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Performer: Philip Langridge

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow)

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THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow)

tenor 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow)

tenor 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

tenor 

SZYMANOWSKI: King Roger... (Simon Rattle) (Review by Martin Anderson)

Edrisi 

SZYMANOWSKI: King Roger... (Simon Rattle) (Review by Adrian Corleonis)

Edrisi 

ADÈS: The Tempest (Review by Robert Carl)

King Of Naples 

AHROLD: Second Coming; Song Without Words (Review by Benjamin Pernick)

tenor 

ARNE, THOMAS: Thomas and Sally (Review by Vincent Alfano)

Squire 

ARNE, THOMAS: Thomas and Sally (Review by Vincent Alfano)

tenor 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by George Chien)

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BACH, JOHANN SEBASTIAN: Mass in F, BWV 233; Mass in A, BWV 234; Mass in G Minor, BWV 235; Mass in G, BWV 236 (Review by George Chien)

tenor 

BERG, ALBAN: Wozzeck, op. 7 (Review by Peter J. Rabinowitz)

Andres 

BERG, ALBAN: Wozzeck, op. 7 (Review by Peter J. Rabinowitz)

tenor 

BERLIOZ: Roméo et Juliette (Review by Adrian Corleonis)

tenor 

BERLIOZ: Roméo et Juliette (Review by Barry Brenesal)

tenor 

BIRTWISTLE: Punch and Judy (Review by John Ditsky)

Lawyer 

BIRTWISTLE: Punch and Judy (Review by Paul Moor)

Lawyer 

BIRTWISTLE: Punch and Judy (Review by Peter J. Rabinowitz)

Lawyer 

BIRTWISTLE: Punch and Judy (Review by Colin Clarke)

Lawyer 

BIRTWISTLE: Punch and Judy (Review by John Ditsky)

tenor 

BIRTWISTLE: The Minotaur (Review by Ronald E. Grames)

Hiereus 

BIRTWISTLE: The Minotaur (Review by Ronald E. Grames)

Hiereus 

BIRTWISTLE: The Minotaur (Review by Arthur Lintgen)

Hiereus 

BIRTWISTLE: The Minotaur (Review by James H. North)

Hiereus 

BRITTEN: Billy Budd (Review by James Miller)

Captain Vere 

BRITTEN: Canticles (Review by Paul Ingram)

tenor 

BRITTEN: Death in Venice (Review by Paul Ingram)

Gustav von Aschenbach 

BRITTEN: Folk Song Arrangements (Review by Paul Ingram)

tenor 

BRITTEN: Gloriana (Review by James Miller)

Essex 

BRITTEN: Gloriana (Review by James Miller)

tenor 

BRITTEN: Peter Grimes, op. 33 (Review by Marc Mandel)

Peter Grimes 

BRITTEN: Peter Grimes, op. 33 (Review by Marc Mandel)

tenor 

BRITTEN: Serenade for Tenor, Horn, and Strings. Nocturne. Phaedra (Review by Jerry Dubins)

tenor 

BRITTEN: St. Nicolas. Christ's Nativity. Psalm 150 (Review by Paul Ingram)

tenor 

BRITTEN: The Turn of the Screw Op. 54 (Review by John Ditsky)

Prologue 

BRITTEN: The Turn of the Screw Op. 54 (Review by John Ditsky)

tenor 

BRITTEN: War Requiem. Sinfonia da Requiem. Ballad of Heroes (Review by J. F. Weber)

tenor 

CHAUSSON: Réveil. Les Papillons. Sérénade italienne. Le Colibri. La Caravane (Review by Haig Mardirosian)

tenor 

DVOŘÁK, ANTONIN: Cypresses. Biblical Songs, op. 99 (Review by David Mason Greene)

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DVOŘÁK, ANTONIN: Cypresses (Review by Paul Ingram)

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DVOŘÁK, ANTONIN: Terzetto (Review by Paul Ingram)

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DYSON: Quo vadis (Review by Martin Anderson)

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ESCHER: Sonata for Clarinet Solo; Wind Quintet; Nostalgies for Tenor and Orchestra; Sinfonia per deici strumenti; Symphony No. 2 (Review by Benjamin Pernick)

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FAURÉ, GABRIEL: Puisquïci-bas. Arpège. Soir. Pleurs d'or (Review by Haig Mardirosian)

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FINZI: Intimations of Immortdlity. Grand Fantasia and Toccata (Review by Walter Simmons)

tenor 

GAY, JOHN/BRITTEN, BENJAMIN: The Beggar's Opera (Review by James Camner)

