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Anthony Newman: Works for Organ

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Antonello: Collected Works

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

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The Crossing: Selected Works

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Performer: Ann Murray

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow)

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ANN MURRAY - BEST LOVED SONGS OF IRELAND: The Last Rose of Summer. The Leprechaun. The Falling Star. Ach, I dunno. I have a bonnet trimmed with blue. The lark in the clear air. Galway Bay. Phil the Fluter's Ball. She moved thro' the fair. Believe me ifall those endearing young charms. A young maid stood in her father's garden. Gortnamona. The Next Market Day. Danny Boy. The Meeting of the Waters. The beautiful city ofSligo. The Bard of Armagh. Monday, Tuesday. The Stuttering Lovers. Mother Machree. I will walk with my love. The Stolen Heart. The Coulin. The Cork Leg. Oft in the stilly night. How sweet the answer. O the sight entrancing (Review by Ralph V. Lucano)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

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POULENC: Le bestiaire... (John Mark Ainsley) (Review by Lynn René Bayley)

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BACH, JOHANN SEBASTIAN: Ach Gott, wie Herzeleid II, BWV 58 (Reichelt, Schöne); Wer mich liebet, der wird mein Wort halten I, BWV 59 (Augér, Tüller); O Ewigkeit, du Donnerwort II, BWV 60 (Watts, Kraus, Huttenlocher); Nun Komm, der Heiden Heiland I, BWV 61 (Donath, Kraus, Schöne); Nun komm, der Helden Heiland II, BWV 62 (Nielsen, Watts, Baldin); Christen, ätzet diesen Tag, BWV 63 (Augér, Hamari, Laurich, Kraus, Heldwin, Schöne); Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 (Augér, Murray, Huttenlocher); Sie werden aus Saba alle Kommen, BWV 65 (Kraus, Schöne); Erfreut euch, ihr Herzen, BWV 66 (Schreckenbach, Kraus, Huttenlocher. Schöne) (Review by George Chien)

alto 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 14 (Review by George Chien)

alto 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 20 (Review by George Chien)

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BACH, JOHANN SEBASTIAN: Cantatas, Volume 21 (Review by George Chien)

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BACH, JOHANN SEBASTIAN: Cantatas, Volume 31 (Review by George Chien)

alto 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 63 (Review by George Chien)

alto 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 66 (Review by George Chien)

alto 

BACH, JOHANN SEBASTIAN: Halt im Gedächtnis Jesum Christ, BWV 67 (Augér, Mitsui, Murray, Kraus, Heldwein); Also hat Gott die Welt geliebt, BWV 68 (Augér, Huttenlocher); Lobe den Herrn, meine Seele I, BWV 69 (Donath, Hamari, Kraus, Schöne); Wachet! betet! betet! wachet! BWV 70 (Auger, Gohl, Harder, Nimsgern); Gott ist mein König, BWV 71 (Graf, Augér, Gardow, Schwarz, Schreckenbach, Senger, Kraus, Harder, Tüller, Hutten-locher); Alles nur nach Gottes Willen, BWV 72 (Augér, Laurich, Schöne); Herr, wie du willt, so Schicks mit mis, BWV 73 (Schreiber, Kraus, Schöne); Wer mich liebet, der wird mein Wort halten II, BWV 74 (Donath, Laurich, Kraus, Huttenlocher) (Review by George Chien)

alto 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV243 (with chorale interpolations) (Review by George Chien)

soprano 

BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV 232 (Review by Ralph V. Lucano)

soprano 

BACH, JOHANN SEBASTIAN: Saint Matthew Passion, BWV244 (Review by Edward Strickland)

alto 

BACH, JOHANN SEBASTIAN: The Cantatas, Volume 8 (Review by George Chien)

alto 

BACH, JOHANN SEBASTIAN: The Cantatas, Volume 9 (Review by George Chien)

alto 

BAX: Three Pieces for Small Orchestra (Review by John Ditsky)

mezzo-soprano 

BEETHOVEN, LUDWIG VAN: 6 Lieder, op. 75 (Review by Henry Fogel)

