Fanfare Magazine Home Page

IssuesBook ReviewsCollectionsFeature ArticlesThe Hall of FameLabelsReviewersThe Want Lists

ComposersConductorsEnsembles and OrchestrasInstrumentalistsPerformersSingers

InstrumentsVocal RolesVoicesSACDsJazzSoundtracks Shows and PopVideo

All Performers

a

b

c

d

e

f

g

h

i

j

k

l

m

n

o

p

q

r

s

t

u

v

w

x

 

y

z

 





 

Performer: Nexus Percussion Ens

ORIGINS: Origins. Signs of the Time. Song of the Nine Iron. Perpetual Emotion. Arioso. Waltz Happens. Our Way (Review by Scott Wheeler)

ensemble or orchestra 

RAGTIME CONCERT: (Review by George Chien)

ensemble or orchestra 

THE STORY OF PERCUSSION IN THE ORCHESTRA: (Review by Heuwell Tircuit)

ensemble or orchestra 

AITKEN, ROBERT: Berceuse (For Those Who Sleep Before Us) (Review by James H. North)

ensemble or orchestra 

BARNES, MILTON: Annexus (Review by Mike Silverton)

ensemble or orchestra 

BECKER, BOB: Cymbal (Review by Scott Wheeler)

ensemble or orchestra 

BECKER, BOB: Palta (Review by Mike Silverton)

ensemble or orchestra 

BIRNEY/NEXUS: Daybreak, an aubade. McSimpton's annual boat excursion to Nanaimo, June 1949 (Review by William Zagorski)

ensemble or orchestra 

BRYARS, GAVIN: Cello Concerto, “Farewell to Philosophy.“ One Last Bar, Then Joe Can Sing. Les Fiançailles. Jesus' Blood Never Failed Me Yet* The Green Ray. Adnan Songbook. The Sinking of the Titanic. The North Shore. (Review by Robert Carl)

ensemble or orchestra 

BRYARS, GAVIN: Concerto for Cello and Orchestra (“Farewell to Philosophy“). One Last Bar, Then Joe Can Sing. By the Vaar (Review by Royal S. Brown)

ensemble or orchestra 

CAGE, JOHN: Third Construction (Review by William Zagorski)

ensemble or orchestra 

CAHN, WILLIAM: Fauna (Review by Scott Wheeler)

ensemble or orchestra 

CAHN, WILLIAM: In Ancient Temple Gardens (Review by Mike Silverton)

ensemble or orchestra 

CAHN, WILLIAM: The Birds (Review by William Zagorski)

ensemble or orchestra 

ENGELMAN: Remembrance (Review by Scott Wheeler)

ensemble or orchestra 

FREEDMAN, HARRY: Tableau? Tangents. Touchings.* Town (Review by Paul Rapoport)

ensemble or orchestra 

FREEDMAN, HARRY: Touchings (Review by James H. North)

ensemble or orchestra 

GREEN, GEORGE HAMILTON: Fluffy Ruffles. Rajah. Frivolity. An Indian Story. Valse Brilliants. Chromatic Fox-Trot. Dottie Dimples. Keep Movin'. The Humming Bird. The Ragtime Robin. Spanish Waltz. Charleston Capers (Review by Heuwell Tircuit)

ensemble or orchestra 

GREEN, GEORGE HAMILTON: Novelty Music (Review by Heuwell Tircuit)

ensemble or orchestra 

GREEN, GEORGE HAMILTON/BECKER, BOB: Triplets. The Hummingbird. Spanish Waltz (Review by William Zagorski)

ensemble or orchestra 

GREEN, GEORGE HAMILTON/CAHN, WILLIAM: Frivolity (Review by William Zagorski)

ensemble or orchestra 

GREEN, JOE/BECKER, BOB: Xylophonia (Review by William Zagorski)

ensemble or orchestra 

LOUIE: Music for Heaven and Earth (Review by James H. North)

ensemble or orchestra 

MCPHEE: Nocturne (Review by James H. North)

ensemble or orchestra 

NEXUS: DANCE OF THE OCTOPUS (Review by Mike Silverton)

ensemble or orchestra 

NEXUS: Fra Fra. African Funeral Song (Review by Mike Silverton)

ensemble or orchestra 

NEXUS: Kobina. Passage. Amazing Space (Review by William Zagorski)

ensemble or orchestra 

NORVO, RED: Red Norvo Suite' (Review by Mike Silverton)

ensemble or orchestra 

REICH, STEVE: Sextet. Six Marimbas (Review by Edward Strickland)

ensemble or orchestra 

TAKEMITSU: From Me Flows What You Call Time (Review by Art Lange)

ensemble or orchestra 

TAKEMITSU: Rain Tree (Review by Scott Wheeler)

ensemble or orchestra 

WYRE: Marubatoo (Review by Scott Wheeler)

ensemble or orchestra 

ZWILICH, ELLEN TAAFFE: Violin Concerto. Rituals (Review by James H. North)

ensemble or orchestra 

 

Our Advertisers
About Fanfare / Contact Us
Advertise in the Fanfare Archive
Finding Titles of Musical Works


NOT TO BE MISSED!

Interviews,
Music Matters, & Reviews

Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.