal) | lute | MONTEVERDI: Lettera amorosa (Review by Barry Brenesal) | theorbo | MORLEY: A painted tale. Thirsis and Milla. With my love my life was nestled. I saw my lady weeping. Who is it that this dark night. Can I forget what reasons force. Absence, hear thou my protestation. Come, sorrow, come (Review by Barry Brenesal) | lute | MUDARRA: Fantasia del quarto tono. Fantasia que contrahaze la harpa en la manera de Ludovico (Review by John D. Wiser) | guitar | MUDARRA: Fantasia del quarto tono. Fantasia que contrahaze la harpa en la manera de Ludovico (Review by John D. Wiser) | vihuela | MUFFAT: Chaconne In G (Review by Heuwell Tircuit) | lute | MUFFAT: Sonata in D (Review by Tom Moore) | guitar | MUFFAT: Sonata in D (Review by Tom Moore) | theorbo | NARVÁEZ, DE: La Canción del Emperador (Review by John D. Wiser) | guitar | NARVÁEZ, DE: La Canción del Emperador (Review by John D. Wiser) | vihuela | PACHELBEL, JOHANN: Canon and Gigue "a 3 Violinis con suo Basso." (Review by Elliott S. Hurwitt) | theorbo | PACHELBEL, JOHANN: Canon and Gigue In D (Review by Heuwell Tircuit) | lute | PACHELBEL, JOHANN: Canon and Gigue a 3 Violini con suo Basso (Review by Robert Maxham) | theorbo | PERI: Per quel vago boschetto (Review by Barry Brenesal) | lute | PERI: Per quel vago boschetto (Review by Barry Brenesal) | theorbo | PICCININI, ALLESANDRO: Intavolatura di Liuto et di Chitarrone, Libro Primo, Bologna 1623 (Review by Elliott S. Hurwitt) | archlute | PICCININI, ALLESANDRO: Intavolatura di Liuto et di Chitarrone, Libro Primo, Bologna 1623 (Review by Elliott S. Hurwitt) | chittarone | PICCININI, ALLESANDRO: Toccata XIII. Partite variate sopra La folia aria Romanesca. Corrente Prima. Toccata Cromatica. Gagliarda Prima. Romanesca con partite variate. Toccata XV. Gagliarda seconda. Corrente XIII. Corrente XI. Toccata II. Aria Prima affettuosa. Canzone Prima. Toccata VI. Partite variate sopra quest' Aria francese detta L'Alemana. Corrènte VI Sopra L'Alemana. Gagliarda III. Toccata XX. Aria di Saravanda in varie partite. Corrente Prima. Toccata Cromatica XII. Aria III con parte variate. Toccata X. Chiaccona in partite variate (Review by Elliott S. Hurwitt) | archlute | PICCININI, ALLESANDRO: Toccata XIII. Partite variate sopra La folia aria Romanesca. Corrente Prima. Toccata Cromatica. Gagliarda Prima. Romanesca con partite variate. Toccata XV. Gagliarda seconda. Corrente XIII. Corrente XI. Toccata II. Aria Prima affettuosa. Canzone Prima. Toccata VI. Partite variate sopra quest' Aria francese detta L'Alemana. Corrènte VI Sopra L'Alemana. Gagliarda III. Toccata XX. Aria di Saravanda in varie partite. Corrente Prima. Toccata Cromatica XII. Aria III con parte variate. Toccata X. Chiaccona in partite variate (Review by Elliott S. Hurwitt) | chittarone | PILKINGTON: Aye mee, she frownes (Review by Barry Brenesal) | lute | PURCELL, HENRY: O Solitude—Songs and Airs (Review by Tom Moore) | archlute | PURCELL, HENRY: O Solitude—Songs and Airs (Review by Tom Moore) | baroque guitar | PURCELL, HENRY: O solitude. Ah! how sweet it is to love. Not all my torments. Stripp'd of their green. Tell me, some pitying angel. If music be the food of love. Hark! hark! the echoing air. The fatal hour comes on apace. Incassum, Lesbia. Sweeter than roses. Cupid, the slyest roque alive. From silent shades. Dear pretty youth. From rosy bow'rs. Now that the sun hath veil'd his light. Beneath a poplar's shadow. I attempt from love's sickness to fly. Let us dance. Fairest isle. O solitude (Review by Tom Moore) | archlute | PURCELL, HENRY: O solitude. Ah! how sweet it is to love. Not all my torments. Stripp'd of their green. Tell me, some pitying angel. If music be the food of love. Hark! hark! the echoing air. The fatal hour comes on apace. Incassum, Lesbia. Sweeter than roses. Cupid, the slyest roque alive. From silent shades. Dear pretty youth. From rosy bow'rs. Now that the sun hath veil'd his light. Beneath a poplar's shadow. I attempt from love's sickness to fly. Let