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BEETHOVEN, LUDWIG VAN: An die Geliebte. Sehnsucht. Das Geheimnis. Als die Geliebte sich trennen wollte. Der Kuss. Der Mann von Wort. Seufzer eines Ungeliebten und Gegenliebe. In questa tomba oscura. 8 Lieder, op. 52 (Review by Henry Fogel)

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BEETHOVEN, LUDWIG VAN: Irish Songs (Review by David Mason Greene)

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BEETHOVEN, LUDWIG VAN: Lieder und Gesänge (Review by Henry Fogel)

mezzo-soprano 

BEETHOVEN, LUDWIG VAN: Six Lieder von Gellert. 4 Arias and a Duet, op. 82 (Review by Henry Fogel)

mezzo-soprano 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Mortimer H. Frank)

alto 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Paul Ingram)

mezzo-soprano 

BERLIOZ: Pleure, pauvre Colette. Le trébuchet, op. 13, no. 3 (Review by David Mason Greene)

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BERLIOZ: Zaïde, Op. 19, No. 1 (Review by Vincent Alfano)

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BERLIOZ: Zaïde, Op. 19, No. 1 (Review by Ralph V. Lucano)

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BERNSTEIN, LEONARD: Symphony No. 3, “Kaddish“; Chichester Psalms; Missa brevis (Review by Michael Fine)

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BOULANGER, LILI: D'un Soir triste. D'un Matin de printemps. Psaume 130 (Review by Martin Anderson)

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BOULANGER, LILI: Psalm 130, "Du fond de l’abîme" (Review by Walter Simmons)

mezzo-soprano 

BRAHMS, JOHANNES: Concerto No. 1 in D Minor for Piano and Orchestra, op. 15. Two Songs for Alto with Viola and Piano, op. 91 (Review by Susan Kagan)

alto 

BRAHMS, JOHANNES: Concerto No. 2 in B♭ for Piano and Orchestra, op. 83. Five Songs, op. 105 (Review by Susan Kagan)

alto 

BRAHMS, JOHANNES: Der Abend, op. 64, no. 2“. Vorder Tür, op. 28, no. 2 “Der Gang zum Liebchen, op. 31, no. 3~*. Nächtens, op. 112, no. 2~*. Walpurgisnacht, op. 75, no. 4. Nachtwandler, op. 86, no. 3. Mondnacht. Wiegenlied, op. 49, no. 4*. Vergebliches Ständchen, op. 84, no. 4 Abendlied, op. 92, no. 3 (Review by Ralph V. Lucano)

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BRAHMS, JOHANNES: In dem Schatten meiner Locken, Op. 6, No. 1 (Review by Ralph V. Lucano)

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BRAHMS, JOHANNES: Spanisches Lied, Op. 6, No. t (Review by Vincent Alfano)

mezzo-soprano 

BRAHMS, JOHANNES: Symphonies (Review by Mortimer H. Frank)

soprano 

BRAHMS, JOHANNES: Vier Duette, op. 61 (Review by David Mason Greene)

mezzo-soprano 

BRIDGE, FRANK: There Is a Willow Grows Aslant a Brook—Impression for Small Orchestra (Review by John Ditsky)

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BRITTEN: A Charm of Lullabies. Cabaret Songs (Review by Michael Fine)

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BRITTEN: Serenade for Tenor, Horn, and Strings. Nocturne. Phaedra (Review by Jerry Dubins)

mezzo-soprano 

BURGON: Requiem (Review by Stephen Ellis)

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BUTTERWORTH: The Banks of Green Willow—Idyll for Small Orchestra. Two English Idylls for Small Orchestra (Review by John Ditsky)

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CHABRIER: España (Review by Vincent Alfano)

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CHABRIER: España (Review by Ralph V. Lucano)

mezzo-soprano 

CHARPENTIER, MARC-ANTOINE: Te Deum, H. 146. Magnificat, H. 74 (Review by J. F. Weber)

alto 

CHARPENTIER, MARC-ANTOINE: Te Deum, H. 146. Magnificat, H. 74 (Review by J. F. Weber)

soprano 

CHAUSSON: Chanson perpétuelle (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Chanson (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Dans la forêt du charme et de l’enchantement (Review by Adrian Corleonis)

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CHAUSSON: Deux Duos, op. 11 (Review by David Mason Greene)