Macheath 

GAY, JOHN/BRITTEN, BENJAMIN: The Beggar's Opera (Review by James Camner)

tenor 

GOUNOD, CHARLES: La Barcarola. Sérénade. Ce que je suis sans toi. Boire à l'ombre. Le premier Jour de mai (Review by Haig Mardirosian)

tenor 

HANDEL, GEORGE FRIDERIC: Acts (Review by Mortimer H. Frank)

Damon 

HANDEL, GEORGE FRIDERIC: Acts (Review by Mortimer H. Frank)

voice 

HANDEL, GEORGE FRIDERIC: Chandos Anthems (Review by J. F. Weber)

tenor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

tenor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Michael Carter)

tenor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Elliott Kaback)

tenor 

HANDEL, GEORGE FRIDERIC: Samson (Review by Anthony D. Coggi)

Philistine Man 

HANDEL, GEORGE FRIDERIC: Samson (Review by Anthony D. Coggi)

tenor 

HANDEL, GEORGE FRIDERIC: Utrecht Te Deum (Review by George Chien)

tenor 

HAYDN, FRANZ JOSEPH: Il Ritorno di Tobia (Review by John Bauman)

tenor 

HAYDN, FRANZ JOSEPH: Il Ritorno di Tobia (Review by John Bauman)

Tobia 

HAYDN, FRANZ JOSEPH: The Creation, Hob. XXI (Review by James H. North)

tenor 

HAYDN, FRANZ JOSEPH: The Creation, Hob. XXI (Review by James H. North)

Uriel 

HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky)

Prince Hal 

HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky)

tenor 

HOLST, GUSTAV: Savitri, Op. 25 (Review by John Ditsky)

tenor 

HOLST/MATTHEWS: The Dream-City, Op. 48a (Review by John Ditsky)

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HOWELLS: King David. Come Sing and Dance. Merry Margaret. The Lady Caroline. The Three Cherry Trees. On the Merry First of May. The Dunce. Alas Alack. Miss T (Review by Paul Turok)

tenor 

HOWELLS: Nine Songs (Review by Paul Turok)

tenor 

JANÁČEK, LEOŠ: Osud (in English) (Review by James H. North)

Ivn 

JANÁČEK, LEOŠ: Osud (in English) (Review by James H. North)

tenor 

JANÁČEK, LEOŠ: The Diary of One Who Disappeared (orchestral version by Ota Zítek and Václav Sedláček). Sinfonietta (Review by James H. North)

tenor 

LAMBERT, CONSTANT: Concerto for Piano and Nine Players. Eight Poems of Li-Po. Piano Sonata. Mr. Bear Squash-you-all-flat (Review by David Johnson)

tenor 

LAMBERT, CONSTANT: Concerto for Piano and Nine Players^. Eight Poems of Li-Po. Piano Sonata. Mr. Bear Squash-you-all-flat (Review by Martin Anderson)

tenor 

LEHMANN, LIZA: In a Persian Garden (Review by John Ditsky)

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LEWIS, ROBERT HALL: Nuances II (Review by Benjamin Pernick)

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LISZT: Im Rhein (second version), S. 272. Bist du!, S. 277. Freudvoll und Leidvol (first setting, second version), S. 280. Die Vätergruft, S. 281. Vergiftet sind meine Lieder, S. 289. Three Songs from Schiller's “Wilhelm Tell“ (second version), S. 292. Ich möchte Hingehn, S. 296. Wer nie sein Brot (first setting), S. 297. Kling leise, mein Lied (second version), S. 301. Die Macht der Musik, S. 302. Über allen Gipfeln ist ruh (second version), S. 306. Ich Scheide, S. 319. Die drei Zigeuner, S. 320. Jugendglück, S. 323. Ihr Glocken von Marling, S. 328. Der Glückliche, S. 334 (Review by Peter J. Rabinowitz)

tenor 

LISZT: Songs (Review by Peter J. Rabinowitz)

tenor 

MESSIAEN: La Mort du nombre (Review by Haig Mardirosian)

tenor 

MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber)

tenor 

MOZART: Idomeneo, rè di Creta (Review by Bernard Jacobson)

Idomeneo 

MOZART: La Clemenza di Tito (Review by Barry Brenesal)

Tito 

MOZART: La clemenza di Tito, K. 621 (Review by Henry Fogel)

tenor 

MOZART: La clemenza di Tito, K. 621 (Review by Henry Fogel)

Tito 

MOZART: Le nozze di Figaro (Review by Barry Brenesal)

