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Performer: Gérard Lesne

200 YEARS OF MUSIC AT VERSAILLES: (Review by Michael Carter)

conductor 

GALUPPi: Confitebor. Arripe alpestri ad vallem (Gérard Lesne) (Review by J. F. Weber)

countertenor 

O LUSITANO- PORTUGUESE VILANCETES, CANTIGAS, AND...: (Review by Tom Moore)

countertenor 

BACH, JOHANN CHRISTOPH: Ach, dass ich Wassers gnug hätte. Wie bist du denn, O Gott (Review by Brian Robins)

alto 

BACH, JOHANN MICHAEL: Ach wie sehnlich wart' ich der Zeit. Es ist ein grosser Gewinn. Auf, lasst uns den Herren loben (Review by Brian Robins)

alto 

BACH, JOHANN SEBASTIAN: Cantata No. 80 (Review by Brian Robins)

alto 

BACH, JOHANN SEBASTIAN: Cantatas Aus der Tiefen rufe ich, Herr, zu dir, BWV 131. Herr, wie du wilit, so schicks mit mit, BWV 73. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 (Review by George Chien)

countertenor 

BACH, JOHANN SEBASTIAN: Cantatas Ich hatte viel Bekümmernis, BWV 21, Am Abend aber desselbigen Sabbats, BWV 42 (Review by George Chien)

countertenor 

BACH, JOHANN SEBASTIAN: Cantatas Nos. 131, 73,105, 39, 93,107. Masses (Review by George Chien)

countertenor 

BACH, JOHANN SEBASTIAN: Cantatas Widerstehe doch der Sünde, BWV 54, Schlage doch, gewünschte Stunde, BWV 53 (spur.) (Review by Brian Robins)

alto 

BACH, JOHANN SEBASTIAN: Cantatas (Review by Brian Robins)

countertenor 

BACH, JOHANN SEBASTIAN: Magnificat in D (Review by Brian Robins)

alto 

BACH, JOHANN SEBASTIAN: Magnificat, BWV 243. Cantata (Review by George Chien)

countertenor 

BACH, JOHANN SEBASTIAN: Magnificat, BWV 243; Cantata (Review by George Chien)

countertenor 

BACH, JOHANN SEBASTIAN: Magnificat. Cantata 80 (Review by George Chien)

countertenor 

BACH, JOHANN SEBASTIAN: Magnificat. Cantata No. 80 (Review by George Chien)

countertenor 

BACH, JOHANN SEBASTIAN: Mass in F, BWV233. Mass in G, BWV236 (Review by Ralph V. Lucano)

countertenor 

BACH, JOHANN SEBASTIAN: Mass in G Minor, BWV235. Mass in A, BWV234. Sanctus, BWV238 (Review by Ralph V. Lucano)

alto 

BLANCHARD: Te Deum. Jubilate. Misericordias (Review by David Johnson)

haute-contre 

BLANCHARD: Te Deum. Jubilate. Misericordias (Review by David Johnson)

male alto 

BONONCINI, GIOVANNI BATTISTA: Cantate e duetti (1721) (Review by Tom Moore)

alto 

BONONCINI, GIOVANNI BATTISTA: Siedi, Amarilli mia. Lasciami un sol momento. Misero pastorello. Già la stagion d'amore. Cello Sonata in a. Trio Sonata for 2 Violins (Review by Brian Robins)

countertenor 

CALDARA, A: Medea in Corinto. Soffri, mi caro Alcino. D'improvviso. Vicino a un rivoletto. Chamber Sonatas (Review by Brian Robins)

countertenor 

CHARPENTIER, MARC-ANTOINE: Chaconne, H467 (Review by J. F. Weber)

countertenor 

CHARPENTIER, MARC-ANTOINE: David et Jonathas, H. 490 (Review by David Johnson)

countertenor 

CHARPENTIER, MARC-ANTOINE: David et Jonathas, H. 490 (Review by David Johnson)

David 

CHARPENTIER, MARC-ANTOINE: Epitaphium carpentarii. Les stances du Cid. Celle qui fait tout. Aupres du feu. Veux-tu, compère Grégoire. Beaux petits yeux. Ruisseau qui nourrit. Orphée descendant aux enfers (Review by J. F. Weber)

countertenor 

CHARPENTIER, MARC-ANTOINE: Leçons de Ténèbres (Review by J. F. Weber)

haute-contre 

CHARPENTIER, MARC-ANTOINE: Leçons de Ténèbres (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Leçons de ténèbres (Review by Ron Salemi)

conductor 

CHARPENTIER, MARC-ANTOINE: Non, je ne l’aime plus. Amour, vous avez beau redouble. Rendez-moi mes plaisirs. Oiseaux de ces bocages. Quoi! je ne verrai plus (Review by J. F. Weber)

countertenor 

CHARPENTIER, MARC-ANTOINE: Première leçon, H. 105. Tamquam ad latronem, H. 133. Deuxième leçon, H. 140. Jerusalem surge, H. 130. Troisième leçon, H. 95 (Review by J. F. Weber)

haute-contre 

CHARPENTIER, MARC-ANTOINE: Première leçon, H. 120. Seniores populi, H. 117. Seconde leçon, H. 138. Tristis est anima mea, H. 126. Troisième leçon, H. 141. Ecce quomodo, H. 131. Miserere, H. 173 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Tristes deserts (Review by J. F. Weber)