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CHAUSSON: Hébé (Review by Adrian Corleonis)

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CHAUSSON: La Cigal (Review by Adrian Corleonis)

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CHAUSSON: La Nuit (Review by Adrian Corleonis)

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CHAUSSON: La Pluie (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Le Charme (Review by Adrian Corleonis)

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CHAUSSON: Le Colibri (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Le Réveil (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Les Morts (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Les Papillons (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: L’Aveu (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Nocturn (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Nos souvenirs (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Réveil. Les Papillons. Sérénade italienne. Le Colibri. La Caravane (Review by Haig Mardirosian)

soprano 

CHAUSSON: Serres Chaudes (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Sérénade italienne (Review by Adrian Corleonis)

mezzo-soprano 

CHAUSSON: Trois chansons de Shakespeare (Review by Adrian Corleonis)

mezzo-soprano 

DEBUSSY: Le Martyre de Saint Sebastien (Review by James Miller)

mezzo-soprano 

DONIZETTI: Lucia di Lammermoor (Review by Joel Kasow)

Alisa 

DURUFLÉ, MAURICE: Requiem (3rd version) (Review by Adrian Corleonis)

soprano 

DURUFLÉ, MAURICE: Requiem, Op. 9. Quatre Motets sur des themes grégoriennes, Op. 10 (Review by George Chien)

mezzo-soprano 

DURUFLÉ, MAURICE: Requiem, Op. 9. Quatre Motets sur les themes grégoriens, Op. JO. Ubi caritas et amor; Tota pulchra es; Tu es Petrus; Tantum ergo (Review by George Chien)

mezzo-soprano 

DURUFLÉ, MAURICE: Requiem, op. 9 (Review by George Chien)

mezzo-soprano 

FAURÉ, GABRIEL: Pleurs d'or, op. 72. Tarentelle, op. 10, no. 2 (Review by David Mason Greene)

mezzo-soprano 

FAURÉ, GABRIEL: Puisquïci-bas. Arpège. Soir. Pleurs d'or (Review by Haig Mardirosian)

soprano 

FAURÉ, GABRIEL: Requiem, op. 48 (1893 version) (Review by George Chien)

mezzo-soprano 

GAY, JOHN: The Beggar’s Opera (Review by Bertil van Boer)

Jenny Diver 

GAY, JOHN/BRITTEN, BENJAMIN: The Beggar's Opera (Review by James Camner)

mezzo-soprano 

GAY, JOHN/BRITTEN, BENJAMIN: The Beggar's Opera (Review by James Camner)

Polly Peachum 

GOUNOD, CHARLES: D'un coeur qui t'aime. L'Arithmétique (Review by David Mason Greene)

mezzo-soprano 

GOUNOD, CHARLES: La Barcarola. Sérénade. Ce que je suis sans toi. Boire à l'ombre. Le premier Jour de mai (Review by Haig Mardirosian)

soprano 

GOUNOD, CHARLES: Lott (Review by David Mason Greene)

mezzo-soprano 

GOUNOD, CHARLES: Roméo et Juliette (Review by Henry Fogel)

soprano 

GOUNOD, CHARLES: Roméo et Juliette (Review by Henry Fogel)

Stéphano 

GOUNOD, CHARLES: Songs (Review by David Mason Greene)

mezzo-soprano 

GRANADOS, ENRIQUE: La maja dolorosa. El majo discreto. El mirar de la maja. Callejeo. El majo olvidado. Las carrutacas modestas (Review by Vincent Alfano)

mezzo-soprano 

GRANADOS, ENRIQUE: La maja dolorosa. El majo discreto. El mirar de la maja. Callejeo. El majo olvidado. Las currutacas modestas (Review by Ralph V. Lucano)

mezzo-soprano 

HANDEL, GEORGE FRIDERIC: Ariodante (Review by Bernard Jacobson)

Ariodante 

HANDEL, GEORGE FRIDERIC: Ariodante (Review by Bill White)

Ariodante 

HANDEL, GEORGE FRIDERIC: Clori, mia bella Clori, HWV 92. Armida abbandonata, HWV 105. Delirio amoroso, HWV 99 (Review by Brian Robins)

mezzo-soprano 

HANDEL, GEORGE FRIDERIC: Giulio Cesare in Egitto (Review by Barry Brenesal)

