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Performer: Roscoe Mitchell Borah Bergman/Roscoe Mitchell: First Meeting: First Meeting. Deep Delta. Stone Mountain. Clear Blue. One Mind (Review by Art Lange) | alto saxophone | Borah Bergman/Roscoe Mitchell: First Meeting: First Meeting. Deep Delta. Stone Mountain. Clear Blue. One Mind (Review by Art Lange) | soprano saxophone | ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl) | alto saxophone | ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl) | Baroque flute | ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl) | bass recorder | ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl) | sopranino saxophone | ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl) | soprano saxophone | DEJOHNETTE: The Museum of Time (Review by Robert Carl) | alto saxophone | DEJOHNETTE: The Museum of Time (Review by Robert Carl) | Baroque flute | DEJOHNETTE: The Museum of Time (Review by Robert Carl) | bass recorder | DEJOHNETTE: The Museum of Time (Review by Robert Carl) | sopranino saxophone | DEJOHNETTE: The Museum of Time (Review by Robert Carl) | soprano saxophone | HAMILTON, TOM: Off-Hour Wait State, Some Music about the Subway (Review by Mike Silverton) | alto saxophone | IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl) | alto saxophone | IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl) | Baroque flute | IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl) | bass recorder | IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl) | sopranino saxophone | IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl) | soprano saxophone | MITCHELL: Chant. This (Review by Robert Carl) | alto saxophone | MITCHELL: Chant. This (Review by Robert Carl) | Baroque flute | MITCHELL: Chant. This (Review by Robert Carl) | bass recorder | MITCHELL: Chant. This (Review by Robert Carl) | sopranino saxophone | MITCHELL: Chant. This (Review by Robert Carl) | soprano saxophone | MITCHELL: Far Side/Cards/Far Side. Quintet 2007 A for 8. Trio 4 for 8. Ex Flover 5 (Review by Robert Carl) | flute | MITCHELL: Far Side/Cards/Far Side. Quintet 2007 A for 8. Trio 4 for 8. Ex Flover 5 (Review by Robert Carl) | saxophone | MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Robert Carl) | percussion | MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Mike Silverton) | percussion | MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Robert Carl) | saxophone | MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Mike Silverton) | saxophone | MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Robert Carl) | winds | MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Mike Silverton) | winds | MITCHELL: Prelude. Variations on Sketches from Bamboo, Nos. 1 and 2 (Review by John Ditsky) | winds | MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl) | bass recorder | MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl) | flute | MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl) | percussion | MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl) | saxophone | OSHITA: Marche. Textures for Trio (Review by John Ditsky) | winds | THREADGILL: Leaves Don’t Go Away (Review by Robert Carl) | alto saxophone | THREADGILL: Leaves Don’t Go Away (Review by Robert Carl) | Baroque flute | THREADGILL: Leaves Don’t Go Away (Review by Robert Carl) | bass recorder | THREADGILL: Leaves Don’t Go Away (Review by Robert Carl) | sopranino saxophone | THREADGILL: Leaves Don’t Go Away (Review by Robert Carl) | soprano saxophone | THREADGILL: he didn't give up/he was taken (Review by Robert Carl) | percussion | THREADGILL: he didn't give up/he was taken (Review by Mike Silverton) | percussion | THREADGILL: he didn't give up/he was taken (Review by Robert Carl) | saxophone | THREADGILL: he didn't give up/he was taken (Review by Mike Silverton) | saxophone | THREADGILL: he didn't give up/he was taken (Review by Robert Carl) | winds | THREADGILL: he didn't give up/he was taken (Review by Mike Silverton) | winds |
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