countertenor 

CHARPENTIER, MARC-ANTOINE: Vocal works (Review by J. F. Weber)

countertenor 

CLERAMBAULT: Domine a trois voix, C. 158. O delici-is affluens, C. 109. Magnificat, C. 136. Salve regina, C. 114. O piisima, o sanctissima, C. 135 (Review by Brian Robins)

countertenor 

CLERAMBAULT: Domine salvu m, C. 152 (Review by Brian Robins)

countertenor 

CLERAMBAULT: Domine salvum,C. 157 (Review by Brian Robins)

countertenor 

CLERAMBAULT: Exultet omnium, C. 112 (Review by Brian Robins)

countertenor 

CLERAMBAULT: Motets (Review by Brian Robins)

countertenor 

CLERAMBAULT: Panis angelicas, C. 131 (Review by Brian Robins)

countertenor 

FUX, VINCENZ: Dafne in Lauro (Review by David Johnson)

Apollo 

FUX, VINCENZ: Dafne in Lauro (Review by David Johnson)

countertenor 

GOSSEC: Te Deum (Review by J. F. Weber)

countertenor 

HANDEL, GEORGE FRIDERIC: Lucrezia (Review by Nicholas Deutsch)

countertenor 

HANDEL, GEORGE FRIDERIC: Poro, Rè dell'Indie (Review by Ralph V. Lucano)

countertenor 

HANDEL, GEORGE FRIDERIC: Poro, Rè dell'Indie (Review by Ralph V. Lucano)

Gandarte 

HANDEL, GEORGE FRIDERIC: Splenda l'alba in oriente. La Lucrezia (O numi etemi). Trio Sonata, op. 5, no. 4. Mi palpita il cor. Carco sempre di gloria (Review by Nicholas Deutsch)

countertenor 

HANDEL, GEORGE FRIDERIC: Splenda l'alba in oriente. La Lucrezia. Mi palpita il cor. Carco sempre di gloria. Trio Sonata, op. 5/4 (Review by Brian Robins)

countertenor 

MONTEVERDI: Ego flos campi. Fuge, anima. Salvo Regina III. Pulchra es. Lapidabant Stephanum. Veni in hortum. Exulta filia. O bone Jesu, O piissime. Lauda Jerusalem. Nigra sum. Surge propera. Ego sum pastor. Laudate Dominum. O bone Jesu, illumina. Surgens Jesus. Justi tulerunt. O quam pulchra. Spuntava il di (Review by J. F. Weber)

countertenor 

MONTEVERDI: Motets for One, Two, and Three Voices (Review by J. F. Weber)

countertenor 

ORFF: Carmina Burana (Review by J. F. Weber)

countertenor 

PERGOLESI: Salve Regina in F. Stabat Mater (Review by J. F. Weber)

countertenor 

PERGOLESI: Stabat Mater. Salve Regina (Review by J. F. Weber)

countertenor 

PERGOLESI: Stabat mater. Salve Regina in F Minor. Sinfonia in F (Review by J. F. Weber)

countertenor 

PURCELL, HENRY: Songs (Review by Brian Robins)

alto 

SCARLATTI, ALESSANDRO: Quae est ista (Review by Tom Moore)

countertenor 

SCARLATTI, ALESSANDRO: Questo silenzio ombroso. Filli che esprime. Marc'Antonio e Cleopatra. E pur vuole il cielo e amores Ero e Leandro. Clori e Mirtillo. (Review by Brian Robins)

countertenor 

SCARLATTI, ALESSANDRO: Sedecia, re di Gerusalemme (Review by Brian Robins)

conductor 

SCARLATTI, ALESSANDRO: Sedecia, re di Gerusalemme (Review by Brian Robins)

Sedecia 

SCARLATTI, ALESSANDRO: Stabat Mater. Salve Regina (Review by Tom Moore)

countertenor 

STRADELLA: San Giovanni Battista (Review by David Johnson)

alto 

STRADELLA: San Giovanni Battista (Review by David Johnson)

San Giovanni Battista 

TELEMANN, GEORG PHILIPP: Cantatas (Review by George Chien)

countertenor 

VIVALDI, ANTONIO: Cantatas (Review by David Johnson)

countertenor 

VIVALDI, ANTONIO: Cessate, ornai cessate, RV 684. Perfidissimo cor!, RV 674. Amor hai vinto, RV 683. Qual per ignoto calle, RV 677. Violin Sonata in d, op. 2/3 (Review by Brian Robins)

alto 

VIVALDI, ANTONIO: L'Olimpiade (Review by David Johnson)

Licida 

VIVALDI, ANTONIO: L'Olimpiade (Review by David Johnson)

male alto 

VIVALDI, ANTONIO: L'incoronazione di' Dario (Review by David Johnson)

countertenor 

VIVALDI, ANTONIO: L'incoronazione di' Dario (Review by David Johnson)

Stafira 

VIVALDI, ANTONIO: L’Olimpiade (Review by Joel Kasow)

Licida 

VIVALDI, ANTONIO: Sacred Music for Soloist and Double Orchestra (Review by George Chien)

countertenor 

VIVALDI, ANTONIO: Salve Regina, RVßie. Introduction au Miserere (Review by George Chien)

countertenor 

 

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