Giulio Cesare 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Lynn René Bayley)

Giulio Cesare 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by David Johnson)

mezzo-soprano 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by David Johnson)

Sesto 

HANDEL, GEORGE FRIDERIC: Xerxes (Review by Lynn René Bayley)

Xerxes 

HAYDN, FRANZ JOSEPH: Mass No. 13 in Bb, Hob. XXII (Review by James H. North)

alto 

HAYDN, FRANZ JOSEPH: Missa Cellensis. Missa in tempore belli, “Paukenmesse.“ Schöpfungmesse (Review by James H. North)

mezzo-soprano 

HAYDN, FRANZ JOSEPH: The Creation (Review by Mortimer H. Frank)

alto 

HUMMEL, JOHANN NEPOMUK: Mass in B, op. 80. Te Deum in D. Quod in orbe (Review by Henry Fogel)

mezzo-soprano 

HUMPERDINCK: Hansel und Gretel (Review by James Miller)

Hansel 

HUMPERDINCK: Hansel und Gretel (Review by James Miller)

mezzo-soprano 

MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by Benjamin Pernick)

mezzo-soprano 

MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by David Hurwitz)

soprano 

MAHLER, GUSTAV: Lieder eines fahrenden Gesellen (Review by Benjamin Pernick)

mezzo-soprano 

MAHLER, GUSTAV: Rückert Lieder (Review by Michael Fine)

mezzo-soprano 

MAHLER, GUSTAV: Symphony No. 4 (Review by Christopher Abbot)

soprano 

MAHLER, GUSTAV: Symphony No. 5 (Review by Benjamin Pernick)

mezzo-soprano 

MENDELSSOHN, FELIX: A Midsummer Night's Dream (Review by James Miller)

mezzo-soprano 

MENDELSSOHN, FELIX: A Midsummer Night's Dream (Review by Howard Kornblum)

soprano 

MESSIAEN: La Mort du nombre (Review by Haig Mardirosian)

soprano 

MOERAN: Two pieces for Small Orchestra (Review by John Ditsky)

mezzo-soprano 

MOZART: Ch'io mi scordi di te—non temer, amato bene—Scene with Rondo, for Soprano, Obbligato Piano, and Orchestra, K. 505. Concerto No. 1 in G for Flute and Orchestra, K. 313. Symphony No. 34 in C, K. 338 (Review by Robert McColley)

soprano 

MOZART: Così fan tutte (Review by Joel Kasow)

Dorabella 

MOZART: Così fan tutte (Review by Bill White)

Dorabella 

MOZART: Così fan tutte (Review by James A. Altena)

Dorabella 

MOZART: Così fan tutte, K. 588 (Review by Ralph V. Lucano)

Dorabella 

MOZART: Così fan tutte, K. 588 (Review by Ralph V. Lucano)

mezzo-soprano 

MOZART: Così fan tutti. The Marriage of Figaro. Don Giovanni (Review by Henry Fogel)

Cherubino 

MOZART: Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) (Review by David Johnson)

Der Engel 

MOZART: Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) (Review by David Johnson)

Gerechtigkeit 

MOZART: Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) (Review by David Johnson)

soprano 

MOZART: Die Zauberflöte (Review by Barry Brenesal)

Second Lady 

MOZART: Die Zauberflöte (Review by Carla Maria Verdino-Süllwold)

Second Lady 

MOZART: Don Giovanni (Review by Bob Rose)

Donna Elvira 

MOZART: Don Giovanni (Review by Ralph V. Lucano)

Elvira 

MOZART: II re pastore, K. 208 (Review by David Johnson)

Aminta 

MOZART: II re pastore, K. 208 (Review by David Johnson)

mezzo-soprano 

MOZART: La clemenza di Tito, K. 621 (Review by Henry Fogel)

mezzo-soprano 

MOZART: La clemenza di Tito, K. 621 (Review by Henry Fogel)

Sesto 

MOZART: Le Nozze di Figaro (Review by Barry Brenesal)

Marcellina 

MOZART: Le nozze di Figaro (Review by Bill White)