us dance. Fairest isle. O solitude (Review by Tom Moore) | baroque guitar | PURCELL, HENRY: Orpheus Brittanicus (Review by Michael Ullman) | lute | PURCELL, HENRY: Sacred Music (Review by Michael Ullman) | lute | PURCELL, HENRY: Sacred Music (Review by Michael Ullman) | theorbo | PURCELL, HENRY: The Fairy Queen (Review by Heuwell Tircuit) | lute | PURCELL, HENRY: Three Parts upon a Ground, Z. 731 (Review by Elliott S. Hurwitt) | theorbo | PURCELL, HENRY: Three Parts upon a Ground, Z. 731 (Review by Robert Maxham) | theorbo | RAMEAU, JEAN-PHILIPPE: Dardanus (Review by Heuwell Tircuit) | lute | ROSIER, CARL: Ant-werpsche Vrede-Vreught (Review by Robert Maxham) | theorbo | ROSIER, CARL: Surte für drei Violinen (Antwerpsche Vrede-Vreught, 1679) (Review by Elliott S. Hurwitt) | theorbo | ROSSETER: When Laura smiles. What then is love but mourning (Review by Barry Brenesal) | lute | SANZ: Passacalles. Canarios (Review by John D. Wiser) | guitar | SANZ: Passacalles. Canarios (Review by John D. Wiser) | vihuela | SCHMELZER, JOHANN HEINRICH: Balletto genandt das Narrenspitall (Review by Tom Moore) | guitar | SCHMELZER, JOHANN HEINRICH: Balletto genandt das Narrenspitall (Review by Tom Moore) | theorbo | SCHMELZER, JOHANN HEINRICH: Sonata a tre violini (Review by Elliott S. Hurwitt) | theorbo | SCHMELZER, JOHANN HEINRICH: Sonata a tre violini (Review by Robert Maxham) | theorbo | SCHMELZER, JOHANN HEINRICH: Sonatas in B♭; in g; in e; in C; in D (Review by Tom Moore) | guitar | SCHMELZER, JOHANN HEINRICH: Sonatas in B♭; in g; in e; in C; in D (Review by Tom Moore) | theorbo | SOR: Variations on a Theme of Mozart, Op. 9 (Review by John D. Wiser) | guitar | SOR: Variations on a Theme of Mozart, Op. 9 (Review by John D. Wiser) | vihuela | STROZZI, B.: L’Eraclito amoroso (Review by Barry Brenesal) | lute | STROZZI, B.: L’Eraclito amoroso (Review by Barry Brenesal) | theorbo | TELEMANN, GEORG PHILIPP: Concerto in E for Recorder and Flute (Review by Heuwell Tircuit) | lute | TELEMANN, GEORG PHILIPP: Die kleine Cammer-music (Review by George Chien) | archlute | TELEMANN, GEORG PHILIPP: Die kleine Cammer-music (Review by George Chien) | theorbo | TELEMANN, GEORG PHILIPP: Oboe Sonatas (Review by George Chien) | archlute | TELEMANN, GEORG PHILIPP: Oboe Sonatas (Review by George Chien) | theorbo | TESSIER: In a grove most rich of shade (Review by William Zagorski) | lute | UCCELLINI: Sinfonia Nona a tre violini (Opus 9, 1667) (Review by Elliott S. Hurwitt) | theorbo | UCCELLINI: Sinfonia Nona a tre violini, op. 9 (Review by Robert Maxham) | theorbo | VISÉE, ROBERT: Selected Pieces (Review by Mortimer H. Frank) | guitar | VISÉE, ROBERT: Selected Pieces (Review by Mortimer H. Frank) | lute | VISÉE, ROBERT: Selected Pieces (Review by Mortimer H. Frank) | theorbo | VISÉE, ROBERT: Suite in D minor (Review by John D. Wiser) | guitar | VISÉE, ROBERT: Suite in D minor (Review by John D. Wiser) | vihuela | VIVALDI, ANTONIO: Concerto In D Minor for Viola d'amore and Lute, RV. 540 (Review by Heuwell Tircuit) | lute | VIVALDI, ANTONIO: Concertos (Review by Nils Anderson) | lute | VIVALDI, ANTONIO: Sonata in C Minor for Oboe and Contìnuo, RV 53. Trio Sonata in G Minor for Two Oboes and Contìnuo, RV81 (“Lund“f. Sonata in C for Oboe, Violin, Organ, and Chalumeau, RV 779 (“Salmoe“) (Review by George Chien) | archlute | VIVALDI, ANTONIO: Sonata in C Minor for Oboe and Contìnuo, RV 53. Trio Sonata in G Minor for Two Oboes and Contìnuo, RV81 (“Lund“f. Sonata in C for Oboe, Violin, Organ, and Chalumeau, RV 779 (“Salmoe“) (Review by George Chien) | guitar | WEISS, SYLVIUS LEOPOLD: Fantasie in c (Prague, 1717) (Review by Michael Ullman) | lute | WEISS, SYLVIUS LEOPOLD: Overture in B♭. Partita in g. Sonata in F (Prague, 1717) (Review by Michael Ullman) | lute | WEISS, SYLVIUS LEOPOLD: Sonatas (Review by Michael Ullman) | lute | WEISS, SYLVIUS LEOPOLD: Suite in c (Dusseldorf, 1706) (Review by Michael Ullman) | lute |
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