Don Basilio 

MOZART: Le nozze di Figaro (Review by Lynn René Bayley)

Don Basilio 

MOZART: Le nozze di Figaro (Review by Peter J. Rabinowitz)

Don Basilio  

MUSSORGSKY: Boris Godounov (Review by William H. Youngren)

Shuisky 

MUSSORGSKY: Boris Godunov (1869) (Review by Christopher Williams)

Shuisky 

ORR, B.: Along the Field. When I Watch the Living Meet. Farewell to Barn and Stack and Tree. When Smoke Stood Up from Ludlow. Is My Team Ploughing. The Lads in Their Hundreds. With Rue My Heart is Laden. In Valley's Green and Still. While Summer On Is Stealing. Bahnhofstrasse (Review by Paul Turok)

tenor 

ORR, B.: Ten Songs (Review by Paul Turok)

tenor 

PURCELL: Dido and Aeneas (Review by Mortimer H. Frank)

First Sailor 

PURCELL: Dido and Aeneas (Review by Mortimer H. Frank)

voice 

RAMEAU: Les Boréades (Review by J. F. Weber)

Abaris 

RAMEAU: Les Boréades (Review by David Johnson)

Abaris 

RAMEAU: Les Boréades (Review by J. F. Weber)

tenor 

RAMEAU: Les Boréades (Review by David Johnson)

tenor 

RAMEAU: Zéphyre (An opera-ballet) (Review by John Yohalem)

tenor 

RAMEAU: Zéphyre (An opera-ballet) (Review by John Yohalem)

Zéphyre 

SAINT-SAËNS: Viens! Aimons-nous. L'Attente. La Cloche. Danse macabre (Review by Haig Mardirosian)

tenor 

SCHOENBERG, ARNOLD: Gurrelieder (Review by James H. North)

Klaus The Jester 

SCHOENBERG, ARNOLD: Gurrelieder (Review by James H. North)

tenor 

SCHOENBERG, ARNOLD: Moses und Aron (Review by ROGER DETTMER)

Aaron 

SCHOENBERG, ARNOLD: Moses und Aron (Review by James H. North)

Aron 

SCHOENBERG, ARNOLD: Moses und Aron (Review by ROGER DETTMER)

tenor 

SCHUBERT: Complete Songs, Volume 4 (Review by David Johnson)

tenor 

SCHUBERT: Der Liedler, D. 209. Sängers Morgenlied (2 versions), D. 163, 165. Das war ich, D. 174. Liebeständelei, D. 206. Liebesrausch, D. 179. Sehnsucht der Liebe, D. 180. Das gestörte Glück, D. 309. Auf der Riesenkoppe, D. 611. Am See, D. 124. Alte Liebe rostet nie, D. 477. Am Strome, D. 539. Nachtstück, D. 672. Liebeslauschen, D. 698. An Herrn Josef von Spaun (Epistel), D. 749 (Review by David Johnson)

tenor 

SHOSTAKOVICH: Lady Macbeth of Mtsensk, op. 29 (Review by Royal S. Brown)

tenor 

SHOSTAKOVICH: Lady Macbeth of Mtsensk, op. 29 (Review by Royal S. Brown)

Zinovi Izmailov 

STRAVINSKY, IGOR: Oedipus Rex (Review by James H. North)

Oedipus 

STRAVINSKY, IGOR: Oedipus Rex (Review by James H. North)

Oedipus 

STRAVINSKY, IGOR: Oedipus Rex (Review by James H. North)

tenor 

STRAVINSKY, IGOR: Renard (Review by George Chien)

tenor 

SZYMANOWSKI: King Roger (Review by Adrian Corleonis)

Edrisi 

TIPPETT, M.: A Child of Our Time (Review by Peter J. Rabinowitz)

tenor 

TIPPETT, M.: King Priam (Review by Adrian Corleonis)

Paris 

TIPPETT, M.: King Priam (Review by John Ditsky)

Paris 

TIPPETT, M.: King Priam (Review by Raymond Tuttle)

Paris 

TIPPETT, M.: King Priam (Review by Adrian Corleonis)

tenor 

TIPPETT, M.: King Priam (Review by John Ditsky)

tenor 

TIPPETT, M.: King Priam (Review by Raymond Tuttle)

tenor 

WALTON: Façade 1. Façade 2 (Review by George Chien)

tenor 

WEILL: The Seven Deadly Sins (arr. Brückner-Rüggeberg). The Berlin Requiem (ed. David Drew) (Review by Adrian Corleonis)

tenor 

 

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