Marcellina 

MOZART: Mass in C, K. 317 (“Coronation“). Missa Solemnis in C, K. 337 (Review by J. F. Weber)

alto 

MOZART: Requiem in D minor, K. 626 (Review by George Chien)

mezzo-soprano 

MOZART: Requiem, K. 626 (Review by J. F. Weber)

mezzo-soprano 

MOZART: Symphony No. 34 in C, K. 338. Ch'io mi scordi di te... Non temer, amato bene—Scena and Rondo, for Soprano, Obbligato Piano, and Orchestra, K. 505. Concerto No. 1 in G for Flute and Orchestra, K. 313 (Review by Heuwell Tircuit)

soprano 

MOZART: The Magic Flute, K. 620 (Review by Anthony D. Coggi)

Lady 

MOZART: The Magic Flute, K. 620 (Review by Anthony D. Coggi)

mezzo-soprano 

MOZART: The Marriage of Figaro, K. 492 (Review by James Miller)

Cherubino 

MOZART: The Marriage of Figaro, K. 492 (Review by James Miller)

mezzo-soprano 

MOZART: Violin Concerto No. 3 (Review by Mortimer H. Frank)

soprano 

OFFENBACH: Les contes d'Hoffmann (Review by James Miller)

mezzo-soprano 

OFFENBACH: Les contes d'Hoffmann (Review by James Miller)

Nicklausse 

OFFENBACH: Les contes d'Hoffmann (Review by James Miller)

The Muse 

OFFENBACH: Les contes d’Hoffmann (Review by Joel Kasow)

Nicklausse/La Muse 

PERGOLESI: Adriano in Siria (Review by Anthony D. Coggi)

Erismena 

PERGOLESI: Adriano in Siria (Review by William H. Youngren)

Erismena 

PERGOLESI: Adriano in Siria (Review by Anthony D. Coggi)

soprano 

PERGOLESI: Adriano in Siria (Review by William H. Youngren)

soprano 

PUCCINI: Madama Butterfly (Review by Kenn Harris)

Kate Pinkerton 

PUCCINI: Madama Butterfly (Review by Kenn Harris)

mezzo-soprano 

PURCELL: Dido and Aeneas (Review by J. F. Weber)

Dido 

PURCELL: Dido and Aeneas (Review by J. F. Weber)

soprano 

PURCELL: The Fairy Queen (Review by Heuwell Tircuit)

soprano 

ROSSINI: La cenerentola (Review by David L. Kirk)

Angelina 

ROSSINI: Messa di Gloria (Review by David Johnson)

alto 

SAINT-SAËNS: Guitares et mandolines (Review by Vincent Alfano)

mezzo-soprano 

SAINT-SAËNS: Guitares et mandolines (Review by Ralph V. Lucano)

mezzo-soprano 

SAINT-SAËNS: Pastorale. El desdichado (Review by David Mason Greene)

mezzo-soprano 

SAINT-SAËNS: Viens! Aimons-nous. L'Attente. La Cloche. Danse macabre (Review by Haig Mardirosian)

soprano 

SCHUBERT: Complete Songs, Volume 3 (Review by David Johnson)

mezzo-soprano 

SCHUBERT: Der Jüngling und der Tod, D. 545. An die Freunde, D. 654. Augenlied, D. 297. Rückweg, D. 476. Iphigenia, D. 573. Liedesend, D. 473. Namenstagslied, D. 695. Lieb Minna, D. 222. Pax vobiscum, D. 551. Viola, D. 786. Trost im Liede, D. 546. Der Zwerg, D. 771. Nacht und Träume, D. 827. Abschied, D. 475 (Review by David Johnson)

mezzo-soprano 

SCHUMANN: Duette, op. 43 (Review by Marc Mandel)

mezzo-soprano 

SCHUMANN: Frauenliebe und Leben, op. 42 (Review by Michael Fine)

mezzo-soprano 

SCHUMANN: Liederalbum für die Jugend, op. 79. Klavieralbum für die Jugend, op. 68 (Review by Marc Mandel)

mezzo-soprano 

SCHUMANN: Liederalbum für die Jugend, op. 79 (Review by David Mason Greene)

mezzo-soprano 

SCHUMANN: Mädchenlieder (Review by Marc Mandel)

mezzo-soprano 

SCHUMANN: Singet nicht in Trauertönen, op. 98a, no. 7. Käuzlein, op. 79, no. 10*. Ständchen, op. 36, no. 2. Mondnacht, op. 39, no. S. Tragödie, op. 64, no. 3 (Review by Ralph V. Lucano)

mezzo-soprano 

SCHUMANN: Sommerruh (Review by Marc Mandel)

mezzo-soprano 

SCHUMANN: Weh' wie zornig ist das Mädchen, Op. 138, No. 2 (Review by Ralph V. Lucano)

mezzo-soprano 

SCHUMANN: Weh' wie zornig ist das Mädchen, Op. 138, No. 7 (Review by Vincent Alfano)

mezzo-soprano 

STRAUSS: Concertos for Horn and Orchestra (Review by James Miller)

mezzo-soprano 

STRAUSS: Der Rosenkavalier (Review by Bart Verhaeghe)

Octavian 

STRAVINSKY: Pastorale (Bryn-Julson). Deux Poèmes de Paul Verlaine (Shirley-Quirk). Two Poems of Konstantin Bal'mont (Bryn-Julson). Three Japanese Lyrics (Bryn Julson). Three little Songs (Review by ROGER DETTMER)

mezzo-soprano 

STRAVINSKY: Pulcinella (Ballet with voices; 1919-20). Concertino for 12 Instruments (1952 version) (Review by ROGER DETTMER)

mezzo-soprano 

STRAVINSKY: Pulcinella. Danses Concertantes (Review by James H. North)

soprano 

STRAVINSKY: Songs (Review by ROGER DETTMER)

mezzo-soprano 

TIPPETT, M.: King Priam (Review by Raymond Tuttle)

mezzo-soprano 

TIPPETT, M.: King Priam (Review by Raymond Tuttle)

Nurse 

TRADITIONAL: The Spanish Lady (Review by Vincent Alfano)

mezzo-soprano 

TRADITIONAL: The Spanish Lady (Review by Ralph V. Lucano)

mezzo-soprano 

TURINA: Corazón de mujer (Review by Vincent Alfano)

mezzo-soprano 

TURINA: Corazón de mujer (Review by Ralph V. Lucano)

mezzo-soprano 

VERDI: Don Carlos (Review by James Miller)

soprano 

VERDI: Don Carlos (Review by James Miller)

Thibault 

VIVALDI, ANTONIO: Beatus vir in B♭, RV598. Gloria in D, RV 589 (Review by George Chien)

soprano 

VIVALDI, ANTONIO: Complete Sacred Choral Music (Review by George Chien)

mezzo-soprano 

VIVALDI, ANTONIO: Introduzione al Dixit, RV 636; Dixit Dominus, RV 594; Kyrie, RV 587; Beatus Vir, RV 597;Lauda Jerusalem, RV 609; Domine ad adiuvandum me, RV 593 (Review by George Chien)

mezzo-soprano 

VIVALDI, ANTONIO: Introduzione al Gloria, RV.642; Gloria, RV.589; Credo, RV.591 ; Sacrum (Mass in C), RV.586; In exitu Israel, RV.604; Credidi propter quod, RV.605; Laudate Dominum, RV.606; Laetatus sum, RV. 607 (Review by Nils Anderson)

mezzo-soprano 

VIVALDI, ANTONIO: Juditha Triumphans (Review by Brian Robins)

Juditha 

VIVALDI, ANTONIO: Lauda Jerusalem, RV. 609. Introduzione al Gloria, RV. 642*. Gloria, RV. S89. Laudate pueri, RV. 602*. Laudate Dominum, RV. 606 (Review by George Chien)

mezzo-soprano 

VIVALDI, ANTONIO: Sacred Music, Volume 1 (Review by George Chien)

mezzo-soprano 

WALTON: Through Gilded Trellises (Review by Vincent Alfano)

mezzo-soprano 

WALTON: Through gilded trellises' (Review by Ralph V. Lucano)

mezzo-soprano 

WOLF, HUGO: In dem Schatten meiner Locken (Review by Vincent Alfano)

mezzo-soprano 

WOLF, HUGO: In dem Schatten meiner Locken (Review by Ralph V. Lucano)

mezzo-soprano 

 

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